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As an artist and a celebrity, Warhol changed the world. But what really went on behind those shades? Ahead of Tate’s epic show, our writerunleashes his inner Andy
I am in agony. I’m sitting at home wearing a Breton top and a pair of shades, my hair freshly bleached, my belly swollen and sore. Perhaps that’s because I have just eaten five tins of Campbell’s condensed cream of mushroom soup. Why would anyone do that? Well, I’m trying to live like Andy Warhol, the pop artist who died in the 1980s but is still a household name. And it’s not going smoothly.
Like the cafes of Paris or the skyscrapers of New York, Warhol is is so omnipresent in popular culture, the average person could probably draw a good likeness of him, despite knowing little about him. It’s the same with his work. Every framed tin of Campbell’s soup or colour-saturated portrait of Marilyn Monroe screams Warhol. And most people are familiar with his most famous quote: “In the future, everyone will be world-famous for 15 minutes.”
This account of the tough, troubled life of naive artist Antonio Liguabue boasts a committed performance from actor Elio Germano
Georgio Diritti has directed a lovely-looking and fervent film about the life of the 20th-century naive artist Antonio Ligabue, who suffered poverty and mental illness throughout his life but whose fierce, primitive, impassioned studies and sculptures of animals and human portraits made him celebrated in his own day as an authentic unschooled genius, and an object of cult fascination from the metropolitan elite who perhaps regarded him as comparable to Van Gogh. (There was another biopic in 1978, with Suspiria star Flavio Bucci in the lead.)
The Italian actor Elio Germano stars as Ligabue here, with a performance that has something of both Daniel Auteuil and Daniel Day Lewis — and also, maybe, a little of Sacha Baron Cohen. He plays him with the stoop, the shuffle, the fierce glare, the occasional equine twitch of the head and teeth-baring and drooping lower lip. This is a congenital dysfunction but also the natural brusqueness of the creative spirit and someone who does not suffer fools gladly (despite or because of being dismissed as a fool all his life). And for all that Ligabue once lived an almost feral existence, he is someone with some sense of the good things in life, particularly a decent meal in a restaurant.
She was ignored for decades, but now Suter has been rediscovered as a pioneering eco-artist. We meet her, and her 97-year-old collagist mum, in the wilds of Guatemala
A large dog romps across a blue and white canvas, leaving a trail of brown paw prints. “Oh well,” shrugs Vivian Suter. “They’re part of the work now. I don’t think anyone will mind.” I realise Bonzo – one of three Alsatian crossbreeds that shadow the artist wherever she goes in her Guatemalan home – has just put the finishing touches to an artwork that will shortly be on public display thousands of miles away.
The painting lies on the floor of her “laager” – a storage barn open to the elements, apart from a metre-high stone wall, which you have to clamber over with the help of a rickety chair. The wall is to guard against mudslides, she explains, gesturing at a ghostly tideline that rings the interior. Most of her works hang from a rack; the piles on the floor are for three upcoming exhibitions in Berlin, London and Madrid. Having just opened a 53-piece installation at Tate Liverpool, Suter is halfway through choosing the 200 works that will feature in her Camden Arts Centre exhibition, which opens next week.
Renaissance work sold to foreign bidder has now been declared ‘national treasure’
France has blocked the export of a tiny early Renaissance masterpiece found in a French woman’s kitchen that fetched more than €24m (£20.5m) at auction and became the most expensive medieval painting ever sold.
Christ Mocked, by the 13th-century Florentine painter Cimabue, had hung for decades above a cooking hotplate in the kitchen of a 1960s house near Compiègne, north of Paris, before it was spotted by an auctioneer who had come to value furniture for a house move.
Louvre will host works of Italian artist after long-running political spats and legal battles
The most important blockbuster art show in Paris for half a century took 10 years to prepare and was nearly thwarted by the worst diplomatic standoff between Italy and France since the second world war. With days to go before the opening, there is still no sign of whether one of the major works will appear.
The Louvre’s vast Leonardo da Vinci exhibition to mark 500 years since the death of the Italian Renaissance master will finally open next week as the world’s most-visited museum prepares to handle a huge influx of visitors.
Frank Laws’s Hopperesque watercolours depict the individual character of east London’s most impressive – and everyday – buildings, as gentrification threatens their very existence
From Mike Leigh’s film Meantime to the TV show Top Boy, the social housing estates of east London have provided rich subject matter for writers and artists exploring the human stories intertwining in their communities. In the paintings of east Londoner Frank Laws, however, there isn’t a person in sight. The only signs of life are curtains flapping at open windows and the luminescent glow emanating from inside a home. Blocks of flats that teem with life in, say, Plan B’s film and album Ill Manors, stand eerily quiet and vacant in Laws’s images.
Laws was born in a village in Norfolk but hated the rural quiet. “I was always scared of the dark in the countryside,” says the 37-year-old. “I’m still scared of it.” It’s this fear, and Laws’ love of film noir, that informs the dramatic, Edward Hopperesque lighting in Laws’ meticulously detailed watercolour and acrylic paintings.
Last year, a museum dedicated to the work of Étienne Terrus revealed most of its paintings were probably not by him. How did it get there?
Odette Traby was dying. It was the summer of 2016 and the sun baked the terracotta roofs of her hometown, Elne, in the south of France, as she lay in bed. Weeks earlier, the 78-year-old had been diagnosed with stage IV cancer. This grande dame of Elne town life had refused all treatment and chosen to tough it out alone. “She was someone who wanted to grapple with, to face up to, death,” says Dani Delay, her niece.
Traby had one consolation. She had spent the previous months trying to secure the future of her life’s work, the town’s art museum. It was dedicated to the work of the local artist Étienne Terrus (1857-1922), a friend of Henri Matisse who had been largely forgotten by the time Traby established the museum in the mid-90s. When nearly 60 Terruses came on to the market in 2015, Traby rallied two local historical associations to raise tens of thousands of euros, securing at least 30 of the works. As her life ebbed, at least Traby could tell herself that her beloved museum was closer to gaining the “Musée de France” status that would give it priority state funding and resources.
Serpentine Sackler Gallery, London Marcel Duchamp massaged her feet and Leonora Carrington built her kids a house. But the work of the 98-year-old Venezuela-born painter is every bit as extraordinary as her life
For a period while living in Chile with her artist-husband Lee Mullican in the late 1960s, Luchita Hurtado painted inside a walk-in closet, standing there and looking down over her breasts and belly to her feet and the floor below. Sometimes a bar of light came in through the slats of the door. She included this in her painting, too. She looks down at the rug, or into a woven basket, that streak of light picking out the weave of the basket, momentarily brightening the pattern on the Navajo rug.
In one painting she drops a strawberry into a bowl on the floor. It hangs in mid-air in the half-lit gloom. Sometimes there seem to be two, three or even four people in there: eight feet on a gorgeous rug, green apples big as bowling balls, inexplicably huge and vivid against the dyed lozenges of the rug, every nub in the rug’s structure picked-out in paint. The painting evokes the feel of the rough texture against naked feet. In another it is all flat zigzags and pattern, interrupted by naked mellow skin.
The 16th-century paintings will be shown as a series in London, Edinburgh, Madrid and Boston
One of the most important groups of high Renaissance paintings is to be brought together for the first time in more than 300 years.
A partnership between galleries in London, Edinburgh, Boston and Madrid was announced on Thursday which will allow five of Titian’s greatest paintings to be seen as they were intended – together as a series.
In curving galleries designed by David Adjaye, artists are putting Africa firmly on the biennale map
The Venice Art Biennale, the world’s most celebrated international art event, has a history that is inextricably bound up with colonialism.
Its first pavilion for the showcasing of a “national” art was established by Belgium in 1907. Britain followed soon after. European countries remain dominant at the event – at least numerically.
Masterpiece by 17th-century artist Brueghel the Younger was swapped to foil heist
The heist appeared to have gone entirely according to plan. The thieves broke into the display case in an Italian church on Wednesday morning and made off with a €3m painting by the 17th-century Flemish artist Pieter Brueghel the Younger.
But police revealed that night there had been one hitch – the snatched artwork was a copy.
The overwhelming first impression of Sheri Schwarz's painting Sarugaku is of panic, limbs flailing, mouths open in screams. Because it's part of "#Unload: Pick Up The Pieces" - the new exhibit at the Ely Center of Contemporary Art on Trumbull Street, running through November 11 - you'd be excused for looking for the guns, the blood, the signs of injury.
In this Sept. 24, 2013, file photo, artist Robert Indiana, known for his LOVE artwork, poses in front of that painting at New York's Whitney Museum of American Art.
NEW YORK: The National Gallery in London persuaded a U.S. appeals court that three grandchildren of a muse for French artist Henri Matisse should not reclaim a 1908 painting they said was stolen. In a 3-0 decision on Monday, the 2nd U.S. Circuit Court of Appeals in New York said sovereign immunity shielded the museum and Britain from having to return "Portrait of Greta Moll" to the grandchildren, Oliver Williams and Margarete Green from Britain and Iris Filmer from Germany.
In the office of Attorney General Jeff Sessions hangs a portrait of his predecessor Edwin Meese III, the Reagan-era conservative. Near the desk of the deputy attorney general is a painting of former Attorney General John Ashcroft, who pressed to expand the Justice Department's powers after Sept.
Artist RISK's recreation of a Venice skateboard pavilion is featured as part of the "Beyond the Streets" show in downtown Los Angeles. What began as tagging or graffiti art in the 1960s, with names like Cornbread and "Wicked" Gary Fritz , has since blossomed into street art, making stars of people like Banksy , Keith Haring and Shepard Fairey , all part of the comprehensive new show, " Beyond the Streets ," featuring over 100 international artists in L.A.'s Chinatown through July 6. Curator Roger Gastman , who co-curated MOCA's popular " Art in the Streets " show in 2011, also advised on the Oscar-nominated Banksy documentary, " Exit Through the Gift Shop ."
To continue reading this premium story, you need to become a member. Click below to take advantage of an exclusive offer for new members: U.S. Rep. Joe Courtney, D-2nd District, and Niharika Burugapalli of East Lyme pose in front of her painting “The Golden Cup”.
Community Arts Awards celebration recognizes leaders in the arts DoA a Ana Arts Council's Community Arts Awards recognize individuals and organizations for their contributions to the arts. Check out this story on lcsun-news.com: LAS CRUCES - For 31 years, the DoA a Ana Arts Council 's Community Arts Awards have recognized individuals and organizations for their contributions to the arts.
Recently released numbers show Hawaii boasts the United States' l... . FILE - In this Nov. 8, 2016 file photo, U.S. Rep. Colleen Hanabusa works in her downtown office in Honolulu.
For centuries, mankind has reported seeing UFOs in various parts of the world. The alleged sightings have captivated the public imagination and raised questions about life beyond our planet.