With unique access to remote communities in the snow-capped landscape of Norway, this film follows characters on either side of a fierce debate on whether to cull the wolf population. For decades the topic has split political parties, families and communities across the country, with environmentalists world-wide criticising Norway for how it handles its tiny population of critically endangered wolves. Here, a group of hunters await news from the government on whether their yearly hunt will be permitted, while the environmentalists anticipate the worst. With angry threats on both sides, the film takes a deep dive into what’s at stake for both groups, as well as the wider world
Continue reading...Category Archives: Documentary films
Taylor Swift: The Long Pond Studio Sessions review – cosy campfire confessions
The pop star’s Disney+ movie about quarantine album Folklore reveals the potency of her songwriting, though it’s hazy on any ‘pandemic epiphanies’
Pre-pandemic, few artists were so keenly attuned to the music industry’s calendar as Taylor Swift. She timed her album releases for awards contention and singles to sustain her world tours; the promotional cycle for 1989, released in 2014, seemed to go on for years. With coronavirus, that “circus” – as she puts it on Mirrorball, one of a few songs on her “quarantine album”, Folklore, that address the pandemic directly – was abruptly called off.
Stripped of those structures, “this lockdown could have been a time where I absolutely lost my mind”, Swift says in The Long Pond Studio Sessions, a film that explores the making and meaning of Folklore. Instead, in a matter of months, she created an album as good as any she has ever written. She collaborated remotely with the National’s Aaron Dessner, writing to his musical sketches and self-recording her performances at home.
Continue reading...‘My mother was like a steel fist in a velvet glove’: the real Audrey Hepburn
Her delicate beauty and starring roles made her seem fragile. But having endured an unloving mother and a perilous childhood under Nazi occupation, such an impression belied Hepburn’s remarkable strength, compassion and resolve
“Very alert, very smart, very talented, very ambitious.” That was the director William Wyler’s verdict after watching a screen test for Roman Holiday by a young chorus girl called Audrey Hepburn in 1951. She got the part, won an Oscar and the rest is history. For decades, Hepburn has been adored for her graceful beauty and style. But somehow, the “smart”, “talented” and “ambitious” woman Wyler described never makes it into the books about her enduring charm with titles such as How to Be Lovely: The Audrey Hepburn Way. Now a new documentary, Audrey, gives us a more complex picture of the woman.
Directed by Helena Coan, the film features never-before-seen archive footage of Hepburn alongside intimate interviews with her family and friends. Speaking on Zoom from his home in Italy, Hepburn’s eldest son, Sean Hepburn Ferrer, says his mother’s steeliness is often overlooked. “She was no pushover. You have to fight in Hollywood for every little bit, and she did. But she played the part of the ingenue. And that’s who she was, too. None of us are just one way or another.”
Continue reading...‘It was just a bunch of thugs’: how Collective uncovered a web of state corruption in Romania
A tenacious team of sports journalists and a persistent whistleblower turn this documentary into a newsroom drama as thrilling as All the President’s Men
Collective begins with profoundly upsetting footage filmed by clubbers on their phones of the fire that broke out in 2015 at a crowded Bucharest nightclub, Colectiv. A Romanian band is singing angrily – “Fuck all your wicked corruption. It’s been there since our inception” – before stopping abruptly to ask if anyone has a fire extinguisher. What appeared to be a striking firework display above the heads of the musicians turns out to be a fire, and within seconds flames have engulfed the building and teenagers are running for their lives.
It is a shocking sequence, but it is not the most disturbing element of an extraordinary documentary that reveals a staggering degree of corruption running through Romania’s health system. The fire left 27 dead and 180 injured, but in the weeks that followed another 37 people died from wounds that should not have been life-threatening, many killed by infections picked up in hospital.
Continue reading...Singer, activist, sex machine, addict: the troubled brilliance of Billie Holiday
A new documentary uncovers lost tapes to tell the intimate real story of the jazz singer – one with terrible resonance today as the US continues to fight institutional racism
There’s an electrifying moment in Billie, a new documentary about Billie Holiday, when Jonathan “Jo” Jones, a tempestuous, influential African American drummer who played with Holiday from the 1930s to 50s, challenges his white interviewer. “You don’t know what we was going through then,” he says, referring to travelling through the deep south on Count Basie’s tour bus. “What were you going through?” asks the interviewer, Linda Lipnack Kuehl. “We was going through hell!” he shouts. “Miss Billie Holiday didn’t have the privilege of using a toilet in a filling station. The boys at least could go out in the woods. You don’t know anything about it because you’ve never had to subjugate yourself to it. Never!”
James Erskine’s film is constructed entirely from such interviews by Kuehl, a high-school teacher and Holiday fan with a sideline in arts journalism. In 1971, she began plans for a biography: Holiday had died aged 44 in 1959 and, 11 years on, Kuehl wanted to speak to those who were there throughout her life. She interviewed and interviewed and was still finding people in 1978 – almost 200 of them in all. The project overwhelmed her and she never finished it, and in 1979 she was found dead on a Washington sidewalk. Police deemed it suicide, Kuehl having supposedly jumped from her hotel room, although there was no proof of this.
Continue reading...‘They refused to act’: inside a chilling documentary on Trump’s bungled Covid-19 response
Totally Under Control recounts the early days of the pandemic in the US, revealing in clinical detail a disastrous federal response to a preventable crisis
In May, as their city began to emerge from the paralyzing grip of coronavirus that killed over 33,000 residents, New York City-based film-makers Alex Gibney, Ophelia Harutyunyan and Suzanne Hillinger started retracing still-raw recent history on film. They tracked whistleblowers, and noted comparisons between the disastrous sprawl of coronavirus in the US and South Korea, which received their first positive coronavirus diagnoses on the same day: 20 January. Meetings were held by Zoom, interviews by remote camera draped by a shower curtain — a large, amorphous ghost, compliant with quickly adopted social distancing guidelines.
Related: Totally Under Control review – shocking film on Trump's failure to handle Covid-19
Continue reading...The Mole Agent: the story of the most unusual documentary of the year
An 83-year-old goes undercover in a Chilean nursing home in a warm-hearted and surprising look at age and intimacy
With The Mole Agent, Maite Alberdi set out to make a film noir documentary about a spy in a nursing home. She did not expect it to transform into an aching meditation on isolation and loneliness.
The Chilean film-maker told the Guardian she was initially toying with genre and form. In early scenes, she makes you question whether you’re even watching a documentary because of the heightened noir aesthetic – venetian blinds and high contrast lighting.
Continue reading...Anbessa review – heart-rending tale of a boy living on the edge
An irresistibly charismatic farm boy, displaced by a housing development on the outskirts of Ethiopia’s capital, is the star of this affecting documentary
The American director Mo Scarpelli makes a miraculous discovery in her new documentary – a 10-year-old Ethiopian farm boy who has been displaced from his home by urbanisation. Scarpelli has said that when she spotted Asalif Tewold on the street in Addis Ababa, she knew instantly that she wanted to make a film about him. You can see why. A charismatic kid with energy and imagination, he’s at that perfect stage of boyhood with an appetite for adventure and make-believe. That said, Scarpelli’s observational film-making style, slow and lingering, is a challenge and likely to be off-putting to all but hardcore lovers of arthouse.
Continue reading...‘Show respect and listen’: scenes from Australia’s first Indigenous-run police station
Amid growing global civil unrest against police brutality and racism, a small station 330km west of Uluru is trying things differently
As protests against police brutality and racism have spread around the world in the wake of the death of George Floyd, two new films demonstrate the extremes of police dealings with Indigenous Australians.
The first, which surfaced earlier this week, is the now notorious mobile phone footage of a violent encounter between a New South Wales police constable and an Aboriginal teenager in Surry Hills, Sydney.
Continue reading...Becoming review – tantalising tour of Michelle Obama’s life
This carefully authorised documentary offers glimpses of a dazzling presence on America’s political stage
Michelle Obama is a class act – one of the classiest – and her intelligence and poise now look like something from a lost golden age. The publication of her globally bestselling memoir Becoming in 2018 brought her dazzlingly into the public sphere on her own terms. It gave her an international A-list status to rival her husband’s and provided Democrats and non-Trumpians around the world with a manifesto of decency and dignity to cling on to.
Now we have this watchable, but carefully authorised, behind-the-scenes documentary for Netflix (from the Obamas’ company, Higher Ground Productions) about Obama’s American book tour (with a stopover at London’s O2 Arena). It shows her getting in and out of armoured sports utility vehicles, chatting easily and good-naturedly with her security detail, with colleagues and family members backstage, with beaming celebrity moderators onstage (starting with Oprah Winfrey) and with people getting their copies signed in bookstores who often dissolve in floods of tears just in coming face to face with her. (I was sorry, however, that we didn’t get to see again her amusing cameo in the TV comedy Parks and Recreation, which showed Amy Poehler’s earnest public official Leslie Knope reduced to a gibbering fangirl in her presence.)
Continue reading...Climate experts call for ‘dangerous’ Michael Moore film to be taken down
Planet of the Humans, which takes aim at the green movement, is ‘full of misinformation’, says one online library
A new Michael Moore-produced documentary that takes aim at the supposed hypocrisy of the green movement is “dangerous, misleading and destructive” and should be removed from public viewing, according to an assortment of climate scientists and environmental campaigners.
The film, Planet of the Humans, was released on the eve of Earth Day last week by its producer, Michael Moore, the baseball cap-wearing documentarian known for Fahrenheit 9/11 and Bowling for Columbine. Describing itself as a “full-frontal assault on our sacred cows”, the film argues that electric cars and solar energy are unreliable and rely upon fossil fuels to function. It also attacks figures including Al Gore for bolstering corporations that push flawed technologies over real solutions to the climate crisis.
Continue reading...Netflix announces surprise Michelle Obama documentary
Becoming, which drops in May, follows the former first lady on her 34-city book tour, will offer a ‘rare and up-close’ look at her life
Netflix has announced a new original documentary focused on former first lady Michelle Obama to be released on 6 May.
Becoming will follow Obama on her 34-city tour to promote her book of the same name and will offer an “intimate”, “rare and up-close” look at her life. It’s directed by Nadia Hallgren, who recently made the documentary short After Maria, which looked at the effect of Hurricane Maria on Puerto Rican families.
Continue reading...When Lambs Become Lions review – on the trail of Kenya’s elephant killers
This coolly even-handed documentary dips into the lives of an ivory poacher and a stressed-out wildlife ranger trying to obstruct the illegal trade
Jon Kasbe’s documentary When Lambs Become Lions has been much praised on the festival circuit, and it is cleverly and effectively made, seeking to grip you the way a thriller would. Yet I’m not sure that I was completely on board with this film, which appears to have smoothly carpentered its narrative in the edit. Is it almost too good to be true?
The film gives us a coolly even-handed study of some ivory hunters in Kenya – and also the rangers, the hunters of the hunters, who have to roam through the landscape, in their camouflage gear and assault rifles, on the lookout for those who are illegally killing elephants for their tusks.
Continue reading...Talking About Trees review – how the lights went out in Sudan’s cinemas
This poignant and witty documentary focuses on four directors whose careers were stalled by a military coup thirty years ago
This witty and engaging cinephile documentary begins surreally with its subjects, four older male Sudanese film-makers, recreating the famous “closeup” scene from Sunset Boulevard. None of these directors has worked properly in years, since a military coup in 1989 triggered the collapse of Sudan’s film industry for religious and economic reasons. Now a power cut prevents them from even watching a movie, so they make do. Ibrahim Shaddad wraps a blue chiffon scarf coquettishly around his face as Norma Desmond, simpering: “I’m ready for my closeup.”
Films are oxygen for these men, and Talking About Trees follows their mission to reopen a neglected outdoor movie theatre near Khartoum and give away tickets. There are almost no cinemas left in Sudan. As plans go, it looks as rickety as the 12ft ladders they climb to scrub the crumbling walls of the cinema. The four amigos – Shaddad, Suliman Ibrahim, Eltayeb Mahdi and Manar Al-Hilo – repaint the peeling sign, print posters and canvass the local community to decide what film to show first. (The people pick Django Unchained.) They accept setbacks philosophically, with stoicism and amusement. Shaddad finds it hilarious when the general from the morality police dealing with their request for a permit gives them the runaround, disappearing off to pray for two hours.
Continue reading...Barriers, barbed wire and borders in the head: Josef Koudelka’s Holy Land
The Magnum photographer grew up behind the iron curtain. As a documentary charts his journey where Israel and Palestine meet, Koudelka talks about challenging official narratives – and himself
There’s a surreal moment near the start of Koudelka Shooting Holy Land, a documentary about the acclaimed photographer Josef Koudelka. He has pointed his lens at one of the concrete barriers that separate Israel and Palestine but has been stopped by an official and a heavily armed soldier. His local assistant, Gilad Baram, is trying to smooth things over. “It might result in a book,” Baram tells the soldier. “He is a one of the most renowned photographers worldwide. He is a photographer with an agency called Magnum.”
Suddenly the atmosphere changes. “Magnum? Ah, I know it,” says the soldier, his stern face breaking into a smile. A short discussion later, a friendly handshake and all is well.
Continue reading...The Kingmaker review – exquisitely horrible portrait of Imelda Marcos
The former first lady of the Philippines is revealed as a monstrous, loathsome, absurdly queenly figure in Lauren Greenfield’s superb documentary
Lauren Greenfield’s film about the Philippines’ former first lady Imelda Marcos reveals a grotesquely self-pitying, wholly unrepentant and very rich woman, who has clearly still kept her hands on a great deal of the American aid money that successive US presidents once gave the Philippines in return for suppressing communism and civil rights and showing hospitality to US naval power – cash that she and her husband, Ferdinand, looted from the public purse and salted away abroad.
Related: 'She's an unreliable narrator': Lauren Greenfield on her Imelda Marcos documentary
Continue reading...The Cave review – horror and hope in a Syrian hospital battered by war
This powerful, immensely moving documentary follows the courageous medical staff who must treat injured children as bombs fall around them
Feras Fayyad, the young Syrian documentary-maker who filmed Last Men in Aleppo (and was himself imprisoned and tortured by Bashar al-Assad’s regime), returns with a chilling, shaming film made over two years inside a Syrian hospital in Ghouta, the city besieged by the Syrian government for five years until 2018.
If there is a chink of hope here it’s Amani Ballour, the hospital’s manager, a paediatrician in her late 20s. “I know this life is tough. But it’s honest,” she says. Her deep sense of purpose is humbling – it carries her through hellish days treating dozens of bloodied and badly injured children. Her gentleness with patients is desperately moving, too.
Continue reading...Syrian war documentary For Sama triumphs at British independent film awards
The chronicle of an activist who filmed the destruction in Aleppo wins prizes for best film, documentary, director and editing
For Sama, the acclaimed documentary about life under siege in the Syrian city of Aleppo, has unexpectedly triumphed at the British independent film awards, winning the top prize, best British independent film, as well as best documentary and best director for Waad al-Kateab and Edward Watts.
Described by the Guardian’s Mike McCahill as a film to “break your heart and sear your soul”, For Sama is a chronicle filmed by Syrian activist-director al-Kateab as Aleppo is targeted during the country’s ongoing civil war. Al-Kateab spends much of the time in a hospital where her husband, Hamza, works, recording the destruction and horror. For Sama won a total of four Bifas, including best editing – previously announced with other Bifa “craft” awards on 15 November.
Continue reading...Archive of blood: how photographer Letizia Battaglia shot the mafia and lived
Her shocking pictures told the truth about mafia murders – and earned her death threats. Ahead of a powerful film about her extraordinary life, we meet the woman who dared to confront killers. Warning: contains graphic imagery
Letizia Battaglia can still remember the first corpse she photographed: a man lying beneath an olive tree in a field in rural Sicily. It remains a viscerally unsettling image, made all the more so by its telling details: the dead man’s shoeless left foot, the resigned gaze of the policeman guarding the body, the olive leaves hanging low over the spreadeagled torso. The fact that he was a mafioso murdered in a local feud is, insists Battaglia, neither here nor there. “Everyone,” she says quietly, “is equal in death.”
What has stayed with her, over 40 years later, is the smell that hung in the summer air that day and was carried on the breeze. “It was very hot and he had been dead for a few days,” she says, drawing deeply on a cigarette. “Now, as soon as you ask about this photograph, it comes back to me. I can almost feel it, this atmosphere of death.”
Continue reading...‘We lay like corpses’: Bangladesh’s 1970s rape camp survivors speak out | Lucy Lamble
Award-winning documentary Rising Silence preserves the testimony of some of the 200,000 women abducted during the country’s war of independence
In 1971, during the nine-month war that gave Bangladesh its independence from then West Pakistan, four sisters – Amina, Maleka, Mukhlesa and Budhi Begum – were abducted by Pakistani soldiers and local collaborators. They were among the more than 200,000 women held in rape camps and were detained for two and a half months.
“Twenty-two of us would lie like corpses in that room,” says Maleka as she explains how her elder sister Buhdi, “unable to bear the pain”, died before they were released.
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