She used to worry about ‘not making enough to pay the rent’. But with a solo show, a commission to make UK’s first Windrush monument and an OBE, the artist has stepped out of the shadows
Veronica Ryan’s handbag is always heavy. The British sculptor has been a collector since childhood, and her bag is her toolbox, her magpie’s nest, her anchor for a life lived in many places. It’s also fertile ground. Ryan’s mother once caught a glimpse of a date stone she was attempting to germinate in there. “You’re not going to get dates to grow here,” she said, referring to Britain and its climate. “I’m just really excited to see if I can,” replied Ryan. And she did.
Much like the seed, Ryan too is flourishing. For years, she worked in the art world’s shadows, using whatever materials she could find and often “not really making enough money to pay the rent”. But in 2018, aged 62, she won the Freelands award, which puts £100,000 towards showcasing a mid-career female artist yet to receive the recognition she deserves. The artist gets £25,000 and the gallery the remainder.
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