The Mousetrap: Agatha Christie’s West End hit to make Broadway debut after 70 years

Whodunnit running in the West End since 1952, interrupted only by Covid, will open in New York in 2023

The world’s longest-running play, The Mousetrap, is to finally make its Broadway debut. The announcement was made on Friday to mark the 70th anniversary of the London production of Agatha Christie’s whodunnit.

The only surviving piece of the original set from 1952, a mantelpiece clock, will be lent from London for the run in New York when it opens in 2023. The play will be co-produced by The Mousetrap’s UK producer, Adam Spiegel, and US producer Kevin McCollum, whose credits include Lin-Manuel Miranda’s In the Heights and the Broadway outings of the British am-dram spoof The Play That Goes Wrong and the musical Six.

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Death on the Nile review – Kenneth Branagh makes heavy weather of Christie caper

Branagh’s spirited performance as Poirot and a big-name ensemble cast can’t keep this stale and two-dimensional whodunnit afloat

Long coronavirally delayed, Kenneth Branagh’s latest Agatha Christie movie puffs effortfully into harbour. It’s the classic whodunnit about a murder on a steamer making its way down the river in Egypt with an Anglo-American boatful of waxy-faced cameos aboard. The horrible homicide means that one of the passengers will have to spring into action, and this is of course the amply moustached Hercule Poirot, played by Branagh himself. It is Poirot who interviews suspects, supervises corpse-storage in the ship’s galley freezer cabinet and delivers the final unmasking – and all without the captain insisting that the Egyptian police should possibly get involved.

Screenwriter Michael Green has adapted the 1937 novel with some new inventions: some people of colour are introduced, and Christie’s intense dislike for her wealthy-hypocrite leftwing character has been dialled down. Most startlingly, Green invents a very good prelude showing the young Poirot’s service in the trenches of the first world war, and the origin of that moustache. Nothing in the rest of this rather stale and two-dimensional tale matches the brio of that opening.

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Where to start with: Agatha Christie

Kicking off our new monthly guides to an author’s work, crime novelist Janice Hallett puts the spotlight on the creator of Miss Marple and Poirot

What with the chart-topping success of Richard Osman’s novels, and a new series by the Rev Richard Coles due later this year, cosy crime fiction seems to be having its moment. If you’ve already raced your way through The Thursday Murder Club and The Man Who Died Twice, why not try picking up a novel by the original queen of crime herself? Janice Hallett, whose bestselling crime novels The Appeal and The Twyford Code have seen her dubbed “a modern Agatha Christie” has put together a handy list to help you choose which one to pick.

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Honkaku: a century of the Japanese whodunnits keeping readers guessing

These fiendishly clever mystery novels have spawned pop culture icons, anime and a museum. And, best of all, honkaku plays fair – you have the clues to solve the crime

After a day of joyous wedding celebrations, a bloodcurdling scream echoes into the night. The newlywed bride and groom are found dead in their bed, stabbed with a katana sword, now thrust into the snow outside. Their bedroom was locked from the inside, and there is no way the murderer could have broken in to do the deed, let alone escaped without leaving a trace. How was this impossible crime committed?

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Making a killing: what can novels teach us about getting away with murder?

From Agatha Christie to Gillian Flynn, readers love an untraceable method or a villain who wins. Author Peter Swanson says there are eight examples of the perfect murder

Is there such a thing as a perfect murder? In real life, the answer is probably yes, though how would we know about it? Perfection demands that the murder be unsolvable, maybe even unrecorded – a victim disappearing off the face of the earth, a body never found, a killer never caught. In our world of forensic science and DNA evidence, the perfect murder must be as rare as a reclusive celebrity.

But we have fiction, and this is where we find an abundance of perfect murder attempts. I say attempts because the allure of most detective fiction hinges on the existence of an investigator – a Holmes, a Poirot, a Lisbeth Salander – who is smarter than the smartest of criminals. The perfect murder – like a perfect sonnet or a perfect roast chicken – is an ideal that can be approached but never entirely reached. Detectives, and storytelling tradition, get in the way.

When I set out to write a book in which a bookseller publishes a blog about his favourite fictional murders, only to find out that someone else is using the list as a blueprint for real crimes, I knew that part of the process of writing was going to be a whole lot of reading. So I set out to find a definitive list of perfect crimes and came up with a final tally of eight (or rather, my narrator Malcolm Kershaw did).

Christie's use of thallium as a fatal poison in The Pale Horse caused a brief uptick in the toxin’s presence in real-life crime

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Albert Finney, cinema’s original ‘angry young man’, dies aged 82

Celebrated actor who rose to fame in the ‘kitchen sink’ era before evolving into one of the screen greats of the postwar period, has died

• Albert Finney – a life in pictures

Albert Finney, who forged his reputation as one of the leading actors of Britain’s early 60s new wave cinema, has died aged 82 after a short illness, his family have announced. In 2011, he disclosed he had been suffering from kidney cancer.

A publicist told the Guardian that Finney died of a chest infection at the Royal Marsden hospital, which specialises in cancer treatment, just outside London. His wife, Pene, and son, Simon, were by his side.

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