Blackhaine: the bleak, brilliant Lancashire rapper-dancer hired by Kanye West

With references ranging from drug users to the Japanese avant garde, Tom Heyes has transcended a dull life in the north-west through explosive choreography and streams of consciousness

First emerging as a surrealist reaction to the horrors of the second world war, the Japanese art of butoh incorporates violence, sacrifice and bodily mutilation: a captivatingly intense form of performance described by its founder Tatsumi Hijikata as the “dance of utter darkness”.

For a teenage Tom Heyes, growing up in dreary, small-town Lancashire, it was an escape from the abject mundanity of his life. “When I was first starting out I didn’t really view it as performance art. It was just me being fucked up in my bedroom,” he says, reflecting on his early interpretation of the craft which drew as much from donk (the north-west’s spin on hardcore dance) as it did the Japanese avant garde. Often he would be left bruised and bloodied from these punishing dance routines, “but those ones back then were the most raw shit ever”, he insists.

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‘South Sudan is one long poem’: the music that shaped a nation – photo essay

As the country marks a decade since independence, musicians talk of the songs and rhythms that help create a shared culture and community for people displaced by civil war

“What comes first is a culture and then a nation,” says David Otim, a musician from Bahr el Ghazal, who performs and teaches South Sudanese songs. “Our [civil] war, which was caused by a foreigner, led us to not understand ourselves, made us go and destroy our culture out there [in refugee camps].”

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Rocky Horror’s Richard O’Brien: ‘I should be dead. I’ve had an excessive lifestyle’

The creator of the cult show is not going quietly into his 70s. He talks about coming out as trans, going ‘loopy’ on crack – and speaking in tongues after suffering a stroke

Richard O’Brien is 78, but his toothpick body and lightbulb head have always lent him a certain agelessness. A few months ago, however, the rakish Rocky Horror Show creator, Crystal Maze presenter and transgender parent-of-three received a stark reminder of his advancing years.

He was pottering around at home in New Zealand when he suddenly found himself lying on the floor. “I didn’t register that something was desperately wrong,” he says, speaking from the house he shares with his third wife, Sabrina, 10 miles outside of Katikati. “I just thought: ‘I wonder why I can’t get up.’” Struggling to his feet, he attempted to make a drink, only to discover he couldn’t put the top back on the milk. “I was in a dream-like state. Finally, I gave up with the milk, went to go back to the bedroom, slid down the wall and started speaking in tongues. That’s when Sabrina called the ambulance.”

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‘This tape rewrites everything we knew about the Beatles’

Mark Lewisohn knows the Fab Four better than they knew themselves. The expert’s tapes of their tense final meetings shed new light on Abbey Road – and inspired a new stage show

The Beatles weren’t a group much given to squabbling, says Mark Lewisohn, who probably knows more about them than they knew about themselves. But then he plays me the tape of a meeting held 50 years ago this month – on 8 September 1969 – containing a disagreement that sheds new light on their breakup.

They’ve wrapped up the recording of Abbey Road, which would turn out to be their last studio album, and are awaiting its release in two weeks’ time. Ringo Starr is in hospital, undergoing tests for an intestinal complaint. In his absence, John Lennon, Paul McCartney and George Harrison convene at Apple’s HQ in Savile Row. John has brought a portable tape recorder. He puts it on the table, switches it on and says: “Ringo – you can’t be here, but this is so you can hear what we’re discussing.”

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