‘Father of African cinema’ Ousmane Sembène at work – in pictures

A look back at the career of Senegal-born film director Ousmane Sembène as his 1968 film Mandabi is released in the UK for the first time

•Mandabi is released on 11 June in cinemas, and on 28 June on DVD, Blu-Ray and digital platforms.

•Peter Bradshaw on Mandabi: classic about colonialism resonates today

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Why every single statue should come down | Gary Younge

Statues of historical figures are lazy, ugly and distort history. From Cecil Rhodes to Rosa Parks, let’s get rid of them all

Having been a black leftwing Guardian columnist for more than two decades, I understood that I would be regarded as fair game for the kind of moral panics that might make headlines in rightwing tabloids. It’s not like I hadn’t given them the raw material. In the course of my career I’d written pieces with headlines such as “Riots are a class act”, “Let’s have an open and honest conversation about white people” and “End all immigration controls”. I might as well have drawn a target on my back. But the only time I was ever caught in the tabloids’ crosshairs was not because of my denunciations of capitalism or racism, but because of a statue – or to be more precise, the absence of one.

The story starts in the mid-19th century, when the designers of Trafalgar Square decided that there would be one huge column for Horatio Nelson and four smaller plinths for statues surrounding it. They managed to put statues on three of the plinths before running out of money, leaving the fourth one bare. A government advisory group, convened in 1999, decided that this fourth plinth should be a site for a rotating exhibition of contemporary sculpture. Responsibility for the site went to the new mayor of London, Ken Livingstone.

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Macron seeks African reset with new view of France’s troubled history on continent

Honest examination of French colonial record in Africa and responsibilty in Rwanda key to new strategy, though critics say little has changed

With the golden winter sun slanting across the palm trees and yellow sandstone, the scene was perfect. Emmanuel Macron and his host, Cyril Ramaphosa of South Africa, walked down the red carpet of the Union buildings in Pretoria as the Marseillaise resonated through the clean, crisp air.

The historic setting was apt. Since taking power in 2017, the French president has sought a broad reset of national strategy, relations and intervention in Africa. He has chosen a very contemporary way to do this: by re-examining the past.

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Anger in Zimbabwe at Nehanda statue amid collapsing economy

Criticism of priorities as tribute to liberation leader unveiled despite foreign food aid and lack of jobs

The Zimbabwean government unveiled a statue of the liberation heroine and anti-colonialism figurehead Mbuya Nehanda in the capital, Harare, on Tuesday amid controversy about its priorities while the economy and health system collapse.

President Emmerson Mnangagwa vowed that the government would “repatriate Mbuya Nehanda’s skull and the skulls of others from the UK”, and said discussions about this were “on course”. The human remains of Nehanda and others who fought British colonisers are widely rumoured to be held at the Natural History Museum in London.

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UN champions Mauritian control of Chagos Islands by rejecting UK stamps

Refusal to recognise British Indian Ocean Territory stamps is latest move to assert Mauritian sovereignty

Stamps issued by the British Indian Ocean Territory could soon be rendered invalid after the United Nations’ Universal Postal Union (UPU) council recommended they no longer be recognised, in the latest step rejecting the UK’s claim to the Chagos Islands.

The move by the UPU, the second oldest international organisation, is in recognition of Mauritian sovereignty over the strategically important islands in the Indian Ocean and is the first of what is likely to be many by UN specialised agencies, such as the International Civil Aviation Organization and International Monetary Fund.

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Cabinet Office blocks publication of Lord Mountbatten’s diaries

University of Southampton spends ‘hundreds of thousands’ on legal battle preventing access due to government veto

When the diaries and letters of Lord and Lady Mountbatten were “saved for the nation” in 2010, it should have created an invaluable public resource. Instead, a writer has spent four years and £250,000 of his own money in an ongoing – but still frustrated – attempt to force Southampton University and the Cabinet Office to allow the public to view them.

The university bought the Broadlands archive, named after the Mountbattens’ Grade I-listed house, for £2.8m in 2010, attracting funding by stating it would “preserve the collection in its entirety for future generations to use and enjoy” and “ensure public access”.

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Gaming in colour: uncovering video games’ black pioneers

Jerry Lawson led the invention of cartridges, Ed Smith made a hybrid console/PC, and designer Muriel Tramis won France’s highest honour for bringing history into play. How many more names are forgotten?

In the 1970s, in the fledgling days of the video games industry, an engineer named Gerald “Jerry” Lawson designed one of the earliest game consoles, the Channel F, and also led the team that invented the game cartridge, a defining innovation in how games were made and sold. His son, Andersen Lawson, recalls that he was often working on gaming projects in the garage of their family home in Santa Clara, California. “There have been conversations recently about the struggles he might have had that were related to his colour,” he says. “Was it difficult [for him]? Yes, I’m quite certain. But I never heard any grumblings from him. And I’m also certain that he earned his respect … My father was a person of colour and I think that would inspire young people today to jump in and help move the industry along.”

Black people, and especially black women, are still underrepresented in the video games industry. The Independent Game Developers’ Association records that only 2% of US game developers identify as black; in the UK, meanwhile, according to UKIE’s 2020 census of the entire industry, 10% of its workers are black, Asian and minority ethnic (BAME). But black innovators such as Jerry Lawson have been present and influential since the earliest days of the video games industry – and there is not enough recognition for their achievements.

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‘Sometimes, it’s shocking’: Raoul Peck on his bold new colonialism series

The Oscar-nominated film-maker behind I Am Not Your Negro returns with Exterminate All the Brutes, a dense new HBO docuseries about a horrifying history

Truly, what else was there left to say about race in America after the words of James Baldwin? This is what Raoul Peck found himself contemplating after the success of his 2016 documentary, I Am Not Your Negro, which was nominated for an Academy Award and won an Emmy, a Bafta and a César award. He was confounded and disappointed to realize that some audiences, particularly in Europe, weren’t fully comprehending the work of what he calls “one of the best, if not the best analyst of what racism is”, believing it to be primarily an American concern.

Related: 'We're all part of the story': behind Will Smith's 14th amendment docuseries

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Regional museums break ranks with UK government on return of Benin bronzes

Aberdeen says it will repatriate a bust while Cambridge museum has ‘expectation’ its collection could be returned

Regional UK museums could lead a wave of repatriations of disputed Benin bronzes – most of them looted by British forces in 1897 – in defiance of the British government’s stance that institutions should “retain and explain” contested artefacts.

On Thursday, the University of Aberdeen confirmed it would repatriate a bust of an Oba, or king of Benin, which it has had since the 1950s, “within weeks”, a landmark move for a British institution.

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Goodbye Cecil Rhodes: House renamed to lose link to British empire builder in Africa

London housing block residents choose location-led name, having rejected option to reflect black historical figures

Cecil Rhodes House, which overlooks St Pancras rail station in London, is to be renamed after decades of unsuccessful attempts to rid the property of its association with the Victorian imperialist.

But to the disappointment of some local historians, residents rejected renaming the building after a black historical figure, opting instead for Park View House.

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Viet Thanh Nguyen: ‘I always felt displaced no matter where I was’

The Pulitzer-winning author on difficult second novel syndrome, using humour to explore trauma, and the return to a ‘more efficient version of American imperialism’

The Vietnamese-American author Viet Thanh Nguyen’s second novel, The Committed, is the sequel to his celebrated debut, The Sympathizer, a spy thriller set against the backdrop of the Vietnam war that was both a New York Times bestseller and winner of the 2016 Pulitzer prize for fiction. The Sympathizer established Nguyen as both a literary star and an advocate for displaced people around the world. In The Committed, his unnamed protagonist arrives, as a refugee, in 1970s Paris, looking to shore up his identity on a diet of drug-dealing gangsterism and poststructuralist theory. Nguyen is a professor of English, American studies and ethnicity, and comparative literature at the University of Southern California as well as a contributing opinion writer for the New York Times.

You’ve written about the ease of writing your first novel. How was it sitting down to write your second with a Pulitzer under your belt?
It was certainly more challenging, not necessarily because of heightened expectations but because of the publicity around the Pulitzer. I got very distracted doing interviews and lectures and all of that. With The Sympathizer I had two years of total concentration because nobody knew who I was. With The Committed, I had to write it in bits and pieces with lots of interruptions.

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‘We want our riches back’ – the African activist taking treasures from Europe’s museums

Mwazulu Diyabanza has been fined and jailed for entering museums and forcibly removing ‘pillaged’ African artefacts. He tells our writer why the British Museum is now in his sights

Mwazulu Diyabanza makes no secret of why he is in France. If coronavirus had not closed most of Europe’s museums, the Congolese activist would probably be inside one right now, wresting African objects from their displays to highlight what he sees as the mass pillaging of the continent by European colonialists.

And it’s not just the mighty museums. Diyabanza and his supporters also plan to include smaller galleries, private collections and auction houses in their campaign. “Wherever the riches of our heritage and culture have been stolen,” says the 42-year-old, “we will intervene.” As the leader of a pan-African movement called Yanka Nku (Unity, Dignity and Courage), Diyabanza is on a mission is to recover all works of art and culture taken from Africa to Europe. He calls his method “active diplomacy”.

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‘Colonialism had never really ended’: my life in the shadow of Cecil Rhodes

After growing up in a Zimbabwe convulsed by the legacy of colonialism, when I got to Oxford I realised how many British people still failed to see how empire had shaped lives like mine – as well as their own

There was no single moment when I began to sense the long shadow that Cecil John Rhodes has cast over my life, or over the university where I am a professor, or over the ways of seeing the world shared by so many of us still living in the ruins of the British empire. But, looking back, it is clear that long before I arrived at Oxford as a student, long before I helped found the university’s Rhodes Must Fall movement, long before I even left Zimbabwe as a teenager, this man and everything he embodied had shaped the worlds through which I moved.

I could start this story in 1867, when a boy named Erasmus Jacobs found a diamond the size of an acorn on the banks of the Orange river in what is now South Africa, sparking the diamond rush in which Rhodes first made his fortune. Or I could start it a century later, when my grandfather was murdered by security forces in the British colony of Rhodesia. Or I could start it today, when the infamous statue of Rhodes that peers down on to Oxford’s high street may finally be on the verge of being taken down.

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I’ve been unfairly targeted, says academic at heart of National Trust ‘woke’ row

Professor warns of ‘political agenda’ to discredit researchers exploring slavery links

The academic at the centre of an escalating row over the National Trust’s efforts to explore links between its properties and colonialism has warned of a “political agenda” to “misrepresent, mischaracterise, malign and intimidate” those involved in the project.

Professor Corinne Fowler has drawn comparisons between the vilification of academics, including herself, and attacks by climate-crisis deniers on scientists warning about global heating. She suggested they were a product of social tension.

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Banking and slavery: Switzerland examines its colonial conscience

BLM protests and fresh historical evidence are raising questions over the legacy of the founder of modern Switzerland, Alfred Escher

Alfred Escher wielded so much power and influence during his lifetime that he was nicknamed King Alfred I. An immense bronze statue of modern Switzerland’s founding father stands, fittingly, in front of Zurich’s main train station. Escher was a politician, but he was also an entrepreneur who founded the country’s railway network along with its leading university and the banking giant Credit Suisse.

The statue in Zurich has memorialised Escher for more than 100 years, but it may not be there much longer. A recently published study on Zurich’s involvement in slavery details problematic connections to Escher. The Escher dynasty owned a coffee plantation in Cuba with more than 80 slaves and Escher himself was involved in its sale.

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New museum in Nigeria raises hopes of resolution to Benin bronzes dispute

Artefacts held by British Museum and other western institutions were looted by British forces in 1897

A new museum designed by Sir David Adjaye is to be built following the most extensive archaeological excavation ever undertaken in Benin City, Nigeria, raising hopes of a resolution to one of the world’s most controversial debates over looted museum artefacts.

The kingdom of Benin, in what is now southern Nigeria and not to be confused with the modern-day country of Benin, was one of the most important and powerful pre-colonial states of west Africa.

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The US election that doesn’t count: Guam goes to the polls but votes won’t matter

‘Now that I live in Guam, I cannot vote’. The first Americans to ‘vote’ on polling day have no say in who will be president

Politics is a favourite sport on the streets of Hagatna, where voters are preparing for the US elections.

Billboards adorn every street corner and conversations are dominated by candidates and their policies. But when Guamanians go to the polls on 3 November and mark down their preference for president, their “votes” won’t count.

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Australia is part of a Black region, it should recognise Kanaky ambition in New Caledonia | Hamish McDonald

Australia’s un-nuanced support for French dominion is unhelpful in a region where decolonisation is unfinished business

Kicking the can down the road is a time-honoured solution to deadlocks over statehood and identity: hoping time, consultation and money can end up in agreement.

But in New Caledonia, the French territory of 290,000 people in the Melanesian island chain to Australia’s north-east, the road is running out after more than two decades of can-kicking.

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Mexico asks Pope Francis for apology for church’s role in Spanish conquest

Mexico’s president says the Vatican should apologise for ‘reprehensible atrocities’ in colonisation 500 years ago

Mexico’s president has written to Pope Francis to ask for an apology for the Catholic church’s role in the oppression of indigenous people in the Spanish conquest 500 years ago.

The request was made in a two-page letter that also asked the Vatican to temporarily return several ancient indigenous manuscripts held in its library, ahead of next year’s 500-year anniversary of the Spanish conquest of Mexico.

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V&A in talks over returning looted Ethiopian treasures in ‘decolonisation’ purge

Deputy director says museums must start telling a more honest story about provenance

The Victoria and Albert Museum in London has started talks with the Ethiopian embassy over returning looted treasures in its collections, including a gold crown and royal wedding dress, taken from the country more than 150 years ago.

Ethiopians have campaigned for the return of the items since they were plundered after the 1868 capture of Maqdala in what was then Abyssinia. Ethiopia lodged a formal restitution claim in 2007 for hundreds of important artefacts from Maqdala held by various British institutions, which was refused.

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