‘We’re beating this together’: Jemaine Clement on Covid, crime and his friend Taika Waititi

The co-creator of Wellington Paranormal and Flight of the Conchords is busy with new projects and looking forward to bingeing friends’ work

It’s a blustery Wellington night and we’re on the brink of the second nationwide lockdown of the pandemic. There’s a measured knock at my flat door. Jemaine Clement shakes my hand warmly and removes his boots. We’re meeting off the back of the global success of his comedy series Wellington Paranormal and he is in an ebullient mood. He’s also in a thirsty one: tonight the former door-to-door orange juice salesman is plumping for copious glasses of water instead.

Paranormal is one of two spinoffs from his and Taika Waititi’s vampire film What We Do in the Shadows. It stars Shadows’ police officers Minogue (Mike Minogue) and O’Leary (Karen O’Leary), recruited for the paranormal unit by Sgt Ruawai Maaka (Maaka Pohatu). The trio, and their colleague Const Parker (Tom Sainsbury), are oblivious, bungling and affable. Clement explains the importance of Paranormal being a collegial shoot.

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Sonny Chiba, martial arts master and Kill Bill star, dies aged 82

Chiba made his name with the 1970s Street Fighter trilogy, before Quentin Tarantino’s admiration brought him fame in the west

Sonny Chiba, the Japanese martial arts movie star who found late-career renown in Hollywood after outspoken admiration from Quentin Tarantino, has died aged 82 from a Covid-related illness. Variety reported that it had received confirmation of the news from Chiba’s agent.

With an acting career beginning in the 1960s with a string of roles in Japanese martial arts films and TV shows, Chiba became widely known in the west after being name-checked in True Romance, the 1993 thriller written by Tarantino and directed by Tony Scott. By then, Chiba had become a star in Japan, appearing in titles such as the 1970s Street Fighter trilogy (and its spin-off, Sister Street Fighter), Bullet Train and Champion of Death.

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Sexting, lies and unveiled selfies: the Egyptian film exploring the hidden lives of teenage girls

Ayten Amin’s Souad is a razor-sharp portrayal of sisterhood and sexual awakening that is rarely represented on screen

When the Egyptian director Ayten Amin was 10 years old, a classmate’s sister killed herself. The news gripped the school. But, in a society where suicide is a sin, no one talked about it; instead, they mourned the girl as though she had died mysteriously, or in an accident. “When I was shooting my first film, it suddenly hit me,” Amin says over a video call from her home in Cairo. “How did my classmate feel back then? How did she grow up knowing what happened, but with no one talking about it?”

In her new film, Souad, Amin explores precisely this: the hidden lives of teenage girls in Egypt. It follows the title character (played by Bassant Ahmed) and Rabab (Basmala Elghaiesh), sisters of 19 and 13 living in Zagazig, a small city 40 miles north of Cairo in the Nile delta. To her family and friends, Souad is as religious as she is studious – but she lives a different life online. She has virtual relationships with men and becomes enthralled by the glamorous-seeming Ahmed (Hussein Ghanem), an influencer from the fashionable Mediterranean city of Alexandria. Their relationship begins to sour when Souad stands up Ahmed for a real-life date; it gets steadily worse as a cycle of sexts and arguments sets in. Then tragedy strikes.

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Hong Kong reportedly lets Nicole Kidman skip Covid quarantine

Actor said to be given exemption to film Amazon TV series, as territory braces for tougher travel rules

As Hong Kong braces for more draconian Covid-19 travel restrictions from Friday, the Australian actor Nicole Kidman has received an exemption from the government to skip quarantine, media reported.

The exemption was given to allow her to film an Amazon television series called The Expats, the news website HK01 reported, a move that contrasts sharply with the mandatory hotel quarantine of up to three weeks that residents must undergo after entering the Chinese-ruled territory.

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Sabaya review – extraordinary documentary shows struggle to free women kidnapped by Isis

Hogir Hirori’s film follows Mahmud as he and his team of volunteers infiltrate the dangerous al-Hawl camp in Syria to liberate Yazidi women trafficked as sex slaves

The first 20 minutes of Hogir Hirori’s extraordinary documentary has the beat of a gripping thriller, full of hushed voices, car chases, and the terrifying sounds of gunfight. Much of it shot at night, the film follows Mahmud, a member of an organisation called the Yazidi Home Center (YHC), and his trips with other volunteers to the dangerous al-Hawl camp in Syria which holds people with Isis links. The group’s goal is to retrieve and rescue Yazidi women who were kidnapped and sex-trafficked by Isis. Termed “sabaya” by their captors, the women endured unimaginable abuse, leaving them with debilitating lifelong trauma.

Intertwining with these tense, heartbreaking moments is the mundane daily life at Mahmud’s house, which doubles as a temporary shelter for the women. Recurring moments of his mother making food or his young son playing about the courtyard act as a calming balm to the victims’ psychological hurt, a semblance of the normality that hopefully awaits them in their home town in Sinjar. Sabaya is also especially poignant in how it doesn’t see Mahmud as a heroic figure. There’s a moving matter-of-factness to his routine of checking the continuous messages from people seeking their loved ones or his calm confrontation with Isis sympathisers who hide the Yazidi women in the camp.

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‘Marty just kept following me!’ Steve Martin and Martin Short on their 35-year friendship

The comic legends clicked on the set of 1986’s Three Amigos and have been a double act since. They talk fame, fatherhood and finding inspiration for their new series in Murder, She Wrote

It is when I hear myself quoting Steve Martin and Martin Short’s jokes back at the men themselves, from films they made decades ago, that I know for certain that I am not going to get through this interview with my dignity intact.

“And then you said this, Steve, and then, Marty, you made that face – and I loved that!” I burble.

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What is high school like around the world? A new film lets students investigate

The documentary The Smartest Kids in the World follows four frustrated American students as they explore different high schools abroad

Sadie, a 16-year-old high school junior in Harpswell, Maine, felt off-kilter in her American high school – too much memorization, not enough relevance to hands-on work in prospective careers. “I know it doesn’t have to be like this,” she says of her school days in The Smartest Kids in the World, a new documentary on international educational systems. Brittany, a junior outside Orlando, Florida, spends hours on homework but finds her curiosity unchallenged. “I kinda just wonder … what are we doing?” she muses. Jaxon, 16, from the small town of Saratoga in south-eastern Wyoming, finds himself torn between wrestling practice and sleeping two extra hours before his ACT, where one point marks the difference between free college tuition and $30,000 a year. “It’s only my life,” he shakes his head, “practically, everything in it.”

Related: 'It's a wake-up call': behind the film urging investment in pre-school education

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Batman & Robin: time to revisit Joel Schumacher’s maligned, silly and endlessly quotable film

The widely detested 1997 adaptation and its various bizarre spin-offs are worth a reappraisal in this era in which nothing makes sense

Serious comic book fans and discerning cinephiles consider director Joel Schumacher’s Batman & Robin from 1997 one of the worst films ever made – but they are wrong. It’s easily more entertaining than Christopher Nolan’s feted Batman trilogy (come at me Nolanites) – an endlessly quotable and absurd corporate climate change parable and the source of teenage mania among my early 2000s high school friends.

The intensely silly caper is more reminiscent of the 60s TV show, and Silver Age comics, than the brooding 80s publications that inspired Nolan and everyone since. Fans were understandably upset with the film’s reduction of Bane (one of Batman’s most intelligent foes) to a witless henchman; but in The Dark Knight Rises, Nolan and Tom Hardy turned Bane into a helium-fuelled, amateur Shakespearean actor, so, whatever.

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‘It’s hot right now to have an Asian lead’: Manny Jacinto on The Good Place, Nicole Kidman and Tom Cruise

The role of DJ Jason Mendoza catapulted the 33-year-old to fame. Now he’s starring with Kidman in Nine Perfect Strangers – and being entranced by Cruise in the Top Gun reboot

On YouTube, you can see Manny Jacinto getting the surprise of his life. During a break from filming, the stars of The Good Place are informed of the smash-hit comedy’s mind-boggling plot twist. Castmate Jameela Jamil covers her face with her hands. William Jackson Harper shouts out loud. Jacinto jerks his head around frantically, as if trying to make sense of this astonishing development purely through the power of repetitive neck movement.

“I wish I could bottle up that feeling and have everybody experience it,” says Jacinto wistfully, five years later. “It was incredible.” Fans of the heaven-set sitcom will know what he means: the revelation was up there with the best plot twists of all time (spoiling it would be a crime). Yet for Jacinto the show did far more than pull the rug from under him. Winning the role of nice-but-ridiculously-dim DJ Jason Mendoza sent shockwaves through his entire life, catapulting the 33-year-old from relative obscurity to the kind of stardom that invariably accompanies a Netflix success story.

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Underground review – mine explosion disaster film digs deeper than most

French-Canadian director Sophie Dupuis puts human drama ahead of the action in this naturalistic, character-driven film

Here is an arthouse disaster movie from Quebec: a naturalistic, character-driven drama about what it might truly look like if a mineral mine exploded, trapping five workers underground. It’s the second feature from French-Canadian director Sophie Dupuis, who herself grew up in a mining family.

She opens her film in the heat of the rescue: red lights flashing, a response team descending into darkness. One of the rescuers, Max (Joakim Robillard), would be the hero of the Hollywood version, running around hot-headedly, disobeying orders: “Fuck you! I’m going to get the others!” Actually, much of the film is about how damaging it is for Max living with this tough-guy masculinity.

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Pose star Sandra Bernhard: ‘I never tried to be revolutionary. That’s just who I was’

The trailblazing actor and comedian on asserting her bisexuality in the 80s, misogynistic male comics – and befriending Madonna

During nearly five decades in showbiz, Sandra Bernhard has racked up title after title – comedian, actor, singer, author, radio host – and a reputation for controversy. She has worked with a long list of superstars, from Richard Pryor and Robin Williams to Robert De Niro and Cyndi Lauper. But she has never been overshadowed; her force of personality has guaranteed that. Even 30 years ago, the Los Angeles Times was paying homage to her “acid-tongued, antagonistic persona”.

But there are no cutting remarks today. On this sunny morning in LA, she appears relaxed, in a pink-striped shirt and trousers, reminiscent of the early 80s outfits she wore for her many appearances on Late Night With David Letterman.

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Actor Carrie Coon: ‘My husband says I have ice-water in my veins’

The chameleon-like star of Fargo and The Leftovers on performing opposite Jude Law in new thriller The Nest, the sophistication of British audiences – and her ‘showmance’ with husband Tracy Letts

A toddler is playing a tuba in the next room and Carrie Coon apologises in advance if she’s a little distracted. Unexpectedly saddled with childcare duties today, the 40-year-old is keeping one eye on her two children – three-year-old son Haskell and his month-old sibling – while she chats over Zoom from her Chicago home.

The Ohio-born actor is currently enjoying something of a well-earned moment. Best known for TV roles including grieving widow Nora Durst in post-apocalyptic saga The Leftovers and divorced, dogged Minnesota cop Gloria Burgle in the third (and best) season of Fargo, for which she was Emmy nominated, she now stars alongside Jude Law in acclaimed new psychological thriller The Nest. This autumn she also plays one of the leads in the eagerly awaited reboot of the Ghostbusters franchise.

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Director Ken Loach says he has been expelled from Labour

Leftwing film-maker claims move by party is because he would ‘not disown those already expelled’

The veteran leftwing film-maker Ken Loach has said he has been expelled from the Labour party.

Loach, whose films are regarded as landmarks of social realism, claimed the move by the party was because he would “not disown those already expelled”, and he hit out at an alleged “witch-hunt”.

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Bollywood’s Kareena Kapoor subject to online abuse over baby’s name

Supporters say attacks over choice of name similar to 17th-century Muslim Mughal emperor rooted in prejudice against inter-faith marriage

Bollywood star Kareena Kapoor has received abuse online from extremists over her new baby’s name.

Kapoor has been attacked on social media for calling her second son Jehangir, the imperial name of the 17th-century Mughal emperor, which means “conqueror of the world”. Kapoor, a Hindu, and her husband, Saif Ali Khan, a Muslim and also a Bollywood star, have faced abuse for their marriage.

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The Cloud in Her Room review – exquisite slow-burn study of a quarter-life crisis

Chinese film-maker Zheng Lu Xinyuan makes her debut with a dreamlike distillation of a young woman’s alienation from family and friends

“A few days ago, I met someone.” A woman makes the confession matter-of-factly to her on-off boyfriend as they try to find somewhere for dinner. At that moment the camera pans up to the sky, and when it fades back to the street, the couple have gone, vanished into thin air. It’s not the only time that Chinese film-maker Zheng Lu Xinyuan, making her feature debut, cuts away from characters at precisely the moment another director would go in for a close-up; it may drive you crackers.

This film is pure slow-burn arthouse, shot in black and white, the format dominated by flashbacks – perfect for a film that drifts along on scraps and dreamlike fragments. It follows aimless 22-year-old Muzi (Jin Jing) who is back in her hometown, Hangzhou, visiting her folks for Chinese new year. Nothing much happens. In an early scene a gay friend asks Muzi to have a baby for him; his parents are desperate for a grandchild. Her boyfriend, a sensitive, shaggy-haired photographer (Zhou Chen), shows up unexpectedly from Beijing. Muzi is also flirting with a local bar owner (Dong Kangning) who clearly rates himself. Her parents have been divorced for years. She smokes cigarettes with her dad (Ye Hongming), an artist and jazz musician. A couple of scenes hint at emotional tensions with her mum (Dan Liu), a woman with the glamour and poise of a 1950s movie star; after a drunken karaoke session, her mum is sick on the street. When Muzi leans down to help, mum roughly shoves her away.

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‘I’m angry about a lot of things’: Japanese actor Minami on her new eco-drama with Johnny Depp

The actor and painter explains why the world needs to see Minimata, the new film about the mercury poisoning scandal that W Eugene Smith helped expose

Like Cher or Madonna, Minami is a one-name wonder. “I have my French and Japanese family names,” the 34-year-old actor says over video call from a pink hotel room in Tokyo. “But ‘Minami’ is simpler.” She gives a single, decisive nod. “Just write ‘Minami.’” She chose the mononym at 13 when she featured in her first film, Battle Royale, a gory cult thriller about schoolchildren fighting to the death on an uninhabited island. “When I went back to school, everyone said: ‘Your arms are all bruised, you have scratches, what’s going on?’ They thought my parents were beating me.”

Even when telling a story like this with dark undertones, her manner is insistently perky, as though she doesn’t want the listener to misread her as dour. When I ask about her Battle Royale audition, for instance, she blithely recalls “walking into the room and there were 10 men, and they asked me if I could do a handstand, and two of the men held my legs against the wall to help me …” I must be grimacing because she breaks off from the anecdote to reprimand me lightheartedly: “Don’t make that face! It was all fine.”

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Bowie, bed-hopping and the blues: the wild times of Dana Gillespie

She tamed Keith Moon, got laughed into bed by Bob Dylan and went to a young David Bowie’s house for tuna sandwiches – but the blues singer’s 72 albums are what really define her

“No one has understood how deeply rooted in music I am because they got distracted by my tits,” Dana Gillespie complains.

Now 72, the singer and songwriter’s curvaceous figure ensured she regularly appeared in both tabloids and films from the 1960s to 80s but, she says, this was a mere sideline: music was always her mission in life, it’s just that the British refuse to take her seriously. In Austria and Germany – where she has enjoyed hit singles and hosted a long-running radio show – they do. Ditto in India, where she records devotional music with leading Indian musicians. But in Britain she is too often been relegated to “lover of” status for her string of flings with the likes of Bob Dylan, David Bowie, Mick Jagger and Michael Caine. “I’m Britain’s best-kept secret,” says Gillespie, and she may well be correct.

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Pedro Almodóvar’s films – ranked!

With his new film, Parallel Mothers, to be shown at Venice film festival, we take a look through the director’s ribald, pell-mell and beautifully colour co-ordinated output

Airline staff and passengers take drugs and act out their sexual fantasies as their plane prepares for an emergency landing. Not so much Airplane! as a sexed-up The High Life, but frothier. Best watched with tequila, poppers and the campest chums you can find.

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Josee, the Tiger and the Fish review – beautiful-looking anime takes a trip to the zoo

This romantic animation about a paraplegic woman’s relationship with a marine biology student suffers for its sweetness

This gorgeous-looking, swooningly romantic anime feels like it could win over YA audiences: it’s heartfelt, unthreatening and rather lovely. Its representation of disability does feel a bit iffy in places, though: presenting a 24-year-old paraplegic woman, Josee, as fundamentally in need of fixing or rescue. Near the start she meets Tsuneo, a dreamily gorgeous diver and marine biology student, who saves her hurtling out of control down a hill in her wheelchair. She is a helpless victim – and not for the last time in the movie.

When Tsuneo walks Josee back to her apartment, her grandmother hires him as a part-time carer. The job involves spending a couple of hours with Josee every day. The one rule is that he can’t take her outside. At first, Tsuneo can’t stand his petulant and demanding client, who calls him “my servant” and orders him around. But slowly he’s smitten and develops something worryingly like a saviour complex. It turns out that Josee’s overprotective grandmother has kept her confined at home to make sure she is safe. As a result, she is childish and emotionally immature, but a fiercely talented artist.

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Bleed With Me review – three’s a crowd in taut bloodsucking horror

Amelia Moses’ feature debut keeps us guessing as to who is the hunter and who is the prey as a holiday in the woods turns sour

Writer-director Amelia Moses makes her feature debut with this tautly constructed work of psychological horror which, although far from perfect, certainly suggests she’s a talent to watch out for. Like British film-maker Rose Glass’ outstanding horror-adjacent breakthrough Saint Maud, Moses’ story circumnavigates a relationship between two women, one that is charged with an intensity that’s more than platonic but less than erotic, and inflected by an unequal power distribution.

The story takes place in Canada. We largely we see it unfold through the eyes of Rowan (Lee Marshall, excellent), a young office drone who meets the more confident and glamorous Emily (Lauren Beatty) at work when Emily saves her from a sexually predatory co-worker. With the pair having become friends, Emily invites Rowan to come with her for a holiday stay in a secluded, snow-capped cabin in the woods along with Emily’s boyfriend Brendan (Aris Tyros).

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