Burns Night goes virtual: ‘It might be even bigger this year’

Thousands join events in Scotland and far afield, and post-a-haggis service is in high demand

It’s the night when Scots emerge from mid-winter hibernation, says the Burns scholar Pauline Mackay. On the poet’s birthday, 25 January, or thereabouts, thousands of societies, clubs and groups of friends across Scotland and around the world gather to celebrate the life and work of the national bard Robert Burns.

The ritual elements of a Burns supper – addressing those gathered with his poem To a Haggis, completing several rounds of toasts and reading from the funny, sexy, radical diversity of his work – have remained constant since the first event was held by nine friends in 1801, five years after his death.

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How Amanda Gorman became the voice of a new American era

Her recital at Joe Biden’s inauguration electrified viewers and sent the hitherto little known poet’s work to the top of the charts

On Wednesday in Washington DC, a striking young woman stood at a podium on the steps of the US Capitol, surrounded by the country’s leaders, who were masked against the pandemic. She was unmasked, at a safe distance, so she could speak with resonance and force, spreading her enthusiastic vision without danger. She radiated joy, conviction and purpose as she declaimed the poem she had written to mark the inauguration of Joe Biden as 46th president of the US: The Hill We Climb. Tears sprang from the eyes of many listeners, those weary and wary from four years of domestic discord, whether they sat on folding chairs at the Capitol, or on easy chairs in their homes. Hearing her words, they felt hope for the future.

That woman’s name is Amanda Gorman. She is America’s first national youth poet laureate and, at 22, she also is the youngest poet accorded the honour of delivering the presidential inaugural poem. But despite her youth, Gorman’s assurance and bearing made her seem to stand outside time. Erect as a statue, her skin gleaming as if burnished, her hair cornrowed, banded with gold and drawn tightly back into a red satin Prada headband, worn high like a tiara, she evoked what poet Kae Tempest calls the “Brand New Ancients”: the divinity that walks among us in the present day. According to Greek mythology, nine muses, daughters of Zeus and Mnemosyne, inspire creative endeavour, with five devoted to different kinds of poetry – epic, romantic, lyric, comic or pastoral and sacred. Gorman suggested a new poetic muse – one to inspire the poetry of democracy.

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Hungary orders LGBT publisher to print disclaimers on children’s book

Fairytale anthology Wonderland Is for Everyone must now carry warning that its stories contain ‘behaviour inconsistent with traditional gender roles’

Hungary’s government, which has made hostility to LGBT people a central part of its rightwing agenda, on Tuesday ordered a publisher to print disclaimers identifying books containing “behaviour inconsistent with traditional gender roles”.

The government said the action was needed to protect consumers, after Labrisz, an association for lesbian, bisexual and trans women, published a fairytale anthology titled Wonderland Is for Everyone, which included some stories with LGBT themes.

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Joan Bakewell: ‘The world is full of such interesting people’

Joan Bakewell had been a broadcasting pioneer for more than half a century. And she’s still as forthright as ever. Here, she talks to Sophie Heawood about the empowerment of women, her newly streamlined life and why Boris has got it all wrong about the virus

Joan Bakewell writes in her memoir, The Centre of the Bed, about the moment she became an adult. It was 1949 and she was 17, a hard- working grammar schoolgirl from the industrial north, when her frustrated, depressive mother found a photograph of Joan kissing a boy and set fire to it in front of her eyes. Joan felt deep shame, but the shame began to transmogrify.

“Suddenly I was savagely and tremblingly angry,” she writes. “I was being forged in some bitter fire of my mother’s will, and I must survive the moment and emerge as myself. That was the end of innocence, not the loss of virginity or any fumbling that fell short of it. It was when I crossed into adulthood, knew my own mind and was sure of who I was.” Soon afterwards she left for university, where she joyfully discovered the world of ideas, as well as the one of sex, even though, as a student of the Cambridge women’s college Newnham, such things were banned.

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On my radar: Jason Williamson’s cultural highlights

The Sleaford Mods frontman on a favourite singer-songwriter, a hellish horror film and why he spends seven hours a day on Twitter

Jason Williamson, lead vocalist of English electronic punk music duo Sleaford Mods, was born in Grantham, Lincolnshire in 1970. He moved to Nottingham in 1995, where he began working with rock band Spiritualized and electronic duo Bent. In 2009, he met Andrew Fearn and they released the first Sleaford Mods album, Divide and Exit, in 2014. They have since been called “the voice of Britain” by their fans and “the world’s greatest rock’n’roll band” by Iggy Pop. Their latest album, Spare Ribs, is out now on Rough Trade Records. The band will tour the UK in late 2021.

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Amazon.com and ‘Big Five’ publishers accused of ebook price-fixing

Class action lawsuit filed in US claims the houses have colluded with the online giant to keep prices artificially high

Amazon.com and the “Big Five” publishers – Penguin Random House, Hachette, HarperCollins, Macmillan and Simon & Schuster – have been accused of colluding to fix ebook prices, in a class action filed by the law firm that successfully sued Apple and the Big Five on the same charge 10 years ago.

The lawsuit, filed in district court in New York on Thursday by Seattle firm Hagens Berman, on behalf of consumers in several US states, names the retail giant as the sole defendant but labels the publishers “co-conspirators”. It alleges Amazon and the publishers use a clause known as “Most Favored Nations” (MFN) to keep ebook prices artificially high, by agreeing to price restraints that force consumers to pay more for ebooks purchased on retail platforms that are not Amazon.com.

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Rimbaud’s remains will not be moved to Panthéon, rules Macron

President decides against relocating remains of French poet to Parisian memorial

The remains of the famed French poet Arthur Rimbaud will not be moved to the Panthéon mausoleum despite a campaign to honour him as an artist and symbol of gay rights, the French president, Emmanuel Macron, has decided.

A petition last year backed by a number of celebrities as well as the culture minister, Roselyne Bachelot, called for Rimbaud to be reinterred alongside his lover and fellow poet Paul Verlaine at the monument in central Paris.

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Duchess of York’s first novel to be published by Mills & Boon

Sarah Ferguson says historical tale Her Heart for a Compass is inspired by experiences in her own life

The Duchess of York has landed a book deal with the romantic fiction publisher Mills & Boon, revealing that she “drew on many parallels from my life” for the historical tale.

Sarah Ferguson’s debut novel, Her Heart for a Compass, will be released in August and tells a fictional account of the life and love story of her great-great-aunt, Lady Margaret Montagu Douglas Scott.

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Bridgerton author Julia Quinn: ‘I’ve been dinged by the accuracy police – but it’s fantasy!’

Her ‘hot and crazy’ novels about feisty women bedding rakish aristocrats have become a Netflix sensation. The writer talks about literary snobs, colour-conscious casting and the curse of Jane Austen

“People look down on romance novels,” says Julia Quinn. “We’re the ugly stepchild of the publishing industry – even though romance novels make so much money for publishers that they’re able to take chances on poetry, literary fiction and other things that don’t really make money.”

This is why Quinn never dreamed that any of her novels – Regency romances in which smart, witty women fall for handsome titled men – would ever make the leap to TV. She was happy with her regular slot at the top of the bestseller lists, if a little irked at the way the genre is looked down on by more literary types. “I dream big, I do,” says Quinn, speaking from her home in Seattle. “But nobody had ever done it, nobody had ever shown any signs of wanting to. And not just my books, but the genre as a whole. If somebody wanted to do a period piece, they wanted to do Jane Austen again.”

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Tom Templeton: ‘I suspect doctors have realised how therapeutic it can be to write books’

The former Observer writer and now GP talks about his new book, 34 Patients, and the challenges he has faced during the pandemic

How has life changed for you at the surgery during the pandemic?
The biggest change has been having to talk to patients on the phone rather than seeing them in person. We only see around three per day now in person.

Do you miss seeing people face to face?
Totally. It’s quite right that we do it the way we do but I love being with the patients and having that connection.

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Nick Kent: ‘I was in the right place at the right time, on the wrong drugs’

The rock critic who revived British music writing at the NME in the 70s is back with his first novel – a caustic tale of rock megalomania

Nick Kent, who is as close as British music journalism ever came to producing a legend, finally stopped writing about rock in 2007. “There was really nothing around that sparked my imagination,” he tells me. “There was no mystery, and rock’n’roll needs mystery.”

So ended a singular odyssey that had begun 35 years earlier, in 1972, when Kent joined a then struggling NME and, within a year or two, had helped push its weekly readership to near the 300,000 mark. Back then, a tall, stick-thin fop in leather trousers, matching biker jacket, a dangling earring and eyeliner, Kent was as sartorially stylish and – to borrow one of his own phrases – as “elegantly wasted” as the dissolute rock stars he profiled. And he walked it like he talked it, hanging out with the Rolling Stones and Led Zeppelin, befriending Iggy Pop, stepping out with Chrissie Hynde (briefly a fellow NME writer) and even playing guitar in a very early incarnation of the Sex Pistols.

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Jenni Fagan: ‘I understand crisis. I grew up in a very, very extreme way’

From a childhood in care to dazzling readers with her debut The Panopticon, Fagan talks about writing her third novel, channelling rage, and why now is a pivotal moment for us all

For all that she was laid low early in the pandemic, and then spent months as a single parent trying to home-school her nine-year-old son, the last year has been far from a write-off for Jenni Fagan. Her third novel is about to be published, she completed her PhD. And on the day she speaks to me from her Edinburgh home, she is hours away from finishing a memoir of her life up until the age of 16.

For most people, that would amount to a very thin book, but not for Fagan. As a child growing up in the Scottish care system, those first 16 years involved 29 different placements, under four different names. The only thing she knows about her birth was that it took place in a Victorian psychiatric hospital in 1977. Perhaps, she muses, it has helped her to cope better than most with the events of the last months. “You know, I kind of understand crisis. I grew up in a very, very extreme way, and the idea that bad things happen to other people was never my reality. I always knew they happen to you. And sometimes they happen over and over.”

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Twisted brilliance: Patricia Highsmith at 100

Forbidden desires, strange obsessions and a singular talent for suspense... Carmen Maria Machado on the dark allure of the writer behind Ripley

There has always been something fundamentally difficult about Patricia Highsmith. And not difficult in the way that most people mean it: ironic, quirky, feminist (“Well-behaved women rarely make history”, and so on). I mean truly, legitimately difficult; a well of darkness with no discernible bottom.

Which is not to say that she wasn’t, in her own way, endearing. She was, after all, a genius, a bona fide eccentric. She loved animals, particularly snails, which she kept by the hundred as pets and took to parties clinging to a leaf of lettuce in her handbag. Writer and critic Terry Castle describes how she once “smuggled her cherished pet snails through French customs by hiding six or eight of them under each bosom”. She was famous for her wit and wicked sense of humour, and she wrote compellingly of loneliness and empathetically about disempowered housewives and children.

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¡Populista! review: Chávez, Castro and Latin America’s ‘pink wave’ leaders

BBC reporter Will Grant has produced an excellent look at the group of strongmen who came from left field

If there was ever a surreal start to a trip to Cuba, it was the one that coincided with the news Fidel Castro had died. That was what I woke up to on 26 November 2016, hours before my husband and I were due to fly to Havana. A day later, we found ourselves in what seemed like an endless queue under a blazing autumn sun, waiting to enter Castro’s memorial at the Jose Martí monument in the Plaza de la Revolución.

Related: Sisters in Hate review: tough but vital read on the rise of racist America

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Pioneering Observer columnist Katharine Whitehorn dies aged 92

The first woman to have her own column in the Observer, Whitehorn was a celebrated writer and author

Katharine Whitehorn, the pioneering newspaper columnist and author, has died aged 92.

The Cambridge graduate worked briefly as a model before embarking on a celebrated writing career, working for publications including the Observer, Picture Post and Saga magazine, where she was agony aunt for 19 years.

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James Comey: Donald Trump should not be prosecuted after leaving office

  • Fired FBI director: next attorney general must ‘foster trust’
  • President has insulted Comey and threatened him with jail

Donald Trump should not be prosecuted once he leaves the White House no matter how much evidence has been amassed against him, the former FBI director James Comey writes in a new book.

Related: Trump call to Georgia secretary of state electrifies voters in Senate runoffs

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George Saunders: ‘These trenches we’re in are so deep’

The Booker-winning author on what Russian short stories can teach us, late-life realisations and why he doesn’t like social media

George Saunders was born in Texas in 1958 and raised in Illinois. Before his first novel, Lincoln in the Bardo, won the 2017 Booker prize, he was best known as a writer of short stories, publishing four collections since 1996 and winning a slew of awards. In 2006, he was awarded both a Guggenheim and a MacArthur fellowship. His latest book, A Swim in a Pond in the Rain, draws on two decades of teaching a creative writing class on the Russian short story in translation at Syracuse University, where he is a professor. Saunders lives in California but was in the middle of a snowstorm in upstate New York when this interview took place via Zoom.

What prompted you to turn your creative writing class into a book?
I was on the road for a long time with Lincoln in the Bardo. When I came back to teaching, I just thought, man, after 20 years of this, I really know a lot about these stories. There was also that late-life realisation that if I go, all that knowledge goes too. I thought it would be just a matter of typing up the notes, but of course it turned out to be a lot more.

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Italy begins year of Dante anniversary events with virtual Uffizi exhibition

Gallery puts seldom-seen Divine Comedy sketches on display online to mark 700 years since poet’s death

Eighty-eight rarely seen drawings of Dante’s The Divine Comedy have been put on virtual display as Italy begins a year-long calendar of events to mark the 700th anniversary of the poet’s death.

The drawings, by the 16th-century Renaissance artist Federico Zuccari, are being exhibited online, for free, by the Uffizi Gallery in Florence.

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Patti Smith: ‘As a writer, you can be a pacifist or a murderer’

As she prepares to ring in 2021 with a performance on screens at Piccadilly Circus, the punk poet explains why she’s optimistic amid the ‘debris’ of Trump’s years in office

Patti Smith talks about her first poetry performance – in 1971 at St Mark’s Church in New York’s Bowery – as if it were yesterday. “I remember everything,” she says over the phone from her home in New York. Smith was in her early 20s, working at a bookshop and living in the Chelsea Hotel with her then lover, the playwright Sam Shepard. She had attended poetry readings before, most of which put her into a deep sleep. “I wanted to do something that wasn’t boring,” she recalls. “Sam said that since I sang to myself all the time, I should try singing a song, or maybe do something with a guitar.” And so she called on the musician Lenny Kaye to provide “interpretative” noises on guitar while she half-read, half-sang her poems.

The show was an instant hit. “It seemed to make a big impression on people – which I really didn’t understand,” she says. The producer Sandy Pearlman approached her afterwards and suggested she front a rock band. She eventually took his advice, making the landmark album Horses in 1975, and an icon of American punk was born.

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Through gilets jaunes, strikes and Covid, Paris’s 400-year-old book stalls fight to survive

With passing trade hit hard by the pandemic, the booksellers on the banks of the Seine are struggling

Usually, Sundays are good days for the bouquinistes. Legions of strollers – tourists, out-of-towners, Parisians – throng the banks of the Seine, and the open-air booksellers whose green boxes have lined the quays for 400-odd years do good business.

One recent Sunday, though, Jérôme Callais made €32. And there was a day that week when he made €4: a single paperback, he can’t even recall which. It has not, Callais said, sheltering from driving rain on an all but deserted Quai de Conti, been easy.

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