Guitar played by John Lennon on Help!, lost for 50 years, going up for auction

Guitar also played by George Harrison on Norwegian Wood could sell for millions in May auction, alongside other memorabilia including a book of Tupac Shakur’s handwritten lyrics

A guitar played by John Lennon and George Harrison in sessions for the albums Help! and Rubber Soul, which has spent the last 50 years lying in an attic, is to go up for auction alongside other memorabilia items such as a handwritten concert setlist by Kurt Cobain, a book of handwritten lyrics by Tupac Shakur and a Fendi dress worn by Amy Winehouse.

The 12-string acoustic guitar, a Hootenanny model made by Bavarian firm Framus in the early 1960s, was primarily played by Lennon and also appears in the movie Help!, used to perform You’ve Got to Hide Your Love Away. The studio version of that song also features the guitar, as well as Help!’s title track, It’s Only Love and I’ve Just Seen a Face. Harrison, meanwhile, used it to play the rhythm guitar part on Norwegian Wood, and it appears on another Rubber Soul song, Girl.

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‘A huge event’: excitement as the Beatles’ final song Now and Then approaches release

AI-enhanced song released at 2pm GMT today, but Beatles experts are divided over how effectively it could capture the band’s spirit

George Harrison originally disliked it; fans had long assumed it would never be released. But the “final” song by the Beatles, Now and Then, is being released at 2pm GMT, an unexpected last flourish for arguably the UK’s greatest band.

“It’s a big moment,” says Dr Holly Tessler of the University of Liverpool, who specialises in the Beatles’ history and legacy. “It’s strange to think that a band that broke up more than 50 years ago is telling you that this is our last song … in a way, Paul and Ringo, who are both in their 80s, are drawing a line. It’s a very sweet moment I suspect for almost all Beatles fans; it feels like an ending. So I do think it’s significant.”

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Beatles memorabilia worth an estimated £6m goes for auction

Items include an archive from John Lennon and Yoko Ono’s 1969 peace protest and a curious birthday card sent by George Harrison

An archive of material from John Lennon and Yoko Ono’s 1969 peace protest is among the items to be sold this month at one of the most expensive Beatles auctions ever held.

Memorabilia will go under an online hammer with an upper estimated value of $8m (£6.3m). It includes a section of TV set wall that formed the backdrop to the Beatles’ breakthrough Ed Sullivan show appearance, clothes, speakers, signed contracts and a curious birthday card from George Harrison to his caretaker signed “Adolf Schinkengruber”.

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Letters from George Harrison’s mum reveal her horror at Beatles fans

Louise Harrison wrote of her disgust at screaming fans in letters to be sold at annual Liverpool Beatles Auction

In an inflammatory 1964 essay on the “menace of Beatlism”, the historian and commentator Paul Johnson described the fans who screamed themselves into hysteria as “the least fortunate of their generation, the dull, the idle, the failures”.

He wasn’t alone. A newly revealed letter from George Harrison’s mum shows that she was similarly horrified.

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‘I could have done with eight more hours’: readers on the Beatles documentary epic Get Back

Peter Jackson spent four years editing down 60 hours of unseen footage into the new three-part documentary series. Was it worth the wait?

As a younger Beatles fan who grew up with the idea that the band were falling apart in January 1969, Get Back was a joy. My immediate thought was how bright and vibrant everything looked, compared with the graininess of the original Let It Be film. It could have been shot yesterday – apart from the outfits and hairstyles. While not exactly a big revelation for those of us who never believed that Yoko Ono broke up the Beatles, it’s great to see that her presence here didn’t upset Paul, George and Ringo nearly as much as it seemed to upset commentators. We see absolutely no evidence of her “interfering”, as has been claimed over the years, and I loved McCartney’s prescient remark that in 50 years’ time people would be saying the Beatles broke up “because Yoko sat on an amp”.

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Beatles on the brink: the truth about the Fab Four’s final days

The director’s new documentary weaves together hours of unseen footage to dispel many myths about the band’s final months. John Harris, who was involved in the project, tells the inside story

On paper, the idea looked brilliant. In the opening weeks of January 1969, the Beatles were working up new songs for a televised concert, and being filmed as they did so. Where the event would take place was unclear – but as rehearsals at Twickenham film studios went on, one of their associates came up with the idea of travelling to Libya, where they would perform in the remains of a famous amphitheatre, part of an ancient Roman city called Sabratha. As the plan was discussed amid set designs and maps one Wednesday afternoon, a new element was added: why not invite a few hundred fans to join them on a specially chartered ocean liner?

Over the previous few days, John Lennon had been quiet and withdrawn, but now he seemed to be brimming with enthusiasm. The ship, he said, could be the setting for final dress rehearsals. He envisaged the group timing their set so they fell into a carefully picked musical moment just as the sun came up over the Mediterranean. If the four of them had been wondering how to present their performance, here was the most gloriously simple of answers: “God’s the gimmick,” he enthused.

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Abbey Road zebra crossing repainted in coronavirus lockdown

Council workers take advantage of the empty streets to spruce up the crossing featured on the cover of the 1969 Beatles album

The iconic Abbey Road zebra crossing made famous by the 1969 Beatles album of the same name has been repainted while the streets of London are empty because of the coronavirus pandemic.

A highways maintenance crew quietly repainted the normally busy zebra crossing on 24 March, the day after the prime minister ordered Britain to go on lockdown in an attempt to stem the spread of the virus.

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‘This tape rewrites everything we knew about the Beatles’

Mark Lewisohn knows the Fab Four better than they knew themselves. The expert’s tapes of their tense final meetings shed new light on Abbey Road – and inspired a new stage show

The Beatles weren’t a group much given to squabbling, says Mark Lewisohn, who probably knows more about them than they knew about themselves. But then he plays me the tape of a meeting held 50 years ago this month – on 8 September 1969 – containing a disagreement that sheds new light on their breakup.

They’ve wrapped up the recording of Abbey Road, which would turn out to be their last studio album, and are awaiting its release in two weeks’ time. Ringo Starr is in hospital, undergoing tests for an intestinal complaint. In his absence, John Lennon, Paul McCartney and George Harrison convene at Apple’s HQ in Savile Row. John has brought a portable tape recorder. He puts it on the table, switches it on and says: “Ringo – you can’t be here, but this is so you can hear what we’re discussing.”

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