Justin Roiland dropped from two more TV shows after domestic abuse charges

Roiland, who has pleaded not guilty, will no longer work on Hulu shows Solar Opposites or Koala Man, as well as being dropped from Rick and Morty

Justin Roiland has been dropped from two more animated shows, Solar Opposites and Koala Man, after being charged with felony domestic violence against a former girlfriend, a day after he was dropped from hit series Rick and Morty.

US network Hulu announced on Wednesday that it had “ended our association with Justin Roiland”, a day after Rick and Morty distributor Adult Swim released a similar statement saying he would no longer voice the titular characters or work as showrunnner.

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Exploiting the exploited: the problem with Pam & Tommy

The much-hyped show about the theft of Pamela Anderson and Tommy Lee’s sex tape offers a screwball meditation on consent – without the consent of one of its subjects

Pam & Tommy, the Hulu series on the story behind the most infamous sex tape of the 1990s, is disconcertingly fun. The eight-part series created by Robert Siegel, half of which has aired, is front-loaded with 90s iconography and zany gags designed to provoke online discussion. There’s the brain-scrambling transformations of actors Lily James and Sebastian Stan into mid-90s rock it-couple Pamela Anderson and Tommy Lee, and a mulleted Seth Rogen as Rand Gauthier, the stiffed carpenter who pulls off an impressive heist of the couple’s safe, played for suspense. There’s nostalgic needle drops from Nine Inch Nails to Fatboy Slim, a conversation between a high Tommy and his animatronic penis, and plenty of sex, drugs, videotapes and characters asking, with winking naivety, what the world wide web is.

It’s a confusing, often entertaining watch, one that wants to have its fun and interrogate it, too, at best a heady blend of screwball comedy, madcap romance, expensive nostalgia and serious retrospective of a public scandal in which a woman’s privacy was invaded, her intimate moments exploited and judged without her consent. But there’s one detail that, for me, turns this whole palate sour: the real Pamela Anderson did not want this story retold. While Stan has confirmed that he spoke with Lee, who has praised his portrayal, Anderson did not respond to producers’ overtures. She has not spoken publicly about the series, but sources have expressed her discontent and disappointment in multiple outlets.

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The D’Amelio Show: what do you do with TikTok fame?

The new reality show on Charli and Dixie D’Amelio attempts to transfer one kind of gargantuan fame into another with mixed results

“I get asked why I’m famous a lot,” says Charli D’Amelio, the most followed person on TikTok, early in the third episode of her family’s new Hulu reality show. Just two years ago, she was a high school sophomore in suburban Connecticut posting snippets of dances and jokes with friends to the app. Now 17, she has 123.6 million followers on the app; she and her sister Dixie, 20, are two of the most recognizable faces among Gen Z, superstars on the most culturally influential social media platform in the country right now.

Yet “I don’t consider myself famous,” she says. “I’m just a person that a lot of people follow for some reason. I think it was right place, right time. I think it was a vibe, maybe, that I give off.”

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‘They refused to act’: inside a chilling documentary on Trump’s bungled Covid-19 response

Totally Under Control recounts the early days of the pandemic in the US, revealing in clinical detail a disastrous federal response to a preventable crisis

In May, as their city began to emerge from the paralyzing grip of coronavirus that killed over 33,000 residents, New York City-based film-makers Alex Gibney, Ophelia Harutyunyan and Suzanne Hillinger started retracing still-raw recent history on film. They tracked whistleblowers, and noted comparisons between the disastrous sprawl of coronavirus in the US and South Korea, which received their first positive coronavirus diagnoses on the same day: 20 January. Meetings were held by Zoom, interviews by remote camera draped by a shower curtain — a large, amorphous ghost, compliant with quickly adopted social distancing guidelines.

Related: Totally Under Control review – shocking film on Trump's failure to handle Covid-19

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History remixed: the rise of the anachronistic female lead

The lives of women from history, from Catherine the Great to Shirley Jackson, are being brought to the screen with a radical focus on character over facts

It is a point in favor of TV’s sprawling proliferation that one gets, in the course of a year, both a lush, serious historical drama starring Helen Mirren as Catherine the Great on HBO, and its tonal opposite, Hulu’s raucous, gleefully brutal The Great, which puts an asterisk right on the title card: “An Occasionally True Story.” The Great, developed by Tony McNamara, the writer of absurd court send-up The Favourite, cares little for the historical accuracy of the 18th-century Russian monarch. Its Catherine (Elle Fanning) arrives in the backward, hedonistic Russian court as a naive 19-year-old bride in 1761. The real Catherine was 35 and a mother by then, but that’s fine – free from the constraints of biography or pedantic seriousness, The Great’s occasional truth delivers, ironically, a more lasting impression of a real, flesh and blood princess – one slowly but determinedly amassing power, enlightened but ambitious to rule.

Related: The Great review – gleefully garish new series from The Favourite writer

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Fighting Fyre with Fyre: the story of two warring festival documentaries

The failed music festival has inspired two new documentaries and a war off-screen over the morality of the film-makers involved

Scandal sells, or so it’s said, but few have captured the zeitgeist with quite the velocity as the rise and fall, in April 2017, of Fyre. The luxury music festival – a Bahamas-set Coachella with villas and supermodels, it promised – collapsed into financial fraud and memes of drunk twentysomethings scrambling for Fema tents and styrofoam tray meals, all direct to our screens.

Related: 'Closer to The Hunger Games than Coachella': why Fyre festival went up in flames

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