Stevie, Gladys, Nina … Summer of Soul uncovers a festival greater than Woodstock

As the US boiled with violence, 1969’s Harlem cultural festival nourished spirits with soul, jazz and gospel. Now, Questlove has turned lost footage of it into a brilliant, pertinent documentary

It’s 29 June 1969, and at Harlem’s Mount Morris park (now Marcus Garvey park), the 5th Dimension are about to take the stage. The Los Angeles group are already stars, thanks to hits including Up, Up and Away and Aquarius, from the musical Hair, which topped the Billboard charts that spring. But their pop-oriented repertoire, often penned by white songwriters, has kept them off the US’s R&B radio stations and thus from Black audiences. “We’d tried to separate ourselves from the segregation in our society, but we still got caught up in all that,” remembers the group’s founding singer, Billy Davis Jr, today. “And the average Black family didn’t earn enough to come see us at the nightclubs we were playing. They’d seen us on TV, but they’d never seen us live.”

That was about to change with their headline performance on the opening day of the Harlem cultural festival. A series of six Sunday concerts that summer, the festival showcased the cream of the era’s soul, gospel, blues and jazz artists before an audience of 300,000, many from the surrounding neighbourhoods. “I looked out and saw a sea of faces, and their response was so loving, so welcoming and exciting,” says Davis Jr’s wife and bandmate, Marilyn McCoo, for whom the festival remains a treasured memory. She’s not alone. Harlemite Musa Jackson, then just a five-year-old, still remembers how the 5th Dimension’s orange costumes, gleaming in the sun, made them look “like Creamsicles”.

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‘An American riddle’: the black music trailblazer who died a white man

A fascinating new podcast delves into the life of Harry Pace, forgotten founder of the first black-owned record label in the US – and unlocks a shocking and prescient story about race

There are, according to the academic Emmett Price, “six degrees of Harry Pace”. He is referring to the man born in 1884 who founded America’s first black-owned major record label; desegregated part of Chicago; mentored the founder of Ebony and Jet magazines and spearheaded the career of blues singer Ethel Waters. Pace is a figure who is seemingly everywhere at once, yet his name has been suspiciously absent from the history books.

“This story encapsulates how progress comes about in America – and it is never in a straight line,” says Jad Abumrad. “It is often a cycle – one that contains hope and despair, smashed together.”

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‘I haven’t been paid a cent’: Jerusalema singer’s claim stirs row in South Africa

Nomcebo Zikode threatens legal action, claiming she was never paid for the song that became a global hit during the pandemic

While her haunting vocals on the global hit song Jerusalema continue to reverberate around the world, the South African singer Nomcebo Zikode claims she is yet to receive any money for her work.

The singer took to social media on Sunday threatening legal action against Open Mic Productions, the label that recorded Jerusalema in late 2019.

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‘There is no fear’: how a cold-war tour inspired Pakistan’s progressive jazz scene

A US state department initiative was the unlikely catalyst for a creative explosion of Pakistani rhythm and western improv

In 1956, a new weapon was unveiled in the cold war: jazz. That year, the US introduced the Jazz Ambassadors Tour, a showcase that sent American musicians overseas to parts of the world that were perceived to be under threat of Soviet influence.

While they initially intended to send ballet dancers and symphony orchestras, the State Department were persuaded that the jazz performers who were spearheading the civil rights movement would help generate a positive image of the US to newly independent nations (between 1945 and 1960, 40 countries gained their independence, representing a quarter of the world’s population). The department saw it as a way of silencing Soviet criticism that racial inequality was a stark issue in the US. The ethics were questionable, but the musicians saw this as a once-in-a-lifetime opportunity to share their music directly with people in countries from Asia to Africa and beyond.

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Sheryl Crow: ‘Surviving breast cancer redefined who and how I am’

The singer, 59, talks about music, family, relationships – and reveals she’s shorter than we think

Music was my life as a kid. My earliest memory is singing as we drove through Missouri in our powder-blue station wagon. Having swing-band-player parents meant the house was filled with dancing. Music was my identity; I never thought about any other future.

I skipped school at 15 to enter a best-legs competition – and won. The contest was being run by a local radio station. I don’t remember who was judging – a bunch of dirty old men, I’m sure – but I proudly walked across that stage to victory. I may have been grounded and thrown in detention, but I kept hold of my $100 winnings.

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Raffaella Carrà, Italian cultural institution and LGBT icon, laid to rest in Rome

Thousands in streets to mourn television star, actor and singer as funeral is broadcast live on TV

In Italy’s week of mourning for Raffaella Carrà, one image summed up her universal appeal: a rainbow flag – the symbol of the LGBT movement – next to her coffin in a Catholic church.

Carrà, who died on Monday aged 78, was a cultural institution in her home country, regarded as its “best-loved woman”. The queen of light entertainment TV, she also acted and topped the music charts of Europe and South America with pioneering, sex-positive pop music.

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‘South Sudan is one long poem’: the music that shaped a nation – photo essay

As the country marks a decade since independence, musicians talk of the songs and rhythms that help create a shared culture and community for people displaced by civil war

“What comes first is a culture and then a nation,” says David Otim, a musician from Bahr el Ghazal, who performs and teaches South Sudanese songs. “Our [civil] war, which was caused by a foreigner, led us to not understand ourselves, made us go and destroy our culture out there [in refugee camps].”

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Sing when you’re winning – take our Euro 2020 football anthems quiz

Do you know your Ant from your Dec and your Three Lions from your Atomic Kitten? Find out with our tricky and slightly silly quiz

They are the soundtrack to our summers of joy and despair. The songs that accompany the moments when our hearts soar as goals go in, and break as crucial penalties are missed. But how much do you know about the football tournament anthems that fans sing with such glee? Find out with our football anthems quiz – getting full marks is going to be harder than getting a ticket for Wembley on Sunday. But remember, it is just for fun, and unlike the forthcoming Italy v England Euro 2020 final, there are no prizes.

The Guardian Euro 2020 football anthems quiz

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Super-producers Jimmy Jam and Terry Lewis: ‘Prince sidelined us’

The duo started their debut album 36 years ago, but work for Janet Jackson, Mariah Carey and others got in the way. Now it’s finally complete, R&B’s great studio psychologists look back at an unmatched career

Some albums take a long time to make, but few have had the gestation period of Jam & Lewis: Volume One. The production duo started work on their debut artist album 36 years ago, just as their career was taking off on the back of the SOS Band’s hit single Just Be Good to Me, but they were thrown off-course working for a minor figure with a couple of flop albums to her name: Janet Jackson.

Together they started shaping what would become her 10m-selling 1986 breakthrough Control, which understandably “kind of stopped the progress on our own album”, as Jimmy “Jam” Harris, 62, puts it today, when he and his partner, Terry Lewis, 64, appear on a video call from their homes in Los Angeles. With Control ready to be delivered, they wrote a song for themselves that sounded the perfect calling-card for a Jam & Lewis album. “We thought we were done with Control, then Janet’s manager came to hear the album,” says Harris. “We played him Nasty, When I Think Of You, The Pleasure Principle … And he says: ‘I just need one more song, for Janet.’ I’m going: ‘No, man, no.’ We get in the car to go to a restaurant, Terry puts a cassette in, and about the third song in, Janet’s manager says: ‘That’s the song I need.’”

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The Velvet Underground’s greatest songs – ranked!

As Todd Haynes unveils his documentary about them, we rate the best work of a band who overturned and reinvented rock’n’roll

The Velvets recorded two versions of Ride Into the Sun: a fabulous 1969 instrumental laden with fuzz guitar and a hushed 1970 vocal take backed by organ. Somewhere between the two lies one of their great lost songs; Lou Reed’s disappointingly flat 1972 solo version doesn’t do it justice at all.

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DJ-producer Sherelle: ‘I feed off people’s unexplained anger’

Black artists pioneered dance music, but the scene remains white-dominated. UK rising star Sherelle is dodging the trolls and trying to make change with her platform Beautiful

Wearing a fleece jacket covered in black and white acid smilies, Sherelle is a walking embodiment of dance music when I meet her. The 27-year-old north Londoner and self-professed “bocat” – a Jamaican slang term used in a derogatory manner to describe someone who enjoys giving cunnilingus, now proudly reappropriated by her on her T-shirts – is one of the UK’s most purely enjoyable new DJs. By blending various global forms of dance music, she is a catalyst for unrestrained raving who has stormed her way into the limelight at 160 beats per minute.

She grew up on dancehall booming out of her mum’s hi-fi system, and hip-hop and R&B music videos on cable TV. “In my house we had cable illegally, because we couldn’t afford to pay for it,” says Sherelle, whose younger self would cringe at her mother and older sister. “Whatever they were watching, they would dance to. I have a graphic image of Beenie Man’s Who Am I, around the time the tune came out, and my mum and sister having the greatest time. I was mortified.”

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Britney Spears’s court-appointed lawyer asks to resign from conservatorship

Samuel Ingham has faced intense scrutiny for his representation of Spears, who has said she’s been unable to choose her own lawyer

Britney Spears’s court-appointed lawyer has asked to resign from the conservatorship that has controlled her life for 13 years.

The news of lawyer Samuel D Ingham’s decision to step down comes after the singer’s emotional courtroom testimony prompted the resignation of her manager and the withdrawal of a wealth management firm involved in her conservatorship. The legal arrangement, which has been in place since 2008, has given Spears’s father and other parties intense authority over her career, finances, personal life and medical care.

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My summer of love: ‘I took a date to Black Pride – and realised I loved him’

He was able to exist so easily in my world that it helped me feel happier there too

In the summer of 2015, I attended UK Black Pride (an annual event celebrating African, Asian, Middle Eastern, Latin American and Caribbean-heritage LGBTQI+ people). It is one of the few places where I feel truly among family. My difference as a queer person of colour disappears in the sea of black and brown faces dancing in the sunshine – jumping around to the likes of Mark Morrison’s Return of the Mack and Jazzy Jeff’s Summertime; songs that also bring back memories of London in the 90s, the London of my teens.

I come from a working-class, multicultural, east London community, but, after graduating from university, I also graduated to the middle classes. At UK Black Pride, I was reminded how far away I now felt from that world and, in that instant, recognised why love seemed to elude me. I dated men from my “circle”: men I’d met working as a lawyer or through university friends. Men who were middle class. Men who were often (but not always) white.

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Raffaella Carrà, Italian entertainment icon, dies aged 78

Star of music, TV and film who had UK Top 10 hit in 1978 with Do It, Do It Again had been suffering an undisclosed illness

Raffaella Carrà, the pop singer and actor who was an entertainment icon in her native Italy, has died aged 78.

Her long-term partner, Sergio Iapino, announced her death, saying: “Raffaella has left us. She has gone to a better world, where her humanity, her unmistakable laugh and her extraordinary talent will shine forever.” He said she had been battling an unnamed illness for some time.

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Britney Spears battles to take back control of her life and fortune

A legal arrangement set up in the wake of a mental health crisis has left the singer with little control of her personal or professional affairs. Laura Snapes and Sam Levin describe how she’s challenging the situation in court

This episode first aired on our global news podcast Today in Focus.

Britney Spears shot to global fame in 1998 with her hit single Baby One More Time, released when she was 17. It was the first of a string of hits that made her a millionaire many times over. But the rapid rise came not without cost for her personal life. A mental health crisis led to a very public breakdown, and in 2008 she was placed under a a conservatorship which, overseen by her father, took control of her finances and many of her personal affairs.

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Alicia Keys: ‘I’ve always had to be strong’

Alicia Keys reflects on 20 years of stardom, going makeup free and where she gets her ‘grit energy’

In 2016, when Alicia Keys released her sixth studio album, Here, she celebrated the launch with a gig in New York’s Times Square. An article written in the Guardian by a journalist who was on the promotional junket described the machinery of her management system at the time, as functioning “like an onion”. A formidable, multi-layer of managers, confidants, coaches, assistants, a personal film crew and various people with ambiguous job functions formed around Keys, like a “shock absorber”. Fast forward to 2021. I am waiting to interview Keys via Zoom on the day she launches a special edition of Songs in A Minor, to celebrate the 20th anniversary of the groundbreaking award-winning debut album that started it all. When she appears on screen there is no “onion”, no entourage, no shock absorber. Just her. She is sitting on a light-coloured sofa in front of a floor-to-ceiling wall of immaculately lined-up books. And she is trying to pull a jumper on. Her voice – smooth, deep and slightly gravelly – calls out, “Good morning!” and as she inches in to take her position close to the screen, she smiles so fully that every crevice of her face lights up.

Looking at a barefaced Alicia Keys, hair pulled back into a bun, one can’t help marvel at how much she still resembles the 20-year-old who made her 2001 TV debut singing Falling on The Oprah Winfrey Show. (Winfrey, who calls herself Alicia’s “mother-sister-friend” has since said, “Even before she belted out the first soulful notes of the lyrics that made her famous, I could feel the power of her presence.”) Following the God-like endorsement of the influential Winfrey (and the backing of Clive Davis, the legendary music producer who gave Keys her big break), the song topped the charts. The album sold millions (10.5m physical sales and 645.8m streams to date) and Keys was nominated in six Grammy award categories. She won five of them and has since gone on to win 10 more. Keys is still awestruck that she, and the album that brought her global fame, still have a presence today.

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Sunday with Gary Kemp: ‘It’s all got a bit arty in our house’

The singer talks about indie films and apple fritters, bike rides and books in bed

Early bird or lie-in? I’ve been an early riser for years. One Sunday, very soon, I’m going to set my alarm for 4am, go and sit in my local wood and, if I don’t get arrested, listen to the dawn chorus.

Sunday brekkie? We’ve got a 9-, 12- and a 16-year-old. Our house is like a restaurant with all the different eggs, avocados and pancakes. The battle is getting them off their screens to gather around the table.

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Britney Spears wealth management firm asks to withdraw from conservatorship

Bessemer Trust, approved last year to be added as co-conservator, wants out after singer’s testimony that she opposed arrangement

A wealth management firm that had been tapped as co-conservator of singer Britney Spears’ estate, has asked a Los Angeles court to withdraw from the case after the pop superstar’s testimony that she opposed the arrangement.

Related: Trump legal troubles escalate after company charged with tax crimes – live

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Rock sideman Earl Slick: ‘Bowie had gone levels into insanity’

He played through extreme drug-taking on Bowie’s Station to Station, and with Yoko Ono weeks after Lennon’s death. The guitarist explains why he’s great at backing legends – and terrible at selling timeshares

It’s not surprising that Earl Slick was in the middle of a tour when the first Covid lockdown began. The guitarist is, by his own account, “the biggest roadhog on the planet”, one of rock’s most celebrated sidemen: his association with David Bowie stretched over five decades; he has played with everyone from John Lennon to the Cure to Carl Perkins. This time, he was playing in the UK with his friend Glen Matlock, which meant he spent the first six months of lockdown living not at home in New York but in the former Sex Pistol’s spare room in London, an experience he winningly likens to the 1968 comedy The Odd Couple. Apparently, Matlock was the neat-freak Jack Lemmon character and Slick the more laissez-faire Walter Matthau figure. They put on shambolic Facebook live performances, which, Slick notes, “probably had more comedic than musical value”. Between songs, there was certainly a lot of peering at the camera and discussing whether or not it was switched on.

Video-calling from his home in New York, he says he “lost a lot of gigs and a lot of dough” as a result of the pandemic, but at least he had time to put the finishing touches to a solo album, Fistful of Devils, his first in 18 years. It’s instrumental – a stark contrast to 2003’s Zig Zag, which featured Bowie, Robert Smith and Def Leppard’s Joe Elliott among its supporting cast. “But when I go out live,” he notes, “I always go out with a singer. When I’m on stage with a singer, all my sideman tools get pulled out the box. Even if my name’s on the marquee, the main focus should be on the vocalist.”

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