‘Samba is politics’: struggle for Brazil’s future invades its dancefloors

Outcry as club that is symbol of black resistance finds itself at the centre of politically charged squabble over Bolsonaro’s far-right government

The beer-soaked samba session was drawing to a close and, as usual, the crowd was preparing to vent its spleen.

As percussionists from one of Rio’s top samba groups hammered their tamborins and tantãs, revelers raised their glasses and let out loud, cathartic cheers demanding the removal of a president they despise. “Fora Bolsonaro!” jeered the sweat-drenched throng. “Bolsonaro out!”

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Bootleggers, bondage and law-breaking bashes! The scandalous history of the wild party

From Prohibition-busting cocktail parties to all-night raves, illegal gatherings have been at the centre of modern culture for decades. So why do they still have the power to shock?

For more than a month now, the press has been full of stories of “illegal” parties in Downing Street. The government, we are told, has almost ground to a halt because of the scandal.

Given the coverage, one might easily get the impression that the law-breaking bash is a recent invention, something that could only happen in lockdown, driven by privilege and an unhealthy sense of entitlement. Yet the modern party began life as a crime just over a century ago, when the Volstead Act banned the production and sale of alcohol in the US. As the New York Times explained in 1920:

You cannot carry a hip flask.
You cannot give away or receive a bottle of liquor as a gift.
You cannot take liquor to hotels or restaurants and drink it in the public dining rooms.
You cannot buy or sell formulas or recipes for homemade liquors.
You cannot …

“Oh,” said the Bright Young People. “Oh, oh, oh.”

“It’s just exactly like being inside a cocktail shaker,” said Miles Malpractice.

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Joe Rogan pledges to ‘try harder’ after Spotify misinformation controversy

Podcast host apologises to streaming service, which has faced criticism over episodes featuring guests who shared Covid conspiracy theories

Joe Rogan has addressed controversy over his Spotify podcast, hours after the streaming service announced a plan to tackle the spread of Covid-19 misinformation.

In a 10-minute video posted to Instagram on Sunday night, the comedian and host pledged to “try harder to get people with differing opinions on” and “do my best to make sure I’ve researched these topics”.

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‘I had the perfect life – then both my husbands died’: singer Labi Siffre on love, loss – and happiness

The man behind Something Inside So Strong and It Must Be Love talks about his half-century in music, coming out in the 70s – and his menage a trois on a Welsh mountain

Before meeting Labi Siffre, I am intrigued by the varied reactions I get when mentioning his name. Many people I speak to have never heard of him. Some remember his 80s anthem Something Inside So Strong. Others are dimly aware of a solo career before that.

And then there are those whose eyes light up – those who, like me, regard him as one of the key figures in British pop history, and wonder why he’s not celebrated as such. “Labi Siffre’s fingerprints have been on popular music for many decades now,” wrote the electronic musician Matthew Herbert in 2012. “But his actual voice is rarely heard.”

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Spotify to direct listeners to accurate Covid information after Joe Rogan outcry

Streaming platform publishes rules for creators and announces plan to tackle misinformation, including ‘content advisories’

Spotify is adding a message that will direct listeners to correct Covid-19 information as controversy over misinformation shared on Joe Rogan’s podcast continues to grow, with the streamer losing billions in market value and more musicians withdrawing their music.

On Sunday, the CEO of Spotify, Daniel Ek, released an official statement setting out the streaming platform’s plan to tackle misinformation. New content advisories will direct listeners of any podcast that discusses coronavirus to a dedicated website that “provides easy access to data-driven facts, up-to-date information as shared by scientists, physicians, academics and public health authorities around the world, as well as links to trusted sources”.

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Ruth Slenczynska: the pupil of Rachmaninov still releasing music at 97

Pianist who has played for five US presidents says great composer taught her to incorporate colour in music

The greatest lesson Ruth Slenczynska learned from the Russian composer Sergei Rachmaninov was that sounds have colour.

Nearly 90 years ago, the nine year-old Slenczynska was practising one of Rachmaninov’s preludes when he asked her to join him at the window. It was springtime in Paris, and the avenues were lined with mimosa trees laden with fluffy, golden blossoms.

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‘I’ve moved on, and then some’: singer George Ezra on fame, friendship and finding new inspiration

His upbeat songs have won him legions of fans, but beneath his sunny lyrics George Ezra has a nihilistic streak that nearly ended his career. He talks about coping with OCD, walking the length of Britain – and his hopes of one day being a dad

George Ezra walks into the Old Barge, the Hertford pub that’s been his lifelong local, and within three minutes his song, Budapest is on the stereo. “They’re so supportive here,” he says, with shy gratitude, as he stoops under a curtain into a back room. Ezra first came here after school, searching for a loo. At 16, he started working behind the bar. When friends come home for Christmas, this is where they meet, “and where we would have always met”. It still smells the same. (Currently: of yesterday’s log fire, a comforting contrast to the January damp.) Over the next few hours, locals stick their heads in to wave hello to their friendly neighbourhood pop star, drinking lime cordial and soda in crisp double denim, and he greets them all back by name.

This is the approachable figure Ezra, who is 28, cuts in most settings, whether playing a radiant set at Glastonbury or warmly chatting about mental health on his podcast. A music college dropout born George Ezra Barnett, he emerged in 2014 as part of a cohort of middle-class British boys with acoustic guitars. Unlike most of them, he wasn’t lachrymose or ambition-crazed. Instead he had a good-weird sense of humour and a big voice, cultivated after this ardent blues fan became obsessed with the US blues singer Lead Belly.

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‘Our managers were like: it’s going to be a dud’: how Glass Animals became the biggest British band in the world

The Oxford quartet’s song Heat Waves is the most played globally on Spotify this week, and a curveball amid pop’s solo artists. Frontman Dave Bayley explains how it happened

With solo artists currently dominating the charts and the zeitgeist, now is not the ideal time to be in a band – unless it’s Glass Animals. This week, the Oxford quartet became the first British group to top Spotify’s global songs chart with their synthpop single Heat Waves, racking up 4.26m plays per day on the streaming platform. It was a feat their fans saw coming: last year, Heat Waves was the fourth most-streamed song in the US and the most-streamed in Australia, having been played more than 1bn times worldwide.

This is a remarkable achievement for an act with no previous big hits – but that’s not the only strange thing about their success. A sultry, wistful number with an extremely catchy chorus, Heat Waves has had an unusually slow rise to prominence: it was released in June 2020 and for months it failed to break into the UK Top 40 or US Billboard Hot 100. Its subsequent ascent up the charts – peaking at No 5 in the UK, No 1 in Australia and No 3 in the US, where it currently stands – was unprecedented in its leisurely nature; it now holds the record for the longest climb to the Top 5 in the US chart’s history.

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Neil Young’s battle with Spotify is principled – and comfortable

In pulling his music from Spotify in protest at Joe Rogan’s Covid misinformation, the singer continues a life of political action – but unlike others, he doesn’t need to please the streaming giant

If you had been forced to predict which blue-chip American rock legend was going to suddenly pull their music off Spotify in protest at the streaming site hosting a far-right-friendly podcast that spreads medical misinformation, Neil Young would have been a very safe bet.

He is famously among the most ornery, uncompromising and capricious of said blue-chip legends. The years that produced his most famous work also played host to Young wilfully sabotaging his own commercial prospects in order to follow his muse (or, as he memorably put it, “heading for the ditch”); suddenly abandoning tours midway by directing his tour bus to pull off the motorway en route to the next show; whimsically declining to release a succession of completed albums; and incurring the wrath of his partners in Crosby, Stills, Nash & Young (CSNY) by removing their contributions from the master tapes of his songs before releasing them. He spent a substantial chunk of the 1980s making wildly uncommercial albums, apparently with the specific intention of annoying his record label, which ended up suing him for being unpredictable – it lost, perhaps because, as his labelmate Elton John put it, its lawsuit “felt a bit like suing Neil Young for being Neil Young”.

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Spotify removes Neil Young music in feud over Joe Rogan’s false Covid claims

Musician condemned spread of misinformation on platform’s top podcast: ‘They can have Rogan or Young’

The music streaming platform Spotify is in the process of removing Neil Young’s music after the company refused to take down Joe Rogan’s podcast amid the musician’s objections that it spread vaccine misinformation.

Rogan has been described by the New York Times as “one of the most consumed media products on the planet”. His podcast, the Joe Rogan Experience, is Spotify’s most popular. In 2020, Rogan signed a $100m deal that gave the streaming giant exclusive rights to his show.

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‘I got 12 years and 74 lashes’: Confess, the band jailed for playing metal in Iran

After their songs were deemed blasphemous propaganda, the duo were forced to flee to Norway and claim asylum. Now a band, they are writing angrily about what they faced

For almost as long as it’s existed, heavy metal has been used as protest music. On Black Sabbath’s Paranoid, the first thing you’re barraged with is War Pigs: a seven-minute savaging of the politicians who instigated the Vietnam war. Iron Maiden once had their mascot, Eddie, murder Margaret Thatcher on a single’s artwork; Metallica and Megadeth spent the 1980s lambasting cold war superpowers that didn’t know whether to shake hands or nuke each other.

Nikan Khosravi, singer and guitarist of Iranian/Norwegian thrashers Confess, views his band as another protest act in the metal lineage. “I’m the kid who told the emperor: ‘You’re naked!’” he exclaims with pride and excitement on a call from Norway. However, the five-piece don’t write their brutish tracks about some faraway conflict, or satirise a government certain to ignore them.

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‘I wanted to try cocaine, but Jimi was against it’: Janis Ian on her tough, starlit life in music

Hendrix and Janis Joplin warned her off drugs, she sang for James Brown and Salvador Dalí offered to paint her. Janis Ian’s confessional folk-pop is still sensational – so why is she retiring from recording?

‘I learned the truth at 17 / That love was meant for beauty queens / And high school girls with clear-skinned smiles / Who married young and then retired.” Janis Ian’s At Seventeen is an indelible portrait of life from the perspective of a socially awkward unattractive teen, inspired by a newspaper article that the singer-songwriter read about a young woman who thought her life would be perfect. “I learned the truth at 18,” the girl told the journalist. Ian changed her age and spent three months working on the intimate and confessional lyrics.

“You couldn’t write a song like that without having gone through it,” Ian says, video-calling from her home in New Jersey. Now 70, her hair is short and white, no longer the dark curls she sported on her album covers during the 60s and 70s. “The first time I sang At Seventeen in public I did it with my eyes closed. I felt like I was naked and I was sure the audience was going to be laughing.”

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Bob Dylan sells entire recorded catalogue to Sony Music Entertainment

The deal covers all Dylan recordings dating from 1962 to future originals and reissues, and will explore ‘new ways’ to reach future generations

Bob Dylan has sold his entire back catalogue of recorded music to Sony Music Entertainment, as well as the rights to multiple future releases, in a deal rumoured to be worth between $150m and $200m (£111m–£148m), Variety reports.

The deal covers all Dylan recordings dating from 1962, including his self-titled debut album, which celebrates its 60th anniversary in March, and future releases and reissues in Dylan’s celebrated Bootleg Series.

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Taylor Swift criticises Damon Albarn for saying she doesn’t write her own songs

The singer tweeted that the Blur and Gorillaz frontman’s ‘hot take is completely false and SO damaging’ after comments in interview

Taylor Swift has called out Damon Albarn, lead singer of Blur and later of Gorillaz, on Twitter after the British musician told the LA Times she “doesn’t write her own songs”.

“I was such a big fan of yours until I saw this,” the American singer, 32, tweeted at Albarn. “I write ALL of my own songs. Your hot take is completely false and SO damaging. You don’t have to like my songs but it’s really fucked up to try and discredit my writing. WOW.”

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Evan Rachel Wood accuses Marilyn Manson of raping her on music video set

In a new documentary premiered at Sundance, Wood claimed she was ‘coerced into a commercial sex act under false pretences’

The actor Evan Rachel Wood has accused the rock musician Marilyn Manson of raping her on the set of the music video for his 2007 single Heart-Shaped Glasses (When the Heart Guides the Hand).

In Phoenix Rising, a new documentary about her life and career which premiered at the 2022 Sundance film festival, Wood said that during a previously discussed “simulated sex scene”, Manson “started penetrating me for real” once the cameras were rolling.

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‘Warm, loving, generous – but he had demons’: inside the life of Meat Loaf

Steve Buslowe played bass for the rock star for 20 years, witnessing his brilliance and his violent moods at first hand. He recalls a musician determined to always evolve

The morning after Meat Loaf died, his former bass player Steve Buslowe was reading through the many celebrity tributes to the bombastic singer when he came across one that made him laugh.

“I saw a comment that Stephen Fry had made about Meat being cuddly and frightening at the same time. I laughed because that’s perfect. He was such a big teddy bear. He was sometimes warm, but then he could also get a little manic, a little out of control, maybe a little violent. So you never knew who he was going to be. He was kind of fearless in being warm and generous, but also in his anger. If he got frustrated with something, he wouldn’t go in a corner and pout. He’d throw a chair. He’d be in your face to let you know how he felt.”

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Adele shares grief with fans by video call over postponed Vegas shows

Singer extends apologies and tears by FaceTime and social media after Covid delays to her residency dates

Adele has personally apologised to fans after cancelling a series of highly anticipated shows in Las Vegas because of Covid production issues.

The singer addressed disappointed concert-goers, some of who had travelled in from around the world, via FaceTime after her residency was postponed at the last minute.

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Meat Loaf: Bat Out of Hell singer dead at 74

Rock’n’roll superstar died at home with his family by his side, his agent confirmed

The US singer and actor Meat Loaf has died aged 74, his agent has confirmed. Born Marvin Lee Aday and later legally known as Michael, the musician died on Thursday with his wife, Deborah Gillespie, by his side. No cause of death was shared but unconfirmed reports suggested he had died of Covid-19.

“We know how much he meant to so many of you and we truly appreciate all of the love and support as we move through this time of grief in losing such an inspiring artist and beautiful man,” his family said in a statement. “From his heart to your souls … don’t ever stop rocking!”

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Meat Loaf obituary

Bat Out of Hell singer known for his powerful maelstrom of sound and spectacular live shows

If all he had ever done was record the album Bat Out of Hell, Meat Loaf, who has died aged 74, would still be guaranteed his own plinth in the museum of rock’n’roll. Released in Britain in early 1978, the album might have been conceived as the antidote to punk rock, which had been wreaking havoc on the music industry. The unlikely-looking figure of Meat Loaf stood at the centre of a bombastic maelstrom of sound, an operatic blend of heavy rock, fantasy lyrics, a choir of backing vocalists and long, multipart songs. It was rock’n’roll redesigned as gothic movie and Broadway spectacle.

Meat Loaf had met the songwriter Jim Steinman, his collaborator on Bat Out of Hell, when he auditioned successfully for Steinman’s musical More Than You Deserve in New York in 1973. The pair worked on the Bat Out of Hell material for several years and were rejected by numerous record companies before the album appeared on Cleveland International label, distributed by Epic Records. The album reminded many listeners of Bruce Springsteen’s Born to Run, and its producer, Todd Rundgren, initially thought that Steinman and Meat Loaf were deliberately parodying Springsteen.

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