The Great Gapsby? How modern editions of classics lost the plot

F Scott Fitzgerald’s masterpiece is the latest title to appear in a cheap modern version after copyright expires

“So we beat on, boats against the current, borne back ceaselessly into the past.” It is one of the most memorable literary payoffs in history, the end of F Scott Fitzgerald’s defining novel of the 20th century, The Great Gatsby.

Yet this famous ending will be lost to many readers thanks to the proliferation of substandard editions, one of which loses the last three pages and instead finishes tantalisingly halfway through a paragraph.

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Bootleggers, bondage and law-breaking bashes! The scandalous history of the wild party

From Prohibition-busting cocktail parties to all-night raves, illegal gatherings have been at the centre of modern culture for decades. So why do they still have the power to shock?

For more than a month now, the press has been full of stories of “illegal” parties in Downing Street. The government, we are told, has almost ground to a halt because of the scandal.

Given the coverage, one might easily get the impression that the law-breaking bash is a recent invention, something that could only happen in lockdown, driven by privilege and an unhealthy sense of entitlement. Yet the modern party began life as a crime just over a century ago, when the Volstead Act banned the production and sale of alcohol in the US. As the New York Times explained in 1920:

You cannot carry a hip flask.
You cannot give away or receive a bottle of liquor as a gift.
You cannot take liquor to hotels or restaurants and drink it in the public dining rooms.
You cannot buy or sell formulas or recipes for homemade liquors.
You cannot …

“Oh,” said the Bright Young People. “Oh, oh, oh.”

“It’s just exactly like being inside a cocktail shaker,” said Miles Malpractice.

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Vampires, Muppets and prequels: The Great Gatsby’s new life out of copyright

The Great Gatsby is out of US copyright and fans of Fitzgerald’s novel have rushed to pay tribute with new books and fanfiction. What does it mean for the novel’s legacy?

On 2 January this year, the day after The Great Gatsby entered the US public domain, The Great Gatsby Undead was self-published on Amazon. Like F Scott Fitzgerald’s hallowed novel, it is narrated by Nick Carraway, but in this version, according to the promotional blurb, “Gatsby doesn’t seem to eat anything, and has an aversion to silver, garlic, and the sun”. Gatsby, you see, is a vampire.

More than 25m copies of The Great Gatsby have been sold since it was first published in 1925, and the expiration of copyright, 95 years after it was released, opens the door to anything and everything fans might want to do with it. The start of the year also brought the release of The Gay Gatsby (“Everyone’s got something to hide, but the secrets come out at Gaylord Gatsby’s parties – the gayest affairs West Egg ever had…”), and Jay the Great, a “modern retelling” of the story. On the fan fiction site Archive of Our Own (AO3), someone has uploaded a version of the novel that search-and-replaces Gatsby with Gritty, the name of the furry mascot for the Philadelphia Flyers ice hockey team. As one Twitter wit put it: “The Great Gatsby’s out of copyright? Sounds like we’ve been given the green light.”

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the Curious Case of Maureen Dowd: Shot: Fbi Director James Comey…

FBI Director James Comey stood before the nation and issued a list of Hillary Clinton's astounding wrongdoings Tuesday as regards America's national security - and then said he was not recommending prosecution because, in essence, what Mrs. Clinton did was "extremely careless" but not criminal . As he spoke, I recalled F. Scott Fitzgerald's peerless description in "The Great Gatsby" of a feckless wealthy couple: "They were careless people, Tom and Daisy-they smashed up things and creatures and then retreated back into .