Talents of Madonna’s son divide critics after he is revealed as secret artist

Rocco Ritchie, 21, has been selling his paintings for up to five figures under the mysterious pseudonym Rhed

He is a mysterious, up-and-coming artist whose work has been championed by the likes of Madonna and sells for up to five figures.

But there were raised eyebrows when it was revealed that “Rhed” was none other than the singer’s eldest son, Rocco Ritchie.

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Retrieved after decades: the painting supposedly ‘bought’ by the Nazis

A new book recounts one woman’s struggle to find looted art – and then convince a major museum to give it back

Fresh proof that the Nazis set up fake auctions and phoney paperwork to disguise their looting of art and valuable possessions has been uncovered by an amateur sleuth researching her own family mystery.

French writer Pauline Baer de Perignon’s investigation has revealed the fate of a missing collection of art that included work by Monet, Renoir and Degas and also exposed the reluctance of Europe’s leading museums to accept evidence of the deceit.

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The art of Yves Saint Laurent: design house marks 60th anniversary

Five Paris museums to display fashion designer’s creations with artwork that inspired them

Simultaneous exhibitions to mark the 60th anniversary of Yves Saint Laurent’s first collection are to be held by six leading Paris museums in an unprecedented tribute from the art world to the late French fashion designer.

The events at museums, among them the Louvre and the Musée d’Orsay, will reveal how the celebrated couturier was inspired by some of the 20th century’s greatest artists including Picasso, Matisse and Mondrian.

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The person who got me through 2021: Heather Phillipson’s sculpture brightened my trips to hospital

On my way to have painful medical tests, I felt dejected. Then I saw a giant dollop of whipped cream with a cherry on top in Trafalgar Square

Most people were keen to leave 2020 behind but had I known what was coming in 2021, I might have chosen to stay there. From the first days of January I started to experience extended bouts of dizziness – a feeling that the ground was moving beneath me, with bursts of tinnitus, nausea and head pressure thrown in.

One thing I can tell you about near constant dizziness is that it’s not the ideal state to be in if you are trying to homeschool a four-year-old, entertain a stir-crazy one-year-old and hold down a full-time job. As for fun activities: just looking at a playground roundabout was enough to send me spinning out.

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Outcry as memorial to Tiananmen Square victims removed from Hong Kong University

Site of the Pillar of Shame at city’s oldest university under guard after workmen cut up statue

Hong Kong’s oldest university and the territory’s authorities have been accused of rewriting history after cutting up and removing a statue mourning those killed in the 1989 Tiananmen Square protests.

The erasure of the memorial from where it had stood for nearly 25 years came as Beijing has intensified its targeting of political dissent in Hong Kong since the Covid pandemic.

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Pandemic park life and a secret knitting cult: the best photography books of 2021

From meditative portraits that nod at the Dutch old masters to an incendiary, epic exploration of the Troubles, these are the volumes that resonated this year

The photography book that I returned to more than any other this year was Encampment Wyoming by Lora Webb Nichols, an extraordinary record of life in a US frontier community in the early 20th century. Comprised of photographs by Nichols and other local amateur photographers, it emanates a powerful sense of place. Domestic interiors and still lifes punctuate the portraits, which range from the spectral – a blurred and ghostly adult plaiting the hair of a young girl – to the stylish – a dapper, besuited woman peering through a window. An intimate, quietly compelling portrait of a time, a place and a nascent community.

Perhaps because of the strangely suspended nature of our times, I was also drawn to contemporary books that dealt in quiet reflection. Donavon Smallwood’s Languor was created during the lockdown spring and summer of 2020, as he wandered through the woods in the relatively secluded north-west corner of New York’s Central Park. Smallwood’s images of glades, streams and ravines suggest stillness amid the clamour of the city and are punctuated by his deftly composed portraits of the individuals who were regularly drawn there during the pandemic. The book’s subtext deals with the fraught history of Central Park, a space that has often echoed the city’s racial tensions. “What’s it like to be a black person in nature?” asks Smallwood in this quietly powerful debut.

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‘I wanted the focus to be on their smiles’: Brunel Johnson’s best phone picture

The London-born photographer on his image of Gambian football fans

There’s a strong Premier League following in the Gambia: just like Brunel Johnson, 14-year-old Musa is an Arsenal fan. The London-born photographer was on his way to lunch when he noticed the teen, in his favourite football shirt, huddled with friends. They were on the grounds of Spot Academy, watching game highlights on one of the older kids’ phones.

Brunel had been living alongside the boys for two weeks, documenting the work of the charity, which serves as a community school while providing boarding places for orphans. He’d left his digital camera in his room and knew the moment would pass if he went back for it. So he reached for his iPhone. The photograph’s angle was a spur-of-the-moment decision, chosen simply to fit as many faces in as possible; he added the black and white “Noir” filter later.

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Images of India: from courtesans and colonial rule to a child’s-eye view – in pictures

Since its invention in the 1840s, photography has played an integral part in Indian art history. Although it is often said that India is the most photographed country in the world, the history of its representation is more complicated, and more political, than initially meets the eye. Visions of India: From the Colonial to the Contemporary is the first major survey of Indian photography in Australia and will be on show at the Monash Gallery of Art in Melbourne until 20 March 2022

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NFTs market hits $22bn as craze turns digital images into assets

Critics of non-fungible tokens say they are symptomatic of unsustainable digital gold rush

The global market for non-fungible tokens hit $22bn (£16.5bn) this year as the craze for collections such as Bored Ape Yacht Club and Matrix avatars turned digital images into major investment assets.

NFTs have drawn from veteran investors similar warnings to those issued about cryptocurrencies: that they are symptomatic of an unsustainable, digital gold rush. NFTs confer ownership of a unique digital item – whether a piece of virtual art by Damien Hirst or a jacket to be worn in the metaverse – upon someone, even if that item can be easily copied. Ownership is recorded on a digital, decentralised ledger known as a blockchain.

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Sotheby’s sells record $7.3bn of art so far in 2021

Auction house credits younger, tech-savvy collectors for highest annual sales in its 277-year history

Sotheby’s has sold a record $7.3bn (£5.5bn) worth of art and other collectibles so far this year – the most in its 277-year history.

The auction house said on Wednesday that an “influx of younger, tech-savvy collectors” buying luxury items such as handbags, jewellery, wine and non-fungible tokens (NFTs) during the pandemic had helped lift sales to the record high.

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A look at the Irish: photography in Ireland from 1839 to now – in pictures

In Our Own Image: Photography in Ireland, 1839 to the Present is the first in a series of exhibitions forming the first comprehensive historical and critical survey of photography from across the island of Ireland. Coinciding with the centenary of the establishment of modern Ireland, In Our Own Image draws on material from from archives, private collections and contemporary commissions, charting how the medium has both reflected and shaped Irish cultural identity.

In Our Own Image: photography in Ireland, 1839 to the present curated by Gallery of Photography Ireland in partnership with Dublin Castle / OPW is at The Printworks, Dublin Castle until 6 February

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‘This is our voice’: The Uyghur traditions being erased by China’s cultural crackdown

Ancient shrines, oral folklore and hip-hop cyphers are all part of a rich artistic heritage being ‘hollowed out’ in Xinjiang, say Uyghur exiles and scholars

On Thursday, the Uyghur Tribunal delivered its damning judgment on the human rights abuses allegedly committed by the Chinese state in Xinjiang. Over the past months this London-based people’s tribunal has heard testimony from international scholars as well as survivors of Chinese detention and “re-education camps”.

While the ruling has no legal standing, the aim is to highlight the treatment of Uyghurs, Kazakhs and other Turkic Muslims in north-west China. Rachel Harris, a British ethnomusicologist and Uyghur specialist, has described the state’s strategy as an attempt “to hollow out a whole culture and terrorise a whole people”.

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New York’s Met museum to remove Sackler family name from its galleries

Art museum announces change in the wake of leading members of the family being blamed for fueling the deadly US opioids crisis

New York’s famed Metropolitan Museum of Art is going to remove the name of arguably its most controversial donor groups – the billionaire Sackler family – from its galleries.

The news comes in the wake of leading members of the US family, one of America’s richest, being blamed for fueling the deadly opioids crisis in America with the aggressive selling of the family company’s prescription narcotic painkiller, OxyContin.

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From snubbing Mick Jagger to explaining the cosmos: the secret life of MC Escher and his impossible worlds

The artist’s mind-boggling works – full of stairways leading nowhere and water flowing uphill – defy logic. But did they also foresee the second world war? And why was he so riled by the Stones frontman?

You are walking up a staircase that winds up to the top of a tall square tower. It ascends one side, then the next, then the next – and then suddenly you are right back where you started. This is the kind of problem people who are trapped in the geometrically impossible, yet still strangely plausible, worlds of MC Escher have to deal with all the time. In his mind-boggling creations, dimensions collide and normality dissolves. Looking into his pictures is like standing on the very edge of a cliff – and being right down at the bottom at the same time.

The Dutchman’s illusions have been famous and beloved since the 1950s, when spaced-out fans first started claiming to see hemp plants hidden in his art. And now we have Kaleidocycles, a Taschen book about the artist featuring paper puzzle kits that allow you to actually build his paradoxical structures at home, unlikely as that may seem. The tome has just been reissued in time for Christmas and the 50th anniversary of his death next year. His work does seem perfect for the festive season, given it’s all fun and games. Or at least that’s how it seems, initially.

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From utopian dreams to Soho sleaze: the naked history of British nudism

A new book details how nudism began as a movement of intellectuals, feminists and artists, only to be suppressed by the state. But our attitudes to nakedness also tell us a lot about ourselves

When Annebella Pollen was 17, she left behind her strict Catholic upbringing for the life of a new-age hippy, living in a caravan and frolicking naked among the standing stones of Devon, while earning a living by modelling for life-drawing classes. That early experience, followed by a relationship with a bric-a-brac dealer, shaped her later life as an art historian. “I’m very interested in things that are culturally illegitimate,” says Pollen, who now teaches at the University of Brighton. “A lot of my research has been looking at objects that are despised.”

Foraging trips with her partner to car-boot sales alerted her to a rich seam of 20th-century nudist literature that is still emerging from the attics of middle England: magazines whose wholesome titles – Sun Bathing Review or Health & Efficiency – concealed a complex negotiation with both public morality and the British weather. This is the subject Pollen has picked for her latest book Nudism in a Cold Climate, which tracks the movement from the spartan 1920s through the titillating 50s, when the new mass media whipped up a frenzy of moral anxiety, to the countercultural 60s and 70s, when the founding members were dying off and it all began to look a bit frowsty.

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Planned Virginia Woolf statue challenged as insensitive

Memorial to novelist would be by Thames, which would evoke her suicide by drowning

Concerns have been raised about a planned statue of Virginia Woolf overlooking the Thames, which has been called insensitive because of the way she killed herself.

The memorial the author, designed by Laury Dizengremel, would be positioned on a park bench overlooking the river on Richmond riverside in south-west London, where she lived for about a decade from 1914.

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Lubaina Himid: ‘The beginning of my life was a terrible tragedy’

As the first Black woman – and the oldest person – ever to win the Turner, the artist reflects on being a trailblazer, and how her early life moulded her

Lubaina Himid has waited a long time for a show at Tate Modern. She is now 67, and in 2017 she had the bittersweet honour of being the first Black woman, and the oldest-ever artist (at 63), to win the Turner prize. Bittersweet because “I knew very definitely, in the way that you don’t necessarily if you’re 45, that I had more years behind me than in front. You could think, if you won it at 45, that you might have the same amount of time again to try things, to fail, to try things again. To live fast and loose, and have big parties. And I suppose at 63 I thought: ‘Well, at the best, I’ve probably got 20 years of making.’”

We are in Preston, the city where she has lived since the age of 36. She holds a chair at the University of Central Lancashire, and her studio, where we are talking, is in a Victorian block above the Citizens Advice Bureau, right in the city centre, looking out over the covered market and a step away from the grandly Grecian Harris Museum. All is neat and white in her eyrie, aside from a few unfinished canvases that are bright with blues, oranges and greens. On a table are dozens of tubes of acrylic paint, set out in ordered rows. A sizable chunk of floorspace is occupied by an antique handcart that at some point she will use to make a work; there are some old wooden drawers whose interiors she has painted with male heads.

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