The Crown season four, first look review – enter Diana, Thatcher, bombast and bomb blasts

The best series so far of the royal drama, with the family sliding into dysfunction and new characters providing 80s shoulder-padded spectacle

The Crown (Netflix) has finally reached the blockbuster era, thanks to the pincer-like introduction of Diana (soon to be Princess) and Margaret (Thatcher), at long last, who both elevate the season to its best form yet. It begins in 1979, with the election of Britain’s first female prime minister, and ends in 1990, amid the furious flames that were beginning to consume the marriage of the heir to the throne. It is grand, gorgeous and as soapy as ever, perfect for a wintery period of hunkering down.

I have not always been convinced by The Crown. In the past, it has been prone to sentimentality, and never knowingly using one word to hint at a situation when several thousand will do. The sumptuous look of it all and the delicious performances have frequently been called upon to come to the rescue of the writing, which is sometimes clumsy, over-explaining subtext, not trusting its own subtlety, eventually spelling any emotional conclusions out all in bold capital letters.

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Helena Bonham Carter: ‘Divorce is cruel. But some parts are to be recommended’

She doesn’t believe in a stiff upper lip, or pretending – unless it’s for work. The actor talks about her split with Tim Burton, friendship with Johnny Depp, and playing the Queen’s sister

Ding-dong, it’s the doorbell. And look who’s standing on my rain-sodden doorstep, it’s Helena Bonham Carter. In her stompy, clumpy boots and dark floral ruffled dress, curls piled on top of her head, she looks so exactly herself – which is to say, like a Victorian goth drawn in charcoal – that she could be an actor playing a character playing Helena Bonham Carter. Which, to a certain degree, she is.

“I love dressing up and creating myself, as it were, according to the day and the mood. But it’s an illusion, because then the Daily Mail photographs you, and you see it and think, that wasn’t what I meant at all,” she says as we walk into my kitchen and I compliment her outfit. Her fashion sense – invariably described as quirky (“God, quirky,” she says, as if repeating a doctor’s fatal diagnosis) – has made her a favourite of the paparazzi, and photos of her mooching around London in her distinctive outfits have been a staple of the tabloids for several decades. Does she ever think, “I’ll dress normcore today – that’ll throw off the paps”?

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The Crown will end after season five, with Imelda Staunton as Queen

Creator Peter Morgan reveals fifth season will be the last of the Netflix drama

The fifth series of Netflix’s The Crown will be its last, its creator and writer, Peter Morgan, has revealed, as Imelda Staunton is confirmed to replace Olivia Colman as the Queen.

Fans of the critically acclaimed show, watched by more than 73m households worldwide, had hoped for a sixth series, which Morgan himself had originally planned. But, he said he believed it was time to stop.

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Golden Globes: every TV win was well deserved – apart from Olivia Colman’s

From Fleabag to Succession, it was hard to disagree with most of the TV awards at this year’s Globes. But all Colman did was sit in a chair looking glum

When it comes to television, the Golden Globes have a long history of getting it wrong. Last year it awarded best comedy to The Kominsky Method, for example. The year before that it went to The Marvelous Mrs Maisel. Two years before that the HFPA cast its gaze across the comedy landscape and inexplicably decided that nothing was better than Mozart in the Jungle.

With this in mind, you’d be forgiven for thinking something went badly wrong at the Golden Globes last night because, well, its winners were our winners too. Best drama? Succession, which came first in the Guardian’s best TV of 2019 poll. Best comedy? Fleabag, which came second. Best miniseries? Chernobyl, which came third. The acting awards lined up nicely with this, too; Succession’s Brian Cox won best drama actor, Phoebe Waller-Bridge won best comedy actress and Stellan Skarsgård won best supporting actor.

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Killing Eve to Game of Thrones: the biggest TV disappointments of 2019

Villanelle was too sadistic, the world of Westeros was too silly and Line of Duty swerved disastrously off-piste. Here are the TV turkeys of the year

Warning: this article contains spoilers.

Buoyed by the success of his disbelief-stretching smash Bodyguard, Jed Mercurio’s cop drama began its fifth series, and Line of Duty fever swept the country. Bookies took bets on the identity of H, and the show finally got the respect it deserved after years of providing gasp-inducing twists. The addition of Stephen Graham as a mysterious gangster with a connection to Adrian Dunbar’s Supt Hastings only bolstered the show’s reputation for quality guest stars (see also: Keeley Hawes, Thandie Newton).

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Helena Bonham Carter sought Princess Margaret’s blessing through psychic

The actor says she discussed her part in The Crown with the deceased royal herself

Some actors avoid excessive research, but for Helena Bonham Carter to play Princess Margaret in The Crown meant reading all the biographies, talking to friends, ladies-in-waiting and relatives, and consulting an astrologer, a graphologist and a psychic.

The last meeting meant she could talk to the princess herself, the actor told Cheltenham literature festival.

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The 100 best TV shows of the 21st century

Where’s Mad Men? How did The Sopranos do? Does The Crown triumph? Can anyone remember Lost? And will Downton Abbey even figure? Find out here – and have your say

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