Early Beatles photos by Paul McCartney to go on show in London

Portraits taken in early 60s reveal intimate moments before band’s fame became all-consuming

A collection of photographs taken by Paul McCartney when the Beatles were on the brink of global stardom are to be shown in an exhibition that sheds light on intimate moments as the group first experienced fame.

Rearview Mirror: Liverpool-London-Paris, which opens at Gagosian in London on 28 August, features 18 shots taken by the singer-songwriter during late 1963 after the release of the Beatles’ first album, and early 1964 as they travelled to the US.

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Paul McCartney and Dua Lipa among artists urging Starmer to rethink AI copyright plans

Hundreds of leading figures from UK creative industries urge prime minister not to ‘give our work away’

Hundreds of leading figures and organisations in the UK’s creative industries, including Coldplay, Paul McCartney, Dua Lipa, Ian McKellen and the Royal Shakespeare Company, have urged the prime minister to protect artists’ copyright and not “give our work away” at the behest of big tech.

In an open letter to Keir Starmer, a host of major artists claim creatives’ livelihoods are under threat as wrangling continues over a government plan to let artificial intelligence companies use copyright-protected work without permission.

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UK government tries to placate opponents of AI copyright bill

Economic impact assessment is one concession aiming to head off opposition from MPs, peers and creatives such as Paul McCartney and Tom Stoppard

The UK government is trying to placate peer and Labour backbencher concerns about copyright proposals by pledging to assess the economic impact of its plans.

Creative professionals including Sir Paul McCartney, Sir Tom Stoppard and Kate Bush have strongly criticised ministers’ proposals to let artificial intelligence companies train their models on copyright-protected work without permission, unless the rights holder opts out.

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Paul McCartney says change in law over AI could ‘rip off’ artists

Former Beatles member says government should protect creative workers as consultation on copyright continues

Sir Paul McCartney has warned artificial intelligence could “rip off” artists if a proposed overhaul of copyright law goes ahead.

The proposals could remove the incentive for writers and artists and result in a “loss of creativity”, he told the BBC.

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Long-lost bass guitar returned to Paul McCartney after more than 50 years

Violin-shaped Höfner vanished around the time the Beatles split up but has now resurfaced after a global appeal

A Höfner bass guitar bought by Paul McCartney for £30 in 1961 has been returned to the former Beatle after a global search to find the stolen instrument.

The distinctively shaped guitar, bought by McCartney before his rise to stardom and reportedly his favourite, was last seen around the time the Beatles were recording their final album to be released, Let It Be.

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‘A huge event’: excitement as the Beatles’ final song Now and Then approaches release

AI-enhanced song released at 2pm GMT today, but Beatles experts are divided over how effectively it could capture the band’s spirit

George Harrison originally disliked it; fans had long assumed it would never be released. But the “final” song by the Beatles, Now and Then, is being released at 2pm GMT, an unexpected last flourish for arguably the UK’s greatest band.

“It’s a big moment,” says Dr Holly Tessler of the University of Liverpool, who specialises in the Beatles’ history and legacy. “It’s strange to think that a band that broke up more than 50 years ago is telling you that this is our last song … in a way, Paul and Ringo, who are both in their 80s, are drawing a line. It’s a very sweet moment I suspect for almost all Beatles fans; it feels like an ending. So I do think it’s significant.”

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Capaldi’s crowd and Del Rey cut short: memorable Glastonbury 2023 moments

Audience comes to Scottish singer’s aid at Pyramid stage, while late-arriving US star performs a cappella after midnight curfew

As this year’s Glastonbury festival comes to a close, here is a look back at some of the weekend’s most memorable moments.

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Paul McCartney’s Glastonbury show hailed as ‘phenomenal’

Ex-Beatle’s gig seen by many in huge festival crowd as ‘something to tell your grandkids about’

Paul McCartney’s history-making Glastonbury set was hailed as one of the greatest headline performances of this generation as a crowd of more than 100,000 people gathered at the festival’s famous Pyramid stage to watch him play.

He was joined on stage by Bruce Springsteen and Foo Fighters’ Dave Grohl – and even sang a duet with his old bandmate John Lennon, using special effects pioneered by the Lord of the Rings director Peter Jackson.

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Sir Paul McCartney plays surprise pre-Glastonbury gig in Frome

Set at Cheese and Grain sold out in under an hour after being announced on Thursday night

Sir Paul McCartney delivered a surprise performance the night before his Glastonbury festival headline set, which had caused traffic congestion as fans tried to buy a coveted ticket.

The impromptu gig at the Cheese and Grain entertainment venue in Frome, Somerset, was announced on Thursday evening and sold out in under an hour.

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Sir Ringo Starr among those wishing Sir Paul McCartney a happy 80th birthday

Ex-Beatle turned 80 on Saturday, days after a brief US tour which saw him joined on stage by Bruce Springsteen

Sir Ringo Starr, Bruce Springsteen and Ronnie Wood were among stars who have been wishing Sir Paul McCartney a happy 80th birthday.

The ex-Beatle turned 80 on Saturday, days after finishing a brief US tour. The milestone comes the weekend before McCartney becomes Glastonbury’s oldest solo headliner, when he takes to the Pyramid stage on Saturday.

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Paul McCartney and Kendrick Lamar to headline resurgent Glastonbury

As the festival returns from Covid-enforced hiatus, over half of the acts announced so far feature women

Paul McCartney, Kendrick Lamar and Olivia Rodrigo have been announced as among the stars performing at this summer’s Glastonbury festival.

Out of the 89 names announced so far, 48 are women or acts that include female artists, meeting festival co-organiser Emily Eavis’s previously stated intention for Glastonbury to achieve gender parity on its bill. “Our future has to be 50/50,” she told the BBC in 2020.

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‘I could have done with eight more hours’: readers on the Beatles documentary epic Get Back

Peter Jackson spent four years editing down 60 hours of unseen footage into the new three-part documentary series. Was it worth the wait?

As a younger Beatles fan who grew up with the idea that the band were falling apart in January 1969, Get Back was a joy. My immediate thought was how bright and vibrant everything looked, compared with the graininess of the original Let It Be film. It could have been shot yesterday – apart from the outfits and hairstyles. While not exactly a big revelation for those of us who never believed that Yoko Ono broke up the Beatles, it’s great to see that her presence here didn’t upset Paul, George and Ringo nearly as much as it seemed to upset commentators. We see absolutely no evidence of her “interfering”, as has been claimed over the years, and I loved McCartney’s prescient remark that in 50 years’ time people would be saying the Beatles broke up “because Yoko sat on an amp”.

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Let him be: how McCartney saved roadie from arrest after Beatles final concert

Diaries of band’s road manager, Mal Evans, revealing chaos at gig to feature in major biography

The police famously tried to shut down the Beatles’s rooftop concert on 30 January 1969, over concerns of breach of the peace, in what was to be the band’s final public performance. Now a further backstage drama has emerged with the revelation that Paul McCartney afterwards used his charm to stop a police officer from arresting their road manager and confidant, Mal Evans.

Kenneth Womack, one of the world’s foremost Beatles scholars, told the Observer: “It turns out that Mal was actually arrested that day but managed to get out of it only when Paul went into PR mode and changed the copper’s mind after the show.”

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The world owes Yoko an apology! 10 things we learned from The Beatles: Get Back

Peter Jackson’s eight-hour documentary on the Fab Four reveals Ringo is an amazing drummer, McCartney was a joy and their entourage were coolest of all

The concept for Let It Be was: no concept. The Beatles arrived in an empty studio and wondered where the equipment was. (And revealed that they knew very little about setting up PA systems.) What were they rehearsing for? A show on the QE2? A concert on Primrose Hill? A TV special in Libya? A film? What would the set look like? Would it be made of plastic? Why, George Harrison wondered, were they being recorded? Get Back makes clear that the Beatles didn’t have a clue what to expect from Let It Be.

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‘I was part of the Beatles’ act’: Mike McCartney’s best photograph

‘I call our kid “Rambo Paul” in this one, because he reminds me of Stallone. I have no idea why George is pointing at his nipple’

I didn’t intend to pick up a camera. I’d been practising on drums that had fallen off the back of a lorry into our house on Forthlin Road, Liverpool. But when I was 13, I broke my arm at scout camp, so Pete Best got the job in our kid’s group. That’s when I started taking photos on the family box camera. It was fortuitous, though, because if I had become the Beatles’ drummer, we’d probably have gone the Oasis route.

I would go everywhere with the Beatles. I was part of the act. It’s like if Rembrandt’s kid brother was in the corner with a pad and paper, sketching his older brother. I was lucky – you couldn’t have had a better group to practise on, could you?

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‘It was John who wanted a divorce’: McCartney sets the record straight on Beatles split

Rock history has painted Paul McCartney as the man who broke up the band. Now he reveals that it was Lennon who was first to look for a way out

It remains the most analysed break-up in rock history: the one that set the template. When the Beatles split more than 50 years ago and Paul McCartney, John Lennon, George Harrison and Ringo Starr went their separate ways, it was McCartney who shouldered most of the blame.

But now McCartney is setting the record straight for good. “I didn’t instigate the split. That was our Johnny,” he has insisted in a candid and detailed interview to be broadcast later this month.

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Beatles on the brink: the truth about the Fab Four’s final days

The director’s new documentary weaves together hours of unseen footage to dispel many myths about the band’s final months. John Harris, who was involved in the project, tells the inside story

On paper, the idea looked brilliant. In the opening weeks of January 1969, the Beatles were working up new songs for a televised concert, and being filmed as they did so. Where the event would take place was unclear – but as rehearsals at Twickenham film studios went on, one of their associates came up with the idea of travelling to Libya, where they would perform in the remains of a famous amphitheatre, part of an ancient Roman city called Sabratha. As the plan was discussed amid set designs and maps one Wednesday afternoon, a new element was added: why not invite a few hundred fans to join them on a specially chartered ocean liner?

Over the previous few days, John Lennon had been quiet and withdrawn, but now he seemed to be brimming with enthusiasm. The ship, he said, could be the setting for final dress rehearsals. He envisaged the group timing their set so they fell into a carefully picked musical moment just as the sun came up over the Mediterranean. If the four of them had been wondering how to present their performance, here was the most gloriously simple of answers: “God’s the gimmick,” he enthused.

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‘I’m a one in a billion’ – how Diane Warren penned windswept power ballads for Cher, Gaga and Dion

She’s the queen of the power ballad mega hit – and has even written songs for Biden, Harris and Ringo Starr. Now the world’s most successful female songwriter is finally releasing her own album

At the end of the 1990s, when Diane Warren was the unrivalled queen of the power ballad, her music publisher presented her with a quartet of gold discs and a plaque hailing her as “the career saviour of the 90s”. The discs celebrated the windswept mega-hits Warren had written for Toni Braxton (Un-Break My Heart), LeAnn Rimes (How Do I Live), Celine Dion (Because You Loved Me) and Aerosmith (I Don’t Want to Miss a Thing), the first two of which are still among the bestselling US singles ever.

To be imperial in one pop era is usually to be defined by it for evermore, but Warren has been writing hits for almost four decades, notching up nine US No 1s and 32 Top 10 hits. In 2015, Til It Happens to You, her potent Lady Gaga collaboration for a documentary about campus rape, made her once again the pop equivalent of the striker you turn to when you absolutely have to score a penalty.

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Paul McCartney to reveal unseen Beatles lyrics in new book

The Lyrics will feature a ‘self-portrait’ in 154 songs, including the unrecorded Tell Me Who He Is

Paul McCartney will include the previously unseen lyrics to an unrecorded Beatles song in his forthcoming book The Lyrics.

On Monday, the former Beatle revealed the 154 songs to feature in the book, which will be based on conversations McCartney had with the poet Paul Muldoon. Described as a “self-portrait in 154 songs”, The Lyrics will feature songs from throughout McCartney’s career, including Blackbird, Live and Let Die, Hey Jude, Band on the Run and Yesterday.

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Harmony, melancholy and the Everly Brothers’ indelible influence

From Neil Young to Keith Richards, a generation of musicians revered Phil and Don’s haunting music

US music star Don Everly dies aged 84

Among the hundreds of hours of outtakes from the recording sessions that eventually became the Beatles’ Let It Be album, there is a version of Two of Us, taped on 25 January 1969. As John Lennon and Paul McCartney harmonise, the latter says to the former: “Take it, Phil”, a reference to Phil and Don Everly, the duo upon whom the pair had originally attempted to model themselves. On an early holiday, Lennon and McCartney attempted to impress local girls by telling them they had a band back home and they were “the British Everly Brothers”.

Shortly afterwards, the pair temporarily stopped working on the song entirely and began performing a ragged cover of Bye Bye Love instead. It’s both oddly sweet – a fleeting moment where the ill-tempered sessions actually achieved their aim of returning the Beatles to their roots – and oddly telling. At the end of a decade in which they had done more than anyone to alter rock music entirely, shifting its parameters until it was occasionally unrecognisable from the state in which it had started the 60s – and rendering the likes of Don and Phil Everly old news in the process – John Lennon and Paul McCartney still wanted to sound like the Everly Brothers. Throughout it all, McCartney later wrote, “their music echoed through my mind”.

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