Billie Piper: From vulnerable teen pop star to director of an ‘anti-romcom’

The characters she plays do not match her own life, the actress insists, but it’s hard not to see parallels with her own journey

Billie Piper has occupied a near continual, if shifting, position in the public imagination for almost a quarter of a century. That’s a notable achievement by any reckoning of a performer’s career, but it’s also rather alarming, given that she’s still only 38.

Having started out as 15-year-old chart sensation, she walked away from the pop music treadmill, enjoyed a boozy marriage with the DJ Chris Evans, returned to frontline fame in Doctor Who, struck out on a path of acclaimed dramatic performances on TV and the stage, and has now made her directorial debut with the feature film Rare Beasts.

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Matthew Macfadyen: ‘We are all living by the seat of our pants’

The British actor on the triumph of HBO’s Succession - and being cast as the ‘coughing major’ in ITV’s Quiz

I met Matthew Macfadyen on one of those days in ancient history, a couple of weeks ago, when we were still not quite sure whether to make silly jokes about elbow-touching greetings, or to fear for civilisation’s immediate future. In many ways, Macfadyen is the archetypal actor for this kind of moment, a master of shifting and ambiguous tone, whose frequent bursts of laughter often threaten to turn hollow. One of the many joys of his portrayal of the bullied and bullying son-in-law Tom Wambsgans in the HBO show Succession – arguably the defining contribution to the defining TV drama of our times – is his winning ability to switch from empathy to psychopathy in a heartbeat.

Next month, Macfadyen will bring all of that gift for nuance to the three-part ITV drama Quiz, in which he plays Major Charles Ingram, the “coughing major” who was convicted of cheating his way to the top prize on Who Wants to Be a Millionaire? in 2001. The show, an adaptation of the West End play by James Graham, has been directed for television by Stephen Frears. Macfadyen’s major takes the hot seat across from Michael Sheen, who adds Chris Tarrant to his repertoire of uncanny impersonations.

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Poison and politics… Lucy Prebble puts the Litvinenko case on stage

The Enron playwright talks about retelling the murder of the KGB whistleblower, our surreal political era, and how Billie Piper helped her through dark times

Lucy Prebble operates an “elephant in the room” method when it comes to writing plays: she tries to take on the biggest overlooked ideas that shape our world.

“In theatre there is always a lot of very tasteful, refined work,” she says. “I wouldn’t be dismissive of that. But it doesn’t feel very representative of life at the moment, which feels to me quite ugly and lacking taste and unrefined. Rambunctious.”

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