Category Archives: Spike Lee

Rare Air Jordans made for Spike Lee fetch $50,000 for homelessness charity

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The shoes – which debuted as Lee’s footwear at the 2019 Academy Awards – were found in a clothing donation bin in Portland, Oregon

A pair of rare Nike Air Jordan 3s made for Spike Lee have sold for more than $50,000 at Sotheby’s after they were discovered earlier this year in the donation chute of a homeless charity in Portland, Oregon.

On Monday, the gold shoes, one of only four to five pairs custom-made for the film director Spike Lee and his inner circle, were auctioned off at Sotheby’s for $50,800. The shoes were originally discovered in April by a participant in Portland Rescue Mission’s long-term shelter program who was sorting through several clothing and shoe donations.

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Why is Spike Lee’s 9/11 docuseries so controversial?

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His new HBO series has been re-edited after backlash over featuring 9/11 ‘truthers’ – but a thread of distrust remains

Spike Lee is no stranger to controversy, but pre-emption is new for him. His incendiary work has inspired scandals both righteous (Do the Right Thing frightened a complacent America with its vision of urban unrest) and regrettable (the Jewish club owners in Mo’ Better Blues attracted charges of antisemitism), and now, his new docuseries NYC Epicenters 9/11 —> 2021½ has landed him in the same hot water that never seems to cool.

Related: Two decades after 9/11, the real threat to the US is our own far right | Harsha Panduranga

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Titane may not have been the best film at Cannes, but it had guts, drive – and an anthro-automotive hybrid devil child

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Julia Ducournau has became the second woman ever to win the Palme d’Or at Cannes. Her triumph is a suitably rock’n’roll ending for this year’s festival

Cannes let rip a punk power chord of glorious mischief by giving the Palme d’Or to Julie Ducournau’s gonzo genderqueer body-horror shocker Titane, and the jury and the movie’s many fans will have savoured the delicious applecart-upsetting thrill of it all. It’s the biggest épat since Lars Von Trier won it for Dancer in the Dark — and, importantly, it’s an award that makes Julie Ducournau only the second female Palme-winner in the festival’s history, since Jane Campion.

I must admit I was not a fan of Titane, being in my view not the best movie in competition, and not the best film that Ducournau has directed — being less interesting than her first film, the more complex and more shocking Raw. But I’m an enormous fan of challenging the consensus and overturning the tyranny of anaemic good taste, and perhaps there’s something in the perennial stateliness of cinéma that cries out to be trolled, a bit. Tonight Titane put its steel toe-capped boot through the origami flower of received wisdom. And there’s something refreshing in that.

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Cannes Palme d’Or goes to female director for only the second time

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Julia Ducournau’s serial killer film Titane scoops top award, while best actor and actress go to Caleb Landry Jones and Renate Reinsve

The Palme d’Or, the most prestigious of cinema festival prizes, has gone to Titane, an unconventional and violent film directed by the 37-year-old French director Julia Ducournau.

Related: Cannes 2021: Titane didn’t deserve the Palme, but it had guts, drive – and an anthro-automotive hybrid devil child

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Spike Lee: ‘You hope that black people will stop being hunted down like animals’

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The director has spoken about race at the Cannes film festival, where he is the first black president of the Palme d’Or jury

Spike Lee commented on the US’s current racial justice crisis in typically forthright fashion at the Cannes film festival on Tuesday, saying he hoped the time had come that “black people will stop being hunted down like animals”.

Lee, who is the president of the jury that will pick the winner of the Cannes Palme d’Or, was speaking at the jury’s press conference on the first day of the festival. Having been asked a question about his 1989 film Do the Right Thing, which contains a scene in which a black youth, Radio Raheem, is killed by police, Lee responded: “I wrote it in 1988. When you see brother Eric Garner, when you see king George Floyd murdered, lynched, I think of Radio Raheem; and you would think and hope that 30 motherfucking years later, that black people stop being hunted down like animals.”

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Samuel L Jackson’s 20 best films – ranked!

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Soon to be seen in The Hitman’s Wife’s Bodyguard, the actor has a CV taking in dancing losers, choric narrators, a Bible-misquoting killer – and Marvel’s coolest middleman

Samuel L Jackson is the elegantly besuited, cane-twirling, fourth-wall-breaking narrator in Spike Lee’s Chi-Raq (pronounced “shy-rack”), set in the city of Chicago, where the homicide rate has exceeded the US death toll in Iraq. It is a twist on Aristophanes’s Lysistrata, about one woman’s mission to end the Peloponnesian war with a sex strike. Teyonah Parris plays Lysistrata, the girlfriend of a gangbanger. She reaches out to the wives and partners of their enemies with a similar idea – and the chant: “No peace, no pussy!” Jackson is the dapper, impish Dolmedes, whose rhyming couplets bring us into the story.

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The 2020 Braddies go to … Peter Bradshaw’s film picks of the year

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Alongside our countdown of the best films of 2020, our chief film critic selects his favourite movies, directors and performances of the year

As for everyone and everything else, this has been a traumatising year for cinema. Many new movies have had to be viewed at home, on streaming services, and cinephiles have had to accept this arrangement, rather like gourmets who see their favourite restaurants survive by repurposing themselves as delivery and takeaway centres. And streaming has, arguably, given a new audience to independent and arthouse cinema that might not otherwise have much of a showing in theatres.

Lockdown has intensified the debate about the validity of the small-screen experience of cinema – and it’s especially intense for me, when I consider one of my favourite films of the year. Steve McQueen’s Lovers Rock is one of the glorious works in McQueen’s superb five-movie Small Axe sequence about the Black British experience. It is gloriously cinematic and was slated to feature at this year’s (cancelled) Cannes film festival. But it was commissioned by the BBC, and so the vast majority of the people enjoying this wonderful film will be doing so on the small screen. That’s why it is being described, understandably, as one the television highlights of the year.

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David Byrne: ‘Spike Lee and I have a lot in common’

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The former Talking Heads frontman on the importance of performance, covering Janelle Monáe, and his hope for the American experiment

David Byrne is one of popular culture’s great polymaths: a musician, producer, artist, actor, author, record label owner and film-maker. He was a founding member and lead singer of the influential post-punk group Talking Heads and has had a long and varied solo career that has included collaborations with Brian Eno and St Vincent. The film of Byrne’s acclaimed 2019 Broadway stage production of the album American Utopia, directed by Spike Lee, is available on digital download from tomorrow and DVD on 11 January.

How has the lockdown been for you?
When it was warmer, I could go for bike rides around [New York] with friends and band members, so we could at least see each other and explore parts of the city we didn’t know. I still do that occasionally but it’s a little bit harder now it’s getting colder.

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Why BlacKkKlansman should win the best picture Oscar

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Spike Lee’s politically charged cinema has irked the Academy in the past, but his witty take on how a black policeman outsmarted the Ku Klux Klan could prove sweetly timed

“Today’s young generation, they don’t know anything,” says Spike Lee in the Oscar-winning Rumble in the Jungle documentary, When We Were Kings. “Something happened last year, they know nothing about it. There are these great, great stories. These great historic events. I’m not talking about 1850s stuff. They don’t know who Malcolm X is. They don’t know who JFK is. They don’t know Muhammad Ali or Jackie Robinson. You can go down the line. It’s scary.”

You could interpret Lee’s career, in part, as an exercise in filling those holes in America’s collective memory. Malcolm X is probably the most famous example, with his 1992 film reigniting a debate about the black political leader and his legacy. His documentary 4 Little Girls told the story of the Birmingham church bombing with its eerie parallels to the Charleston church shooting. But even She Hate Me – ostensibly an ethically questionable film about sperm donation – had a section dedicated to the story of Frank Wills, the security guard who raised the alarm about the Watergate break-in, struggled to find work after (he believed he was blacklisted) and who died in extreme poverty in 2000 at the age of 52.

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