Opera actor, 82, furious with critic for saying she looked a fright on first night

‘The “fright” look is all naturally mine,’ riposted Rose Knox-Peebles after FT reviewer assumed she had makeup on in Das Rheingold

Rose Knox-Peebles was on a high after the opening night of Das Rheingold at the Royal Opera House earlier this week.

It was the first time the 82-year-old model, who plays Erda, the weary, gnarled earth mother who has seen it all, who knows what has been, what is and will be, had performed in an opera. In quite the baptism of all sorts of fire, the director, Barrie Kosky, decided to keep her character on stage, naked, for the entire two-and-a-half-hour performance – with no interval.

Continue reading...

Vogue World to donate £2m to London-based arts organisations

National Theatre and Royal Ballet among 21 groups to receive grants from new fund

Vogue World will donate £2m to London-based arts organisations through a newly established fund, Condé Nast has announced.

The star-studded event at London’s Theatre Royal Drury Lane on Thursday night was masterminded by the Vogue editor-in-chief, Anna Wintour, and the Bafta- and Olivier-winning director Stephen Daldry. Its aim was to celebrate London’s heritage as a cultural powerhouse and to raise money for the UK’s cash-strapped performing arts scene.

Continue reading...

British opera singer creates work to reveal humanity of enslaved ancestors

Insurrection: A Work in Progress by Peter Brathwaite will highlight folk traditions as a form of resistance

A leading British opera singer is developing a work based on the music of his enslaved ancestors in Barbados as a way of examining complex historical events and highlighting forms of resistance.

Peter Brathwaite and the Royal Opera House (ROH) will present Insurrection: A Work in Progress to audiences in March, inviting feedback from the public that will shape the opera’s next stages.

Continue reading...

Marianela Núñez: ‘What lockdown taught me, one more time, is that dance is my true passion’

The Royal Ballet’s phenomenal principal dancer was the fixed star at the heart of an extraordinary year for the company

It’s been an oddly fractured year for dance. Repeated lockdowns stifled talent, thwarted new ideas. Online and outdoor offerings provided some release but when theatres reopened in May, dancers emerged as if from hibernation, full of life, anxious to get on with their notoriously short careers.

None more so than Marianela Núñez. The Royal Ballet has excelled as a company this year, but she is the fixed star gleaming at its heart, never disappointing, always moving towards her aim of perfection. Her smile irradiates the stage, but it is the purity of her classical technique, the sense that you are watching someone at the absolute peak of their abilities.

Continue reading...

Star soprano Danielle de Niese sang through pain of miscarriage

Exclusive: De Niese reveals she was in hospital hours before acclaimed performance in La Bohème at Royal Opera House

The soprano Danielle de Niese’s opening performance in Puccini’s La Bohème at the Royal Opera House last Saturday was acclaimed as “standout”, “show-stealing” and “big-hearted” as she “startle[d] with her energy and physicality, fusing acting and song in a way no one else approaches”.

What neither the critics, the audience nor most of her colleagues knew was that 18 hours earlier she was doubled up in hospital in searing pain from a miscarriage, and the cramps continued for days afterwards.

Continue reading...

Lawyer punched fashion designer in seat dispute at opera

Matthew Feargrieve convicted of assault on Ulrich Engler at Royal Opera House

A lawyer has been convicted of assaulting a fashion designer during a dispute over a front-row seat at an opera performance.

Matthew Feargrieve was found guilty in London of punching Ulrich Engler at least once while attending a performance of Wagner at the Royal Opera House on 7 October last year.

Continue reading...