Lin Hwai-min has spent 46 years tackling revolt, repression and rice in his fast-changing homeland. Now he is handing over his dance-theatre juggernaut to a former slipper seller
It’s a hot, humid evening and I’m sitting on the ground with around 50,000 other people, all about to watch Cloud Gate Dance Theatre give its annual outdoor performance in Taipei. The atmosphere in Liberty Plaza is extraordinary. I can’t think of another dance company in the world that could draw so large and so festive a crowd. Most of the audience have brought picnics, many enduring a day of rainstorms to bag a position close to the stage. Yet, although this is a special performance – one of the last before Cloud Gate’s founding director Lin Hwai-min steps down – such devotion has been normal for the company almost since it was formed.
Cloud Gate was named as the outstanding company at the British National Dance awards last year and is a headline attraction of the new Sadler’s Wells season. Lin’s success in turning a small experimental dance company into a national icon and international brand is a remarkable story. Now 71, with a fierce energy and a huge crinkled smile, Lin acknowledges that he had almost no experience of professional dance when he staged his first programme back in 1973, and discovered that he’d sold 3,000 tickets for just two shows. “I almost had a nervous breakdown,” he says. “I thought, ‘My god, now I have to learn how to choreograph.’”
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