Category Archives: Pop and rock

‘I’m working through 1001 Albums You Must Hear Before You Die’: readers’ WFH playlists

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Some of you went classic rock; others Iranian ambient. And yet others took on epic challenges that will take years to complete … here’s what you’ve been listening to while working under lockdown

If I need to concentrate on something really thorny, I go for Bach every time. It seems to allow my brain to work at a high level and I do almost all my best work to Bach. András Schiff or Angela Hewitt playing keyboard works, and Hilary Hahn on violin. Beethoven’s late quartets and Schubert lieder are good for deep thought. If I’m just doing low-level stuff, then Radio Paradise is my go-to – it’s a commercial-free internet station, which I like because it mixes a lot of stuff I know from my younger days with music that I’m less familiar with. Edward Collier, software developer, Cheltenham

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Mykki Blanco: ‘I’ve helped to push open some closed doors. It’s a cool feeling’

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The rapper has worked with Kanye and Madonna and blazed a trail for black queer pop. Their new mini album, they say, feels like the start of a new chapter…

Mykki Blanco has just moved to Hollywood, and five minutes into our conversation, the 35-year old rapper’s beloved mother calls. “She needs to chill out. Like, I don’t work?” laughs Blanco. “She’s helping me pick out furniture and she’s gone crazy about the whole thing.” There is something pure about one of hip-hop’s most experimental figures having their mother help them decorate. The non-binary musician (who uses the pronouns they/them) has been living outside the US for the past five years, residing mostly in Europe: London and Portugal’s countryside. They also lived in Paris during the city’s second lockdown in late 2020 – an experience Blanco describes as “emotionally distressing”. But now, back living near family and friends, Blanco’s spirits seem high. Their new mini album, Broken Hearts & Beauty Sleep, an electric collection of love songs featuring Blood Orange and Jamila Woods, is a fresh beginning. For starters, it’s the first time they have had a record deal.

That may come as a surprise considering Blanco has not only worked with Kanye West, Charli XCX and Madonna, but was also a founding member of “queer rap”, a sub-genre of hip-hop that allowed LGBTQ+ people to express themselves freely. Tattooed and 6ft 2in tall, Blanco has long played with drag and gender presentation, whether donning waist-length braids and a pink corset or a shirt and a shaved head; rapping bluntly over trippy synths, their hyperactive lyrics address sexuality, partying and bravado from a queer perspective. In 2012 Elle magazine declared them “hip-hop’s new queen”, and in the New York Times Michael Schulman enthused about their “glamazon alter ego… a redoubtable presence on the New York downtown art and cabaret scene”. They self-released their 2016 debut album, Mykki, to critical acclaim: it was described by the Observer’s Kitty Empire as “one of the year’s most riveting musical self‑portraits”.

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Françoise Hardy, ‘close to the end’ of her life, argues for assisted suicide

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The French singer says radiation has left her in immense pain, and fears a natural death would bring ‘even more physical suffering’

Françoise Hardy, the French pop songwriter who found fame in the 60s yé-yé movement, has said she feels “close to the end” of her life in a new interview.

Hardy, 77, told Femme Actuelle that in 2018 she was diagnosed with a tumour in her ear. It followed her diagnosis with lymphatic cancer in the mid-2000s, and a hospitalisation in 2015 that led to her being placed in an induced coma. Her life was saved when doctors administered a novel form of radiation.

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Lorde’s comeback single is a lesson in letting pop stars take their time

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Solar Power delivers a statement of loose-limbed maturity from a mercurial star who is much imitated but utterly unique

Lorde has said she was “waiting for the right moment” to release her comeback single, Solar Power, and opted for 11 June to coincide with the year’s only solar eclipse (although leaks may have forced her hand). Her chosen date resonates beyond the obvious thematic associations of her hazy, sun-worshipping comeback single and its cheeky cover art.

Pop stars, especially young women, are expected to be available, relatable, always on. Lorde has defied this with an old-school release rate (just three albums in nine years) and such a low-key public presence that a recent update of her Instagram account on which she reviews onions rings generated headlines. (She benefits, too, from New Zealand’s minimal paparazzi culture.) The rare arrival of new music from the 24-year-old, last heard from in 2017, has come to feel like its own celestial event.

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The greatest ever songs of the summer – ranked!

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From Don Henley to Drake, we rate the hottest sounds of the season

For a fleeting moment Brooklyn’s the Drums were the skinny jean-sporting indie band du jour. This is their crowning moment, all pogoing bass, petal-soft whistle riffs and a lyric about waking up on a sunny morning and running to the beach. “Oh mama I don’t care about nothing” feels like a very summer 2021 mantra, too.

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Eurovision winners Måneskin: ‘Cocaine? Damiano barely drinks beer!’

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Already multiplatinum in their native Italy, the swaggering rock quartet now have two singles in the UK chart. They discuss their rise to success – and that drug-taking allegation

Before their momentous Eurovision victory with Zitti e Buoni, placing Italian rock back on the world stage and earning praise from Simon Le Bon and Miley Cyrus; before a baseless accusation of snorting cocaine almost veered into a full-blown diplomatic crisis; and before their post-win ping-pong tournament became a twee secondary narrative, the Italian band Måneskin had already raised eyebrows in Rotterdam, this year’s host city.

After a rehearsal session ended late, says the bassist, Victoria De Angelis, they were parched – but realised there was no drinking water in their hotel rooms. “We went to the hotel reception, but they said there was no water around,” De Angelis says. “So we made it into the kitchen and took some.”

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Martina Topley-Bird: ‘I wasn’t trying to be famous. I was embarrassingly earnest about being authentic’

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The vocalist breaks her long silence to talk about grieving for her daughter, her pioneering work with Tricky on Maxinquaye and finally making an album she’s 98% happy with…

Martina Topley-Bird is struggling with her voice today. “It was awful last night,” she says, croakily, down the line from her home in Valencia. “My first interview in 11 years and then this happens!” As it turns out, Topley-Bird’s will hold out for well over an hour. But it won’t always take her to where she wants to go. She’s agreed to an interview to promote Forever I Wait, her first album since 2010’s Some Place Simple, but she doesn’t enjoy talking about herself; she’s fully aware of her tendency to let conversations drift, leave sentences unfinished, not quite pin down the message she wants to deliver. Speaking to her can be like listening to some of her dreamier music: captivating, meditative, yet somehow with a sense of her barely being there at all. A typical anecdote might grind to a halt midway through: “But yeah… I don’t know… sorry, vagued out again!”

There is also a subject that is never going to be easy to talk about. In 2019, Topley-Bird’s daughter, Mazy, also known as Mina, killed herself at the age of 24. She had suffered a psychotic episode following a gig with her band 404 and died after being admitted to West Park hospital, Darlington. An inquest led to the coroner saying he would make two prevention of future death reports to reduce the risk of patients self-harming on the ward. At the time, Topley-Bird put out a statement saying: “Sweet baby, life won’t be the same without you.” But she hasn’t spoken since. She’s said in advance today that the subject can be broached, but that doesn’t make it any less difficult. “I’m only just beginning to process it,” she later admits.

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Powfu: the lo-fi rapper who became a Covid-era star without leaving his bedroom

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Last year the Canadian musician scored a global hit with Death Bed (Coffee for Your Head) – now he’s finally ready to meet his fans

For the lockdown superstar, omnipresent fame feels very much like obscurity used to. “I’ve been waiting a long time to go play with the fans,” says Powfu – AKA 22-year-old, Canadian lo-fi rapper Isaiah Faber – gazing around at the same four walls he was staring at before his breakthrough track Death Bed (Coffee for Your Head) unexpectedly racked up 360m YouTube streams, 4bn TikTok plays in March 2020 alone, and major chart placings worldwide at the very start of the pandemic. “But it’s made it a bit easier because it wasn’t like everything hit me at once. It’s not full-level yet.”

Related: The Guide: Staying In – sign up for our home entertainment tips

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‘Africa has so much talent – we can’t even grasp it’: Angélique Kidjo on pop, politics and power

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She’s played with everyone from Tony Allen to David Byrne. Now the Grammy winner is singing with a new generation of African stars, celebrating their continent while confronting its failings

On a video call from Paris, Angélique Kidjo, 60, shifts and leaps in her seat with the restive energy of a teenager. “I’m always changing and innovating and this album is no different,” she says. “Change brings life to things; it keeps me going. In life, you never know what to expect.”

Over a career that spans five decades, the Beninese artist has crossed paths with everyone from Gilberto Gil and Tony Allen to Talking Heads, Bono and Vampire Weekend. She has four Grammy wins in “world music” categories – second only to Ladysmith Black Mambazo.

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‘That was the day I knew I had died … ’ José Mauro, the reborn genius of bossa nova

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The melancholic singer was a gem in Brazil’s musical history, but many thought he had been killed in a motorcycle accident. At 72, he is releasing his lost recordings and finally reclaiming his legacy

It was the summer of 1995 when José Mauro discovered he was dead. The Brazilian musician, then 46 years old, was living on the outskirts of Rio de Janeiro, teaching guitar, when a friend called from London saying he’d spotted a CD of Mauro’s long-deleted 1970 LP, Obnoxius, on sale in a London record shop.

“He called and explained about this CD, and about how it said I’d been killed in a motorcycle accident,” says Mauro today, now 72. “That was the day I knew I had died.”

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‘They had soul’: Anton Corbijn on 40 years shooting Depeche Mode

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He thought they were pop lightweights – then turned them into moody megastars. The photographer recalls his adventures with the band, from desert trips to drug-induced near-death experiences

By his own cheerful admission, Anton Corbijn’s relationship with Depeche Mode did not get off to a flying start. It was 1981 and Corbijn was the NME’s new star photographer, having previously been lured to the UK from his native Netherlands by the sound of British post-punk, particularly Joy Division. His black and white portraits became iconic images of that band’s brief career, and Corbijn had gone on to take equally celebrated shots of everyone from Captain Beefheart to David Bowie.

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Man in Black at 50: Johnny Cash’s empathy is needed more than ever

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The country star is not always remembered for his politics, but his about-face to withdraw support for Nixon and the Vietnam war may be his finest moment

“I speak my mind in a lot of these songs,” Johnny Cash wrote in the liner notes to the album Man in Black, released 50 years ago today. He might be better known now for the outlaw songs of his youth or the reckonings with death in his final recordings, but Cash used his 1971 album to set out his less-discussed political vision: long on feeling and empathy, and short on ideology and partisanship. The United States seemed hopelessly polarised, and Cash confronted that division head-on, demanding more of his fellow citizens and Christians amid the apparently endless war in Vietnam.

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Neil Finn on the return of Crowded House: ‘I am ultimately very optimistic about the world’

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As the band release their first record in a decade, the New Zealand songwriter reflects on their influences – from Fleetwood Mac to Donald Trump

Neil Finn, New Zealand music’s jovial elder statesman, is remembering his best friend and bandmate Paul Hester.

He recalls the Crowded House drummer holding Finn’s baby son Liam up to the heavens, recreating a scene from the 70s TV show Roots; how Hester taught Liam’s younger brother, Elroy, to play the drums. But Hester’s gone now – he took his own life in 2005.

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My Bloody Valentine’s Kevin Shields: ‘We wanted to sound like a band killing their songs’

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The band have released only one album since 1991 classic Loveless, yet their influence remains undimmed. Their frontman discusses destroying buildings with noise, losing his mojo – and preparing new music

In early 1988, My Bloody Valentine decided that they were, as their de facto leader, Kevin Shields, puts it today, “finished”. You can see how they might have come to that conclusion. They had started life in the early 80s as a Dublin post-punk band, relocated to Berlin at the suggestion of the Virgin Prunes’ Gavin Friday and become a gothy proposition inspired by the Birthday Party and the Cramps, then moved to London and transformed into what Shields calls “a conceptual band”, their childlike record sleeves concealing songs about necrophilia and incest.

The problem was, no one had got the joke; the general consensus, as Shields sighs today, was “that we were this shit Jesus and Mary Chain copyist band”. Following the departure of their lead singer, Dave Conway, they had adopted a jangly 12-string guitar style, to negligible response.

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Enya’s greatest songs – ranked!

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This month, the Irish singer turned 60 – and her popularity belies how radical her Celtic futurism really is

With the plinking, clipped synths and infernally moreish chorus, Orinoco Flow is the Enya song that everyone knows, yet it is arguably the least interesting moment on her breakthrough album, Watermark. Indeed, for years it seemed that its ubiquity obscured the stranger treasures in her discography.

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‘It’s cooler to hang Lennon’s guitar than a Picasso’: pop culture wins out at auctions

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Sales of items from celebrities such as Janet Jackson and K-poppers BTS are trending – and reframing what goes under the hammer

Is celebrity merchandise the new Monet? Auction houses are in flux, with more and more pop culture items being sold under the hammer for six and seven-figure sums.

Last month, Julien’s Auctions in Beverly Hills hosted a three-day auction of Janet Jackson’s personal belongings, including some of her most iconic stage outfits. Buyers included Kim Kardashian, who snagged Jackson’s outfit from the music video for her 1993 classic If for $25,000 (£18,000) and, on Instagram, said she was “such a fan” of the singer.

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Lady Gaga says rape as teenager left her pregnant and caused ‘psychotic break’

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Speaking on Oprah Winfrey and Prince Harry show The Me You Can’t See, the singer outlined further details of attack she first disclosed in 2014

Lady Gaga has told new details about sexual assault she suffered when she was 19. Speaking on The Me You Can’t See, Oprah Winfrey and Prince Harry’s new Apple TV+ series about mental health, she said the rape – that she first disclosed in 2014 – was by a music producer and left her pregnant.

“I was 19 years old, and I was working in the business, and a producer said to me, ‘Take your clothes off,’” she said. “And I said no. And I left, and they told me they were going to burn all of my music. And they didn’t stop. They didn’t stop asking me, and I just froze and – I don’t even remember.” She said “the person who raped me dropped me off pregnant on a corner”.

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Eurovision 2021: the good, bad and weird songs to look out for

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Amid the German ukuleles, anti-colonial Dutch anthems and Ukrainian folk-techno, can the UK’s James Newman reverse a long run of disappointment?

Future scholars of camp will pen entire counterfactuals about the great cancelled Eurovision of 2020 and what might have been: while the majority of last year’s contestants are back for 2021, they must all perform different songs. It feels especially cruel to Daði Freyr, the Icelandic act who would surely have won with viral hit Think About Things, a charming study in nerdish twee full of homemade keytars and school-play dance moves. But led by Freyr himself – imagine fey Scandi singers such as Jens Lekman or Erlend Øye crossed with Napoleon Dynamite – the group are back and pretending that last year never happened, with more of the same disco-pop, if lacking maybe 10% of 2020’s magic.

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