Prince Harry’s Instagram takeover barks up the right tree

While his captions weren’t up to much, the prince’s takeover of the National Geographic’s Instagram on his tour in Africa had a larger purpose

When celebrities become guest editors of corporate social media accounts, it usually results in dozens of pouting selfies. For this reason, Prince Harry’s takeover of the National Geographic Instagram account to encourage people to “look up” and get lost in the beauty of trees is a weirdly enticing concept.

On Monday, the Duke of Sussex curated a set of images of forest canopies each taken by National Geographic photographers, which went out to the publication’s 123 million followers. The idea was to highlight the importance of conservation while spotlighting the Queen’s Commonwealth Canopy campaign, which will result in two national parks being created in South Africa, where Harry is touring. As part of the campaign, 50 countries have either dedicated indigenous forest for conservation or committed to planting millions of new trees to combat climate change.

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Geena Davis: ‘damaging stereotypes’ on screen limit women’s aspirations

Actor speaks out as film industry study on characters in leadership roles finds women four times more likely than men to be shown naked

The promises of positive change for women on screen that followed her role in the groundbreaking film Thelma and Louise have failed to materialise, leaving girls today with few role models, according to the actor Geena Davis.

The media continue to have a huge influence on how the world views women and girls, and how they view themselves, she said. But few current roles show women in powerful positions, and continue to reinforce damaging gender stereotypes.

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Art that survived Isis and Saddam regimes to go on display in London

Emotionally powerful exhibition of Iraqi Kurdish artists will include paintings peppered by bullets

Kurdish artworks that survived Saddam Hussein’s use of chemical weapons as well as Islamic State’s cultural vandalism will go on display at a London gallery this week.

Iraqi Kurdish artists have made paintings and art installations from artefacts including Assyrian reliefs from 700 BC peppered by Isis bullet holes and the farewell “death” notes of a charity worker smuggling aid to Isis-controlled Mosul.

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Safe space: the new cinema welcoming women in male-dominated Kabul

Cinema once thrived in Afghanistan until Taliban censorship. Now, new ventures are slowly reviving it

The majority of Kabul’s cinemas cater largely to audiences of young men, and tend to show Bollywood films produced in Pakistan and India. For some young Afghan men, the cinema is a rare occasion for public expressions of joy: audience members cheer on the films’ heroes and sometimes dance along.

For most women, however, fears of harassment in a male-dominated space have made cinemas feel unwelcoming.

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Face of China: the retro appeal of Chairman Mao – in pictures

Many in China may prefer to forget the chaotic and bloody decades under the rule of Chairman Mao Zedong, but 70 years after he founded the People’s Republic his face is on memorabilia in shops across the country. The Great Helmsman has had a kitsch makeover, appearing on everything from posters, fans and ornaments to mugs and plates

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Beach towels and Brexit: how Germans really see the Brits

Exhibition at Bonn’s House of History documents ‘unrequited love’ of all things British

The strategy that Germany’s diplomatic corps proposed to keep Britain in the European community was unconventional and bold.

In November 1974, the then German chancellor Helmut Schmidt was desperately searching for the right words to convince British Eurosceptics to vote to remain a member of the European Economic Community.

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Philip Pullman: ‘Boris Johnson doesn’t mind who he hurts. He doesn’t mind if he destroys the truth or not’

He is a master of blending fact and fiction but, as Philip Pullman says, today’s politicians are on another level

I meet Philip Pullman 24 hours after he has got into trouble for idly musing on Twitter that he would like to hang Boris Johnson. “It was a silly joke,” he admits, looking slightly embarrassed as he enters his sitting room with a plate of biscuits for us, perching them on teetering stacks of books beneath which there is said to be a coffee table. He says his publishers were a bit miffed: threatening to murder the prime minister was clearly not how they had agreed to start the publicity campaign for his forthcoming children’s novel, The Secret Commonwealth, and Pullman had to publicly retract his words after there were complaints. “But,” the 72-year-old author adds, his tone brightening, while one of his dogs clambers on to his lap and the other maintains a vigil beside the biscuits, “the upshot was I gained 2,000 followers on Twitter!”

Pullman creates magical realms in his award-winning fiction, writing it in his 16th-century farmhouse in a village outside Oxford, where he lives with his wife and his ukuleles and cockapoos and overflowing shelves. But if I expected to meet someone otherworldly, I was wrong. Pullman, who has two sons and several grandchildren, is very much of this world, and can talk in detail about the shadowy machinations of Dominic Cummings as well as the designs of Victoria Beckham and the woodworking videos he sometimes gets hooked watching on YouTube. His observation of the government is not one-sided: he tells me that Michael Gove, as education secretary, once invited him to discuss literacy. Pullman told him that “the basics” weren’t grammar and spelling, as Gove believed, “because everybody who’s got a word processor knows you correct those at the last minute,” but rather nursery rhymes, songs, a love of language itself. Nothing came of it, “but I’ll give him credit: he was very courteous and he listened, and there was a civil servant making notes. And Gove cracked a joke about me being ‘at the heart of the Magisterium now’, so he had plainly read my books.”

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How the battle of Mosul was waged on WhatsApp

In an extract from his new book, James Verini gives his first-hand view of the bizarre, bleak conflict with Isis in 2016

• ‘Guilt and shame’: journalist James Verini on the US role in the destruction of Iraq

In Mosul, it was obvious, the jihadists would make their grand last stand. Smaller fights would follow, but this would be the showstopper. It would be not just the biggest and most devastating battle of this war, but the biggest battle, in a sense the culminating battle, of what was once known as the war on terror. When it was only half done, a Pentagon spokesman would call the fighting in Mosul “the most significant urban combat since WWII”. I was in Mosul when I read that. I had gone to Iraq for the first time in the summer of 2016, to write about life in the Islamic State’s wake. I got a month-long visa. I ended up staying the better part of a year.

Every CTS [Iraqi Counter Terrorism Service] position I saw in Mosul was as insecure as the one in Zahra [in the east of the city]. No checkpoints, no regular sentries, sometimes not even a perimeter. Locals wandered in and out. The soldiers were usually obliging. Near the triage station in Gogjali, on a slope overlooking east Mosul, was a nascent neighbourhood, a scattering of freestanding structures, half-finished homes, cinderblock foundations. Some were inhabited by their owners or refugees, others abandoned. One of the latter, a modest one-storey house that once aspired to two storeys, had held enemy fighters or served as a stopping place for them as they tried to escape the city. On the cement floor of the small courtyard was a discarded Rhodesian ammunition chest rig and by that, in a sink, a pile of hair of what had once been a beard. Occasionally you came upon just such perfect tableaux.

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The Immoral Majority review: how evangelicals backed Trump – and how they might atone

As a scandal-ridden presidency lurches towards impeachment, Ben Howe offers valuable insight into how it came to this

In his new book, Ben Howe attempts to explain something that should never have occurred: why most white evangelicals voting in 2016 chose Donald Trump.

Many observers thought Trump could not win because evangelical Christians could not support someone whose life (and tweeting) was so at odds with their beliefs and practices. Indeed, Trump failed to win a majority of evangelicals in any Super Tuesday primary.

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US cinemas ban masks and costumes at Joker screenings

Following concerns about the potential for violence, several chains will not allow face coverings or clothing that ‘would make other guests feel uncomfortable’

Major cinema chains in the US have announced that they will enforce bans of masks, costumes and toy weapons at screenings of Joker, the new film starring Joaquin Phoenix as Batman’s nemesis, as concerns about the potential for violence connected to the film’s release on 4 October circulate.

Landmark Theatres says on its website that “no masks, painted faces or costumes will be permitted into our theatres”. AMC Theatres, the US’s largest cinema chain with more than 600 venues, has said in a statement that they are “working with law enforcement” and that their standard policy allows audience members to wear costume but “we do not permit masks, face paint or any object that conceals the face … [or] weapons or items that would make other guests feel uncomfortable”.

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Prominent Britons of colour condemn BBC over Naga Munchetty complaint

Corporation accused of racial discrimination after presenter reprimanded for Trump remarks

More than 40 prominent broadcasters, celebrities and actors of colour have condemned the BBC, demanding it reconsider a decision partially upholding a complaint against the presenter Naga Munchetty, calling it “deeply flawed, illegal and contrary to the spirit and purpose of public broadcasting”.

In a letter published in the Guardian, the actors Lenny Henry, Adrian Lester and David Harewood, and presenters Krishnan Guru-Murthy and Gillian Joseph are among signatories describing the decision as “racially discriminatory treatment”.

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Cardi B: I was sexually assaulted on magazine photoshoot

US rapper alleges that a photographer exposed himself and attempted to coerce her into sex

US rapper Cardi B has detailed a sexual assault she experienced during a magazine photoshoot.

Speaking to TV and radio host Angie Martinez, she said: “I went to shoot for this magazine and the photographer, he was trying to get close to me like, ‘Yeah, you want to get in this magazine?’ Then he pulled his dick out. I was so fucking mad … You know what’s crazy? I told the magazine owner and he just looked at me like, ‘So? And?’”

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Cream drummer Ginger Baker critically ill in hospital

Family of Baker, who has also performed with Fela Kuti and Public Image Ltd, ask fans to ‘keep him in your prayers’

Ginger Baker, the jazz and blues drummer who co-founded the rock band Cream, has been reported critically ill.

A tweet posted from his official account reads: “The Baker family are sad to announce that Ginger is critically ill in hospital. Please keep him in your prayers tonight.”

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California Trip: how Dennis Stock caught the darkness beyond the hippy dream

His iconic portraits of James Dean in a wintry New York won him fame. But it was his travels in the west coast that brought out his true genius, as he captured the cracks in the 60s counterculture

‘For many years California frightened me,” Dennis Stock wrote in the preface to California Trip, first published in 1970. “For a young man with traditional concerns for spiritual and aesthetic order, California seemed too unreal. I ran.”

Stock, a naturally sceptical New Yorker who had served in the US Navy before hustling his way into the ranks of the esteemed Magnum photo agency, had instinctively picked up on the edgy undercurrents of the late 1960s Californian hippy dream. As the idealism of that decade peaked and faded, California became what Stock called a “head lab” – fomenting various radically alternative lifestyles fuelled by eastern mysticism, experiments in communal living, and all kinds of post-LSD mind expansion.

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To Tokyo review – thrilling, chilling horror in the wilderness

Caspar Seale Jones’s drama about a young woman afraid of her past is a masterclass in engrossing, show-don’t-tell film-making

Here’s one of those rare lowish-budget, entirely off-radar British debuts that feels like a discovery. Adventurous writer-director Caspar Seale Jones has relocated a stock horror starting point – fraught young woman fleeing something abominable in her past – to Japan, which instantly gifts his frames more distinctive vistas than all those potboilers pursuing teenagers through the streets of Peterborough or Stroud. More intriguingly, To Tokyo is in that Japanese folk-horror tradition that yielded Onibaba and Kwaidan, making merry-macabre use of a still relatively unfamiliar set of demons and ghouls.

To Tokyo scores high on dreamy-bordering-on-nightmarish atmosphere. On learning her mother is gravely ill, Alice (Florence Kosky) passes into either a fugue state or an actual wilderness that encompasses forests, deserts and a mountainside hut where she slaps on warpaint and receives offerings of fruit and entrails from whatever dragged her there. For half its running time, To Tokyo is just Kosky, some spectacular landscapes (cinematographer Ralph Messer apparently taking notes from that visual whizz Tarsem Singh) and a properly creepy spectre. Seale Jones makes the bold, rewarding decision not to explain a damn thing. The result is a masterclass in show-don’t-tell cinema.

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Zaha Hadid’s massive ‘starfish’ airport opens in Beijing

Daxing international, said to be world’s largest single-building terminal, to handle 72m passengers

China has opened a vast, multibillion-dollar airport in the country’s capital, in the run-up to a major political anniversary.

Less than five years after construction began, the 450bn yuan (£50bn) Daxing international airport was officially opened on Wednesday in a ceremony attended by the Chinese leader, Xi Jinping.

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Plácido Domingo withdraws from Met Opera performances after sexual harassment claims

Opera singer drops role in Macbeth and agrees no longer to perform with New York company

The Metropolitan Opera announced on Tuesday that Plácido Domingo had agreed to withdraw from his slate of scheduled performances at the opera house following allegations of sexual harassment made by multiple women in two Associated Press stories. The opera legend indicated that he would never again perform at the Met.

Domingo had been scheduled to sing the title role in the season debut of Verdi’s Macbeth on Wednesday night, which would have been his first performance in the United States since the AP reported that numerous women had accused him of inappropriate behavior, including one soprano who said he grabbed her bare breast.

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Cloud Gate avengers: the band of elastic superheroes who transformed Taiwan

Lin Hwai-min has spent 46 years tackling revolt, repression and rice in his fast-changing homeland. Now he is handing over his dance-theatre juggernaut to a former slipper seller

It’s a hot, humid evening and I’m sitting on the ground with around 50,000 other people, all about to watch Cloud Gate Dance Theatre give its annual outdoor performance in Taipei. The atmosphere in Liberty Plaza is extraordinary. I can’t think of another dance company in the world that could draw so large and so festive a crowd. Most of the audience have brought picnics, many enduring a day of rainstorms to bag a position close to the stage. Yet, although this is a special performance – one of the last before Cloud Gate’s founding director Lin Hwai-min steps down – such devotion has been normal for the company almost since it was formed.

Cloud Gate was named as the outstanding company at the British National Dance awards last year and is a headline attraction of the new Sadler’s Wells season. Lin’s success in turning a small experimental dance company into a national icon and international brand is a remarkable story. Now 71, with a fierce energy and a huge crinkled smile, Lin acknowledges that he had almost no experience of professional dance when he staged his first programme back in 1973, and discovered that he’d sold 3,000 tickets for just two shows. “I almost had a nervous breakdown,” he says. “I thought, ‘My god, now I have to learn how to choreograph.’”

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The ‘kidnapped’ Caravaggio: how the mafia took a razor blade to a masterpiece

Masterpiece was kept in the home of notorious Sicilian, who sliced off a piece in order to make a deal with Catholic church

A Caravaggio masterpiece stolen from a Palermo church 50 years ago and listed among FBI’s “most wanted” stolen artworks, was kept in the home of a powerful mafia boss, who sliced off a piece of the canvas in order to convince the Catholic church to make a deal for its return, according to previously unseen testimony from the priest who tried to recover it.

In an video interview filmed in 2001, but locked in a drawer and now revealed exclusively to the Guardian, the parish priest of the Oratory of San Lorenzo revealed astonishing details of the October 1969 theft of Merisi da Caravaggio’s Nativity With St Lawrence and St Francis.

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‘It’s a beacon for the city’: inside the new New York library that cost $40m to build

The project earned criticism for its price tag, but it is being seen as a positive sign for the health of New York libraries

Strategically positioned on the bank of the East River, across the water from the United Nations headquarters, New York city has a shimmering new addition to its skylines.

Unusually for such prime real estate set among parkland, panoramic views of Manhattan and convenient transport links, this $40m development in Queens is neither an upscale apartment block, exclusive members club or the offices of a huge corporation.

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