Category Archives: Painting

Unseen Van Gogh sketches that rework scorned masterpiece to go on display

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Preparatory work for ‘redoing’ of The Potato Eaters – savaged in his lifetime – to feature in exhibition

A collection of Vincent van Gogh’s preparatory drawings sketched ahead of a planned “redoing” of The Potato Eaters, a masterpiece brutally slated by buyers, friends and family at the time of its painting, are being exhibited for what is believed to be first time.

The Dutch artist considered his depiction of a peasant family from the village of Nuenen in Brabant eating a meal of potatoes as one of only four of his works that could be regarded as important, alongside The Bedroom, Sunflowers and Augustine Roulin (La berceuse).

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On my radar: Sam Fender’s cultural highlights

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The Tyneside rocker on his favourite bath time podcast, a second world war memoir and where to get the best breakfast kippers

Sam Fender was born in 1994 and raised in North Shields. He began writing songs aged 14, building on an affinity with Bruce Springsteen, and started acting a few years later, appearing in the ITV series Vera. After releasing his first single, Play God, independently in 2017, Fender featured in the BBC’s Sound of 2018 poll. He won the critics’ choice award at the 2019 Brits and his debut album, Hypersonic Missiles, entered the UK charts at No 1. His second album, Seventeen Going Under, is out this week on Polydor.

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Anish Kapoor on vaginas, recovering from breakdown and his violent new work: ‘Freud would have a field day’

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Why has the artist painted scenes of bloodletting, decapitation and a woman with 10,000 breasts? He’s scared to talk about it – but he can explain his fascination with vaginas and the world’s blackest black

At 67, Anish Kapoor, with a knighthood, a Turner prize and a retrospective due at the Venice Biennale next year, appears determined to strip away his own artistic skin. Like Marsyas – the satyr flayed alive by Apollo, whose gory fate Kapoor once commemorated in a 150m-long, 10-storey-high sculpture – the artist is exposing his innards. That’s the only way to describe his latest works. One of the world’s most renowned sculptors is about to go public as, well, a painter. Yet it is the content of the works he’s about to unveil that may disconcert. “They’re very, very violent,” he confesses. “And I just wonder what the hell that has to do with what’s in me. I can’t sit here and psychoanalyse them. I don’t know how to. But I recognise that it’s there.”

The works, about to go on display at Modern Art Oxford, are beautifully painted yet brutal: full of images of bloodletting, decapitation and disembowelling. Kapoor seems to have taught himself to paint the human figure in order to desecrate it. At his London studio, there are stacks of these blood-soaked canvases depicting huge wounded bits of bodies and purple organs spattered on the walls.

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Earliest European portraits of African men on show together for first time

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Rijksmuseum says change in focus prompted by renewed interest in wake of Black Lives Matter

The two earliest portraits of men of African descent in the history of European art are being exhibited together for the first time in their 500-year history, reflecting a change of focus championed by the Black Lives Matter movement, curators at the Rijksmuseum have said.

Among more than 100 portraits by Renaissance artists being showcased by the museum in Amsterdam from Tuesday are Albrecht Dürer’s 1508 sketch, discovered in the German painter’s workshop at the time of his death, and Jan Jansz Mostaert’s portrait, dating from about 1525.

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The Lost Leonardo: has a new film solved the mystery of the world’s most expensive painting?

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Is the $450m Salvator Mundi a fake? This film – featuring tearful sycophants, sneering experts, dodgy dealers and a secretive superyacht – may finally settle the great da Vinci controversy

It is almost exactly 10 years since Salvator Mundi was unveiled, this “lost Leonardo” instantly triggering astonishment around the world. Since those giddy days, the work has had a turbulent time. As well as becoming the most expensive painting in history, going for $450m (£326m) at auction, Salvator Mundi was denounced by many as a fake and subsequently vanished from view. The painting is now the subject of The Lost Leonardo, a documentary by Andreas Koefoed that opens in cinemas this week.

“I would be surprised,” says Luke Syson, “if I went to see this documentary.” Syson is the curator who, back in 2011, first displayed The Saviour of the World, as its title translates, at the National Gallery’s Leonardo da Vinci blockbuster. Syson is probably making a wise choice. He’s in the film and the way he clams up mid-interview makes him look like the archetypal embarrassed expert caught out on screen.

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‘Forgotten masters’: auction shines light on India’s overlooked artists

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Paintings commissioned by East India Company in 18th and 19th century up for sale at Sotheby’s

Remarkable paintings of the flora and fauna of India, including a work once owned by Jackie Kennedy Onassis depicting a stork eating a snail, are to go on sale in the first auction dedicated to Company School art.

Sotheby’s has announced details of a sale that shines light on overlooked Indian artists today regarded as forgotten masters.

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Spanish cave art was made by Neanderthals, study confirms

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Study says pigments on cave stalagmites were applied through ‘splattering and blowing’ more than 60,000 years ago

Neanderthals, long perceived to have been unsophisticated and brutish, really did paint stalagmites in a Spanish cave more than 60,000 years ago, according to a study published on Monday.

The issue had roiled the world of paleoarchaeology ever since the publication of a 2018 paper attributing red ocher pigment found on the stalagmitic dome of Cueva de Ardales to our extinct “cousin” species.

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Basque country hails ‘forgotten’ retelling of Picasso’s Guernica

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Agustín Ibarrola’s 1977 version was painted as part of campaign to get the original returned from New York

The grief-snapped mother is still there, cradling her dead child 84 years on, as is the fallen soldier with his stigmata and the horse with its silent screams.

However, the Guernica now on its way to a museum in the Basque country is not Pablo Picasso’s monochrome howl of anti-fascist fury but a retelling of the work intended to help bring the original to the market town whose agonies beneath waves of German and Italian bombers inspired its creation – and to denounce the subsequent horrors of the Franco dictatorship.

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Damien Hirst on painting cherry blossom: ‘It’s taken me until I’m 55 to please my mum’

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The former hell-raising, hard-partying YBA known for slicing animals in half is now painting trees in bloom. Has he lost his edge? And why is his hair blue?

The first thing that hits me when I see Damien Hirst’s Cherry Blossoms isn’t the scale (monumental) or the palette (psychedelic) but the paint itself. It’s thick, sticky and a little bit nasty. Creamy-white and dusty-pink daubs swirl from the surface like meringue kisses, fragile and sugary sweet. Others are more chewy, like dried gum. Then there are the viscous splats of mustard-yellow and brown, which are toe deep and remind me of something I side-stepped on the pavement this morning.

“I think the idea of being a painter has always appealed to me,” says Hirst, who is more famous for what we might call his non-canvas work. “I suppose it’s that old story of Turner being strapped to a mast during a storm so he could paint it – it’s a romantic thing.”

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Greek police recover two stolen paintings by Picasso and Mondrian

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Works by 20th-century masters found nearly a decade after audacious heist at Athens gallery

A Picasso gifted to the Greek people by the artist in honour of their resistance to Nazi rule has been found in a gorge after a builder admitted to stealing the masterpiece and two other artworks in an audacious heist from the National Gallery in Athens nearly a decade ago.

For nine years, Head of a Woman had lain hidden in the home of the self-described art lover alongside Stammer Windmill, a work by the Dutch painter Piet Mondrian, also stolen during the overnight raid on 9 January 2012.

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AI helps return Rembrandt’s The Night Watch to original size

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Rijksmuseum reproduces Dutch master’s work in all its glory, 300 years after it was cut to fit between doors

The Night Watch by Rembrandt has enraptured millions visiting Amsterdam’s Rijksmuseum and its previous homes over the centuries, dazzling with its scale and fine detail.

But it is only from today, thanks to the use of artificial intelligence to recapture some of the Dutch master’s genius, including the sweep of his brush strokes and perspective of his eye, that it can for the first time in 300 years be enjoyed in its complete form.

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German police appeal for information after 17th century paintings found in skip

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An art expert believes the paintings are by Dutch artist Samuel van Hoogstraten and Italian Pietro Bellotti

German police have appealed for information from the public after two 17th century paintings were discovered in a skip at a highway rest stop.

Police said a 64-year-old man found the oil paintings at the rest stop near Ohrenbach in central Germany last month. He later handed them in to police in the western city of Cologne.

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How did a £120 painting become a £320m Leonardo … then vanish?

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A film about the disputed Salvator Mundi blames the National Gallery for its role in giving credibility to the claim that it was the artist’s lost work

The National Gallery is facing controversy over its role in the tangled story of how the world’s most expensive painting emerged from obscurity before being sold for a staggering £320m, only to vanish again from the public eye.

The gallery exhibited the Salvator Mundi in its Leonardo da Vinci exhibition a decade ago when it was an unknown work with doubts about its attribution, restoration and ownership.

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How a ghostly outline revealed the secret of Modigliani’s lost lover

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The Italian artist may have wanted to brush Beatrice Hastings out of his life, but artifical intelligence has thwarted him by enabling a re-creation of the work

No one wants to be reminded of a failed relationship by having the ex’s portrait hanging around. After Amedeo Modigliani and his lover, Beatrice Hastings, broke up, the Italian artist is thought to have obliterated her memory by painting another woman’s likeness over his portrait of her.

So he might not be too happy to learn that science has now brought back that “lost” portrait, using artificial intelligence, an X-ray and 3D-printing to re-create the painting, with full colour and textured brushstrokes.

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Is that a surrealist masterpiece by the draining board? Inside Leonora Carrington’s sculpture-filled home

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The great British artist’s home in Mexico has been turned into a wonderful museum, full of her sculptures, books, diaries and unsmoked cigarettes. Our writer, Carrington’s cousin, takes an emotional tour

In October 2010, a few months before her death, I said my last goodbye to my cousin Leonora Carrington. As I left her home in Mexico City, she stood waving on the doorstep. Today, I’m back for the first time – to see Leonora’s house recreated as a visitor attraction. It feels surreal, but the surreal has become the everyday since I set off to find Leonora in 2006, almost 70 years after she checked out of our family and Britain. She travelled first to Paris to be with her lover, the German artist Max Ernst, before moving on to Mexico with a diplomat she met after she and Ernst were separated by the second world war.

This house, 194 Calle Chihuahua, is where she was anchored for more than 60 years. Here, she painted some of her best-known works, including The Juggler, which sold at auction in 2005 for £436,000; And Then We Saw the Daughter of the Minotaur, now at MoMA in New York; and her mural The Magical World of the Mayans, now at the National Anthropological Museum in Mexico City.

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The Lady in the Portrait review – painterly pageantry in a Chinese royal court

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Fan Bingbing stars as an emperor’s wife having her portrait painted in this artful yet inert period drama

This French-Chinese co-production about an earlier French-Chinese collaboration offers handsome pageantry amid its lavish recreation of 18th-century imperial court life, but it isn’t quite enough to compensate for a puttering narrative motor. Longtime Apichatpong Weerasethakul producer Charles de Meaux has turned director with a far eastern equivalent of Girl With a Pearl Earring – another decorous, ever so slightly sleepy matinee sit.

The film’s subject is Jean-Denis Attiret (played by Melvil Poupaud), a real-life French Jesuit missionary who spent half of his 60-odd years employed as the Chinese court painter. His trickiest commission, recalled here, came from the emperor’s bored wife (Fan Bingbing), thirsting to preserve an image that might turn her indifferent husband’s head.

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David Hockney on joy, longing and spring light: ‘I’m teaching the French how to paint Normandy!’

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While enjoying an idyllic lockdown in France, the 83-year-old artist has created perhaps his most important exhibition ever – offering hope to an injured world

‘I think it looks terrific,” says David Hockney. “It’s all on one theme, isn’t it? And there’s not many exhibitions like that, really, a show all about the spring.” The 83-year-old artist is taking a look around his new exhibition at the Royal Academy in London for the first time. He seems happy with it – and rightly so, for it is hypnotic and ravishing. But while I am getting a sneak preview in person, Hockney is here only virtually, his face appearing on two screens, one a giant TV, the other a small laptop.

He is at home, at what he calls his “seven dwarves house” in Normandy, wearing a red, black and white check jacket, a checkerboard tie, a blue-green pullover and round, gold-framed glasses. His kaleidoscopic choice of clothing, challenging the very limits of the video call’s bandwidth, is as vibrant and beguiling as the canvases hanging around us. Hockney has not just painted spring; he has come dressed as it.

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Did art peak 30,000 years ago? How cave paintings became my lockdown obsession

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Portraiture, perspective, impressionism, movement, mythology: cave artists could do the lot. And I have spent the past year on a virtual odyssey of their primordial wonders

I was recently awoken in the night by lions, their eyes glaring in the dark from blunt rectangular faces as they stalked bison through an ancient, arid grassland. As I came to, however, I realised I was not about to be eaten alive. This was simply one of the perils of spending too much time looking at images of cave art on the web.

Cave artists could do it all. The faces of the animals they painted are exquisite portraits, while their bodies are rendered in perfect perspective. But wait – weren’t these supposed to be the great achievements of European art? After all, in his classic study The Story of Art, EH Gombrich tells how western art took off when the ancient Greeks learned how to show movement, that the perspective was discovered in 15th-century Europe, and that the communication of sensation rather than the seen was the gift of the impressionists. Gombrich had probably not seen much cave art. Lascaux, a series of caves in the French Dordogne, was a recent discovery when he published his book in 1950 – and Chauvet, also in France, wouldn’t be found until 1994.

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Gerhard Richter gives Holocaust art to Berlin

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Germany’s greatest living painter donates 100 works, including his Birkenau series, to capital’s new museum

Fans of the German painter Gerhard Richter are expected to flock to Berlin to view 100 works that he has in effect donated in a long-term loan to a new museum of modern art. The works include a series of paintings addressing the Holocaust that he has vowed never to sell.

The donation by the 89-year-old, who is one of the world’s highest-priced living artists, is destined for the Museum der Moderne, which is under construction in the German capital.

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Otto Dix’s ‘apocalyptic’ depictions of life on western front up for auction

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Der Krieg portfolio among extensive collection created by first world war veteran and anti-war artist

One of the most extensive collections of prints by Otto Dix is to be offered at auction this month in which the German artist’s unique perspective of fighting in the first world war and coping with its aftermath is given expression in some of the most poignant images of 20th-century Europe.

The works – which include Dix’s early prints and rare, complete portfolios from drypoint etchings to to wood cuts and aquatints – are considered valuable rarities, having been produced only in limited runs.

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