Category Archives: Photography

Cuba during the pandemic – photo essay

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Photographer Leysis Quesada Vera describes life during the pandemic in Havana’s Los Sitios neighbourhood. Her work is supported and produced by the Magnum Foundation, with a grant from the Henry Luce Foundation. Magnum Foundation is a nonprofit organisation that expands creativity and diversity in documentary photography. Through grant making and mentorship, Magnum Foundation supports a global network of social justice and human rights-focused photographers and experiments with new models for storytelling

Los Sitios lies to the south of Centro, the careworn barrio that gives Havana its coarse voice and whose northern limit is the Malecon, the famous corniche set against the Florida Straits.

The photographer Leysis Quesada Vera describes Los Sitios – her neighbourhood – as home to “people who work with tourists but not in the hotels. They sell cigars, probably illegally, clean the houses where tourists stay, sell souvenirs.”

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A little girl climbing the tree of life: Luis Tato’s best photograph

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‘She climbed to the top unaided, to collect leaves for her family’s dinner. The tastiest ones are usually higher up’

The vast Zinder region in Niger, west Africa, is the most populated part of the country. Its people live mostly in traditional villages, their lives relatively unchanged for decades. Yet they are now being profoundly affected by climate change. I was there in 2019, working on stories about the crisis, reforestation and resilience projects. Most of the region’s inhabitants make their living through cattle. Global warming isn’t just causing droughts that affect crops and cause food shortages – it also means the cattle can’t graze. So people are being forced to travel ever further to find water and food for themselves and their livestock. This creates conflicts over land and access to water.

This girl, who was 10 or 11, lived in the village of Malawama. She is at the top of a massive baobab tree, collecting leaves for the family dinner – the tastiest are usually higher up. Baobab leaves are a popular meal in the region. They’re similar to spinach and eaten as a side dish or added to soups and stews. I saw her from a distance and the image quickly caught my eye. I was surprised to see her climbing this huge tree unaided, but she moved so confidently that I soon stopped worrying. She was completely used to it – as most local people are.

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A cartoon before first communion: Susan Kandel’s best photograph

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‘Left to her own devices, she’d be in a T-shirt and out in the dirt. But she’s been told to be good, stand still and not mess up her dress’

This photo was easy because this is my niece, who’s getting ready for her first communion. Her normal state was to be very active, never stationary for more than a minute. Left to her own devices, she’d be wearing a T-shirt and probably out there in the dirt. What I see in this picture is that she’s been told to be good, stand still and not mess up her dress.

It was 1987 and the family lived in Stoughton, Massachusetts. It’s a blue-collar area, not particularly fancy. There were always kids playing outside, which you didn’t see so much in more prosperous neighbourhoods. There was a lot of excitement. First communion is a very big deal. The rationale is that the girls are becoming brides of Christ, so their outfits are like a wedding dress, and the boys wear white suits, white shirts, white ties. They’re seven years old, considered old enough to have a notion of sin. My niece must have just turned 40 now.

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‘They are living maps’: how Richard Mosse captured environmental damage in the Amazon

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In a new set of photos, environmental degradation in the Amazon is explored to shine light on ‘a hideously complex story’

In his 20s, Irish photographer Richard Mosse made his first foray into photojournalism by capturing postwar Balkan nations. This experience led to a realisation that the medium was inadequately suited to capture complex, layered narratives. “You have to put the thing in front of the camera, and when that thing is an abstraction, far bigger than a human figure, it’s very difficult to do,” he explained in a recent podcast with Monocle.

The subjects he found himself covering over the next two decades were equally abstract and complex as the first, ranging from conflict in DR Congo to the refugee crisis in Europe. However, in his search for ways to subvert the medium and bend it to his will, he eventually managed to create his own unique brand of photography, characterised by the use of infra-red film and other technology rooted in military reconnaissance.

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‘The Yanomami could disappear’ – photographer Claudia Andujar on a people under threat in Brazil

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Andujar lived with the tribe and fights for them. A timely show of her images comes to London soon


It is more than 50 years since Claudia Andujar began photographing the Yanomami, the people of the Amazon rainforest near Brazil’s border with Venezuela. Now 89, she is using her archive to increase their visibility, at a time when their survival is under renewed threat.

“The question of indigenous people should be more respected, more widely known. This is very important as it’s the only way the present [Brazilian] government will come to recognise their rights as human beings to occupy their land,” says Andujar, speaking from São Paulo. “This government isn’t interested in their rights.”

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The beluga whale who became famous: Aleksander Nordahl’s best photograph

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‘He was called Hvaldimir and he would play in front of crowds at Hammerfest harbour in Norway. One woman dropped her phone and he fetched it for her’

In April 2019, a beluga whale appeared alongside fishing boats off the coast of Norway. He was wearing a harness. A fisherman called Joar Hesten freed him, and saw the harness had stamped on it “equipment of St Petersburg”. The media went crazy, with talk of a “spy whale”, and the creature was named Hvaldimir, a combination of hval, the Norwegian word for whale, and Vladimir, a nod to Russia’s President Putin.

The whale became famous. There were Instagram videos of him playing in Hammerfest harbour in front of crowds. One woman dropped her phone in the water and the whale fetched it for her. He would bring up bones from the depths to show people, almost like little gifts. It became this huge moment on social media: everyone in the country fell in love with the whale. Even the hardcore fishing villages melted for Hvaldimir.

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Coming of age in a pandemic: 24 photography exhibition 2021 – in pictures

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Eighteen years ago, 24 photographers agreed to document New Year’s Day for 24 years. Each was allocated one hour of the day to record what was going on around them and each moves forward one hour every year. Here is a selection of their work, which will be displayed in Soho Square, London, from 24 March until 16 April at one of the first exhibitions to reopen in the UK after a series of coronavirus lockdowns

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‘The fakery is all part of the fun’: the hoax of the mirror selfie

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An influencer has claimed that the popular social media pose is a form of visual trickery. But why would you bother, when it’s so easy to do by yourself? And does it matter if it’s fake or not?

Even if the phrase “mirror selfies” isn’t in your daily lexicon, you likely know what it means: a selfie which, rather than being taken directly – camera-phone to face – is taken using a mirror, giving you a photograph of your own reflection.

Last week the internet trope - a mainstay of influencers such a Kendall Jenner, recognisable for the placement of a phone in front of the face - became freshly controversial.

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