Australian soap ends after nearly four decades with double-episode special on Channel 5
Three million viewers tuned in to say goodbye to Ramsay Street as Neighbours came to a close after almost four decades of constant drama.
The final episode of the Australian soap aired on Friday night in the UK on Channel 5, with stars including Kylie Minogue, Guy Pearce and Margot Robbie making one last appearance on the show that brought them fame.
Continue reading...Hollywood actor will play Donna Freedman one more time as Australian soap comes to an end
The Oscar-nominated actor Margot Robbie will join a handful of international stars returning to Ramsay Street for the final episode of the long-running Australian soap Neighbours.
The 32-year-old, who starred in The Suicide Squad and is playing Barbie in Greta Gerwig’s forthcoming film, will return to her role as Donna Freedman in the Australian soap.
Continue reading...Alan Fletcher and Jackie Woodburne – who play Karl and Susan – reflect as fans prepare for final episode to air
The Neighbours stalwarts Alan Fletcher and Jackie Woodburne, who played Karl and Susan Kennedy in the Australian soap opera, have said they shared “a few tears and a lot of hugs” as their 28-year stint on the show came to an end.
With the Neighbours finale due to air later this month, some of the show’s longest-standing actors have been reflecting on their time on set and working alongside future Hollywood stars.
Continue reading...Show shared final photo of cast and crew on final day of filming when ‘tears were shed’
Neighbours has shared a final photo of its cast and crew after filming wrapped on the last scene of the long-running Australian soap opera.
The show’s executive producer revealed tears were shed on the final day of filming but feels its 37-year run is an “incredible achievement” that should be celebrated.
Continue reading...He found fame in The English Patient before becoming a huge TV star. Now he is tackling the Theranos fraud scandal. But addiction in the 90s nearly cost him everything
If your abiding image of Naveen Andrews is as Sayid from Lost – the soulful Iraqi officer whose sad eyes, powerful biceps and luxuriant hair set many mid-00s hearts a-flutter – you might be in for a shock seeing him in The Dropout. Paunchy, bespectacled, greying, with shockingly normal-length hair, he is less a strapping man of action and more a middle-aged man of business – and not a very good one at that. Andrews portrays Sunny Balwani, the partner and alleged co-conspirator of Elizabeth Holmes, who was once the world’s youngest female billionaire and is now a convicted corporate fraudster.
On a video call from his home in Santa Monica, California, Andrews, 53, looks more Sayid than Sunny. His black gym vest exposes reassuringly well-toned biceps; the hair is returning to its trademark resplendence. He gained 9kg (1st 6lb) for The Dropout, he explains, to make his face fuller and his belly paunchier. He also modified his movements to seem slower and older. “Well, I did at least want to resemble the character I was playing,” he says, a little sting of sarcasm in his inflection.
Continue reading...The Australian soap has kept me hooked since 1986, becoming a major part of my daily existence – even when I didn’t have a TV signal. Ramsay Street, you will be missed
• Beloved soap Neighbours to end after 37 years on air
From the upbeat opening bars of its theme tune and the declaration that “Everybody needs good neighbours”, Neighbours was like a blast of fresh air blowing across British TV screens in 1986. Here was a show that was on BBC One twice a day; lunchtime and a repeat in the late afternoon. This was when Netflix was but a twinkle in Reed Hastings’s eye and a “streaming service” was probably a water-feature option offered by landscape gardeners. You watched Neighbours or you missed it.
Centred on Ramsay Street, the Lassiters hotel complex, and the lives of the Ramsays and the Robinsons (think Jim Robinson and mother-in-law Helen Daniels), it was soon a must-watch for students in the UK because – despite being watched “ironically”, however one does that – it had young people at its heart. This is the show that brought us Kylie Minogue, Jason Donovan, Guy Pearce and Panda from The Masked Singer, Natalie Imbruglia. Talk about a hit factory. But, wandering the banks of Lassiters lake, we were also in the company of Harold and Madge, Dr Karl and Susan Kennedy, “Toadfish” Rebecchi and more. But now, the curtain falls. After almost 9,000 episodes, Neighbours is to come to an end.
Continue reading...With the Aussie soap finally confirmed to end, we celebrate the best moments from 37 years on Ramsay Street – including plenty of twists, weddings and a tornado
Once upon a time, Neighbours had good friends. But with producers Fremantle failing to find a new UK backer to save the Aussie soap, Neighbours is set to end in June after a groundbreaking 37-year run.
First airing on the Seven Network in 1985, it was taken over by Channel 10 just four months after launch and was transformed into water cooler fodder and a Logies award generating machine. At its peak, more than one million Australians tuned in each night to catch up on the exploits of these “typical” Aussie families living in a cul-de-sac in suburban Melbourne.
Continue reading...The HBO teen drama’s second season is either a glorious mess or an excessive fantasy of high school. Either way, it’s a record-breaking hit
If you were anywhere near social media this past Sunday night, you probably at least glimpsed the divisive mess that was the second season finale of Euphoria, HBO’s technicolor, gleefully excessive soap on the outsized trials and tribulations of suburban California teens. After a buzzy and acclaimed but modestly watched debut in 2019, the show’s second season has blown up: HBO announced Tuesday that Euphoria, with help from its new streaming home on HBO Max, is now its second most watched show since 2004. It averaged 16.3 million viewers an episode this season, behind only OG HBO juggernaut Game of Thrones, which drew an average of 44.2 million viewers during its final season in 2019.
But perhaps more impressive, and telling, than its 2022 viewing stats is Euphoria’s digital footprint. According to Twitter, the drama is the most tweeted-about show of the (still young) decade, with 34m tweets in the US alone. This is by design: Euphoria, adapted by Sam Levinson from the Israeli show of the same name, is audacious in style, almost pugnaciously provocative in substance, with imitable peacocking fashion and easily memeable cutaways. In other words, catnip for the online crowd.
Continue reading...It’s war on three fronts, across two continents for the Birmingham gang leader. Without his beloved Aunt Polly, will he be able to take it?
Man walks into a bar. Herringbone cap, baby face, topcoat flapping in silhouette, weaponry secreted in case things turn sour. Which they always do. “Glass of water, please,” he says. The French stereotypes at table four give him the evils. Nobody orders soft drinks in these parts if they know what’s good for them. You could cut the tension with a – well, a razor blade concealed in the brim of your cap would do the job.
It’s 1933, in a remote outpost of la Francophonie called Miquelon Island, which, as you know, is just off the coast of Newfoundland, and, therefore, beyond Canadian and American jurisdictions. For years, these Gallic stereotypes have been ferrying bootleg whiskey to Boston. But, now, prohibition is ending and their business model is collapsing.
Continue reading...From defiantly turning her back on male approval to her seamlessly snappy defiance of the ‘women aren’t funny’ trope, Midge is a warrior whose example still resonates
The best line so far in The Marvelous Mrs Maisel – the Emmy award-winning comedy drama about a New York-50s-housewife-turned-standup-comic – isn’t a joke she delivers in a set on a dingy club stage. It isn’t even one of the endless, off-stage zingers by creator Amy Sherman-Palladino (also behind Gilmore Girls). It is, in fact, the searing three-word reply that Midge (Rachel Brosnahan) fires at her husband, Joel (Michael Zegen), halfway through season one, when he asks why she won’t give their marriage another shot: “Because you left.”
In that moment, Mrs Maisel becomes the ultimate single woman’s icon. In a world that measures her success and identity by her marital status, she makes the decision to be a single mother and blindly embrace whatever is ahead. While the social stigmas attached to being unmarried might have relaxed since Midge’s time, the reality today is this: in 2019 five hospital trusts and six clinical commissioning groups banned single women from accessing IVF; our prime minister once said the children of single women are “ill-raised, ignorant, aggressive and illegitimate”; single people feel priced out of owning a house while couples have a double income; and – take it from someone who knows – if you’re not standing on a soapbox shouting “single, fierce and independent!”, friends and family assume you’re sitting at home feeling sad with the cat (or without the cat, because the landlord won’t allow it).
Continue reading...Having escaped an ‘existential lightning bolt’, you might expect the comic actor to be slowing down. You’d be wrong
For at least a couple of weeks after it happened, Bob Odenkirk couldn’t remember he’d had a heart attack. He would wake up, feeling pretty good, and think about heading to work. “And everyone would say: ‘Calm down, you had a heart attack,’” he recalls. There is an absurdity to this daily revelation of bad news that I think Odenkirk – a connoisseur of the absurd – might enjoy.
“Here, let me show you this,” he says. “This is something my daughter made for me because every day was the same thing of not remembering.” He gets out his phone and finds a picture he took of a whiteboard with a timeline of the events of that week or so in July last year – collapsing on the set of his TV drama Better Call Saul, hospital, his family arriving – so that Odenkirk would know what had happened. He holds it up to the screen. On day one, she has written “die” (the quote marks are hers).
Continue reading...After a meandering third season, Rachel Brosnahan is back on ferocious form as a ‘girl comic’ fighting to regain her career
After a treacly, uneven third season, The Marvelous Mrs Maisel (Amazon Prime) appears to have found its fangs again. “Revenge … I crave it. I am completely consumed by the need for it,” purrs Midge/Miriam (nobody seems to call her Midge any more), rediscovering her sharp edges, now back on a small stage in a dingy nightclub, with an act that is heavy on the F-word. This show is never better than when Miriam is having to fight tooth and nail for her spot in the limelight, and it is a welcome relief to see her having to do it again. “That’s life. Shit happens,” she declares, ending the routine on a surprisingly acerbic note.
I say surprising because, while the first two seasons were a lot of fun, Mrs Maisel found herself in a rut during the third, which paired huge set pieces with a meandering plot and episodes that felt far longer than they were. Season three all-but guaranteed that Miriam was going to make it big, until her seemingly certain path to stardom and home ownership hit not so much a road block as a solid brick wall, when she accidentally(ish) outed the biggest star in the world to his adoring audience. It appears that few picked up on the Judy Garland references that felt a little ahead of their time, but it was enough to get her fired from her fame-making tour, and bring her back to where it all started.
Continue reading...The much-hyped show about the theft of Pamela Anderson and Tommy Lee’s sex tape offers a screwball meditation on consent – without the consent of one of its subjects
Pam & Tommy, the Hulu series on the story behind the most infamous sex tape of the 1990s, is disconcertingly fun. The eight-part series created by Robert Siegel, half of which has aired, is front-loaded with 90s iconography and zany gags designed to provoke online discussion. There’s the brain-scrambling transformations of actors Lily James and Sebastian Stan into mid-90s rock it-couple Pamela Anderson and Tommy Lee, and a mulleted Seth Rogen as Rand Gauthier, the stiffed carpenter who pulls off an impressive heist of the couple’s safe, played for suspense. There’s nostalgic needle drops from Nine Inch Nails to Fatboy Slim, a conversation between a high Tommy and his animatronic penis, and plenty of sex, drugs, videotapes and characters asking, with winking naivety, what the world wide web is.
It’s a confusing, often entertaining watch, one that wants to have its fun and interrogate it, too, at best a heady blend of screwball comedy, madcap romance, expensive nostalgia and serious retrospective of a public scandal in which a woman’s privacy was invaded, her intimate moments exploited and judged without her consent. But there’s one detail that, for me, turns this whole palate sour: the real Pamela Anderson did not want this story retold. While Stan has confirmed that he spoke with Lee, who has praised his portrayal, Anderson did not respond to producers’ overtures. She has not spoken publicly about the series, but sources have expressed her discontent and disappointment in multiple outlets.
Continue reading...Why a little known streaming service put its faith in Lilyhammer, a decidedly average show about the Norwegian adventures of a mafia boss
When you think of Steven Van Zandt’s acting work, your mind will automatically flick to The Sopranos. A vast, swaggering monument of a show, The Sopranos quite rightly holds the reputation of playing a pivotal role in the history of television. But let us also not forget that – 10 years ago this week – Van Zandt followed The Sopranos with another show. And it was a show which was every bit as important a milestone in TV’s evolution. That’s right, let us all wish a happy anniversary to Lilyhammer.
You remember Lilyhammer. It was a Norwegian show about the messy misadventures of a mafia underboss living in the witness protection programme 100 miles north of Oslo. It ran for three seasons and Bruce Springsteen had a cameo in the final episode. If we are being completely honest, it wasn’t particularly good. But, when it debuted in 2012, it was the very first Netflix original series. And what better way to mark its 10th anniversary than rewatching it to see how Netflix has changed over the years? There isn’t any. So we did it. Here are our learnings.
Continue reading...The actor, who broke through in 1983 playing a welder who dreamed of being a dancer, reflects on a life of activism, why gen Z give her hope and joining the Star Wars universe
Jennifer Beals is talking to me by Zoom from … “Do I have to say?” she asks. Not really, I tell her. “I can tell you there’s a blizzard outside and it’s really beautiful.” Her reticence, which lasts about 30 seconds, is because she is in New York, filming a yet to be announced new season of Law & Order. You could imagine her taking a friend’s secret to the grave; she is very cagey about where she lives, tending to call herself “nomadic” and describing her home as “the middle of nowhere” (in reality, somewhere near Los Angeles). Commercial discretion, though? Not so much.
It is creepy to go on about how young actors still look, as though that were a goal in itself, but Beals, 58, is so unchanged – since she first played Bette in The L Word in 2004; since Devil in a Blue Dress in 1995 – that my brain thinks it is making a mistake. She definitely, positively starred in Flashdance in 1983, her breakthrough role after a tiny part in My Bodyguard three years earlier, yet that can’t be right – it was 40 years ago! It is like walking past someone you think you knew at school, then realising that it can’t be them because this person is 21.
Continue reading...The drama won hearts by showing the world Australian suburbia – albeit with regular light plane crashes and bouts of amnesia
When they let you through the security gate at the Neighbours studio, something magical happens. It’s not finding out the food at Harold’s is real, though it is. And it’s not realising the Erinsborough High quad is also where they filmed Prisoner, though that’s true too.
No, stepping into that Nunawading studio is a wormhole to a simpler time, where no one has a real job, drama is just drama, and the people next door have become good friends.
Continue reading...Longest-running programme in Australian television history loses out to homegrown British drama
The residents of Ramsay Street have survived almost four decades of affairs, disasters and terrible haircuts – but in the end it might be the popularity of a 1930s Yorkshire vet that finally kills off Neighbours.
The long-running soap opera that launched the careers of Kylie Minogue, Guy Pearce and Margot Robbie faces the axe after Channel 5 confirmed it would stop airing the series this summer. The broadcaster no longer wants to spend millions of pounds a year on the show and is instead looking to use its programme budget to reach upmarket audiences with original British dramas – driven by the success of All Creatures Great And Small, its hit revival of the series about rural life in the Yorkshire Dales.
Continue reading...Network Ten to pause filming after Channel 5 announces it will stop airing the show in August
The Australian soap Neighbours, which launched the international careers of countless local stars including Kylie Minogue, Jason Donovan, Margot Robbie and Guy Pearce, has been axed in the UK in a move likely to sound the death knell for the iconic show.
The UK’s Channel 5 announced it would no longer air the program and unless it is picked up by another UK broadcaster the show will end its record-breaking 36-year run in August.
Continue reading...In its second season, the hit HBO drama on drugged-out and love-crazed teens has finally tipped into too much style over substance
Euphoria, the slick, explicit, high-budget teen drama halfway through its second season on HBO, has from the start been a soap layered in heady seriousness. The show, adapted by Sam Levinson from an Israeli series of the same name and co-produced by Drake, took on a near encyclopedia of Today’s Teen Issues – sex shaming, drug addiction, body insecurity, web personas, revenge porn, pregnancy and abortion, emotional abuse, toxic masculinity, self-harm and depression, and more – with a bracing, revelatory frankness and thick lacquer of gloss (and full-frontal nudity).
By its first season finale in 2019, in which main character Rue (Zendaya, who won an Emmy for the role) nearly dies in a graphic drug overdose, Euphoria had drawn a legion of fans (the finale drew 1.2 million night-of viewers and became HBO’s most second-most tweeted-about series ever, behind Game of Thrones) and managed to balance shock with sensitivity. It established beloved characters – in particular the fragile, alchemical bond between Rue and Jules (Hunter Schafer), a trans character – as well as a distinctive visual palette: saturated color, shimmery beats, high-voltage fantasy, meta narration, a zeitgeist-aiming show with a small hint of irony and a large dollop of excess.
Continue reading...Answering readers’ questions, the actor and musician talks about how he tried stealing a job off his father, his favourite item from Greggs and his Mickey Mouse tattoo
Hi, Keith … What’s your favourite English expression? ClassicMacGruber
I’m sure they meant to say Kief? Or maybe not? I get called Kief in England more than any other place. I met some young parents in about 2001 who had named their son Kiefer, but I’ve never met anyone called Kiefer that is my age. As for my favourite British expression, there’s “bit and bobs”, which is really sweet and reminds me of my grandma, and “Oi!” which is not technically British, but any time I go “Oi!” it stops the room.
Does your twin sister have as many middle names as you? emzsam
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