Brisbane-based Indigenous art collective proppaNOW wins prestigious global prize

Curator at school which awards Jane Lombard Prize says the artists’ work would ‘galvanise arts and social justice communities’ in New York


Indigenous Australian art collective proppaNOW has won a prestigious prize that will take them to New York next year after the selecting jury found their practices would serve as “models for political empowerment throughout the world”.

But don’t expect traditional Aboriginal artworks.

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Salford museum pays £7.8m for LS Lowry’s Going to the Match

Purchase of 1953 painting beloved by football fans made possible by gift from charitable foundation

A painting by LS Lowry beloved by football fans and art enthusiasts has been bought by the Lowry museum and gallery in Salford, saving it from disappearing into a private collection.

The museum paid £7.8m including fees for Going to the Match, painted in 1953, at an auction on Wednesday evening. The purchase was made possible by a gift from the Law Family charitable foundation, which was set up by the hedge fund manager and Conservative party donor Andrew Law and his wife, Zoë. The painting had been estimated to fetch £5m-£8m.

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Stolen Tasmanian Aboriginal artefacts are finally home. But there’s a catch: they’re only on loan

Cultural objects kept in museums around the world are in nipaluna/Hobart for an exhibition. But Aboriginal communities are calling for them to stay permanently

In 2014, pakana woman Zoe Rimmer left the British Museum in tears after viewing a 170-year-old kelp water carrier taken from lutruwita/Tasmania in their collection. As she cried, the seed of a big idea was planted: how could she get the rikawa, and other Tasmanian Aboriginal cultural artefacts sitting in institutions across the world, home?

“Seeing our ancestral belongings in a storage facility in the British Museum was quite emotional,” says Rimmer, who until recently was senior curator of First Peoples art and culture at the Tasmanian Museum and Art Gallery (TMAG).

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Sydney festival 2023: Town Hall to be filled with 26 tonnes of sand for program showpiece

The heritage building’s floor will become an indoor beach for an award-winning opera – one of a few architectural landmarks that will get a new life this summer

Twenty-six tonnes of sand will be shipped into Sydney town hall as part of the 2023 Sydney festival, with the heritage-listed building transformed into a faux beach for an award-winning opera starring 79 people and a dog.

The program for the annual festival, announced today, will amplify stories from Indigenous and female-identifying creatives next year. Led by artistic director Olivia Ansell for the second time, it will champion climate action, marginalised voices and the rediscovery of underused spaces in the city – including Harry Seidler’s mushroom-shaped building in Martin Place, which will be turned into a 1970s-themed bar and live music hub, with audiences invited to stay in the retro hotel rooms above.

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Royal Society of Arts accused of ‘spite’ by staff member who spoke out on unions

Staff member who spoke to the Observer about drive to get workers to join IWGB union claims she was ‘punished’ by arts charity

The Royal Society of Arts has been accused of punishing staff who spoke out about their campaign to unionise the 270-year-old charity.

The Observer reported last week that almost half the charity’s workforce below senior manager level had joined the Independent Workers Union of Great Britain (IWGB), with a petition indicating most staff backed unionisation. The RSA senior management team led by Andy Haldane, a former chief economist at the Bank of England, has rebuffed three requests to voluntarily recognise the union.

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Channel 4 buys painting by Hitler – and may let Jimmy Carr destroy it

Ian Katz says new show, Art Trouble, celebrates the channel’s tradition of ‘iconoclasm and irreverence’

Channel 4 has bought a painting by Adolf Hitler and will allow a studio audience to decide whether Jimmy Carr should burn it with a flamethrower.

As part of its latest season of programmes, the TV channel has bought artworks by a range of “problematic” artists, including Pablo Picasso, as well as convicted paedophile Rolf Harris and sexual abuser Eric Gill.

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Cerith Wyn Evans brings his neon-lit art home to Wales

Hepworth prize winner’s works have been shown around the world and now arrive in Llandudno

His twisty neon installations and glittering towers of light are frequently shown in some of the world’s most exclusive galleries in New York, Mexico City, Tokyo and Shanghai.

For his first major solo show in his home country of Wales, Cerith Wyn Evans’ work is on display in the traditional surroundings of a gallery built in Edwardian times in the resort of Llandudno, best known for its old-fashioned pier and seafront – and the bold goats that descended on the town during the first lockdown.

The exhibition runs until 5 February 2023.

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Jürgen Wittdorf: Berlin gallery revives homoerotic art of communist era

In what would have been artist’s 90th year, first retrospective at Biesdorf Palace has been a surprise success

Seven men wash the sweat off their toned bodies in a communal shower. Unless you squint and mistake a tightly gripped bar of soap for something else, their limbs are suspended in tantalising proximity but never quite touch.

The German artist Jürgen Wittdorf’s 1963 linocut print, from a series titled Youth and Sport, may look like something out of a top-shelf graphic novel or the virile drawings of the gay liberation icon Tom of Finland.

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Battersea power station: timeline of a modern classic

Begun in 1929, the building was a collaboration between architects Theo Halliday and Sir Giles Gilbert Scott

Battersea power station was built in two phases, as a collaboration between the architects Theo Halliday and Sir Giles Gilbert Scott.

Halliday was responsible for the overall shape and the interior.

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‘Ordinary’ Chinese vase sells for almost €8m after ferocious bidding war

Tianqiuping-style porcelain sells for nearly 4,000 times its estimated value after buyers are convinced it is a rare artefact

An “ordinary” Chinese vase put up for auction in France and valued at €2,000 (£1,745) has sold for almost €8m after a ferocious bidding war among buyers convinced it was a rare 18th-century artefact.

At the sale in Fontainebleau near Paris, auctioneers were astonished as the offers from about 30 mainly Chinese bidders kept on coming. When the hammer fell the vase had been sold for €7.7m – almost 4,000 times its estimated value. With the seller’s fees, the final purchase price was €9.12m.

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Campaigners celebrate as V&A severs Sackler links over opioids cash

London museum bows to years of pressure and removes signs acknowledging the family behind the OxyContin crisis

Campaigners calling for the name Sackler to be dropped from cultural landmarks are celebrating this weekend. Their smiles mark five years of demonstrations and dramatic stunts as another major arts institution – London’s Victoria and Albert Museum – takes down signs acknowledging the financial contribution from this wealthy family.

The museum is dropping it controversial ties with the Sackler family, descendants of US makers of addictive opioid prescription drugs. It’s a victory for the campaign group Sackler P.A.I.N, which staged a dramatic public protest at the gallery in November 2019. The group, led by American artist Nan Goldin, argued that donations from the family that founded now-bankrupt Purdue Pharma, maker of the painkiller OxyContin, were a moral stain on cultural institutions that accepted them.

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Lucian Freud’s etching of Wolseley restaurant creator to be sold

Artist dined at Mayfair restaurant almost every night in later years, and would sometimes share a table with co-founder Jeremy King

A portrait by Lucian Freud of the restaurateur behind the Wolseley, the Mayfair establishment where the artist dined nearly every evening in the last few years of his life, is to be sold next month.

Freud was completing the etching of Jeremy King when he died in 2011. The two had become friends over a period of about 30 years after Freud began dining at Le Caprice, another King establishment (and a favourite of Diana, Princess of Wales’s), and at the Wolseley when it opened in 2003.

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Brad Pitt makes surprise debut as a sculptor at Finland art gallery

Actor appears alongside Australian musician Nick Cave and British sculptor Thomas Houseago to reveal his first ever public art exhibition

Most know him for his blockbuster movies, chiselled cheekbones and high-profile relationships, but Brad Pitt can now add creating sculpture to his list of achievements after publicly debuting his first works of art in a lakeside museum in Finland.

The A-list Hollywood star unveiled the sculptures – what he called a “radical inventory of self” – at the Sara Hildén Art Museum in Tampere, a move that came as a surprise. It is the first time the “largely self taught” artist presented his sculptures to the public, the gallery said.

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Folio from ‘world masterpiece’ illuminated manuscript goes up for auction

Section of the Shah Tahmasp Shahnameh is expected to fetch between £4m and £6m at auction next month

A folio from the Shah Tahmasp Shahnameh, one of the “finest illustrated manuscripts in existence” according to Sotheby’s, is expected to fetch between £4m and £6m at auction next month.

The Shahnameh, also known as the Book of Kings, is an epic poem containing 50,000 rhyming couplets, telling the history of Persia’s rulers. It was written by the Persian poet Ferdowsi between 977 and 1010.

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Canadian city pulls bison sculpture in row over representation of colonialism

Edmonton decided Ken Lum’s paired figures of a bison and fur trader could ‘cause harm and induce painful memories’

A Canadian city has pulled a public art project over fears that a pair of towering bronze statues could be seen as an endorsement of colonialism – the exact opposite of the work’s intended meaning, according to the artist.

The work, which cost C$375,000 (US$285,000), comprises two large bronze figures which were intended to stand on either end of a pedestrian bridge in Edmonton. On one end, a 13ft bison was to stare out over the water. At the other, a colonial fur trader, measuring 11.5ft, would sit atop a pile of bison pelts.

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Yinka Ilori’s patterns and designs to be celebrated at London Design Museum

Free exhibition will include some of creative’s architectural projects and draw from his west African roots

The bold colours and striking patterns of Yinka Ilori’s furniture, homeware, textiles and billboard graphics are to be celebrated for the first time in a free museum exhibition.

Ilori, who grew up in a Nigerian household in north London, has drawn inspiration from west African textiles in his artwork and designs.

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How an Indigenous Australian artist ‘astonished’ a giant of American art

Sol LeWitt never met Emily Kame Kngwarreye, who began painting in her 80s, but he was blown away by her work. A new AGNSW show celebrates their unlikely link

He was one of the 20th century’s pioneers of modern American art; she was the Anmatyerre artist who put Australian desert painting on the world stage.

Sol LeWitt and Emily Kame Kngwarreye never met, yet one had a profound effect on the work of the other, and led to one of the largest collections of Utopia art outside Australia. LeWitt became a huge fan of Kngwarreye, and of the distinct style produced by the Indigenous Australian artists working in Utopia, Northern Territory.

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‘Fit of pique’: lost vorticist masterpiece found under portrait by contemporary

Atlantic City by Helen Saunders discovered under Praxitella by Wyndham Lewis, who may have painted over it on purpose

A lost masterpiece by a leading abstract artist of the early 20th century has been discovered beneath a portrait by a contemporary who may have painted over the original in a “fit of pique”.

Atlantic City by Helen Saunders, a member of the radical and short-lived vorticist movement, depicts a fragmented modern metropolis, almost certainly in the vibrant colours associated with the group. A black and white image of the painting appeared in Blast, the avant garde journal of the vorticists produced shortly before the outbreak of the first world war.

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Vandalised Mayer-Marton mural in Oldham church granted Grade II-listed status

Crucifixion mosaic and fresco saved from destruction after two-year campaign

A stunning mural created in a Catholic church by a Jewish refugee from the Nazis has been saved from destruction, decay and vandalism after being granted Grade II-listed status by the UK government.

The Crucifixion, by the leading 20th-century artist George Mayer-Marton, is a rare combination of mosaic and fresco standing almost 8 metres (26ft) high, taking up an entire wall inside the Holy Rosary church in Oldham.

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