Makeup artist who created prosthetic nose for Bradley Cooper film apologises

Kazu Hiro says he was surprised by ‘Jewface’ criticism over actor’s portrayal of composer Leonard Bernstein in biopic Maestro

The makeup artist who worked on Bradley Cooper’s movie Maestro has apologised to anyone who felt hurt by the use of a prosthetic nose, which has been criticised by some as an example of “Jewface”.

Speaking at a press conference at the Venice film festival – where Maestro, a biopic of composer Leonard Bernstein, will premiere – Kazu Hiro said he was surprised by the backlash.

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Venice film festival picks starry films despite actors’ strike

Hollywood films vying for Golden Lion include Bradley Cooper’s Maestro and Yorgos Lanthimos’s Poor Things, with non-competition films by Wes Anderson and Richard Linklater

The Venice film festival appears to have largely shrugged off issues caused by non-attendance of Hollywood actors due to the Sag-Aftra strike as it unveiled its lineup for its 2023 edition.

Venice has traditionally functioned partly as a platform for major American releases looking for strong positioning in the autumn awards season, and it has already seen its originally announced opening film Challengers, a tennis drama starring Zendaya, drop out after it was forced to delay its release date.

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My award goes to… our film critics reveal their personal Oscars shortlists

Ahead of the official Academy nominations on Tuesday, Observer film critics pick their own favourites

Amid the hype over her acclaimed performance as Diana, Princess of Wales in Spencer, Kristen Stewart briefly stopped awards pundits dead in their tracks when, upon being asked about her Oscar buzz, she drily admitted, “I don’t give a shit.” Sacrilege! Some of the best films and performances of all time haven’t been considered by the Academy, she continued. “There’s five spots. What the fuck are you going to do?”

Nobody disagrees with Stewart on any of this: just ask our critics, whose ideal Oscar ballots below are knowingly far from the expected reality of next week’s nominations. That the actor’s comments made showbiz headlines anyway speaks to the strange aura the Oscars maintain as a gold standard of cinematic achievement: for several months a year, people fret and discuss and strategise about them, while companies expensively campaign for them, only to spend the rest of the year complaining that they don’t mean anything anyway. Even Stewart’s scepticism emerged while on the campaign trail, being interviewed on a Variety podcast named Awards Circuit. Should she win for Spencer, she’ll doubtless turn up and give a humbly grateful speech anyway. That’s the game. Nobody gives a shit about the Oscars, after all, except when everyone does.

Here, then, are our critics’ picks of who and what should be on those Oscars shortlists. Guy Lodge

PETITE MAMAN

Summer of Soul

The Green Knight

Titane

Censor

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Oscars 2019: Roma and The Favourite vying for glory with 10 nominations each

Alfonso Cuarón’s 70s set drama and the period comedy starring Olivia Colman head the list of nominees, with A Star Is Born and Vice on 8 each

Roma and The Favourite will go head to head at the Oscars after they received 10 Academy Award nominations each.

Roma, Alfonso Cuarón’s memoir of childhood in 1970s Mexico City, topped many critics’ lists of 2018 (including the Guardian’s) and has scored 10 nominations, including best film and best director for Cuarón. Roma’s success demonstrates the Oscars’ acceptance of streaming giant Netflix, which it had had hitherto treated with suspicion. Netflix has launched an expensive awards campaign which appears to be have paid off.

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