The Oscar-winning director of 12 Years a Slave reflects on lack of diversity in TV and film and says now is the time for real change
Last year, I visited a TV-film set in London. It felt like I had walked out of one environment, the London I was surrounded by, into another, a place that was alien to me. I could not believe the whiteness of the set. I made three films in the States and it seems like nothing has really changed in the interim in Britain. The UK is so far behind in terms of representation, it’s shameful.
My first film production in the UK in 12 years is Small Axe, six films commissioned by the BBC about black experience from the late 1960s to the mid 1980s. We tried very hard on Small Axe: we created our own training scheme with one trainee per department. But, in terms of heads of departments, it was just myself and a couple of other people who were black British.
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