Culture secretary to ask Netflix to play ‘health warning’ that The Crown is fictional

Oliver Dowden says younger viewers might take historical drama’s portrayal as fact

The culture secretary plans to write to Netflix and request a “health warning” is played before The Crown so viewers are aware that the historical drama is a work of fiction, he said in an intervention that prompted criticism.

Oliver Dowden said that without the caveat younger viewers who did not live through the events might “mistake fiction for fact” following complaints that the fourth series of the drama had abused its artistic licence and fabricated events.

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BBC’s A Suitable Boy rankles ‘love jihad’ conspiracy theorists in India

BJP reaction to depiction of Hindu-Muslim romance follows recent rows over interfaith marriages

When the BBC’s adaptation of Vikram’s Seth’s novel A Suitable Boy recently landed on Indian Netflix it did not take long for the fanfare to turn to controversy.

The series, it was claimed by politicians from the ruling Bharatiya Janata party (BJP), had “hurt religious sentiments” of Hindus by depicting the lead character, a Hindu girl called Lata, passionately kissing a Muslim boy against the backdrop of a temple.

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How the Late Late Toy Show became an unlikely Irish TV institution

Annual special – where garish sweaters meet unrestrained children – airs on Friday evening

It is possibly the most anticipated moment in Ireland’s cultural calendar, a television event that draws huge ratings, unites the diaspora and is parsed as a barometer for the mood of the nation.

Expectation builds months in advance, rumours about the theme, leaks about participants, sometimes alarm that the formula may change.

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Italian state TV’s ‘sexy shopping’ tutorial for women sparks outrage

Episode of Detto Fatto told women how to push a trolley and reach for items in an alluring way

A tutorial aired on public television that gave women tips on how to “shop in a sexy way” has sparked outrage in Italy.

The guide was transmitted during Detto Fatto, a programme on the state broadcaster’s Rai 2 channel, and featured the ballerina and pole dance teacher Emily Angelillo advising women on how to look sensual in the supermarket.

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The Great British Bake Off final review – flawed gems worth celebrating

In a series where being put in a Covid bubble meant a reduction in the talent available, it was the failures that stood out

  • This article contains spoilers

This year needed The Great British Bake Off like never before, and The Great British Bake Off delivered. The programme has always been comfort food but, at times this year, it almost transcended television. It felt like a hug. It felt like medicine.

I have a theory about this. The context of this year’s series – with all the participants agreeing to abandon their loved ones and bubble up in a hotel – meant that the talent pool was smaller than usual. And this meant that the contestants weren’t quite as good as usual. And this meant that we got to witness more mistakes than usual. This wasn’t a demonstration of wall-to-wall technical wizardry by any means. Instead, what we got this year was a presentation of well-meaning but flawed humanity. And that’s what we’ve all been crying out for.

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Police investigate I’m a Celebrity over fears non-native bugs may be escaping

Rogue creatures from bushtucker trials including ‘ultimate survivor’ cockroaches could threaten Welsh countryside

Police are investigating I’m a Celebrity … Get Me Out of Here! over concerns non-native wildlife could have escaped into the Welsh countryside during bushtucker trials, the Guardian can reveal.

Rural crime officers from north Wales police are looking into complaints that non-native creatures such as cockroaches, maggots, spiders and worms could threaten wildlife in the 100-hectare (250-acre) estate surrounding Gwrych Castle in north Wales, where the show is being held this year.

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‘Biggest sin in the programme’: How a coat from The Undoing divided the internet

The ugly green coat in the HBO drama The Undoing has usurped a starry cast that includes Nicole Kidman and Hugh Grant. But what are the show’s makers trying to say, exactly?

The real star of The Undoing, HBO’s absurd marital melodrama, is not Hugh Grant, the Manhattan skyline or even the pair of David Hockneys hanging inside a vast penthouse in episode one. It’s a coat.

Sludge-green, calf-length, with wide lapels and a hood, this coat is worn again and again by Nicole Kidman’s character, a gnomic therapist called Grace, as she floats down Madison Avenue, through Central Park and even into the prison on Rikers Island, brooding over her marriage to a man who may, or may not, have just murdered his lover with a lump hammer.

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Enlightened: Laura Dern’s best role was smart, brave and ahead of its time

The series was cancelled in 2013 but its biggest crime was being born too soon. Now streaming in Australia, here’s hoping it gets the audience it deserves

What happens when an annoying narcissist has a spiritual awakening? Do they become different? Better? Or does real change require much more than learning how to meditate?

Enlightened, starring Laura Dern, aired for two seasons on HBO from 2011 to 2013. Critics loved it, a third season was on the cards – but it never got the mainstream viewership it deserved and was cancelled due to poor ratings.

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Could Steve McQueen start a lovers rock revival with Small Axe?

Streaming services expect rise in searches for the 70s pop-reggae genre, a staple of the blues parties that shaped UK music

One of the most memorable moments in Steve McQueen’s Lovers Rock – the latest film in his five-part anthology series Small Axe – comes when a room full of young revellers sing Janet Kay’s classic Silly Games with their eyes closed, lost in the music, as they imitate her signature falsetto.

A staple of the lovers rock genre, which emerged in the 70s and was a blend of pop, reggae and disco, Kay’s song is the centre piece of McQueen’s film, which is itself an ode to the house parties, or “blues”, that his auntie attended as a young woman.

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Laurence Llewelyn-Bowen: ‘I’ve been trying to get sacked from television for years’

Changing Rooms’ flamboyant master of maximalism has made a great living out of being himself. But is lockdown altering him? Is he suddenly dressing down, or brooding on the tragedy that marked his childhood? And does he have any decor tips for our interviewer?

If curating your surroundings for a Zoom call is an art, then Laurence Llewelyn-Bowen is its maximalist master. Immersed in the dark colours of his 17th-century manor-house living room, he sits with enviable poise, one arm cocked and propped on his thigh, as though modelling for a portrait. Flanked by a medley of blue velvet and patterned cushions, the latter matching his William Morris-inspired sofa, he is lit by an assortment of lamps.

It is a stark contrast to my more modest framing – a single pine bookshelf and a large houseplant. I show him the rest of my living room: pale blue walls, a navy/charcoal sofa, a single cushion with Julianne Moore’s face, a coffee table, a few more palms and a TV unit. Britain’s best-known interior designer doesn’t spare my feelings.

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Michael J Fox: ‘Every step now is a frigging math problem, so I take it slow’

After living with Parkinson’s for 30 years, the actor still counts himself a lucky man. He reflects on what his diagnosis has taught him about hope, acting, family and medical breakthroughs

The last time I spoke to Michael J Fox, in 2013, in his office in New York, he was 90% optimistic and 10% pragmatic. The former I expected; the latter was a shock. Ever since 1998, when Fox went public with his diagnosis of early-onset Parkinson’s disease, he has made optimism his defining public characteristic, because of, rather than despite, his illness. He called his 2002 memoir Lucky Man, and he told interviewers that Parkinson’s is a gift, “albeit one that keeps on taking”.

During our interview, surrounded by the memorabilia (guitars, Golden Globes) he has accrued over the course of his career, he talked about how it had all been for the best. Parkinson’s, he said, had made him quit drinking, which in turn had probably saved his marriage. Being diagnosed at the heartbreakingly young age of 29 had also knocked the ego out of his career ambitions, so he could do smaller things he was proud of – Stuart Little, the TV sitcom Spin City – as opposed to the big 90s comedies, such as Doc Hollywood, that were too often a waste of his talents. To be honest, I didn’t entirely buy his tidy silver linings, but who was I to cast doubt on whatever perspective Fox had developed to make a monstrously unjust situation more bearable? So the sudden dose of pragmatism astonished me. Finding a cure for Parkinson’s, he said, “is not something that I view will happen in my lifetime”. Previously, he had talked about finding “a cure within a decade”. No more. “That’s just the way it goes,” he said quietly. It was like a dark cloud had partly obscured the sun.

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Map of the soul: how BTS rewrote the western pop rulebook

Contrary to their dismissive framing as manufactured robots, South Korea’s BTS use social media, documentary and storytelling to make themselves into profoundly human stars

BTS’s leader RM looks up from under a black baseball cap, then stares back down at his hands. “Doing the promotional interviews, [I kept saying], ‘Music truly transcends every barrier.’ But even while I was saying it I questioned myself if I indeed believe it.”

It’s late September, and the rapper is confiding in over one million fans live from his Seoul studio. His “complex set of feelings” about the explosive, record-breaking success of Dynamite – the first fully English-language single from the South Korean megastars – is not the celebration you’d expect from a band that just topped the US Billboard Hot 100, the first K-pop act to do so. But this kind of frank, unfiltered conversation is exactly what their global “Army” fanbase love: BTS’s candid social media presence has included their fans in every step of their artistic journey, and, as they release new album Be this week, has made them the biggest pop group on the planet.

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Rafaella Carrà: the Italian pop star who taught Europe the joy of sex

A new jukebox musical of Carrà’s songs caps a 60-year career for a cultural icon who revolutionised Italian entertainment – and gave women agency in the bedroom

At the beginning of Explota Explota, a new Spanish-Italian jukebox musical comedy set at the tail end of the Franco dictatorship in 1970s Spain, airport employee Maria is making a delivery at a TV studio when she catches the attention of Chimo, the director of a variety show. When she tells him she’s not a dancer, he replies: “No dancer with blood flowing in their veins can resist this rhythm.”

He plays her Bailo Bailo, a hit by Italian pop star Raffaella Carrà, who, on top of becoming one of the best known personalities in her native Italy, ended up a sensation in the 20th-century Spanish-speaking world. Where Sweden had Abba, Italy had Carrà, who sold millions of records across Europe. Sure enough, Maria can’t resist Bailo Bailo, and Chimo hires her.

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‘They created a false image’: how the Reagans fooled America

A new docuseries studies the damaging reign of Ronald and Nancy Reagan and the insidious myth-making that still surrounds their legacy

Ever since Richard Nixon’s sweaty upper lip during a debate with John F Kennedy cost him the election in 1960, television has been the most crucial proving ground for any presidential hopeful. Granting the gift of sight to the general public changed the game, as campaigners and office-holders have been forced to school themselves in careful image management and conscious branding. In American politics, a well-crafted position on foreign policy won’t get a person nearly as far as the easy telegenic charm that makes voters feel comfortable grabbing a pint, a dissonance that’s allowed some dubious characters access to the highest stations of authority.

Related: Ronald Reagan called African UN delegates 'monkeys', recordings reveal

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Check her out: how Netflix hit The Queen’s Gambit thrills with fashion

Stylish chess drama fills the hole left by period pieces such as Mad Men – and puts the clothes front and centre

In chess, the first move is everything. This is also true in TV – something The Queen’s Gambit, a seductive seven-part drama about a female chess prodigy in the American midwest, knows all too well.

In the first few moments, we meet our teenage hero, Beth Harman (Anya Taylor-Joy), asleep in a hotel bath wearing a burgundy Pierre Cardin shift dress from the night before. Moments later, she has changed into a Biba-inspired mint-green viscose one, which matches the tranquillisers she knocks back with a minibar vodka. Grabbing her shoes – black pointed flats, so this must be the 60s – she hurries downstairs to play the most important chess game of her career on the mother of all hangovers.

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Trial 4: how a teen spent 22 years in prison for a crime he didn’t commit

Sean Ellis was 19 years old when he was arrested for killing a police officer in Boston. Decades later, he prepares for his fourth trial in Netflix’s Trial 4

Sean Ellis was 19 when he was arrested by Boston police over the killing of an officer in October 1993. Head down and nearly collapsing, barely keeping pace with police, Ellis wore his best suit as officers dragged him into custody – he had just attended the funeral of Celine Kirk and Tracy Brown, his cousins, who had been murdered by Celine’s ex-boyfriend in Ellis’s neighborhood of Dorchester. Ellis had spoken voluntarily to police about his cousins, with whom he was close; days later, he was on trial over the murder of a crooked cop as he slept in his car in a Walgreens parking lot.

Related: A Wilderness of Error: the year's most troubling true crime series

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The show the military couldn’t stop: Luca Guadagnino on We Are Who We Are

His new TV series about wild goings-on at an army base near Venice horrified the US Department of Defense. Did it also cost him his relationship? The Call Me By Your Name director reveals all

Lockdown was a nightmare for Luca Guadagnino. His dad died, his partner left and his myriad film projects had to be put in mothballs. As soon as restrictions were lifted, he jumped in his car and drove south from Milan, along empty motorways, right through the May night. He realises now he was in search of home.

Guadagnino, true to form, immortalised the trip on his iPhone and the resulting film is a lovely thing: part travelogue, part elegy, rattling around the director’s old village in Sicily. At one point Guadagnino stands outside his former house and inhales the smells from the open window – humidity, old grapes – like Proust with his madeleine. He wonders what kind of world the pandemic has left behind. He asks friends and colleagues for advice and support. “For a forest to stay healthy,” one tells him, “it has to periodically burn down.”

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BBC to hold investigation into how Martin Bashir obtained Diana interview

Diana’s brother Earl Spencer claims journalist produced fake documents to win trust of family

The BBC has pledged to hold a full independent investigation into how Martin Bashir obtained his career-defining interview with Princess Diana in 1995, following fresh claims that he produced fake documents and used other deceitful tactics to win the trust of her family.

Tim Davie, the corporation’s director general, confirmed that the terms of the investigation would be announced in the coming days: “The BBC is taking this very seriously and we want to get to the truth. We are in the process of commissioning a robust and independent investigation.”

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The Trials of Oscar Pistorius review – what about Reeva Steenkamp?

This docuseries could have asked bigger questions on domestic violence, or the murder of Pistorius’s scarcely mentioned girlfriend. Instead, it is a flawed, fawning hagiography

The BBC provoked an outcry last month when it ran a two-minute trailer for this four-part documentary series (BBC Two and BBC iPlayer) that referred to “an international hero who inspired millions” who had “suddenly found himself at the centre of a murder investigation”, without once mentioning the name of the woman Pistorius killed: Reeva Steenkamp. If you did not know the story, you would probably have thought you were about to watch a re-examination of a murder investigation gone wrong and the righting of a terrible miscarriage of justice. The BBC eventually apologised and replaced the advert with something they said was more representative of the tone of the film.

They should just have left it. It was a meretricious trailer for a meretricious film by a director – Daniel Gordon – who, in one of the press interviews for the series, said he was “still flip-flopping” on the matter of Pistorius’s guilt.

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I put my own makeup on for the first time – and saw my face in a whole new light

I had the tubes of moisturiser and foundation, the mirror with lights around it and, most importantly, a professional to guide me

I’ve always taken the view with makeup that it’s a bit like football refereeing: if you notice it, that’s a sure sign a bad job’s being made of it. By that measure, the many television makeup artists who have worked their magic on me over the years have done a fine job, because I’ve never really seen any difference. Sometimes they ask me what I “normally have” – a question for which I never have an answer. My only advice to them is to not bother doing anything with my hair, all attempts to adjust it being in vain.

This week, in the interests of Covid-compliant TV production, I lost my makeup-applying virginity. I had all the gear – the brushes, the tubes, the mirror with the lights around it – and I even had a nice masked and visored makeup artist. But she was only allowed to supervise; no touching permitted.

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