R Kelly sex-trafficking trial: manager used bribe to get Aaliyah fake ID

  • Demetrius Smith details moves to let singer marry 15-year-old
  • R Kelly denies charges in New York trial

A former tour manager for R Kelly testified on Friday that he paid a $500 bribe to a government worker to get the singer Aaliyah a fake identification card so Kelly could secretly marry her when she was 15 years old.

Related: Aaliyah: ‘Her sound is the R&B blueprint’

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R Kelly accuser describes physical abuse from singer when she was 16

Jerhonda Pace, first witness at the R Kelly sex-trafficking trial, says the singer ‘slapped me and he choked me until I passed out’

A key accuser at the R Kelly sex-trafficking trial returned to the witness stand on Thursday, saying he often videotaped their sexual encounters and demanded she dress like a Girl Scout during a relationship that began when she was a minor.

Jerhonda Pace resumed her testimony in Brooklyn federal court a day after telling jurors she was a 16-year-old virgin and a member of Kelly’s fan club when he invited her to his mansion in 2009.

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DJ Carl Cox: ‘When I tell people my story, they don’t believe it’

The three-deck wizard’s new memoir details a life behind the decks, from the Houses of Parliament to Honolulu – and tragedy in Venezuela. Now, he says, his baking is as popular as his music

In late November 2007, Carl Cox’s DJing career was over – or so he thought. A few days earlier he had played a set at a festival in Caracas, Venezuela, as part of a tour of South America. The vibe was good and the crowd was bouncing. “I heard all these fireworks go: ‘Bang, bang, bang.’ Everyone was going: ‘Woooo! Yeeaaaah!’” Cox mimics dancing behind the decks. “Then there were more bangs and I thought: ‘Yay, more fireworks!’ But then I looked at the crowd and something was wrong. They were dispersing. I realised: ‘Fuck, that’s not fireworks, that’s gunfire.’”

Two rival gang members had met on the dancefloor and begun shooting. Cox got down on the floor and crawled to a backstage locker room where he and his tour manager barricaded themselves in. After an hour, they were escorted out to a car, past scores of police vans and ambulances. Four people had died and nine were injured. “Seeing people shot on the dancefloor and dying in front of me, blood everywhere …” Cox says, rubbing his eyes. “One minute we were having the time of our lives and the next we were cowering for our lives.”

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Lorde: Solar Power review – waking up from the nightmare of fame

(Universal Music New Zealand/EMI Records)
Equipped with lovely melodies and a bombast-resistant sound, the New Zealander exchanges the spotlight for a sly reflection on true happiness

Plenty of mainstream pop stars have decided they no longer want to be mainstream pop stars. They’ve tried everything to achieve their goal, from making deliberately unlistenable albums, to – in the memorable case of the late Scott Walker – locking themselves in a monastery on the Isle of Wight.

But few have attempted to bid farewell to mainstream pop stardom as prettily as Lorde does on her third album. It opens with a guitar picking a gentle, woozy-sounding figure. A flute glides beatifically by and Lorde offers a grim depiction of life as a teenager superstar – complete with “nightmares from the camera flash” – before apparently saying goodbye to all that: “alone on a windswept island”, she “won’t take the call if it’s the label or radio”. “If you’re looking for a saviour,” she adds, “that’s not me”, which would sound a little self-aggrandising had the world of online fandom not become so overheated that whenever a female pop star posts anything on social media, the responses are clogged up by stans calling them “mum”, “queen” and “goddess”.

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‘They deserve a place in history’: music teacher makes map of female composers

Interactive tool features more than 500 women who are often forgotten in the classical music world

Two siblings, both considered child prodigies, dazzled audiences across Europe together in the 18th century, leaving a trail of positive reviews in their wake. But while Wolfgang Amadeus Mozart went on to be celebrated as one of the world’s greatest composers, the accomplishments of his sister – Maria Anna – were quickly forgotten after she was forced to halt her career when she came of age.

However, a new tool is seeking to cast a spotlight on female composers throughout the ages, pushing back against the sexism, stigmatisation and societal norms that have long rendered them invisible.

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Jade Hackett on hip-hop dance: ‘Black joy is just as powerful as protest’

The choreographer felt the urgent need to bring happiness and relentless fun to the weekender she has curated for the Southbank Centre’s Summer Reunion series

‘With the year we’ve had, we just needed people to have insanely, intensely engrossing, almost relentless fun,” says choreographer Jade Hackett of the weekender she has curated for the Southbank Centre’s Summer Reunion series. Working with music producer DJ Walde under the umbrella of ZooNation dance company, Hackett is taking over the Thames riverside terrace for a free mini festival, three days celebrating UK hip-hop culture, and just celebrating full stop, having been starved of live shows and social occasions during the pandemic.

“It’s the first stepping stone to reintegration, bringing people together in a really safe way,” she says. “We’ll kick it off with music by Afrika Bambaataa, Earth, Wind & Fire, Stevie Wonder, that’s the vibe; awesome social dances, the electric slide, Soul Train lines, it’ll be super fun.” Audiences can watch dance battles and performances from the likes of female popping collective AIM and Afrobeats dancers HomeBros, but there’s an emphasis on participation, with a series of workshops covering dance from the 70s, 80s and 90s as well as newer styles such as Litefeet. There are daytime family activities and evenings dancing to DJ collective The Midnight Train playing garage, grime, house, R&B, hip-hop and soca – a little carnival fix for those feeling the gap left by the cancellation of Notting Hill carnival for the second consecutive year.

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Thomas Quasthoff: ‘From birth, my mum felt guilty. I had to show her I made the best of my life’

Born disabled due to the effects of Thalidomide, the exuberant star rose to classical music’s pinnacle – then quit at the peak of his powers. Now he’s back – singing jazz

Thomas Quasthoff has been retired from classical music for nearly a decade now. The German bass-baritone was in his early 50s when he made the shock announcement – an age when singers of his type are still in their prime. His elder brother Michael had been diagnosed with lung cancer in 2010, and that diagnosis and his brother’s subsequent death had left Quasthoff temporarily physically incapable of singing.


“Three days after being told that my brother would not live longer than nine months I lost my voice,” he recalls. “Doctors looked at my throat and said: ‘Everything is fine.’ But my heart was broken, and if the heart is broken ...” he pauses. “The voice is the mirror of the soul.”


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Bob Dylan accused of sexually abusing a 12-year-old in 1965

A lawsuit, filed Friday, alleges the Nobel laureate plied a girl with drugs and alcohol and abused her over six weeks in 1965

A new lawsuit alleges that Bob Dylan, the Nobel-winning folk singer-songwriter, plied a 12-year-old girl with drugs and alcohol before sexually abusing her in 1965.

The lawsuit alleges that the Times They Are A-Changin’ singer “befriended and established an emotional connection with the plaintiff”, identified in Manhattan supreme court papers, obtained by the Guardian, only as “JC” and groomed her over the course of six weeks in April and May 1965.

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‘We aren’t all dumb hillbillies’: how Covid caused a rift in country music

Country stars such as Jason Isbell have received backlash for insisting on safety at their concerts, exposing an age-old political divide

The Covid-19 culture war has a new front: country music. Be it the Nashville establishment or up-and-comers in adjacent roots, folk and Americana genres, numerous artists are taking a stand about concert pandemic precautions, often along partisan lines. Jason Isbell has become one of the most prominent musicians to step into the fray. The Grammy-winning independent alt-country artist – who has released acclaimed albums like Southeastern and last year’s Reunions – rowed with some venues and vitriolic Twitter users, while also eliciting praise, after announcing on 9 August that proof of a Covid-19 vaccination or a negative test was mandatory for his show-goers.

“We have the ability to limit the number of people who get sick. So I can handle pushback from anyone refusing that, because I believe I am correct,” Isbell said.

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‘A way to be heard’: the New Zealand Pasifika youth subculture devoted to emergency sirens

Siren kings battle their way through several carefully judged rounds to establish who has the loudest, clearest sound

On the streets of south Auckland, Pasifika youth equipped with plastic siren cones have created a new sound – one that stormed TikTok, and took over a moment in pop music. Sometimes disparaged or dismissed, they say their work with sirens is more than just a sound or a hobby. It’s also about community, creativity and respite from struggle.

These are the Siren Kings – a street subculture devoted to the volume and clarity of music, channelled through the unusual vector of emergency-evacuation sirens.

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‘This is a public health issue’: can Covid-era music festivals ever be safe?

After backlash over the 100,000-plus crowd of mostly unmasked faces at Chicago’s Lollapalooza, festival organisers reckon with a safe way forward

It could have been an image from 2019 – a sea of mostly unmasked faces, shoulder to shoulder, singing to live music in Chicago’s Grant Park. The mass gathering of about 100,000 people daily for Lollapalooza 2021, one of the country’s most prominent music festivals, featuring Foo Fighters and Post Malone, on the last weekend of July was a welcome sight to music lovers – and a worrisome event for public health officials as cases of the Delta variant of Covid-19 surge in the US.

The photos now appear like the last naive gasp of pandemic-free fantasy; in the two weeks since Lollapalooza, which required either proof of vaccination or a negative Covid test to attend, the rapid spread of the Delta variant has forced a slate of upcoming music festivals to reassess health and safety plans at a pivotal moment for handling of the pandemic in the US.

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Lockdown sensation Su Lee: ‘I believe in sharing vulnerability – it relieves the pain’

The South Korean designer turned songwriter uses goofy, DIY pop to explore issues such as depression and social anxiety

If we could boil Gen Z internet, with all its anxieties and goofiness and creativity and openness, down into a person, the result would be Su Lee. The South Korean musician’s DIY pop songs shrug off frivolities such as love and sex in favour of bopping through the exhaustion and annoyance of having your brain chemistry work against you. Chuck in some videos featuring handmade wall art in “groovy chick” colourways and a dollop of ironic goofiness and Lee’s “spokesperson of Gen Z” status is pretty much assured. A case in point: when she logged on to Zoom for our interview, she asked: “Will we put this out as a video?” which made me feel ancient (and horrified).

Related: The Guide: Staying In – sign up for our home entertainment tips

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Britney Spears’ father agrees to step down as conservator ‘when the time is right’

Court filings reveal that Jamie Spears had ‘already been working’ on transitioning to a new conservator

Jamie Spears has agreed to step down from his long time role as conservator of his daughter Britney Spears’ estate “when the time is right,” according to court filings.

Jamie Spears’ departure would mark a significant development in the singer’s long fight to be freed from her father’s control. The developments come nearly two months after the singer spoke in court and called for an end to the controversial arrangement that has controlled her life for 13 years, giving her father and others authority over her personal life and career.

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Brandon Flowers’ teenage obsessions: ‘I considered an Oasis tattoo’

As the Killers release a new album, their frontman recalls his youthful love of Cheers, the Goonies and bonding over Bowie in Las Vegas

I grew up in Henderson, just outside Las Vegas. When I was eight, we moved to Nephi, this rural town in Utah. So at the same time I was falling in love with music, I was also being introduced to rodeos and farming. I didn’t realise the impact, but now if I hear the right song, I’m instantly transported back to the clouds, woods and mountains of the American west.

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Bowie, bed-hopping and the blues: the wild times of Dana Gillespie

She tamed Keith Moon, got laughed into bed by Bob Dylan and went to a young David Bowie’s house for tuna sandwiches – but the blues singer’s 72 albums are what really define her

“No one has understood how deeply rooted in music I am because they got distracted by my tits,” Dana Gillespie complains.

Now 72, the singer and songwriter’s curvaceous figure ensured she regularly appeared in both tabloids and films from the 1960s to 80s but, she says, this was a mere sideline: music was always her mission in life, it’s just that the British refuse to take her seriously. In Austria and Germany – where she has enjoyed hit singles and hosted a long-running radio show – they do. Ditto in India, where she records devotional music with leading Indian musicians. But in Britain she is too often been relegated to “lover of” status for her string of flings with the likes of Bob Dylan, David Bowie, Mick Jagger and Michael Caine. “I’m Britain’s best-kept secret,” says Gillespie, and she may well be correct.

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‘I had no confidence, no money’: the pop stars kept in limbo by major labels

Raye is one of the world’s most listened-to artists, but her label wouldn’t let her make an album. She’s the latest example of stars who say their music is being sidelined

At the end of June, Raye smashed through the shiny and carefully controlled veneer that usually surrounds music stars. The British pop singer’s numerous hit singles had made her one of the world’s 200 most popular artists on Spotify, but her label Polydor hadn’t allowed her to make even one album from a four-album record deal she signed back in 2014.

“I’ve done everything they asked me, I switched genres, I worked seven days a week, ask anyone in the music game, they know,” she vented on Twitter. “I’m done being a polite pop star.” Polydor responded saying they were “saddened” to read Raye’s tweets and the two have since parted ways.

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‘To dive into yourself is scary’: the anxiety and awesome alt-rock of Liars

For 20 years, Angus Andrew has made Liars one of rock’s most interesting, slippery acts – and by microdosing drugs to help understand his fears, he’s written his masterpiece

One night, Angus Andrew woke to a blood-curdling scream. Rushing out into the darkness of the bush around his house in a remote part of Australia’s Ku-ring-gai Chase national park, he encountered a giant python attacking a kangaroo. “You could hear the kangaroo trying to breathe, I tried to bash the snake off it but my wife was all ‘nature, nature, you have to let it happen’,” he says. “The roo’s eyes are stuck in my brain – it was visceral.”

Surrounded by menacing beasts, with no roads, shops, sewerage, or running water, isolation characterises the latest in a very long line of homes and workplaces for the sole remaining member of Liars, the alt-rock band Andrew co-founded 20-odd years ago. Though they emerged from the New York scene that also spawned the Strokes, Yeah Yeah Yeahs and LCD Soundsystem, Liars perplexingly remain a cult concern.

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Shayne Oliver: ‘Being a Black weirdo is harder than being any other kind’

He’s DJ’d naked, put a great dane on the catwalk – and now with an album, Shayne Oliver is on a mission to bring New York’s queer underground to the world. Is the former Hood by Air designer the 21st century Andy Warhol?

Interviewing Shayne Oliver is a conversational rollercoaster. We hurtle from cult 90s guitar bands to Arthur Jafa, from the problem with political correctness to the pressure on creatives, from Kanye West to Vin Diesel, with little warning of which thrill or spill is next. “I’m such a scatterbrain,” he says at the end of our call. “I’m sorry.”

But Oliver is far from a scatterbrain. He is best known as a fashion designer, the former vogue-dancer who founded the critically adored label Hood By Air, or HBA, in 2006. However, he is no longer limiting himself to clothes. Oliver is moving into music, having formed Anonymous Club – a “creative studio” focused on young talent that began as a series of parties. The studio’s debut release is Screensavers Vol 1, a compilation album based on Oliver’s demos, executive produced by Yves Tumor.

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Britney Spears’ father says ‘no grounds whatsoever’ for conservatorship removal

Jamie Spears says in court filing he has faithfully served as conservator of daughter’s estate

Britney Spears’ father said in a court filing Friday that there are “no grounds whatsoever” for removing him from the conservatorship that controls her money and affairs – a day after the singer’s new lawyer had requested a hearing to suspend James Spears from the arrangement.

James Spears “has dutifully and faithfully served as the conservator of his daughter’s estate without any blemishes on his record,” his filing said.

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