Category Archives: Carlos Acosta

Carlos Acosta: ‘My mother roasted my pet rabbits. I was sad, but I ate them’

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The Cuban dancer talks about food rationing, what he ate at ballet school and his father’s terrible cooking

I always lived with rationing in Cuba – I was born in 1973. We used the term “the three musketeers” to mean rice, chicharos [split peas] and eggs, although at one point eggs disappeared completely.

I had two rabbits as pets and I arrived home from school one day and there was that smell I’d almost forgotten, of meat. Then I realised that Mamá had roasted my pets and I cried a lot. My mother pressed us to eat them and we all did. The rabbits tasted very good, obviously – I was a kid and I sort of got distracted. I was very sad, but I ate.

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Yuli: this portrait of Carlos Acosta and Cuba is a dance film like no other

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Ballet and film complement each other perfectly in a biopic of the superstar dancer that captures life under Castro’s rule

Dance on film can have many functions. It might act as a showstopping decoration to the drama (most movie musicals), a shorthand for its protagonist’s obsession or madness (Black Swan, The Red Shoes) or a blunt tool for illustrating cultural difference (Step Up, Save the Last Dance and every other ballet-girl-meets-hip-hop-boy movie). But, aside from Jerome Robbins’ masterpiece West Side Story, it doesn’t often work as a narrative device – an alternative script. That’s how it functions in Yuli, a new biopic of Cuban ballet star Carlos Acosta, by Spanish director Icíar Bollaín and writer Paul Laverty (I, Daniel Blake).

In Yuli (the title is Acosta’s father’s nickname for him), the concept sounds overcomplicated: a biopic played in flashbacks, mixed with real footage of the dancer on stage, framed by the conceit that “current” Carlos is creating an autobiographical dance piece in which he also performs as his own father. But it works. It really works.

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