Category Archives: Art and design

My Amazon rainforest angel: Claudia Andujar’s best photograph

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‘When I first visited the Yanomami tribe, they were completely isolated – they hadn’t seen a camera and didn’t know what photography was’

It was 1971 when I photographed the Yanomami tribe of Brazil for the first time. I knew that it would take time to build our relationship, but I wanted to see if we could become friends. For me, the best photographers are those who are truly interested in their subjects.

The Yanomami is a big population of indigenous people who live in the Amazon rainforest in northern Brazil and southern Venezuela; several thousand live in Brazil alone. A small village can be as few as 40 people, or a big one as many as 200. When I first went to the Yanomami villages, the tribe was completely isolated – some still are today. At that time, 50 years ago, they hadn’t seen a camera and didn’t even know what photography was.

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Porch Diaries: portraits from Melbourne’s coronavirus lockdowns – photo essay

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Comprising more than 200 colour photographs, Porch Diaries is a series by Melbourne-based photographer Alana Holmberg featuring portraits of neighbours, strangers, workers and loved ones who passed by her Brunswick home during the 2020 pandemic lockdown months in Melbourne. With the recent spike in cases, Melbourne was back in lockdown and Holmberg was back on the porch

30 March 2020

Some days I feel like a creep. My spot up here on the porch, partially obscured behind the lemon tree, kept vertical by a stake, and the row of spindly roses. Twice this morning my presence went undetected. A metre or so above the path, I sit on a worn-out couch with a worn-out laptop, my eyes flicking from screen to street and down to screen again. Who else will pass by today? Mara, my housemate’s dog, takes her usual position to my right, propped up on my thigh. We watch and we wait.

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Calls for Keith Haring mural to stay at Barcelona site being turned into care home

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Artwork in building slated for demolition faces uncertain future, though city has pledged to save it

It all began one February night in 1989. Cesar de Melero was DJing in the Ars Studio club in Barcelona when someone told him that the artist Keith Haring was outside but the doorman wouldn’t let him in.

“The place was packed, so I put on a record and pushed through the crowd,” De Melero told the Guardian. “And there he was with his saintly, innocent face and I told the doorman to let him in and I said to the boss: ‘Champagne for Keith Haring.’”

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How a ghostly outline revealed the secret of Modigliani’s lost lover

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The Italian artist may have wanted to brush Beatrice Hastings out of his life, but artifical intelligence has thwarted him by enabling a re-creation of the work

No one wants to be reminded of a failed relationship by having the ex’s portrait hanging around. After Amedeo Modigliani and his lover, Beatrice Hastings, broke up, the Italian artist is thought to have obliterated her memory by painting another woman’s likeness over his portrait of her.

So he might not be too happy to learn that science has now brought back that “lost” portrait, using artificial intelligence, an X-ray and 3D-printing to re-create the painting, with full colour and textured brushstrokes.

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How Tove Jansson’s love of nature shaped the world of the Moomins

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The Finnish artist’s work was hugely influenced by her passion for the great outdoors – in particular the tiny island of Klovharun

In 1964, when she was in her 50s, the Moomin creator Tove Jansson settled on her dream island. Klovharun in the Finnish archipelago is tiny – some 6,000 sq metres – and isolated, “a rock in the middle of nowhere”, according to Jansson’s niece, Sophia. It has scarcely any foliage, no running water and no electricity. Yet for Jansson, it was an oasis. For 18 years she and her partner Tuulikki Pietilä spent long summers there, heading out from Helsinki as soon as the ice broke in April, leaving only in early October. The island meant “privacy, remoteness, intimacy, a rounded whole without bridges or fences”.

Klovharun encapsulates something of Jansson’s originality as an artist and writer – and her human presence. Her illustrated Moomin books, which began to be published just after the second world war, brought her phenomenal acclaim and devotion. The tales of amiable troll creatures have been taken to generations of hippy hearts; their pear-shaped faces have adorned a million ties. Their marketing triumph – in which Jansson enthusiastically participated – has overshadowed her other achievements as a painter, novelist, short-story writer, anti-Nazi cartoonist, and designer of magazine covers. Success may also have obscured how ambivalent she was, how often on the cusp of identities. She was brought up in Finland speaking Swedish, had male and female lovers, told her stories in pictures and in prose, lived on water as well as land. More and more she appears as a pioneer. Not least in her crystalline descriptions of the natural world.

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‘Michelangelo of Middlesbrough’ hailed for 27,000-hour model project

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Lockdown hobbyist painted 1m tiny cobbles for scale model of Yorkshire town’s demolished St Hilda’s district

Lockdown has inspired many of us to take up new hobbies, but for one Middlesbrough man, the pandemic just meant more time to devote to a mammoth project already nine years in the making.

“It was business as usual,” says Steve Waller, 61, a model artist and historian known affectionately as the “Michelangelo of Middlesbrough” who has spent almost a decade recreating the town’s historical St Hilda’s district in his bedroom.

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Why every single statue should come down | Gary Younge

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Statues of historical figures are lazy, ugly and distort history. From Cecil Rhodes to Rosa Parks, let’s get rid of them all

Having been a black leftwing Guardian columnist for more than two decades, I understood that I would be regarded as fair game for the kind of moral panics that might make headlines in rightwing tabloids. It’s not like I hadn’t given them the raw material. In the course of my career I’d written pieces with headlines such as “Riots are a class act”, “Let’s have an open and honest conversation about white people” and “End all immigration controls”. I might as well have drawn a target on my back. But the only time I was ever caught in the tabloids’ crosshairs was not because of my denunciations of capitalism or racism, but because of a statue – or to be more precise, the absence of one.

The story starts in the mid-19th century, when the designers of Trafalgar Square decided that there would be one huge column for Horatio Nelson and four smaller plinths for statues surrounding it. They managed to put statues on three of the plinths before running out of money, leaving the fourth one bare. A government advisory group, convened in 1999, decided that this fourth plinth should be a site for a rotating exhibition of contemporary sculpture. Responsibility for the site went to the new mayor of London, Ken Livingstone.

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‘They had soul’: Anton Corbijn on 40 years shooting Depeche Mode

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He thought they were pop lightweights – then turned them into moody megastars. The photographer recalls his adventures with the band, from desert trips to drug-induced near-death experiences

By his own cheerful admission, Anton Corbijn’s relationship with Depeche Mode did not get off to a flying start. It was 1981 and Corbijn was the NME’s new star photographer, having previously been lured to the UK from his native Netherlands by the sound of British post-punk, particularly Joy Division. His black and white portraits became iconic images of that band’s brief career, and Corbijn had gone on to take equally celebrated shots of everyone from Captain Beefheart to David Bowie.

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Is that a surrealist masterpiece by the draining board? Inside Leonora Carrington’s sculpture-filled home

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The great British artist’s home in Mexico has been turned into a wonderful museum, full of her sculptures, books, diaries and unsmoked cigarettes. Our writer, Carrington’s cousin, takes an emotional tour

In October 2010, a few months before her death, I said my last goodbye to my cousin Leonora Carrington. As I left her home in Mexico City, she stood waving on the doorstep. Today, I’m back for the first time – to see Leonora’s house recreated as a visitor attraction. It feels surreal, but the surreal has become the everyday since I set off to find Leonora in 2006, almost 70 years after she checked out of our family and Britain. She travelled first to Paris to be with her lover, the German artist Max Ernst, before moving on to Mexico with a diplomat she met after she and Ernst were separated by the second world war.

This house, 194 Calle Chihuahua, is where she was anchored for more than 60 years. Here, she painted some of her best-known works, including The Juggler, which sold at auction in 2005 for £436,000; And Then We Saw the Daughter of the Minotaur, now at MoMA in New York; and her mural The Magical World of the Mayans, now at the National Anthropological Museum in Mexico City.

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‘This is our cultural heritage’: Spanish photographers seek national archive

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Lack of permanent photography hub means precious work is being lost forever, says group

Spain’s best-known photographers have thrown their weight behind a new campaign to establish a national centre to catalogue, share, protect and promote the country’s rich and diverse photographic history.

The Platform for a Centre of Photography and the Image – whose members include Ramón Masats, Isabel Muñoz, Alberto García-Alix, Juan Manuel Castro Prieto and Cristina García Rodero – points out that Spain is one of only a handful of EU countries that does not have a centre exclusively dedicated to photography.

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Children’s authors on Eric Carle: ‘He created readers as voracious as that caterpillar’

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Authors from Julia Donaldson to Cressida Cowell pay tribute to the beloved author of The Very Hungry Caterpillar, who has died aged 91

The late Eric Carle has been hailed by fellow children’s writers for creating generations of readers as voracious as his best-loved creation, The Very Hungry Caterpillar.

Carle, who died on Sunday at the age of 91, left behind titles including his worldwide bestselling board book – about a caterpillar who eats his way through a week’s worth of food before turning into a butterfly – as well as The Very Busy Spider, The Mixed-Up Chameleon and Papa, Please Get the Moon for Me.

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‘It’s cooler to hang Lennon’s guitar than a Picasso’: pop culture wins out at auctions

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Sales of items from celebrities such as Janet Jackson and K-poppers BTS are trending – and reframing what goes under the hammer

Is celebrity merchandise the new Monet? Auction houses are in flux, with more and more pop culture items being sold under the hammer for six and seven-figure sums.

Last month, Julien’s Auctions in Beverly Hills hosted a three-day auction of Janet Jackson’s personal belongings, including some of her most iconic stage outfits. Buyers included Kim Kardashian, who snagged Jackson’s outfit from the music video for her 1993 classic If for $25,000 (£18,000) and, on Instagram, said she was “such a fan” of the singer.

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Five thousand years of mystical magnificence: Epic Iran at the V&A – review

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V&A, London
Persepolis and Isfahan are dazzlingly brought to life in a blockbuster show that explores five jaw-dropping millennia of cultural history, from soaring domes to charging horses


Typical. You go for months without any culture, then 5,000 years of it come along at once. That’s what the V&A’s luxury coach tour of a blockbuster promises, and delivers, including quite brilliant recreations of Iran’s two most renowned sites, Persepolis and Isfahan. Epic Iran shows there is a cultural history that connects the country as it is today with the people who lived here five millennia ago. To put this in perspective, that’s like telling the story of Britain from before Stonehenge to the present and hoping it all connects up somehow. But in Iran, it does.

That’s partly because of a pride in history that preserved traditions across the millennia. The most important document of that is The Shahnameh, The Book of Kings, written at the start of the 11th century CE by the poet Ferdowsi. Iran had been converted to Islam in the seventh century, but Ferdowsi’s epic is packed with the heroic deeds and bloody battles of the ancient, pre-Islamic Sasanian empire. It is also written in Persian, as opposed to Arabic. There are gorgeous manuscripts of this classic. A masterpiece made in Tabriz in the 1500s for the Safavid ruler is open on a battle scene in which bejewelled horsemen charge each other across a sea-like expanse of blue: the painter takes time to depict little flowers blooming on the battlefield, just before the horses trample them.

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Outback camel trek: one woman’s 5,000km journey across Australia

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After working with camels for five years, 32-year-old Sophie Matterson decided to embark on an epic trek across Australia, with nothing but the animals she had come to love for company. She trained five of them to carry her provisions before beginning a 5,000km coast-to-coast walk from Australia’s western-most point in Shark Bay, Western Australia, to the eastern-most point in Byron Bay, New South Wales

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Was the fiddler framed? How Nero may have been a good guy after all

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He was a demonic emperor who stabbed citizens at random and let Rome burn. Or was he? We go behind the scenes at a new show exploding myths about the ancient world’s favourite baddie

Nero comes with a lurid reputation. “The main thing we know about him is his infamy,” says Thorsten Opper, curator of the first British exhibition devoted to the Roman emperor. “The glutton, the profligate, the matricide, the megalomaniac.” Also, the pyromaniac: famously, Nero “fiddled while Rome burned”, or at least strummed his kithara to one of his own compositions, The Fall of Troy, while a fire, supposedly begun by him, destroyed three of Rome’s 14 districts and seriously damaged seven.

His afterlife on the page and screen is certainly arresting. Nero inspired some of the greatest Renaissance and baroque operas, notably Monteverdi’s L’Incoronazione di Poppea and Handel’s Agrippina, which chart the emperor’s adulterous love for Poppaea, who became his second wife. In the epic 1951 movie Quo Vadis, Peter Ustinov played Nero as entirely unhinged: a mincing, purple-swathed toddler in a man’s body. Christopher Biggins took him on in I, Claudius, the classic BBC adaptation of Robert Graves’s novel, and made him power-hungry, baby-faced and quite, quite mad.

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Help, it’s 1,000 trillion degrees in here! The Big Bang artwork that makes scientists cry

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What would it have been like to be inside the Big Bang? We meet the ultra-hi-tech art duo who are using light, sound and sub-atomic astro data to recreate the biggest explosion ever

‘Step into the heart of the Big Bang,” says the advert for Halo, a walk-in, 360-degree, audiovisual installation about to open in Brighton. Come off it, I want to retort. You couldn’t “step” into the Big Bang without first travelling 13.8 billion years back in time and then being extremely miniaturised. After all, the universe was, according to one estimate, just 17cm in diameter at its inception.

What’s more, it was dark inside the Big Bang. In fact, there was no light at all. True, if you stuck around for 380,000 years, according to Nasa, you might have been able to see something because that was when free electrons met up with nuclei and created neutral atoms that would have allowed light to pass through. But who has 380,000 years to hang around waiting in the dark?

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Stolen Roman frescoes returned to Pompeii after investigation

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Six fragments returned to archaeological park, some after being illegally trafficked in 1970s

Six fragments of wall frescoes stolen from the ruins of ancient Roman villas have been returned to Pompeii’s archaeological park, after an investigation by Italy’s cultural protection police squad.

Three of the relics, which date back to the first century AD, are believed to have been cut off the walls of two Roman villas in Stabiae, a historical site close to the main Pompeii excavations, in the 1970s before being exported illegally.

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Would you pay £99,000 for this self-lacing Nike? Sneakers Unboxed review

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Design Museum, London
From battered Vans to box-fresh Adidas, how did sneakers become an $80bn-a-year global industry? This fun show has all the answers – including how to get really fat laces

‘It was all about being the freshest,” says Koe Rodriguez, toothbrush in hand. “That’s how you pulled honeys, how you got respect from the hard rocks. That’s how you laid your game down. It was all about being fresh.” The hip-hop historian’s not talking about his teeth, though, but his sneakers.

Rodriguez appears in Just for Kicks, a 2005 documentary about sneaker culture that also features an MC explaining his painstaking monthly shoelace-cleaning ritual. Treating his precious laces as if they were the finest cashmere, he would carefully scrub them between his clenched knuckles, then pinch out the water, squeeze them with a towel, and press them with the tip of a hot iron, to make them as wide as possible. “They gotta be fat,” he insists.

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Tracey Emin on beating cancer: ‘You can curl up and die – or you can get on with it’

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As she starts to rebuild her life after surgery, the artist shares her unflinchingly honest cancer self-portraits, talks about seeing dead people in hospital walls, and explains why she’s buying herself a punchbag – and kittens

‘I’m smiling and talking to you,” says Tracey Emin, sitting at her kitchen table. “But it’s not always like this.” We’ve been delaying this conversation until she finally felt well enough. She has been spending a lot of time in bed, just resting. On the phone, she sounded weak, but today she is indeed smiling, getting excited as she speaks – the Tracey who I have been fortunate enough to get to know.

“Now I’ve got a terrible pain in my legs, it’s unbearable. That’s why I’ve been in bed. I’m determined to go for a walk later because I hardly ever go out. I have a urostomy bag, so I have a major disability. The more well I get, the more annoying it is. Previously it was all right because I was on morphine. But now I want to do things and I can’t.”

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