Rapper Naira Marley: ‘It’s better to have a big bum than qualifications in Nigeria’

He’s been attacked by pastors and jailed by the authorities. But the outspoken rapper will not be silenced. He talks about his cult-like following – and the weird rules ‘Marlians’ live by

Depending on who you talk to, Naira Marley is either the scourge of the next generation of Nigerians or their saviour. But whoever’s talking, the pop star – arguably the most controversial in Africa – is spoken about in near-mythological tones, which makes his amiability very arresting when we meet in London a few weeks before lockdown.

He arrives flanked by an entourage, photoshoot-ready in a reflective puffer, and oscillates between class clown and deep thought. To some, the 25-year-old’s meteoric rise over the past two years has been sudden: selling out Brixton Academy in three minutes; accruing three million Instagram followers, tens of millions of streams, and a cult-like fandom. But the signs of stardom have always been there.

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Australia’s arts have been hardest hit by coronavirus. So why aren’t they getting support? | Esther Anatolitis

The majority of arts companies and casuals will get little benefit from the jobkeeper package

Data released this week proves what the arts and recreation industry already knows: we are by far the industry hardest hit by Covid-19’s economic destruction.

According to the Australian Bureau of Statistics, only 47% of arts and recreation businesses remain trading. And that number is falling.

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John Prine, US folk and country songwriter, dies aged 73 due to Covid-19 complications

Grammy-winning songwriter beloved of Bob Dylan and Johnny Cash died on Tuesday

John Prine, the US folk and country singer beloved of Bob Dylan, Kris Kristofferson and more, has died aged 73 due to complications from Covid-19.

Prine was hospitalised on 26 March, and was in intensive care for 13 days before dying on Tuesday, at Vanderbilt University Medical Center in Tennessee. Prine’s family confirmed his death to several US media outlets including The New York Times, Rolling Stone and Variety.

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Honor Blackman, James Bond’s Pussy Galore, dies aged 94

Actor also known for role in Avengers praised as ‘hugely prolific creative talent’ by family

Peter Bradshaw on Honor Blackman: an elegant and witty star who never took herself too seriously
Honor Blackman: a life in pictures

Honor Blackman, the actor best known for playing the Bond girl Pussy Galore, has died aged 94.

Blackman, who became a household name in the 1960s as Cathy Gale in The Avengers and had a career spanning eight decades, died of natural causes unrelated to coronavirus.

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Duffy praised by Rape Crisis for going public with details of ordeal

Account of kidnap and rape will help to stop others suffering in silence, says charity

A national rape charity has praised the bravery of the pop singer Duffy for going public with harrowing details of how she was drugged, held captive and raped early in her career.

On Sunday Duffy posted details of an ordeal which she kept secret for a decade, hoping that it might bring comfort to others that it is possible to “come out of the darkness”.

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‘I was face-to-face with Tony Blair’: Michael Sheen on Murdoch, class and giving away his money

He renounced acting for activism, then had to start earning again. As he returns to TV, Sheen talks about life in isolation, politics and his curious encounter with the man he has portrayed more than any other

Michael Sheen is at home in south Wales, looking out on his garden. The sun catches the side of his face, lighting up his scraggly hair and beard. “We’re very lucky to have a garden to go out in. I know not everybody does,” he says. In the current climate of famous people churning out endless videos of their isolation struggles from the side of a pool in a mansion, it’s a telling sentiment.

A few years ago, after a successful stage and screen career, the actor, 51, “refocused” his life away from entertainment towards community work and activism, and moved back to Wales from Los Angeles. He had been living there for much of the past two decades, to be near his eldest daughter, Lily (her mother is the actor Kate Beckinsale, and they remain close). “And then when my daughter was 18 and went off to a life of her own, I realised: ‘Oh, I can go home again now.’”

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Claire Danes on the end of Homeland: ‘It was so nice to play such a badass’

A landmark of 21st-century TV drama is about to finish its 10-year run. Its star reflects on how playing Carrie Mathison – and learning from real spies – has shaped her view of politics

Perhaps the defining image of Homeland, one of the most ambitious US drama series of the past decade, is Claire Danes’s character, Carrie Mathison, a mercurial CIA officer, staring at a video screen and displaying a sixth sense for the vital clue. So it is fitting that Danes appears to this interviewer not in person but via FaceTime.

“Let me just get on to my wifi,” she says, as the signal flickers, “I thought I was. OK, that should be better.”

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Shakespeare’s secret co-writer finally takes a bow … 430 years late

Thomas Watson recognised by literary scholars as the Bard’s forgotten 16th-century collaborator

He was one of the most celebrated English playwrights of the 16th century, yet none of his plays survived, and today the name of Thomas Watson is virtually unknown. Now the writer, poet and pioneer of the English madrigal – who also saved the life of the playwright Christopher Marlowe in a street brawl – is being seen in a new light.

Watson has been identified as the most likely primary author of Arden of Faversham, the first domestic tragedy in English, which was published anonymously in 1592. Many scholars believe that five of the play’s scenes were co-authored with William Shakespeare.

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As coronavirus keeps us apart, we will let the animals in. I hope we do them justice

In the age of Covid-19 we are taking comfort from animals and wildlife – but we should learn from them too

First, the eyes. I pressed mine to the opening of a little wooden house. The park ranger behind me cleared her throat.

“Yeah, watch out because they jum–”

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Bill Withers, influential soul singer behind Ain’t No Sunshine, dies aged 81

Lean on Me and Lovely Day singer dies of heart complications, according to a family statement

Bill Withers, the influential US soul singer who wrote Lean on Me, Ain’t No Sunshine and Lovely Day has died aged 81 of heart complications, according to a statement from his family.

Withers wrote and recorded several other major hits including Use Me and Just the Two of Us, before retiring in the mid-1980s and staying out of the public eye.

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What happened after Netflix quarantine smash Tiger King ended?

The phenomenally successful docuseries about tigers, criminals and polygamy has led to memes, celebrity fans and a newly awakened legal case

In the century since March began, one series has emerged as the go-to distraction for the millions now sequestered in their living rooms: Tiger King: Murder, Mayhem and Madness. The bizarre documentary series on a feud between big cat owners, as well as about 95 other things, has been the No 1 program on Netflix’s US platform since it premiered less than two weeks ago. And though the news and social media remain dominated by coronavirus coverage, the five hours of drama between outlandish characters in the disturbing American trade of private zoos has proved to be strange and fittingly unhinged counter-programming. Everywhere (online) you look: if it’s not about the pandemic, it’s probably Tiger King.

Related: Murder, madness and tigers: behind the year's wildest Netflix series

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Our new normal: why so many of us feel unprepared for lockdown life

In his former job as a war correspondent, novelist James Meek witnessed the thin line between everyday life and chaos - but no experience prepared him for our current emergency

Before the lockdown, I went to see a friend who lives a few miles away in south London. I cycled from Nunhead to her home in Blackheath. On the way I passed a tense crowd of people being forced to wait to get into the Iceland store in New Cross. I reached my friend’s block of flats, climbed the stairs to her front door and laid my satchel on the doormat. She opened the door, greeted me from a distance of a couple of yards, removed the groceries she’d asked me to bring, some salmon and a bottle of olive oil, and put them away. We chatted for about half an hour, me sitting on a step out in the hall, her standing in the doorway, neither of us getting closer than two yards. Her husband, whose mild cough a couple of days earlier had triggered her self-isolation, was a disembodied voice offstage. My friend and I always kiss hello and goodbye; we’ve known each other for 10 years. Not this time. I went back to Nunhead, to queue for more food for my family – the butcher, the fishmonger and the greengrocer all had queues outside – then went home and washed my hands.

It’s the small necessary tasks that get you through the abnormality: the assignments, the missions, the good deeds. They break down the fearfulness and strangeness of the greater emergency into smaller, more manageable chunks of personal time where we can see what we have to do and see, just as importantly, that we can actually do it. The more we have to confront the enormity of the changes around us, and our own individual powerlessness to alter the tide of events, the more likely we are to break down or be paralysed. The merciful paradox of crises like these is to bring so many new chores and duties that the difficulties – sometimes the novelties – of solving each step helps occupy the part of our brain that yearns to know what’s going on and do something about it.

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‘It’s pure rock’n’roll’: how Money Heist became Netflix’s biggest global hit

While still a cult concern in the UK, this Spanish thriller is the streaming service’s most popular foreign show. As it returns, its creator and stars explain how it became unmissable

You’ve rewatched The Wire, seen every episode of Friends at least twice and are starting to wonder if this is what it feels like to “complete” Netflix. But wait: there’s a world-changing, cultural juggernaut of a TV show that – while hugely popular – you may well have missed.

This week, Money Heist – or, to use its Spanish title, La Casa de Papel – begins another eight-episode run on Netflix, where it is the streaming giant’s most-watched non-English language show worldwide. The first season of the full-throttle thriller saw its gang – all code-named after major cities and memorably clad in revolutionary-red overalls and Salvador Dalí masks – break into the Royal Mint of Spain, taking 67 people hostage and literally printing money: 2.4bn euros, to be exact. It’s fair to say that the plot doesn’t quite go to plan, though it does result in three raunchy romances and an island escape. Season three, an even wilder ride, proved that for this gang loyalty is as much a motivation as loot.

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Little Women scene stolen by water bottles spotted in background

Greta Gerwig remake of 19th century novel features not one, but two, very modern items

Louisa May Alcott’s classic 1868 novel Little Women is known for being forward thinking – but not so forward thinking that it predicted the invention of plastic water bottles or Hydro Flasks.

Both were spied in the background of a scene in Greta Gerwig’s 2019 film adaptation of the classic American coming-of-age tale, in echoes of an incident earlier last year in which a takeaway coffee cup was spotted in the background of a shot in the final season of fantasy epic Game of Thrones.

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Norway’s hazmat booksellers: keeping Oslo reading during coronavirus – video

Two Oslo bookshop owners choose to go delivery-only to keep their business afloat at the start of lockdown. Pil Cappelen Smith and Anders Cappelen deliver books wearing full hazmat suits and gas masks in order to raise local awareness of the seriousness of the situation. But as the global crisis worsens, they embark on one last delivery run before deciding to shut up shop completely

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The Real Michael Jackson review – how did he get away with it for so long?

The ‘Wacko Jacko’ persona was a deliberate ruse to cover a much darker truth, says Jacques Peretti as he examines his own complicity in letting the pop star off the hook

If you keep wondering what to think about Michael Jackson’s complicated legacy – is it OK to play Billie Jean at a party? Do you have to switch radio stations if Smooth Criminal comes on? – imagine how Jacques Peretti feels. He has made three films about the pop icon in the past 15 years and in this, his fourth, he aimed to build the fullest picture yet. But how many of us are brave enough to confront that picture?

The Real Michael Jackson (BBC Two) comes just over a year after the broadcast of HBO/Channel 4’s Leaving Neverland, a gruelling, four-hour documentary built around the detailed accounts of two men, Wade Robson and James Safechuck, who say they were sexually abused by Jackson as children. Peretti’s film was initially billed as a rival Jackson film, but in the event, it’s much more like an unofficial sequel; a film that could not exist if Leaving Neverland hadn’t cleared the media’s hagiographic haze, but which also provides necessary context on the huge fallout from Jackson’s 2009 death.

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John Prine: singer-songwriter critically ill with Covid-19 symptoms, family says

Musician has been hospitalized since Thursday and has been placed on a ventilator

The country musician John Prine has been hospitalised in a critical condition after experiencing symptoms of coronavirus. A post to his official Twitter account said that Prine, 73, had been hospitalised on Thursday and intubated on Saturday.

“This is hard news for us to share,” it says. “But so many of you have loved and supported John over the years, we wanted to let you know, and give you the chance to send on more of that love and support now. And know that we love you, and John loves you.”

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‘He didn’t even pretend to let us win’… Growing up with the world’s biggest stars, by their children

The sons and daughters of John Wayne, John Lennon, Caitlyn Jenner and others tell us what it was like to grow up with a world-famous dad

A lot of the happy memories of my father are from the late 1960s at Kenwood, the old Tudor house we had in Surrey, when I was a little boy. Without knowing it, I probably saw some of the greatest musicians in the world come and go through that house.

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Influential composer Krzysztof Penderecki dies aged 86

Polish musician won numerous awards, scored The Exorcist, and was admired by rock stars

Leading composer and conductor Krzysztof Penderecki has died at the age of 86 after a long illness, his family announced this morning.

The Polish-born Penderecki was a major figure in contemporary music whose compositions reached millions through celebrated film scores, which included for William Friedkin’s The Exorcist, Stanley Kubrick’s The Shining and David Lynch’s Wild at Heart.

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Matthew Macfadyen: ‘We are all living by the seat of our pants’

The British actor on the triumph of HBO’s Succession - and being cast as the ‘coughing major’ in ITV’s Quiz

I met Matthew Macfadyen on one of those days in ancient history, a couple of weeks ago, when we were still not quite sure whether to make silly jokes about elbow-touching greetings, or to fear for civilisation’s immediate future. In many ways, Macfadyen is the archetypal actor for this kind of moment, a master of shifting and ambiguous tone, whose frequent bursts of laughter often threaten to turn hollow. One of the many joys of his portrayal of the bullied and bullying son-in-law Tom Wambsgans in the HBO show Succession – arguably the defining contribution to the defining TV drama of our times – is his winning ability to switch from empathy to psychopathy in a heartbeat.

Next month, Macfadyen will bring all of that gift for nuance to the three-part ITV drama Quiz, in which he plays Major Charles Ingram, the “coughing major” who was convicted of cheating his way to the top prize on Who Wants to Be a Millionaire? in 2001. The show, an adaptation of the West End play by James Graham, has been directed for television by Stephen Frears. Macfadyen’s major takes the hot seat across from Michael Sheen, who adds Chris Tarrant to his repertoire of uncanny impersonations.

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