Francis Ford Coppola confirms he kissed extras on Megalopolis set

While saying the Guardian’s report that he tried to kiss female extras was ‘totally untrue’, the director told Rolling Stone ‘they were young women I knew’

Francis Ford Coppola says that he did kiss film extras on the set of his forthcoming film Megalopolis but that “they were young women I knew”.

In an interview with Rolling Stone, Coppola responded to a question about a report in the Guardian that said the director tried to kiss female extras during preparation for a “bacchanalian nightclub scene”, and that significant numbers of crew left the project during production.

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Francis Ford Coppola: US politics is at ‘the point where we might lose our republic’

Speaking at Cannes, the director says Megalopolis, his reworking of ancient Rome’s Catiline conspiracy, has become ever more prescient

Megalopolis review – Coppola’s passion project is megabloated and megaboring

The US, whose founders tried to emulate the laws and governmental structures of the Roman republic, is headed for a similarly self-inflicted collapse, director Francis Ford Coppola has said at the premiere of his first film in more than a decade.

“What’s happening in America, in our republic, in our democracy, is exactly how Rome lost their republic thousands of years ago,” Coppola told a press conference at the Cannes film festival on Friday. “Our politics has taken us to the point where we might lose our republic.”

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‘Tom Cruise was an intense kid’: How Francis Ford Coppola made The Outsiders

‘I was famous for casting unknown actors. I had Nicolas Cage, Robert Downey Jr and Matt Dillon in a circle watching each other try for parts’

Francis Ford Coppola, director
After my 1982 film One from the Heart failed commercially, my production company American Zoetrope was bankrupt – it was a low period for me. But then I received a letter written by Jo Ellen Misakian, a junior school librarian from Fresno, California. It read: “We are all so impressed with the book, The Outsiders by SE Hinton, that a petition has been circulated asking that it be made into a movie. We have chosen you to send it to.” It contained about 15 pages of children’s signatures written in different-coloured pens. It was very moving.

I read Susan Hinton’s book, written when she was in her late teens, and was touched by the level of regard these poor “Greaser” kids had for each other, even though they didn’t have the advantages of their “Social” rivals. I’ve always believed that kids have many more feelings than we give them credit for, and I wanted to make the story. When I was about 17, I had been a drama counsellor at a summer camp, and the idea of being with half a dozen kids in the country and making a movie seemed like being a camp counsellor again. I’d forget my troubles and have some laughs.

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The 30 best mobster movies – ranked!

Ahead of the Sopranos prequel The Many Saints of Newark hitting cinemas, here are 30 organised crime flicks you must see before you sleep with the fishes

Our criteria here is films featuring actual mobsters and the organised crime milieu – as opposed to hitmen, heists or bank robbers. Stefano Sollima’s punchy neo-noir, set in 2011, fits the bill with its imbroglio of crime families, political corruption and Rome real estate. Financed by Netflix, this is essentially a feature-length pilot for the addictive Suburra: Blood on Rome prequel series.

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The secret to being Tom Cruise? Three days of chocolate cake

Little by little, the way for everyday mortals to become more like the world’s most extraordinary movie star becomes clearer. And this latest stage may be easier than expected

Tom Cruise is arguably the most intimidating movie star in existence. He’s less a human being and more a physical manifestation of human willpower. He does his own stunts. He flies his own planes. Back when everyone was worried that Covid would permanently bring the world to its knees, he offered hope; first by driving an actual motorbike off a literal cliff to prove to the world that no virus could stop him from doing loads of knuckleheaded stunts, and second by screaming blue murder at his crew whenever they got closer than two metres to each other.

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Francis Ford Coppola: ‘Life is a great screenwriter’

The film director, 81, on beauty in the eye of the audience, finishing with The Godfather and the family of humanity

Being able to critique yourself is a good skill. Often when a film has been released I’ll ask: “Did I make mistakes?” When I made The Cotton Club in 1984, people were telling me there were too many black people in it and too much tap dancing. I would say: “But it’s a movie about black people tap dancing.” Years later, I realised I had taken out half of the backstory. It was good to go back and fix that.

Life is a great screenwriter. My daughter, Sofia, got such awful, unjust criticism for her performance in The Godfather Part III. She was 18 and was being told she’d ruined her father’s film. It was a deep wound for the poor kid. They were gunning for me, but she took the bullets. Now she is a more famous movie director than me. She got the last laugh!

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Rip Torn, cult actor, dies aged 88

Star of a string of 60s classics fell foul of Hollywood because of his temper but found a fresh lease of life in comedy, from TV’s Larry Sanders Show to the Men in Black films

Rip Torn, America’s celebrated wildman actor, has died aged 88. Torn, who had been a constant presence on stage and screen since the mid-1950s, was arguably better known for his eccentric, and occasionally violent, antics when the cameras weren’t rolling – and on one notorious occasion, when they were.

His publicist Rick Miramontez confirmed Torn died Tuesday afternoon at his home with his wife, actor Amy Wright, and daughters Katie Torn and Angelica Page by his side. No cause of death was given.

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