From Captain Invincible to Cleverman: the weird and wild history of Australian superheroes

They’re big business … in Hollywood. But did you know Australia also has a small but rich seam of compelling and bizarre superhero movies?

The phrase “nobody makes superhero movies like Australia” has, I dare say, never before been written. Our humble government-subsidised film and TV industry is no more than a lemonade stand in the shadow of Hollywood’s arena spectacular, unable to compete budget-wise with the deep pockets of Tinseltown or produce bombast on the scale of American studios.

But scratch the surface of Australian film and TV history and you will find a small but rich vein of super strange locally made superhero productions with their own – forgive me – true blue je ne sais quoi. Their eclecticism and off-kilter energy provides a refreshing counterpoint to the risk-averse kind falling off the Hollywood assembly line.

Continue reading...

‘I was on a list to be terminated’ – Sue Dobson, the spy who helped to end apartheid

She risked arrest, torture and jail to fight racism in 1980s South Africa, and her story is being made into a film

As a white South African, Sue Dobson risked arrest, torture and imprisonment spying for the black nationalist cause during the latter days of the brutal apartheid regime. She was a middle-class woman in her 20s when she joined the African National Congress (ANC) and infiltrated the white minority government – even having a honey-pot affair with a police official to obtain information, with the full support of her husband, a fellow activist. When her cover was blown in 1989, she fled to Britain, where she sought political asylum after threats to her life.

Now, for the first time in 30 years, she is ready to talk publicly about her story – that of a “very ordinary” woman who played an extraordinary part in fighting racism.

Continue reading...

Sex Education’s Aimee Lou Wood: ‘I was in so much pain underneath it all’

As the high school comedy returns for a third series, its Bafta-winning star talks about stage fright, embarrassing scenes, and the torment that lay behind her desire to please people

In June, Aimee Lou Wood, 26, won a Bafta for best female performance in a comedy programme for her role as another Aimee (a teenager) in the hit Netflix show Sex Education, about a set of sexually active high school students, now returning for a third series. Even before the Bafta, Wood was always being stopped in the street. Fans wanted to talk to her, about Sex Education, about everything, because they related to her so strongly. Wood is naturally so friendly, she’d engage in conversation and make herself late. Then she starred opposite Bill Nighy in the forthcoming Oliver Hermanus film, Living: “Obviously, every single person recognises Bill Nighy, and he handles it with such grace,” Wood says, when we meet to talk in a north London photo studio. “With people in the street, I was like [she mock hyperventilates]: ‘Did I say the right thing? Was I nice enough?’ Now I’m learning to be: ‘Thank you so much!’ and carry on walking.”

It’s easy to see why fans relate to Wood: never mind the dazzling prettiness, she’s sparky, warm and expressive. She comes from a working-class family in Stockport, Greater Manchester, and although, following her parents’ divorce, her mother’s new partner paid for her to attend a private secondary school, she kept her rich Mancunian tones: “I sound like my mum and I like that. I like that I sound like where I’m from.”

Continue reading...

Purple Sea review – panic and terror as Syrian refugees battle to stay afloat

Syrian director Amel Alzakout records her own stranding in this difficult-to-watch film on a day when 40 people died off the coast of Lesbos

Powerful but painful to watch, this experimental documentary challenges viewers to avert their eyes from the tragedy unfolding before them. It consists almost entirely of footage recorded on a waterproof camera that was strapped to the wrist of Syrian co-director Amel Alzakout while she was floating in the sea off the coast of Lesbos, after the boat she’d been travelling in sunk. Like the other 300 people on the vessel that day in 2015, Alzakout had paid people smugglers to help her escape the war in Syria and find a better life abroad. While she lived to make this film and was reunited with her partner and co-director Khaled Abdulwahed, some 40 people died in the water that day.

It’s possible that some of the perished are even captured on film here – though to be honest, it’s hard to make out much for long stretches as the images thrash around, evoking the panic Alzakout and her fellow passengers, many in lifejackets, must have been experiencing as they tried to stay afloat. Sometimes the camera is above the waterline and we can hear people crying, calling hysterically, blowing whistles to call for help. Otherwise, the view is of jeans-clad legs and other jumbled bodies twisting in the water, the sound muffled by the sea.

Continue reading...

Tom Cruise’s car stolen while filming in Birmingham

Mission: Impossible star’s belongings reportedly missing from his BMW X7 when recovered in Smethwick

The Hollywood actor Tom Cruise’s BMW was stolen while he was filming in Birmingham.

The BMW X7 had been used to ferry around the star, who has been in the city filming scenes for the seventh instalment in the Mission: Impossible series.

Continue reading...

Vinnie Jones: ‘My career flew off the rails. The wheels were going. There wasn’t a spare seat!’

The footballer-turned-movie hard man is back, starring in a new Footsoldier film. He talks about how his film and TV career exploded and refinding his dignity

I am, obviously, scared of Vinnie Jones. Even though he is calling from New York, 3,000 miles and five hours away, I keep expecting him to click his neck three times and pull me into a breathless headlock. But instead, he is sleepy and then charming, and doesn’t threaten to kick my face in once.

He is sleepy because he was up until 2.30am shooting Law & Order: Organized Crime, in which he appears in the recurring role of Albanian gangster Albi. “Going toe-to-toe with Christopher Meloni,” he smiles, “a legend in the acting world.”

Continue reading...

‘We want to create magic’: Taking cinema to remote Spanish villages

La Barraca de Cine has spent the past year roving its way around dozens of communities across the country

Stretching six metres and painted turquoise, the trailer has trundled across Spain, making its way to mountaintop villages, cobblestone plazas and medieval historical centres. No matter the location, the process starts much in the same way: with the unfurling of a giant screen.

“Our motto is cinema for everyone and anywhere,” said Patricia de Luna, one of the co-founders of La Barraca de Cine, a roving cinema that has made its way to dozens of villages across Spain in the past year. “Those evenings of cinema with family, friends and that shared experience with those around you – that’s the magic we want to create.”

Continue reading...

Candyman director Nia DaCosta: ‘It is shocking the way people have talked to me’

As well as rebooting the horror classic, the 31-year-old is directing a Marvel movie with a $100m-plus budget. She talks about ambition, superstition – and whether she’s risked saying ‘Candyman’ five times

“Say it,” implore the posters for the new Candyman sequel, referring to the urban myth that the hook-handed ghost of the title can be summoned by repeating his name five times in front of a mirror. But Nia DaCosta will not say it: “Oh hell, no.” She is shaking her head. “Never have done, never will.” Despite having written and co-directed the film, DaCosta isn’t taking any chances. “In fact, when I was watching auditions, I would get a little freaked out so I’d stop the audition before they said it all five times. So silly,” she admits, laughing at herself. But she is not superstitious, she insists. “It’s just that one bit. Nothing [else] about it scares me at this point. Except … I’m just not gonna put myself in the space for my brain to play tricks on me.”

Related: Candyman review – BLM horror reboot is superb confection of satire and scorn

Continue reading...

Adam Driver’s 10 best film performances – ranked!

Ahead of the release of Annette, we rank the actor’s greatest roles, from the insufferable hipster of While We’re Young to his severe missionary in Silence

The movie might be flawed, but Driver’s performance (playing opposite the similarly excellent Alba Rohrwacher) is outstanding, winning him the Volpi Cup at the Venice film festival. He plays Jude, a young man who meets his future wife Mina (Rohrwacher) in New York when they are bizarrely locked in a restaurant toilet together. They marry, have a baby and at first everything is wonderful – but then she begins to show symptoms of postpartum psychosis and Jude has an agonising dilemma: if and when to take the baby away from her. Driver plays it with overwhelming sincerity and force.

Continue reading...

Candyman review – BLM horror reboot is superb confection of satire and scorn

Nia DaCosta’s quasi reboot develops the horror myth as an expression of rage against racism in the era of Black Lives Matter

Candyman, in its first incarnation, stepped daintily out of the mirror in 1992, in writer-director Bernard Rose’s US-set version of the Clive Barker novella The Forbidden, a parable of English class shame set in a Liverpool housing estate. Rose shifted the locale to Chicago’s deprived Cabrini-Green projects, switched the racial identity of the demon from white to black and gave filmgoers that inspired premise of exactly how he is summoned by rash unbelievers and giggling teens. Since then, Candyman has spawned sequels, references, memes and gags: such as Handyman – say his name five times in the mirror and he shows up three hours later and does a horrific job on your boiler.

Related: Candyman’s Yahya Abdul-Mateen II: ‘Black people are so much more than our trauma’

Continue reading...

Hong Kong to scour old films for subversive themes under new censorship law

Movies deemed a security threat can bring penalties of up to three years’ jail under stricter law that also covers previously approved titles

Hong Kong will scrutinise past films for national security breaches under a tough new censorship law in the latest blow to the city’s political and artistic freedoms.

Authorities announced in June that the financial hub’s censorship board would check any future films for content that breached the security law. But on Tuesday they unveiled a new, hardened censorship law that would also cover any titles that had previously been given a green light.

Continue reading...

A few good massaman: Tom ‘two curries’ Cruise shows us how it’s done

Tom Cruise doesn’t just have a single chicken tikka masala when he goes to Birmingham – he has another one straight after. Has any man ever been more on-brand?

When Tom Cruise commits to something, he commits. When a Mission: Impossible stunt called for him to climb up the outside of the world’s tallest building, he actually climbed up the outside of the world’s tallest building. When Collateral required him to become an invisible assassin, he temporarily became a Fed-Ex driver to teach himself anonymity. When he fell in love with Katie Holmes, he did it with such couch-leaping intensity that it derailed his career for half a decade.

So when Tom Cruise went to Birmingham to have a curry, he really went to Birmingham to have a curry. When Tom Cruise went to Birmingham to have a curry, he did it with the same vigour that he uses to ride motorbikes or jump out of planes or scream at crew-members for not following Covid compliance protocols. Which is to say that when Tom Cruise went to Birmingham to have a curry, Tom Cruise went to Birmingham and had two curries, one after the other.

Continue reading...

Jeanie Finlay: ‘I don’t film alpha males. They don’t need more exposure’

She spent a year in her room as a teenager, and now makes heart-wrenching documentaries about people looking for safe spaces in record shops, on goth cruises – and even on the set of Game of Thrones

There are many wonderful moments in the films of Jeanie Finlay but my current favourite is in Seahorse, her intimate and profoundly moving 2019 documentary about the struggles of transgender man Freddy McConnell to conceive and give birth to his own child. The scene takes place during a party at Freddy’s mum’s house as a room full of family friends, all women, talk to Freddy about the clothes he’ll wear during pregnancy.

Related: ‘It’s so normalised you think it’s part of your job’: the woman who lifted the lid on harassment in TV

Continue reading...

Patsy Kensit: ‘You don’t have to marry all your boyfriends’

The actor, 53, talks about her charming dad, never reading her reviews in the papers, staying strong and eating nothing but shepherd’s pie

We grew up without money: two rooms and an outside loo. I remember shyly cowering behind the coal shed as Mum tried to photograph me, but by the age of four I was playing Mia Farrow’s daughter in The Great Gatsby. I loved the fantasy of acting, the contrast of the worlds in which I lived. It’s not that one was better, but going from life with not very much to this extravagant, surreal set opened my eyes to possibilities.

Dad was charming and a genius with numbers – he was also deep in the organised crime world. In the 60s, he worked with both the Kray twins (Reggie was my brother’s Godfather) and their arch enemies, the Richardsons. He went to prison quite a few times and Mum would never take us to visit him. Still, he was my dad who I loved deeply.

Continue reading...

‘We’re beating this together’: Jemaine Clement on Covid, crime and his friend Taika Waititi

The co-creator of Wellington Paranormal and Flight of the Conchords is busy with new projects and looking forward to bingeing friends’ work

It’s a blustery Wellington night and we’re on the brink of the second nationwide lockdown of the pandemic. There’s a measured knock at my flat door. Jemaine Clement shakes my hand warmly and removes his boots. We’re meeting off the back of the global success of his comedy series Wellington Paranormal and he is in an ebullient mood. He’s also in a thirsty one: tonight the former door-to-door orange juice salesman is plumping for copious glasses of water instead.

Paranormal is one of two spinoffs from his and Taika Waititi’s vampire film What We Do in the Shadows. It stars Shadows’ police officers Minogue (Mike Minogue) and O’Leary (Karen O’Leary), recruited for the paranormal unit by Sgt Ruawai Maaka (Maaka Pohatu). The trio, and their colleague Const Parker (Tom Sainsbury), are oblivious, bungling and affable. Clement explains the importance of Paranormal being a collegial shoot.

Continue reading...

Sonny Chiba, martial arts master and Kill Bill star, dies aged 82

Chiba made his name with the 1970s Street Fighter trilogy, before Quentin Tarantino’s admiration brought him fame in the west

Sonny Chiba, the Japanese martial arts movie star who found late-career renown in Hollywood after outspoken admiration from Quentin Tarantino, has died aged 82 from a Covid-related illness. Variety reported that it had received confirmation of the news from Chiba’s agent.

With an acting career beginning in the 1960s with a string of roles in Japanese martial arts films and TV shows, Chiba became widely known in the west after being name-checked in True Romance, the 1993 thriller written by Tarantino and directed by Tony Scott. By then, Chiba had become a star in Japan, appearing in titles such as the 1970s Street Fighter trilogy (and its spin-off, Sister Street Fighter), Bullet Train and Champion of Death.

Continue reading...

Sexting, lies and unveiled selfies: the Egyptian film exploring the hidden lives of teenage girls

Ayten Amin’s Souad is a razor-sharp portrayal of sisterhood and sexual awakening that is rarely represented on screen

When the Egyptian director Ayten Amin was 10 years old, a classmate’s sister killed herself. The news gripped the school. But, in a society where suicide is a sin, no one talked about it; instead, they mourned the girl as though she had died mysteriously, or in an accident. “When I was shooting my first film, it suddenly hit me,” Amin says over a video call from her home in Cairo. “How did my classmate feel back then? How did she grow up knowing what happened, but with no one talking about it?”

In her new film, Souad, Amin explores precisely this: the hidden lives of teenage girls in Egypt. It follows the title character (played by Bassant Ahmed) and Rabab (Basmala Elghaiesh), sisters of 19 and 13 living in Zagazig, a small city 40 miles north of Cairo in the Nile delta. To her family and friends, Souad is as religious as she is studious – but she lives a different life online. She has virtual relationships with men and becomes enthralled by the glamorous-seeming Ahmed (Hussein Ghanem), an influencer from the fashionable Mediterranean city of Alexandria. Their relationship begins to sour when Souad stands up Ahmed for a real-life date; it gets steadily worse as a cycle of sexts and arguments sets in. Then tragedy strikes.

Continue reading...

Hong Kong reportedly lets Nicole Kidman skip Covid quarantine

Actor said to be given exemption to film Amazon TV series, as territory braces for tougher travel rules

As Hong Kong braces for more draconian Covid-19 travel restrictions from Friday, the Australian actor Nicole Kidman has received an exemption from the government to skip quarantine, media reported.

The exemption was given to allow her to film an Amazon television series called The Expats, the news website HK01 reported, a move that contrasts sharply with the mandatory hotel quarantine of up to three weeks that residents must undergo after entering the Chinese-ruled territory.

Continue reading...

Sabaya review – extraordinary documentary shows struggle to free women kidnapped by Isis

Hogir Hirori’s film follows Mahmud as he and his team of volunteers infiltrate the dangerous al-Hawl camp in Syria to liberate Yazidi women trafficked as sex slaves

The first 20 minutes of Hogir Hirori’s extraordinary documentary has the beat of a gripping thriller, full of hushed voices, car chases, and the terrifying sounds of gunfight. Much of it shot at night, the film follows Mahmud, a member of an organisation called the Yazidi Home Center (YHC), and his trips with other volunteers to the dangerous al-Hawl camp in Syria which holds people with Isis links. The group’s goal is to retrieve and rescue Yazidi women who were kidnapped and sex-trafficked by Isis. Termed “sabaya” by their captors, the women endured unimaginable abuse, leaving them with debilitating lifelong trauma.

Intertwining with these tense, heartbreaking moments is the mundane daily life at Mahmud’s house, which doubles as a temporary shelter for the women. Recurring moments of his mother making food or his young son playing about the courtyard act as a calming balm to the victims’ psychological hurt, a semblance of the normality that hopefully awaits them in their home town in Sinjar. Sabaya is also especially poignant in how it doesn’t see Mahmud as a heroic figure. There’s a moving matter-of-factness to his routine of checking the continuous messages from people seeking their loved ones or his calm confrontation with Isis sympathisers who hide the Yazidi women in the camp.

Continue reading...

‘Marty just kept following me!’ Steve Martin and Martin Short on their 35-year friendship

The comic legends clicked on the set of 1986’s Three Amigos and have been a double act since. They talk fame, fatherhood and finding inspiration for their new series in Murder, She Wrote

It is when I hear myself quoting Steve Martin and Martin Short’s jokes back at the men themselves, from films they made decades ago, that I know for certain that I am not going to get through this interview with my dignity intact.

“And then you said this, Steve, and then, Marty, you made that face – and I loved that!” I burble.

Continue reading...