Oscar-winning director leads calls for inquiry into police investigative process following death of Lee Sun-kyun
A group of South Korean artists, including film director Bong Joon-ho, has called for an investigation into the circumstances surrounding the death last month of prolific actor Lee Sun-kyun.
Lee, who played a lead role in Bong’s Oscar-winning film Parasite, died last month in an apparent suicide, at the age of 48.
Continue reading...The actor talks about joining the MCU, his friendships with BTS’s V and the rest of the ‘Wooga Squad’, and the social and economic issues behind his TV hits Itaewon Class and Fight for My Way
In an early scene of Bong Joon-ho’s Parasite, a brief conversation between rich student Min-hyuk and his friend Ki-woo proves a crucial moment in the multi-Oscar winning film. “Tutor a rich kid. It pays well,” the scooter-riding Min-hyuk tells the impoverished Ki-woo, who lives in a semi-basement home with his family. And when Min-hyuk offers Ki-woo the opportunity to take over his job as a tutor for the rich Park family, he acts as a bridge between the two worlds, and sets the plot of the film in motion.
Min-hyuk is played by Park Seo-joon, and despite the brevity of Park’s appearance in Parasite, it will have been the first time most international audiences will have got a good look at him. Park is a big name in South Korea however, thanks to a string of successful domestic TV series – mostly romantic comedies such as She Was Pretty and Fight for My Way – and the Netflix hit Itaewon Class. Now his international profile is about to be raised, after it was confirmed he will be joining the Marvel Cinematic Universe for Captain Marvel 2: The Marvels, appearing alongside Brie Larson, Iman Vellani and Zawe Ashton, making him the third South Korean actor to join the MCU.
Continue reading...Alongside our countdown of the best films of 2020, our chief film critic selects his favourite movies, directors and performances of the year
As for everyone and everything else, this has been a traumatising year for cinema. Many new movies have had to be viewed at home, on streaming services, and cinephiles have had to accept this arrangement, rather like gourmets who see their favourite restaurants survive by repurposing themselves as delivery and takeaway centres. And streaming has, arguably, given a new audience to independent and arthouse cinema that might not otherwise have much of a showing in theatres.
Lockdown has intensified the debate about the validity of the small-screen experience of cinema – and it’s especially intense for me, when I consider one of my favourite films of the year. Steve McQueen’s Lovers Rock is one of the glorious works in McQueen’s superb five-movie Small Axe sequence about the Black British experience. It is gloriously cinematic and was slated to feature at this year’s (cancelled) Cannes film festival. But it was commissioned by the BBC, and so the vast majority of the people enjoying this wonderful film will be doing so on the small screen. That’s why it is being described, understandably, as one the television highlights of the year.
Continue reading...President says US has trade problems with South Korea and wonders if ‘we can get Gone With the Wind back’
Donald Trump has taken a jab at the Oscars for awarding this year’s best picture honor to Parasite, because the film is South Korean.
“How bad were the Academy Awards this year?” Trump asked a rally in Colorado Springs, Colorado. The crowd responded with loud boos.
Continue reading...South Korean film Parasite dominated the Academy Awards with its haul including best picture and director for Bong Joon-ho. The comedy-crime-drama also won the original screenplay and international feature film awards.
The moment Parasite was awarded best picture – a first for any non-English language film in the Oscars’ 92-year-history – prompted outpourings of joy in Bong’s native country. Many were glad the film propelled South Korea - and reflection on its gaping wealth gap - into the global spotlight
Continue reading...Bong Joon-ho’s South Korean satire wins top prize after taking best director, international film and original screenplay
After an awards season marked by its predictability, the Oscars delivered a spectacular final-reel twist on Sunday evening, naming capitalist satire Parasite best picture.
Bong Joon-ho’s comedy-drama about an impoverished family who infiltrate the household of a wealthier one is the first film not in the English language to take the top prize. It also took best director, best original screenplay and best international film.
Continue reading...Follow all the action from Hollywood as we find out who’s wearing what, who’s winning what and whose acceptance speech is dropping jaws
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Now for best animated feature. Beanie Feldstein just introduced Mindy Kaling. Is that how this is going to work without a host? A person announces a person who announces a winner? That seems like at least one step too many.
We already have a news story about Brad Pitt winning. Not that anyone was expecting it or anything.
Continue reading...The Crown also takes home outstanding performance by an ensemble in a drama series in one of the final awards shows before the Oscars
Phoebe Waller-Bridge has been named most outstanding female actor in a comedy at the Screen Actors Guild awards on Sunday.
The creator and star of Fleabag took home yet another prize for her work on the acclaimed comedy’s second season, adding to her Golden Globes, Critics’ Choice awards and Emmy wins.
Continue reading...The chronicle of an activist who filmed the destruction in Aleppo wins prizes for best film, documentary, director and editing
For Sama, the acclaimed documentary about life under siege in the Syrian city of Aleppo, has unexpectedly triumphed at the British independent film awards, winning the top prize, best British independent film, as well as best documentary and best director for Waad al-Kateab and Edward Watts.
Described by the Guardian’s Mike McCahill as a film to “break your heart and sear your soul”, For Sama is a chronicle filmed by Syrian activist-director al-Kateab as Aleppo is targeted during the country’s ongoing civil war. Al-Kateab spends much of the time in a hospital where her husband, Hamza, works, recording the destruction and horror. For Sama won a total of four Bifas, including best editing – previously announced with other Bifa “craft” awards on 15 November.
Continue reading...From Little Women and Bombshell on one side and The Irishman and The Two Popes on the other, the Academy will have to tread a careful line picking this year’s nominations
British politicians are not the only people preparing for the campaign trail; Hollywood’s awards-season schmooze offensive has also begun. Gala ball dates are being added to diaries, academy voters are being targeted and a clutch of frontrunners is emerging. Trends – most of them worrying – are also appearing.
In summary, this year it is “boy films” v “girl films”. A gaping gender divide seems to have split the field. On the girls’ side, we have two well-received titles: Bombshell, dramatising the sexual harassment scandal at Fox News, and Greta Gerwig’s adaptation of Little Women. Both are stories of female defiance at the male-dominated status quo, and are cast with an embarrassment of awards-bait: Little Women features Meryl Streep, Saoirse Ronan, Florence Pugh, Emma Watson and Laura Dern; Bombshell has Nicole Kidman, Charlize Theron, Margot Robbie and Allison Janney.
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