Francis Ford Coppola unveils Megalopolis graphic novel

In a statement, the 86-year-old director of the critical and box-office flop said the book confirms his feeling that ‘art can never be constrained’

Megalopolis, Francis Ford Coppola’s $120m passion project, was neither a box office nor a critical success on release last year. Largely funded by the sale of Coppola’s own vineyards, the sci-fi epic starring Adam Driver took around $14m at the global box office amid unconvinced reviews and rumours of abnormal on-set behaviour by its director.

A marketing campaign attempted to leverage bad critical notices by flagging that previous works by Coppola now acclaimed as masterpieces – including Apocalypse Now and The Godfather – had been dismissed by critics at the time. But this backfired after it emerged all of the sniffy historical reviews had been fabricated.

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‘I chose to NOT follow the gutless rules’: Francis Ford Coppola says he’s ‘thrilled’ by Golden Raspberry votes

Veteran film-maker defends his sci-fi epic Megalopolis as it scores two Razzies from nominations that included ‘worst picture’

Francis Ford Coppola has said he was “thrilled” to accept multiple Golden Raspberry nominations for his film Megalopolis, which ended up winning two awards.

On Instagram, Coppola said that he was treating the nominations, which are voted for by Razzie members, who pay for the privilege, as a “distinctive honour … when so few have the courage to go against the prevailing trends of contemporary moviemaking!”

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Francis Ford Coppola confirms he kissed extras on Megalopolis set

While saying the Guardian’s report that he tried to kiss female extras was ‘totally untrue’, the director told Rolling Stone ‘they were young women I knew’

Francis Ford Coppola says that he did kiss film extras on the set of his forthcoming film Megalopolis but that “they were young women I knew”.

In an interview with Rolling Stone, Coppola responded to a question about a report in the Guardian that said the director tried to kiss female extras during preparation for a “bacchanalian nightclub scene”, and that significant numbers of crew left the project during production.

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