Why Netflix is a lifeline for African film-makers

The streaming giant’s ambitious initiative Made By Africa, Watched By the World is a welcome platform for the continent’s overlooked cinematic talent

‘Have you ever had someone tell your story, take your voice … and replace your face until no one else can see or hear you?” These are the powerful words that Nigerian actor/director Genevieve Nnaji speaks to introduce the Netflix initiative Made By Africa, Watched By the World. Mixing new, original content with older African classics that have not previously been streamed elsewhere, this initiative, much like Strong Black Lead (2018), aims to showcase content that centres black stories but – unlike Strong Black Lead – it will be by and about Africans. It creates a path for stories that specifically address different slices of the African experience to see the light of day and reach a wider audience. Considering that there’s a growing feeling among Africans that inaccurate representation on screen is a given, that’s a good thing for everyone.

So what does Made By Africa, Watched By the World give us? Netflix has purchased previously produced content and also produced its own, both TV shows and films. Kagiso Lediga and Pearl Thusi have followed up their 2018 romantic drama Catching Feelings with a TV show, Queen Sono, about an undercover spy, that premiered earlier this year. Nick Mutuma’s coming of age drama, Sincerely Daisy, is having its highly anticipated premiere on Friday, while other Kenyan films – Tosh Gitonga’s romcom Disconnect and Tom Whitworth’s Poacher – have also found a home on Netflix.

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Netflix faces call to rethink Liu Cixin adaptation after his Uighur comments

Five US senators have written to question plans to adapt The Three-Body Problem after its author voiced support for China’s mass internments in Xinjiang

Five Republican US senators have asked Netflix to reconsider its plans to adapt the bestselling Chinese author Liu Cixin’s book The Three-Body Problem, citing Liu’s comments in support of the Chinese government’s treatment of Uighur Muslims.

In a letter to Netflix, the senators said they had “significant concerns with Netflix’s decision to do business with an individual who is parroting dangerous CCP propaganda”. The letter cites Liu’s interview with the New Yorker last year, in which the Chinese novelist was asked about the mass internment of Muslim Uighurs in Xinjiang.

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Cuties controversy sparks #CancelNetflix campaign

French film Mignonnes sparks 200,000 tweets calling for boycott of streaming service over claims the film sexualises its young stars

A call to boycott Netflix on Thursday over the French film Mignonnes – AKA Cuties – has been launched on social media, over claims that its young stars were portrayed in a sexualised way.

The film is directed by French-Senegalese director Maïmouna Doucouré, and started streaming on 9 September. More than 200,000 tweets with the hashtag #CancelNetflix became the top trending topic one day later.

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Does Netflix’s Blood and Water show the ‘real’ South Africa?

The streaming giant’s Cape Town-set series has been a huge hit. But do dramas of its ilk lack authenticity, or is their global feel the key to their success?

Neon lights dance across an infinity pool, while, inside an enormous mansion, couples canoodle in immaculate white corridors and the cool kids sneak away to smoke. At this kind of party, there are those who are recognised at the door and those who have to blag to get their name on the guestlist. As the birthday girl schmoozes with her guests, an awkward attendee does anything to escape the hubbub and keep her head down, as red cups pile up in the garden and a queue forms for the bar.

So far, so teen drama. But this isn’t London or LA: the two girls are Fikile Bhele and Puleng Khumalo, and the show is Blood and Water, set in South Africa. The second African series produced and released by Netflix, it focuses on the class divide between private Parkhurst school in Cape Town and its unnamed public counterpart, as well as Khumalo’s search for her missing sister. Like many dramas aimed at younger viewers, the first instalment kicks off in the midst of a debauched, booze-soaked gathering before branching out into the dark underbelly of popularity – think student-teacher relationships and moneyed parents wielding their power in the education system in the form of “donations”.

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Netflix portrayal of female Indian Air Force pilot flies into flak

Gunjan Saxena was one of the first women in the IAF, but her biopic has drawn rebukes from fellow officers over sexism claims

Former and current members of the Indian military have criticised a Netflix film for portraying the armed forces as rife with gender discrimination.

The Indian Air Force (IAF) has written to an Indian censor board, as well as Dharma Productions, which produced the film, and Netflix to complain that Gunjan Saxena: The Kargil Girl “presented some situations that are misleading and portray an inappropriate work culture especially against women in the IAF”.

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Netflix stands by hit film 365 Days despite Duffy’s sex trafficking criticism

Streaming platform says it is giving viewers ‘more choice’ after British singer accuses film of glamourising rape

Netflix will continue to stream hit Polish film 365 Days despite calls for its withdrawal, including by British singer Duffy, who accused it of glamourising rape and sex trafficking.

The Welsh singer-songwriter wrote an open letter to the Netflix chief executive, Reed Hastings, raising her concerns about the film based on a bestselling Polish book trilogy by Blanka Lipińska.

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Tiger King’s Carole Baskin handed control of Joe Exotic’s zoo

Baskin, whose rivalry with Exotic was documented in the Netflix hit, is now the owner of the Oklahoma premises following court proceedings

Beleaguered zoo owner Joe Exotic, subject of Netflix’s hit documentary series Tiger King, has now suffered the indignity of rival Carole Baskin gaining control of what was once his zoo. Baskin, a self-styled conservationist and owner of the Big Cat Rescue facility in Hillsborough County, Florida, has been given control of the Wynnewood, Oklahoma premises by courts, after Exotic failed to pay her $1m in copyright and trademark suits.

Exotic – real name Joseph Maldonado-Passage – is currently in prison, having been found guilty of 17 counts of animal abuse and a murder-for-hire plot against Baskin, and sentenced to 22 years.

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Cook Off, the no-budget romcom that became the first Zimbabwean film on Netflix

Shot in the chaotic last days of Robert Mugabe’s regime, Cook Off is a feel-good tale of resilience and hope

A Zimbabwean film about a woman who enters a TV cooking show and which cost only $8,000 to make has become the first feature from the country to make it onto Netflix.

“Seeing myself on Netflix, I have to punch myself every day. Like, is that really me?” asked actress Tendaiishe Chitima, star of Cook Off, which has now been acquired by the streaming giant.

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‘It’s outrageous’: inside an infuriating Netflix series on Jeffrey Epstein

Jeffrey Epstein: Filthy Rich synthesizes legal information with first-person testimony of the billionaire’s abuse and bought immunity into a shocking watch

It’s difficult to watch Jeffrey Epstein: Filthy Rich, a four-hour Netflix series on the now-deceased convicted sex offender without a choking sense of outrage. How many girls had to suffer to get attention? How perversely twisted is the American justice system that a Gatsby-esque billionaire, friends with such powerful figures as Bill Clinton, Prince Andrew and Donald Trump, a longstanding donor to Harvard and MIT, could buy his way out of an almost certain life sentence for child sex abuse and trafficking?

Filthy Rich arrives, of course, less than a year after Epstein, 66, died, officially by suicide, in a New York jail last August. “There’s no justice in this,” Shawna Rivera, speaking publicly for the first time about Epstein’s alleged abuse starting when she was 14, says in the final episode. “There was just so much more to be said that will never be said.”

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Becoming review – tantalising tour of Michelle Obama’s life

This carefully authorised documentary offers glimpses of a dazzling presence on America’s political stage

Michelle Obama is a class act – one of the classiest – and her intelligence and poise now look like something from a lost golden age. The publication of her globally bestselling memoir Becoming in 2018 brought her dazzlingly into the public sphere on her own terms. It gave her an international A-list status to rival her husband’s and provided Democrats and non-Trumpians around the world with a manifesto of decency and dignity to cling on to.

Now we have this watchable, but carefully authorised, behind-the-scenes documentary for Netflix (from the Obamas’ company, Higher Ground Productions) about Obama’s American book tour (with a stopover at London’s O2 Arena). It shows her getting in and out of armoured sports utility vehicles, chatting easily and good-naturedly with her security detail, with colleagues and family members backstage, with beaming celebrity moderators onstage (starting with Oprah Winfrey) and with people getting their copies signed in bookstores who often dissolve in floods of tears just in coming face to face with her. (I was sorry, however, that we didn’t get to see again her amusing cameo in the TV comedy Parks and Recreation, which showed Amy Poehler’s earnest public official Leslie Knope reduced to a gibbering fangirl in her presence.)

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Netflix announces surprise Michelle Obama documentary

Becoming, which drops in May, follows the former first lady on her 34-city book tour, will offer a ‘rare and up-close’ look at her life

Netflix has announced a new original documentary focused on former first lady Michelle Obama to be released on 6 May.

Becoming will follow Obama on her 34-city tour to promote her book of the same name and will offer an “intimate”, “rare and up-close” look at her life. It’s directed by Nadia Hallgren, who recently made the documentary short After Maria, which looked at the effect of Hurricane Maria on Puerto Rican families.

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Just when Italy really needed some unity, the EU failed it – and continues to do so

Even faced with another great depression, wealthier EU countries are resisting action on debt that could ultimately keep the union together

Europe’s leaders are worried – and rightly so. The deadly impact of Covid-19 has resulted in a full-scale health crisis. Evidence of the economic consequences of trying to keep populations safe from coronavirus is starting to emerge. The political ramifications are only starting to be assessed – but they could be profound.

The European Union has found itself in some tight spots over the years, but always found a way of muddling through. It survived the financial crisis and will cope with Brexit. But this time things are a lot more serious.

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What happened after Netflix quarantine smash Tiger King ended?

The phenomenally successful docuseries about tigers, criminals and polygamy has led to memes, celebrity fans and a newly awakened legal case

In the century since March began, one series has emerged as the go-to distraction for the millions now sequestered in their living rooms: Tiger King: Murder, Mayhem and Madness. The bizarre documentary series on a feud between big cat owners, as well as about 95 other things, has been the No 1 program on Netflix’s US platform since it premiered less than two weeks ago. And though the news and social media remain dominated by coronavirus coverage, the five hours of drama between outlandish characters in the disturbing American trade of private zoos has proved to be strange and fittingly unhinged counter-programming. Everywhere (online) you look: if it’s not about the pandemic, it’s probably Tiger King.

Related: Murder, madness and tigers: behind the year's wildest Netflix series

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‘It’s pure rock’n’roll’: how Money Heist became Netflix’s biggest global hit

While still a cult concern in the UK, this Spanish thriller is the streaming service’s most popular foreign show. As it returns, its creator and stars explain how it became unmissable

You’ve rewatched The Wire, seen every episode of Friends at least twice and are starting to wonder if this is what it feels like to “complete” Netflix. But wait: there’s a world-changing, cultural juggernaut of a TV show that – while hugely popular – you may well have missed.

This week, Money Heist – or, to use its Spanish title, La Casa de Papel – begins another eight-episode run on Netflix, where it is the streaming giant’s most-watched non-English language show worldwide. The first season of the full-throttle thriller saw its gang – all code-named after major cities and memorably clad in revolutionary-red overalls and Salvador Dalí masks – break into the Royal Mint of Spain, taking 67 people hostage and literally printing money: 2.4bn euros, to be exact. It’s fair to say that the plot doesn’t quite go to plan, though it does result in three raunchy romances and an island escape. Season three, an even wilder ride, proved that for this gang loyalty is as much a motivation as loot.

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Netflix and Disney to shut down productions due to Covid-19 but Frozen sequel to arrive early to streaming

Disney chief says animated film will provide ‘fun and joy during challenging period’ while company halts production on live-action movies

Walt Disney will fast-track the release of the Frozen sequel to its streaming platform in a bid to spark “fun and joy” during the coronavirus outbreak, while at the same time joining US streaming giant Netflix in shutting down some of its productions.

The company said on Friday that Frozen 2 would be available on its digital streaming platform Disney+ from Sunday in the US, three months earlier than scheduled. The film, released in cinemas last year, is the sequel to its 2013 animated blockbuster.

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Taika Waititi to make two Charlie and the Chocolate Factory series for Netflix

New Zealand Oscar winner to develop animated show based on the beloved Roald Dahl book

The Academy Award-winning director Taika Waititi has signed a deal with Netflix to write, direct and produce two animated series based on the works of the children’s author, Roald Dahl.

The entertainment giant said Waititi’s collaboration with Netflix would be “based on the world and characters of Charlie and the Chocolate Factory”, while the second series would be a “wholly original take” on the Oompa-Loompas, the diminutive and mysterious workers who dispense chocolate, and sometimes cautionary advice, at Willy Wonka’s factory.

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Sex Education’s Aimee Lou Wood: ‘I confronted my own school bully’

She loved her nude scenes in the Netflix hit but the West End’s Uncle Vanya gave her stage fright. The Stockport star remembers being the class clown and tracking down her tormentor

Aimee Lou Wood wasn’t sure she wanted to be in Uncle Vanya, even as she made her way to the audition. Having trained at Rada, she knew the lineage of actors who had played the prized part of Sonya, and what an honour it would be to star in a West End Chekhov at the age of 25. “But I just thought it was so the opposite of what I would want to do,” she says.

She did have a point. Sonya is a church-going, sexually naive teenager from the backwaters of 19th-century Russia. Wood, at the time, was fresh out of filming the Netflix teen drama Sex Education. Her character opens the first series with a bout of energetic sex that ends in her boyfriend’s faked orgasm. (Connor Swindells, who played the boyfriend, is her real-life partner of two years.)

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The Crown will end after season five, with Imelda Staunton as Queen

Creator Peter Morgan reveals fifth season will be the last of the Netflix drama

The fifth series of Netflix’s The Crown will be its last, its creator and writer, Peter Morgan, has revealed, as Imelda Staunton is confirmed to replace Olivia Colman as the Queen.

Fans of the critically acclaimed show, watched by more than 73m households worldwide, had hoped for a sixth series, which Morgan himself had originally planned. But, he said he believed it was time to stop.

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Taylor Swift discloses fight with eating disorder in new documentary

‘There’s always some standard of beauty that you’re not meeting,’ she tells Miss Americana director Lana Wilson

Taylor Swift has disclosed her experiences with an eating disorder in a new documentary. In Taylor Swift: Miss Americana, which received its premiere at the Sundance film festival last night, Swift says that she would starve herself to the extent that she felt as if she might pass out during live performances.

The 30-year-old star said she would make a list of everything she ate, exercised constantly and shrank to a UK size two; she is now a size 10. “I would have defended it to anybody who said ‘I’m concerned about you,’” she tells the film’s director, Lana Wilson.

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Prince Harry gives emotional speech on decision to step down

Duke of Sussex says he and Meghan had ‘no other option’ than to take ‘leap of faith’

The Duke of Sussex has expressed his sadness over his decision to step down from royal duties in his first public remarks on the move, saying he had taken a “leap of faith.”

Giving a speech at a private dinner in London for his charity Sentebale, Prince Harry said: “Our hope was to continue serving the Queen, the Commonwealth, and my military associations without public funding. Unfortunately that wasn’t possible.”

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