Ghislaine Maxwell began to share ‘little black book’ with Epstein as early as the 1980s

New documentary reveals sex offender used socialite for access to her famous and rich friends years from the 1980s onwards

Ghislaine Maxwell’s association with Jeffrey Epstein began years earlier than previously understood, according to a documentary investigating the socialite who became an alleged procuress for the paedophile financier.

The new information challenges the common assumption that Epstein stepped into a vacuum in her life after the death of her father, the newspaper tycoon Robert Maxwell, who was found in the sea near the Canary Islands in 1991.

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‘They thought we were terrorists’: meet Joe Rush, the master of mutoid art and king of Glastonbury

The punky master of outsider art was once a pariah, thrown out of Britain for his anarchist ways. Now, he’s a national treasure. Joe Rush relives 40 years of sticking it to the ‘straight world’

“They thought we were terrorists,” says Joe Rush, remembering the day not long after the fall of the Berlin Wall when he and a fellow anarchist took over a patch of no man’s land at the heart of the German capital. They filled it with military hardware: tanks and artillery and the like – along with a MiG-21 fighter jet that they pointed directly at the nearby Reichstag.

“The authorities were furious,” he says. And no wonder. The police feared that, just as the cold war was ending, another military face-off had begun. “They thought we were going to fire missiles into the Reichstag,” says Rush. “So we pointed the MiG into the ground to make it clear we weren’t.”

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‘Just don’t show her body!’ Netflix makes a true crime show with a difference

A Murder in West Cork delves into the killing of Sophie Toscan du Plantier – but this doc makes her more than a victim. Its creators discuss how they fused intrigue with empathy

On the morning of 23 December 1996, Sophie Toscan du Plantier was found murdered in a lane near Schull, West Cork. She was 39 years old and a regular visitor to Ireland from Paris, where she lived with her husband, a celebrated film-maker, and 13-year-old son, Pierre Louis Baudey-Vignaud. Her death transfixed the media in both Ireland and Paris, partly because it was just so jarring. The murder rate in Ireland was so low that there was only one state pathologist, and it took him 28 hours to reach the scene.

It was close to Christmas. Sarah Lambert, the producer of Netflix’s new documentary, Sophie: A Murder in West Cork, struggles to underline how big a deal this was. “More so in Ireland than a lot of other countries, Christmas is such a family time. I know a lot of married couples that will separate and go back to their parents. People were flabbergasted that she, a mother, would be there by herself so late in December.” The location was so remote, the community so tight-knit, that such violence seemed incongruous. It was expected there would be a swift resolution. In a place where you couldn’t buy a new cardigan without everyone knowing about it, how would anyone get away with murder?

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‘You care for birds, and they heal you’: film profiles world of a Black falconer

A new documentary, The Falconer, follows Rodney Stotts, who found fulfillment in working with raptors and inner-city kids

Falconry is a profession with roots in the ancient Middle East and medieval Europe but one of its practitioners is making some history of his own.

Related: I'm a falconer - and there's nothing like watching a bird you trained in action

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‘I had to find them’: kidnapped filmmaker Mellissa Fung on her mission to find the Boko Haram girls

After being abducted on assignment in Afghanistan, journalist Mellissa Fung shares an intense bond with the teenage girls who were held captive by Boko Haram

The journalist and filmmaker Mellissa Fung is showing me her wound – or to be precise, the scar where her wound once was. It’s from the struggle with one of the Afghan rebels who, 12 years ago, kidnapped Fung near Kabul and held her in a pit in the ground for a month, a place she refers to simply, and rather chillingly as, “the hole”.

“In combat training they teach you not to fight back, but I played ice hockey as a kid so I couldn’t help it,” Fung says. “The guy had a knife so I learned my lesson.”

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Trailer released for Prince Harry and Oprah Winfrey TV series

Footage suggests Harry will revisit trauma of his mother’s death in Apple TV+ series on mental health

The Duke and Duchess of Sussex feature in an emotional trailer for Harry’s mental health documentary series with Oprah Winfrey, and footage hints that he will revisit the trauma he experienced after his mother’s death.

The two-minute trailer includes archive film from the 1997 funeral of Diana, Princess of Wales, showing Harry, then 12, standing with his head bowed as his mother’s coffin passes by, alongside the Prince of Wales, who then turns to speak to his son.

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Louis Theroux: ‘I worry about not coming up to scratch’

He made a film on Joe Exotic a decade before Tiger King, lulls interviewees into personal revelations – and can rock a leather suit. So why is he so anxious?

“There’s no getting away from the fact that, even aged 50, I’m a slightly awkward person, a fearful person, worry-prone,” says Louis Theroux, wriggling in his seat. The film-maker picks up and puts down a coffee without drinking. He wears all blue: navy sweater, stock denim, one of those indestructible plastic Casio watches on his wrist. “I worry about what people think,” Theroux continues, “I worry about giving offence, being judged, not coming up to scratch, being thin-skinned.”

We are in the corner of a photography studio in London, sheltering from rain on a Friday afternoon. The room has long emptied of people, but, even so, as Theroux chats, he snatches quick glances over his right shoulder, as if expecting to find somebody or something lurking there. “Everyone has things that preoccupy them, right?” he says. “I just tend to think, on a spectrum of people in general, I definitely skew, uh, anxious.”

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Ex-police reveal bribes and threats used to cover up corruption in 70s London

BBC documentary to examine incidents that led to setting up of unit on which Line of Duty’s AC-12 is based

One of London’s most senior police officers, described by a colleague as “the greatest villain unhung”, was believed to be involved in major corruption in the 1970s but never prosecuted, according to a new documentary on police malpractice.

Former officers who exposed corruption at the time describe how they were threatened that they would end up in a “cement raincoat” if they informed on fellow officers and were shunned by colleagues when they did.

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‘Sometimes, it’s shocking’: Raoul Peck on his bold new colonialism series

The Oscar-nominated film-maker behind I Am Not Your Negro returns with Exterminate All the Brutes, a dense new HBO docuseries about a horrifying history

Truly, what else was there left to say about race in America after the words of James Baldwin? This is what Raoul Peck found himself contemplating after the success of his 2016 documentary, I Am Not Your Negro, which was nominated for an Academy Award and won an Emmy, a Bafta and a César award. He was confounded and disappointed to realize that some audiences, particularly in Europe, weren’t fully comprehending the work of what he calls “one of the best, if not the best analyst of what racism is”, believing it to be primarily an American concern.

Related: 'We're all part of the story': behind Will Smith's 14th amendment docuseries

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The anti-Marie Kondo: Netflix celebrates the clothes we keep

Worn Stories looks to unravel the tales behind the most treasured items in our wardrobes – but is such meaning and emotion easily conveyed via television?

I am not a minimalist: I don’t want to live with extreme amounts of nothing. I like “things”, and I like my things, which means I have several boxes of clothes, bags and shoes in my possession that have accompanied me through the best part of two decades. One of the boxes is my best and largest suitcase. When I was still travelling fairly regularly, I would have to empty out the contents of the suitcase and pile them somewhere else for my return, a process that feels a bit like uncovering memories and repressing them again, two weeks later, with a zip that goes all the way around.

Given the displacement of a series of house moves in my earlier 20s, the fact that I even still possess the navy corduroy American Apparel hotpants I wore to go clubbing at university (now, for users of the fashion app Depop, a vintage item), or the 70s-era yellow, white and purple-striped T-shirt I was wearing when I had an encounter with the far more colourful Iris Apfel, the interior designer, feels nothing short of miraculous. Today, I can recite what I was wearing to interview various figures in my former role as an editor at a fashion magazine, outfits carefully planned though liable to go awry, like when the zip on my green, chequered skirt broke off while meeting Chloë Sevigny.

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Into the storm: a film-maker’s bizarre quest to figure out QAnon

In a new HBO series, Cullen Hoback falls deep into a rabbit-hole while investigating the conspiracy theory-spreading cult

Anyone who spends enough time online will eventually have one of those rabbit-hole experiences, in which late-night hours slip away as one click after the other draws a person deeper into an engrossing vortex of information. Mostly, it’ll be a perfectly innocent obsession with the history of curling or the various shapes of pasta. But thousands of web-surfers have gone through this with the world of QAnon, a difficult-to-define movement combining cult-like religious fervency, the ideological action-plans of a political party, and computer games connecting the virtual dimension to reality.

Related: Groomed: how a film-maker learned to confront a childhood of abuse

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‘We know exactly what we want to say’: inside a film that normalizes stuttering

Stuttering affects one in 20 children, yet is still stigmatized, something the documentary My Beautiful Stutter hopes to correct

One of the most moving scenes in My Beautiful Stutter, a documentary now streaming on Discovery+, involves just a microphone and an open stage. Many of the attendees at Camp Say in Hendersonville, North Carolina, a getaway for youth who stutter hosted by the New York-based organization the Stuttering Association for the Young, grew up feeling broken or confused, ostracized by a neurological disorder that tangles the flow of fluent speech. Some campers recite poetry, others get through just their name before breaking into tears, all afforded the space to speak rarely given in the non-stuttering world (what can take a non-stutterer a minute to read or say could take a person who stutters 10 times as long). Tears abound; the scene hums with the bottomless human desire, felt most acutely as a teenager, to be seen, heard, loved, accepted.

Related: 'They become dangerous tools': the dark side of personality tests

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Australia in Colour: recolourised film ushers into existence a new kind of fiction

As the new series of SBS’s film revitalisation project airs, Guardian Australia’s film critic considers the consequences of this trend in film-making

Paolo Cherchi Usai – the Italian curator and former head of the National Film and Sound Archive of Australia (NFSA) – once put forward an elegant definition of moving image preservation, calling it “the science of gradual loss and the art of coming to terms with its consequences”. Those melancholic words present the dispossession of our celluloid and digital pasts as inevitable, and efforts to maintain them a will-o’-the-wisp exercise: impossible to achieve, like reaching the gold at the end of the rainbow.

But loss is far from the first thing that comes to mind after watching the second season of SBS’s four-part documentary series Australia in Colour. Separated into different themes, the first episode is devoted to family, exploring issues such as changing gender roles, the stolen generations and the arrival of contraceptive pills; the second, about sport, investigates national heroes and drinking culture.

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‘They become dangerous tools’: the dark side of personality tests

In the documentary Persona: The Dark Truth Behind Personality Tests, the discriminatory nature of a widely used tool is put under the microscope

Scrolling dating apps in 2015, Tim Travers Hawkins didn’t know who his type was. He didn’t even know what a type was. Hawkins, a British film-maker then new to New York, “noticed something that was very different to people’s profiles in the UK and that was the use of these four letters,” he said to the Guardian. Curious, he looked it up. “I was like, ‘Huh, that’s different’.”

Related: 'We're all part of the story': behind Will Smith's 14th amendment docuseries

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Woody Allen denies claims in Allen v Farrow HBO documentary

The film-maker and wife Soon-Yi Previn claim film is ‘hatchet job riddled with falsehoods’ on abuse allegations

Woody Allen has rebutted renewed allegations, in the HBO documentary Allen v Farrow, that he sexually assaulted his daughter Dylan in 1992, calling the series “a hatchet job riddled with falsehoods”.

In a statement to the Hollywood Reporter, Allen and his wife, Soon-Yi Previn, said that film-makers Amy Ziering and Kirby Dick had “spent years surreptitiously collaborating with the Farrows and their enablers to put together a hatchet job riddled with falsehoods”.

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Bear Grylls: ‘There’s no point getting to the summit if you’re an arsehole’

The TV adventurer talks near-death experiences, what he learned from Eton and why he decided to go public about his religious faith

“The ninjas of the future,” says Bear Grylls, “are going to be those who can learn how to navigate the fear. It’s like a firefight. You can’t move backwards. You’ve got to move towards it, you know?” Not really. But I’ve never been in a firefight. And if I saw one, I doubt I’d move towards it. Like most people, I’ve been raised in mimsy, risk-averse Britain. Few of us have acquired the wild wisdom of Edward Michael “Bear” Grylls OBE. Unlike the 46-year-old TV adventurer, we have never simmered a sheep’s eyeball in geyser water, paused on Everest to reflect on the corpse of a late friend, wrestled snakes, outrun lions, or broken our backs parachuting. Rather, we’ve been raised in a land where a PE lesson can consist of Tudor-dancing.

Grylls wants to change all that. He wants kids to embrace fear and risk. “If you meet somebody who says they don’t have fear, it means one of two things: one, they’re not telling the truth; or two, they’re not going for anything big enough in their life. What I’ve learned through many trips and many failures is that you have got to move towards the difficult stuff. And the irony is that the things we fear most often dissipate.”

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On my radar: Jason Williamson’s cultural highlights

The Sleaford Mods frontman on a favourite singer-songwriter, a hellish horror film and why he spends seven hours a day on Twitter

Jason Williamson, lead vocalist of English electronic punk music duo Sleaford Mods, was born in Grantham, Lincolnshire in 1970. He moved to Nottingham in 1995, where he began working with rock band Spiritualized and electronic duo Bent. In 2009, he met Andrew Fearn and they released the first Sleaford Mods album, Divide and Exit, in 2014. They have since been called “the voice of Britain” by their fans and “the world’s greatest rock’n’roll band” by Iggy Pop. Their latest album, Spare Ribs, is out now on Rough Trade Records. The band will tour the UK in late 2021.

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Vive l’indifférence! Netflix’s Room 2806 exposes France’s #MeToo apathy

Centred on a sex-assault case involving former French presidential hopeful Dominique Strauss-Kahn, this docuseries reveals worryingly outdated attitudes

Most people will have only the haziest recollection of the fallout that occurred after the French presidential hopeful and then head of the International Monetary Fund Dominique Strauss-Kahn was accused of sexually assaulting a room attendant in a New York hotel in 2011. That allows the Netflix documentary Room 2806: The Accusation to possess all the qualities of a slick political thriller. Who will be believed? The immigrant, hotel cleaner, a single parent living in a flat in the Bronx or the globally powerful, immensely rich politician?

This tense, four-part documentary has astonishing material to work with. There is plenty of CCTV footage, filmed from the ceiling, of chambermaid Nafissatou Diallo making her way to the presidential suite, and later, visibly distressed, being shepherded by her supervisor to a subterranean network of shabby staff offices in the bowels of the building, away from the gilded foyer, where she wipes away tears and recounts how she has been assaulted by Strauss-Kahn as she cleaned his rooms.

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Michael Apted, director and Seven Up documentarian, dies at 79

British director made films Coal Miner’s Daughter and The World is Not Enough, and the long-running Up documentary series

The British director Michael Apted has died at the age of 79.

The film-maker and documentarian was known for films such as Gorillas in the Mist and Coal Miner’s Daughter, as well as his long-running series of Up documentaries.

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