Prince Harry’s Instagram takeover barks up the right tree

While his captions weren’t up to much, the prince’s takeover of the National Geographic’s Instagram on his tour in Africa had a larger purpose

When celebrities become guest editors of corporate social media accounts, it usually results in dozens of pouting selfies. For this reason, Prince Harry’s takeover of the National Geographic Instagram account to encourage people to “look up” and get lost in the beauty of trees is a weirdly enticing concept.

On Monday, the Duke of Sussex curated a set of images of forest canopies each taken by National Geographic photographers, which went out to the publication’s 123 million followers. The idea was to highlight the importance of conservation while spotlighting the Queen’s Commonwealth Canopy campaign, which will result in two national parks being created in South Africa, where Harry is touring. As part of the campaign, 50 countries have either dedicated indigenous forest for conservation or committed to planting millions of new trees to combat climate change.

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Face of China: the retro appeal of Chairman Mao – in pictures

Many in China may prefer to forget the chaotic and bloody decades under the rule of Chairman Mao Zedong, but 70 years after he founded the People’s Republic his face is on memorabilia in shops across the country. The Great Helmsman has had a kitsch makeover, appearing on everything from posters, fans and ornaments to mugs and plates

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California Trip: how Dennis Stock caught the darkness beyond the hippy dream

His iconic portraits of James Dean in a wintry New York won him fame. But it was his travels in the west coast that brought out his true genius, as he captured the cracks in the 60s counterculture

‘For many years California frightened me,” Dennis Stock wrote in the preface to California Trip, first published in 1970. “For a young man with traditional concerns for spiritual and aesthetic order, California seemed too unreal. I ran.”

Stock, a naturally sceptical New Yorker who had served in the US Navy before hustling his way into the ranks of the esteemed Magnum photo agency, had instinctively picked up on the edgy undercurrents of the late 1960s Californian hippy dream. As the idealism of that decade peaked and faded, California became what Stock called a “head lab” – fomenting various radically alternative lifestyles fuelled by eastern mysticism, experiments in communal living, and all kinds of post-LSD mind expansion.

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Carol Guzy’s best photograph: a little girl in the war-ravaged ruins of Mosul

‘It was innocence amid war – this tiny girl who should have been enjoying her childhood trapped in this catastrophic battle’

I was one of the last photographers left in Mosul during the final days of the battle to liberate the Iraqi city from Islamic State in July 2017. I have covered the humanitarian consequences of war for three decades, but the sheer horror I witnessed during this conflict felt different.

There was no end to the cruelty. The stream of suicide bombs, grenades, car bombs, and snipers was relentless. People were forced to watch their loved ones die in front of them. And when civilians did reach the point of escape, Isis would use them as human shields.

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Meghan pays tribute to fashion photographer Peter Lindbergh

The German photographer, who worked on the Duchess of Sussex’s Vogue cover, was best known for his 90s portraits of Linda Evangelista, Naomi Campbell and others

German fashion photographer Peter Lindbergh, who died on Tuesday aged 74, was renowned for black-and-white portraits that appeared in magazines including Vogue, Harper’s Bazaar and the New Yorker, as well as his refusal to retouch images. Recently, Lindbergh photographed women for the “Forces for Change” issue of British Vogue, guest-edited by Meghan, the Duchess of Sussex, including Jane Fonda, the climate activist Greta Thunberg, and New Zealand prime minister Jacinda Ardern.

On the duke and duchess’s official Instagram account, Meghan shared an image of herself with the photographer, captioned: “His work is revered globally for capturing the essence of a subject and promoting healthy ideals of beauty, eschewing photoshopping, and preferring natural beauty with minimal makeup.”

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My best shot: Rena Effendi on haymaking in Transylvania

‘The light was soft … They were so graceful. They are the last peasants, the last of their kind’

In 2012, I travelled to Transylvania to document what is effectively the last remaining bucolic landscape of Europe. England, for example, has lost most of its hay meadows because of large-scale agriculture, but in Romania this kind of small-scale sustainable way of farming persists. It survived the Ceaușescu regime. It survived the EU. Today, however, it is a vanishing way of life as young people increasingly choose to migrate to western Europe in search of work and faster money.

I spent three weeks in Maramureş in the northern Carpathian mountains, exploring life in six tiny hamlets, each with no more than 500 inhabitants. It was August, the height of the haymaking season. Families worked in the fields from dawn to dusk. These women were from a village called Breb. I saw their haystacks from the road as my translator and I drove past. I shouted “stop!” and ran out of the car towards them. They smiled at me, but we didn’t talk, they just carried on with what they were doing. It was late in the day, and they were getting ready to go home. The women wear trousers to make hay because the wind blows their skirts up. Here, they were putting their headscarves and their traditional skirts back on. Then they gathered their baskets, in which they’d brought their lunch, and walked back to the village. I followed. The light was very soft, and the shadows long.

Cutting hay and stacking it is physically demanding, I tried doing it myself and failed miserably

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Joy, despair and determination: photographs from Kibera

Despite its poverty, Kibera is a vibrant place where people survive in testing conditions, both physical and mental. These images by four photographers born and bred there capture the spirit of Africa’s largest slum.

An exhibition, ‘Kibera: Living in the slum’, is on show at the Guardian’s London offices until 31 August

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