Lady Gaga: Chromatica review – Gaga rediscovers the riot on her most personal album

Returning to the sound of her maximalist electro-pop heyday, Gaga explores buried trauma, mental illness and the complexities of fame on this return to form

A criticism often levelled at Lady Gaga is that the fantastical imagery she constructs around her albums eclipses the music itself. But it’s a sliding scale – and one that certainly mattered less when she was knocking out undeniable dance-pop party starters like Poker Face and Just Dance, or cementing her status as pop’s freaky outlier on the twisted Bad Romance. That she appeared in alien-like form in that song’s video made perfect sense: here was a chameleonic pop superstar in the vein of Bowie, Prince and Madonna opening a portal to an escapist dimension. Later, it made sense that she would lean into the imagery of hair metal on 2011’s gloriously OTT, Springsteen-referencing Born This Way. Yet on 2013’s bloated Artpop – billed as an exploration of the “reverse Warholian” phenomenon in pop culture, whatever that may be, and featuring at least one performance in which she employed a “vomit artist” to puke green paint on her chest – the aesthetic felt more like desperate distraction tactics.

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Bobby Digital: Jamaican reggae producer dies aged 59

Producer who worked with artists such as Shabba Ranks, Garnett Silk and Morgan Heritage was a maverick of the dancehall era

Renowned Jamaican record producer Robert “Bobby Digital” Dixon died in a Kingston hospital on 21 May, aged 59. The cause of death was kidney disease.

One of the most respected producers of the dancehall era, Dixon transformed contemporary reggae several times over, enjoying tremendous international success with Shabba Ranks, Garnett Silk, Sizzla Kalonji and Morgan Heritage. He is also considered as an architect of the reggaeton genre that swept Latin America in the early 1990s, since some of its earliest hits sampled his work with Ranks.

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Stephin Merritt of the Magnetic Fields: ‘I used to live in a commune where music was forbidden’

As he releases Quickies, an LP of minature gems, the master songwriter contemplates a pop song’s perfect length – and whether Covd-19 has ended his career

Stephin Merritt has just spent six weeks confined to his Manhattan apartment after contracting coronavirus. He was ill for 10 days, then recovered. He’s usually a crazily prolific songwriter – two of his band’s most celebrated albums, 50 Song Memoir and 69 Love Songs, obviously contain 119 songs between them – but he hasn’t come up with any new numbers since he got ill. The problem is that he can only write songs in bars. And not just any bar – it needs to be “one-third full of cranky old gay men gossiping over thumping disco music”. Plus he needs a glass of cognac, to be slowly sipped, and a corner with a light so he can see his notebook.

Fortunately, before the outbreak, he was able to find a place that fulfilled these conditions and the result is the Magnetic Fields’ latest album. Like most of Merritt’s records, there’s a concept – on this one, titled Quickies, all the songs but one are two minutes 15 seconds or less. However, that’s not an unusual length for a Magnetic Fields tune – as Merritt points out over the phone, one-third of the songs on 69 Love Songs would qualify.

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Jimmy Cobb, drummer on Miles Davis’s Kind of Blue, dies aged 91

Jazz musician who was key to Davis’s sound was the last surviving player on the classic album

Jimmy Cobb, the jazz drummer and last surviving player on Miles Davis’s seminal 1959 album Kind of Blue has died from lung cancer at age 91.

Cobb was key in helping to achieve the cool disposition of a handful of Davis’s masterworks, including 1959’s Porgy and Bess, 1960’s Sketches of Spain, 1961’s Someday My Prince Will Come, the 1962 live set Miles Davis at Carnegie Hall and Live at the Black Hawk sessions.

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From Germany to Detroit and back: how Kraftwerk forged an industrial exchange

Kraftwerk’s robotic rhythms resonated loudest in deindustrialising 1970s Detroit and gave rise to techno – starting a cultural feedback loop that continues today

When the death of Kraftwerk co-founder Florian Schneider was announced last week, the loudest tributes came from the electronic music community. Kraftwerk’s pioneering approach, using synthesisers and sequenced drum arrangements to evoke robotic or industrial rhythms, became the blueprint for Detroit musicians such as Juan Atkins, who coined the term “techno”. Forty years later, an array of electronic genres have been created from that blueprint: Schneider and Kraftwerk created a feedback loop between Germany and Detroit that has existed for more than half a century.

When Schneider and Ralf Hütter started Kraftwerk in 1970, their influences included several Detroit-based acts including the Stooges, MC5 and, according to later member Karl Bartos, Berry Gordy’s Motown label. Gordy initially worked for the Ford motor plant, and gave Motown an industrialised music production-line inspired by Detroit’s automotive industry. This was the ice-breaker in the conversation between his city and Germany – Kraftwerk’s automated drums, vocoder refrains and future-facing outlook also stemmed from the conveyor belts, piston-driven machinery and monotonous rhythm of factory life. This inescapable repetition of sound and movement – programmed, precise – was present in Detroit and Dusseldorf, both industrial centres.

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Mory Kanté: Guinean musician dies aged 70 from chronic health problems

The Yé Ké Yé Ké singer’s son said he was unable to travel to France for his usual treatment owing to coronavirus-related restrictions

The Guinean musician Mory Kanté has died aged 70. His son Balla Kanté told the AFP news agency that his death was the result of untreated chronic health problems.

“He suffered from chronic illnesses and often traveled to France for treatment, but that was no longer possible with the coronavirus,” said Balla. “We saw his condition deteriorate rapidly, but I was still surprised because he’d been through much worse times before.” Kanté died in hospital in the capital, Conakry.

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Spandau Ballet star comes to Singapore man’s rescue in radio row

Tony Hadley answers plea for help from quiz player accused of mispronouncing singer’s name

A quiz contestant in Singapore has prevailed in a battle with a radio station that denied him a cash prize over his pronunciation of the Spandau Ballet singer Tony Hadley’s name – after winning support from the celebrity himself.

Muhammad Shalehan emailed Hadley after being refused the S$10,000 (£5,750) prize on the grounds that he had mispronounced Hadley’s name in a competition in which callers must identify celebrities in a sound clip.

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‘No rear view mirror in this car’: Bob Geldof on love, loss and lockdown

The Boomtown Rats’ new album, their first in 36 years, coincides with a BBC documentary on the band

Bob Geldof doesn’t do nostalgia. Now 68, the Irish musician and activist says that he has lived his life refusing to look back. “I have the point of view that there’s no rear view mirror in this car,” he says.

So it might seem surprising that he not only agreed to the BBC making a documentary, Citizens of Boomtown, about his first band, The Boomtown Rats, but has also spent the last year actively engaged in reliving his past through it.

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‘I hope we all now realise how special live music is’: stars on pop’s future after coronavirus

Festivals are cancelled, livestreams thriving – so how can music recover? Jack Garratt, Ella Eyre, Sara Quin and more talk gigs, hits and togetherness

Like many other aspects of life, the music industry has been changed, possibly permanently, by the coronavirus pandemic. There have been predictions of financial meltdown and of venue closures on a vast scale; suggestions that now is the moment for streaming services to change the way they pay musicians; even arguments that pop music in lockdown provides a model for how the music business should be: more creatively free, more resourceful, less reliant on touring.

We assembled a panel of musicians to discuss coronavirus and its effects: Sara Quin of the Canadian pop duo Tegan and Sara; pop singer-songwriter Ella Eyre; James McGovern of Dublin punk band the Murder Capital; Jeremy Pritchard, bassist of Manchester’s Everything Everything; and the singer-songwriter Jack Garratt.

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U2’s 40 greatest songs – ranked!

As Bono turns 60, we look back at how the Irish greats turned scratchy post-punk into a stadium-filling proposition – and continue to move with the times

Bafflingly left off Pop – it was released on the B-side of Staring at the Sun – North and South of the River is audibly better than swathes of that album: a low-key excursion into something resembling trip-hop, replete with breakbeat and lo-fi orchestral samples and particularly yearning Bono vocal.

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Lana Del Rey hits back at critics who say she ‘glamorises abuse’

The singer-songwriter said ‘there has to be a place in feminism for women who look and act like me’, citing her lyrics on ‘submissive roles’

Lana Del Rey has hit out at the accusations that she “glamorises abuse” that have trailed her throughout her decade-long career. In a lengthy text post to her Instagram account, the 34-year-old singer criticised “female writers and alt singers” who she says have blamed her “minor lyrical exploration detailing my sometimes submissive or passive roles in my relationships” for “[setting] women back hundreds of years”.

She wrote: “In reality I’m just a glamorous person singing about the realities of what we are all now seeing are very prevalent emotionally abusive relationships all over the world.” She said she had been “honest and optimistic” about her “challenging” relationships: “News flash! That’s just how it is for many women.”

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Charli XCX: ‘It’s weird yelling into a mic while my boyfriend does a puzzle’

She’s written hits for Lizzo and Rita Ora, plus a string of her own. Next up: an album she wrote with fans while on lockdown in LA

Nineteen years post-Pop Idol, there is not much left to demystify about the way pop music is made. Fans follow the industry’s movements as obsessively as football supporters do the Premier League; songwriters and producers have their own followings. There are podcasts where artists explain a song’s path from genesis to completion. And yet, watching Charli XCX handwrite lyrics live on Instagram over the past few weeks, straight from her brain to her notebook to thousands of viewers, felt like a borderline masochistic degree of exposure – the equivalent of me livestreaming my way through every sentence of this piece. I’d rather walk down the street naked.

On 6 April, XCX – 27-year-old Cambridge-born Charlotte Aitchison – announced she was making an entire album, How I’m Feeling Now, while in lockdown at home in Los Angeles. She would share every step: lyric-writing and video-shooting; progress-stalling allergic reactions; tearful late-night Instagram confessions that she thinks she expects too much of her collaborators (later deleted). Fans were given carte blanche to give feedback and contribute visuals. “Sometimes it’s nerve-racking,” she says, when I ask if this amount of openness makes her feel vulnerable. “Other times bad comments will sway me, but I need to roll with the punches. If people don’t like it, it’s OK. The idea is to have some kind of interesting tension, to make the music feel different, and representative of the time that we’re in.”

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Phil May, frontman with the Pretty Things, dies aged 75

Singer revered by David Bowie and Jimi Hendrix had complications in hospital following hip surgery

Phil May, frontman of riotous band the Pretty Things who were acclaimed peers of David Bowie and the Rolling Stones, has died aged 75.

He died in hospital in King’s Lynn, Norfolk, from complications following hip surgery after a cycling accident, that are not related to coronavirus.

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Bryan Adams apologises after ‘bat eating’ coronavirus rant

Singer had ranted at ‘wet market animal selling, virus making’ people in China in Instagram post

The Canadian singer-songwriter Bryan Adams has apologised after an outburst on Instagram where he attacked “bat eating, wet market animal selling, virus making greedy bastards” in China for the source of the coronavirus outbreak.

The 60-year-old shared an expletive-filled post on Instagram, lamenting how his planned performances in London had been postponed due to the health crisis.

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Too black, too queer, too holy: why Little Richard never truly got his dues

How did a turbaned drag queen from the sexual underground of America’s deep south ignite rock’n’roll? We unravel the mystery behind Little Richard’s subversive genius

As the world marks and mourns the passing of Little Richard, many have been asking: how was someone so unapologetically black and queer present at the origins of rock, a world-shaking music still associated, to this day, with white male musical acts like the Beatles and the Rolling Stones?

All these artists and more, including Bob Dylan in a Twitter thread, would be quick to acknowledge Little Richard’s formative influence on them. But “influence” is perhaps too weak a word here. Rock’n’roll history has never exactly neglected or ignored Little Richard: it just has never quite known what to do with him. The longstanding pissing contest over who can claim the title “King of Rock’n’Roll” – Elvis? Jerry Lee Lewis? – is a case in point. While his authorised biographer went celestial in choosing to style Richard “the Quasar of Rock”, perhaps we might do better to listen to the artist, introducing himself at the Club Matinee in Houston, Texas, in 1953: “Little Richard, King of the Blues … and the Queen, too!”

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Bryan Adams attacks China as ‘bat eating, virus making’ source of coronavirus

Canadian pop-rocker conflates various unproven theories about source of disease in expletive-filled rant on Instagram

Bryan Adams has made an expletive-filled attack on Chinese people over coronavirus, in the week he was due to start a concert residency at the Royal Albert Hall, London, that was cancelled due to the outbreak.

Introducing an acoustic performance of the song Cuts Like a Knife on his Instagram page, the Canadian singer wrote:

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The Magnificent One: how Little Richard’s style shaped David Bowie, Prince and Elton John

The musician, who died on Saturday aged 87, was a pioneer in looks as well as sounds, influencing everything from James Brown’s quiff to Prince’s midriff

‘Little Richard scared my grandmother in 1957,” wrote John Waters in 2010. While his grandmother’s fear was largely about the singer’s sound – that trademark shriek at the start of his hit Lucille – his look had a formative impact on the 11-year-old Waters. It is thanks to Little Richard that the film director has the deliciously fake pencil-thin moustache that his fans know and love today.

Waters’ moustache is just one example of Little Richard’s influence on fashion and style. Images of Little Richard, born Richard Penniman, in his 5os heyday show a proud, decade-appropriate quiff – forget Chuck Berry and Elvis, this was the best in the business – plus a mascara-ed moustache, panstick makeup and the look of kohl around his eyes. James Brown, who was a Little Richard impersonator, learned the power of good hair from him. The Godfather of Soul began his career in the late 50s with a quiff worthy of Little Richard.

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Betty Wright, US soul, funk and R&B singer, dies aged 66

Singer with remarkable vocal range had been sampled by generations of hip-hop and R&B artists, including Beyoncé and Mary J Blige

The soul, funk and R&B singer Betty Wright, celebrated across pop genres for her remarkable vocal prowess, has died aged 66.

The cause of death was not immediately known but Wright’s niece confirmed the news, writing on Twitter: “Sleep in peace aunty Betty Wright. Fly high angel.”

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Little Richard, rock’n’roll pioneer, dies aged 87

His 1955 song Tutti Frutti, with the lyric ‘awopbopaloobop alopbamboom’, and a series of follow-up records helped establish the genre and influence a multitude of other musicians

Little Richard, one of the pioneers of the first wave of rock’n’roll, has died. He was 87.

Related: Little Richard – a life in pictures

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