‘All the romance of film-making is gone’: Woody Allen hints at retirement – again

The 88-year-old director says he is ‘on the fence’ about making another film due to the work needed to get distribution and financial backing

Woody Allen has once again hinted at his retirement from film-making, saying that he is “on the fence” about making another film after the US release of his latest, Coup de Chance.

In an interview with Air Mail, the 88-year-old director was asked whether the French-language erotic thriller Coup de Chance would be his final film.

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Woody Allen in Venice: #MeToo has been good for women, but cancel culture can be ‘silly’

Director attacks ‘extremes’ of movement while promoting Coup de Chance, his 50th film, at Venice film festival, as well as addressing persistent interest in historic allegations against him

Woody Allen has voiced his support for the #MeToo movement while promoting his new film, adding that he sometimes finds cancel culture “silly”.

The director’s career has lately been mired by a recent refocusing in social media on an allegation made against him in 1993, when his adopted daughter, Dylan Farrow, said he had sexually assaulted her in an attic at the time of the custody battle between Allen and Dylan’s adoptive mother, Mia Farrow.

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Venice film festival picks starry films despite actors’ strike

Hollywood films vying for Golden Lion include Bradley Cooper’s Maestro and Yorgos Lanthimos’s Poor Things, with non-competition films by Wes Anderson and Richard Linklater

The Venice film festival appears to have largely shrugged off issues caused by non-attendance of Hollywood actors due to the Sag-Aftra strike as it unveiled its lineup for its 2023 edition.

Venice has traditionally functioned partly as a platform for major American releases looking for strong positioning in the autumn awards season, and it has already seen its originally announced opening film Challengers, a tennis drama starring Zendaya, drop out after it was forced to delay its release date.

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Cannes defends decision to pick Johnny Depp film as festival opener

Prestige slot for Jeanne de Barry, featuring Depp as Louis XV, has drawn criticism but general delegate Thierry Frémaux says it is not ‘a controversial choice’

Cannes film festival general delegate Thierry Frémaux has defended the decision to hand the prestigious opening slot to Jeanne du Barry, in which Depp stars as Louis XV.

Directed by and starring Maïwenn, Jeanne du Barry is a biopic of the famous 18th-century maîtresse-en-titre, who was executed in 1793 during the French revolution. Speaking to Variety, Frémaux said it was not “a controversial choice”, adding: “If Johnny Depp had been banned from working it would have been different, but that’s not the case. We only know one thing, it’s the justice system and I think he won the legal case.”

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Javier Bardem: ‘When I won the Oscar, I felt great, but it didn’t make any sense’

Famed for portraying bad guys in Skyfall and No Country for Old Men, the Spaniard opens up about his marriage to Penélope Cruz, his formidable mum, and his hopes for his kids

The bad news is that, at the last minute, my interview with Javier Bardem is changed from being a face-to-face encounter to one conducted by the less risky means of video chat (damn you, Omicron!) But the good news is this means I get to snoop around Bardem’s home in Madrid, where he Zooms me from, and which he shares with his wife, the actor Penélope Cruz, and their two children, Leonardo, 10, and Luna, eight. OK, I don’t actually see the whole house, but he does give me a panoramic view of his study while his kids shout and play outside.

“You can see my little bookcase here,” Bardem says, picking up his laptop and giving me the grand tour. “And my map of the world. It’s very chaotic.”

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Barbara Hershey on Beaches, Woody Allen and breastfeeding on TV: ‘I was an innocent’

Now 73, the star of Hannah and Her Sisters shines in Jason Blum’s new horror. She talks about why audiences are hungry for mature movies, and her unhappiness at becoming an accidental poster girl for cosmetic surgery

In 1973, Barbara Hershey – then known as Barbara Seagull, for reasons we’ll get into shortly – went on the popular US talkshow The Dick Cavett Show and torpedoed her career. She was on alongside her then partner, the actor David Carradine, but when Hershey/Seagull walked out on stage, she could hear their eight-month-old baby crying off-camera. So she ran off and returned with the little boy, named Free. Unfortunately, Free continued to fret. So Hershey/Seagull breastfed her baby live on air. Cavett was stunned and so, clearly, were the producers, who cut to commercials.

“Did you breastfeed the baby earlier or was that my imagination?” Cavett asked when they returned, Free now fed. “I did it,” Hershey, then 25, replied, entirely unabashed.

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‘If publishers become afraid, we’re in trouble’: publishing’s cancel culture debate boils over

Publishing staff, in rows over authors from Mike Pence to Woody Allen, are voicing their reluctance to work on books they deem hateful. But is this really ‘younger refuseniks’, or a much older debate?

In the 1960s, Simon & Schuster’s co-founder Max Schuster was facing a dilemma. Albert Speer, Hitler’s chief architect and armaments minister, had written a memoir providing new insights into the workings of Nazi leadership. As Michael Korda, Schuster’s editor-in-chief, recounted in his memoir Another Life, Schuster knew it would be a huge success. “There is only one problem,” he said, “and it’s this: I do not want to see Albert Speer’s name and mine on the same book.”

In the liberal industry of publishing, the tension that exists between profit and morality is nothing new, whether it’s Schuster turning down Speer (the book was finally published by Macmillan), or the UK government introducing legislation to prevent criminals making money from writing about their crimes.

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Allen v Farrow review – a one-note pick over the bones of old investigations

The HBO series arrives on Sky in the UK, but fails to dig deep and do more than regurgitate Mia and Dylan Farrow’s allegations against Woody Allen

Eight months after his relationship with not-quite-stepdaughter Soon-Yi was revealed in 1992, Woody Allen was accused of sexually abusing Dylan Farrow, his younger daughter with his partner Mia Farrow, when she was seven. Allen strongly denied all the allegations, as he has continued to do over the nearly 30 years since. But they fell on fertile soil. How could a man who could start an affair with his partner’s daughter not be capable of just about anything else, the argument went? A welter of publicity followed, claims (that no mother, especially one as devoted as Farrow, could possibly make such a thing up), counterclaims (that in fact she had done so, that Dylan was coached – which she denies, and that it was all an act of vengeance for the Soon-Yi affair), along with gossip and hearsay proliferated.

Dylan and her brother Ronan Farrow began speaking about the matter publicly themselves in 2014. This has disinterred old battle lines and occasioned new accounts from people who were close to the family at the time and from Moses, another of the Farrow children, which contradict either things they said at the time or the saintly mother narrative that seemed the most natural one. Meanwhile, doctors examined Dylan at the time and found no evidence to support Farrow’s contention, and Allen was investigated by the Yale New Haven hospital’s child sexual abuse clinic and the New York State’s social services department, who reached similar conclusions.

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Diane Keaton’s 10 best performances – ranked!

With the Oscar winner’s romcom Love, Weddings & Other Disasters out next month in the UK, we run through her greatest roles

Some of the jokes in Sleeper are as dated as the special effects (and they looked creaky enough nearly 50 years ago). But Keaton is ethereally lovely as Luna, a socialite from the future. As always, there is an intelligence to her performance that lifts her above the weaker material, such as Woody Allen’s character floating around a field in a hydrovac suit.

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Allen v Farrow is pure PR. Why else would it omit so much?

The new HBO documentary in which Mia and Dylan Farrow revisit their 1992 allegation against Woody Allen claims to be an even-handed investigation. But its failure to present the facts makes it feel more like activism

“HBO Doc About Woody Allen & Mia Farrow Ignores Mia’s 3 Dead Kids, Her Child Molester Brother, Other Family Tragedies” was the headline on one US showbiz site, above its review of the four-part documentary, Allen v Farrow, about the continuing battle between Woody Allen and Mia Farrow, now entering its fourth decade. But this review was very much an outlier. In the vast main, reaction to the strongly anti-Allen series has been overwhelmingly positive, with Buzzfeed describing it as a “nuanced reckoning” and Entertainment Weekly comparing it to the recent documentaries about Michael Jackson and Jeffrey Epstein. This reaction is more of a reflection of the public’s feelings towards Allen – particularly in the US – than of the documentary, which sets itself up as an investigation but much more resembles PR, as biased and partial as a political candidate’s advert vilifying an opponent in election season.

Related: Allen v Farrow review – effective docuseries on allegations of abuse

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Woody Allen denies claims in Allen v Farrow HBO documentary

The film-maker and wife Soon-Yi Previn claim film is ‘hatchet job riddled with falsehoods’ on abuse allegations

Woody Allen has rebutted renewed allegations, in the HBO documentary Allen v Farrow, that he sexually assaulted his daughter Dylan in 1992, calling the series “a hatchet job riddled with falsehoods”.

In a statement to the Hollywood Reporter, Allen and his wife, Soon-Yi Previn, said that film-makers Amy Ziering and Kirby Dick had “spent years surreptitiously collaborating with the Farrows and their enablers to put together a hatchet job riddled with falsehoods”.

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The director who dared to suggest Jewish men don’t need rescuing by blond women

The late film-maker Joan Micklin Silver exploded the cliches of modern romances. If only others would do the same

The director Joan Micklin Silver, who died last week, was – to use the kind of cliche she abhorred – a pioneer. She was a female director at a time when studio executives were more than comfortable with being openly sexist, telling Silver: “Women directors are one more problem we don’t need.”

She made distinctly Jewish movies, as opposed to the kind of Jewish-lite movies that were – and are still – Hollywood’s more usual style. Her two greatest films, Hester Street (1975), about a Jewish immigrant couple (Steven Keats and Carol Kane) on the Lower East Side in the 1890s, and the peerless 1988 romcom Crossing Delancey, about a modern young woman (Amy Irving) who is reluctantly fixed up with a pickle seller (Peter Riegert), are to When Harry Met Sally what the Netflix series Shtisel is to Seinfeld: Jewish as opposed to merely Jew-ish.

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Woody Allen’s new film to open San Sebastián film festival

Rifkin’s Festival, which was shot in the Spanish city last year, chosen to headline annual film festival

Rifkin’s Festival, the new film by Woody Allen, has been selected to open the San Sebastián film festival in Spain.

Starring Elena Anaya, Louis Garrel and Gina Gershon, Rifkin’s Festival was shot in and around the city in 2019, and according to the plot synopsis takes place during the festival itself. “It tells the story of a married American couple who go to the San Sebastián festival and get caught up in the magic of the event, the beauty and charm of the city and the fantasy of movies. She has an affair with a brilliant French movie director, and he falls in love with a beautiful Spanish woman who lives there.”

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‘Do I really care?’ Woody Allen comes out fighting

The 1992 accusation that the film-maker sexually assaulted his young daughter has made him a pariah, yet he was never charged. In this exclusive interview, he explains why he is done with treading carefully

When Woody Allen was 20, the writer Danny Simon taught him a few rules about comedy, the most important of which was this: always trust your own judgment, because external opinion is meaningless.

Allen recounts this tale in his recently published memoir, Apropos of Nothing. That this book exists at all is proof that he still adheres to that rule. These days, Allen’s name is mud, a fact made clear by the critics, who wrote their reviews with one hand while holding their noses with the other.The New York Times’ critic wrote: “Volunteering to review [this book], in our moral climate, is akin to volunteering for the 2021 Olympic javelin-catching team.” Another publication’s headline was: “I Read Woody Allen’s Memoir So You Don’t Have To.”

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Woody Allen: ‘I would welcome Dylan Farrow back with open arms’

Director says in new memoir that not raising his adopted daughter after abuse allegations – which he denies – was ‘one of the saddest things’ of his life

Woody Allen has written that he “would welcome Dylan [Farrow] with open arms if she’d ever want to reach out”, in his recently published memoir Apropos of Nothing.

In extracts published in the New York Times, Allen writes: “One of the saddest things of my life was that I was deprived of the years of raising Dylan and could only dream about showing her Manhattan and the joys of Paris and Rome. To this day, Soon-Yi [Previn] and I would welcome Dylan with open arms if she’d ever want to reach out to us as Moses [Farrow] did, but so far that’s still only a dream.”

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Woody Allen memoir published in US after protest stops first attempt

The controversial film director’s autobiography Apropos of Nothing had been dropped by its original publisher

Woody Allen’s memoir, dropped by its original publisher after widespread criticism, has found a new home.

The 400-page book, still called Apropos of Nothing, was released on Monday by Arcade Publishing.

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Max von Sydow, star of The Exorcist and The Seventh Seal, dies aged 90

The veteran actor, best known for his collaborations with Ingmar Bergman, as well as roles in Star Wars and Hannah and Her Sisters, has died

Peter Bradshaw on Max von Sydow: an aristocrat of cinema who made me weep
A life in pictures

Max von Sydow, the Swedish actor who made his name in a series of landmark films with Ingmar Bergman before progressing to international stardom, has died in France. He was 90.

Related: Max von Sydow: god of gravitas

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Stephen King attacks axing of Woody Allen book

Writer ‘uneasy’ over US publisher’s decision to drop director’s memoir

Author Stephen King has hit out at publisher Hachette over its decision to drop publication of Woody Allen’s memoir after a protest from his son, the author Ronan Farrow, prompted a walkout of staff at the publishing group’s New York office last Thursday.

“The Hachette decision to drop the Woody Allen book makes me very uneasy,” King, the horror writer, said on Twitter. “It’s not him; I don’t give a damn about Mr Allen. It’s who gets muzzled next that worries me.”

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