Comedians went virtual, Ai Weiwei went to Portugal – and Bake Off pledged the show would go on. In the first of a two-part series, cultural figures look back on a year that shook their industry
Continue reading...Category Archives: Television & radio
Keeping an eye on the force: life in the real Line of Duty
As the popular BBC drama returns, a former crime reporter takes a look at the reality of fighting police corruption
Last week, an officer from South Wales police received formal notification that they were under investigation regarding their dealings with a man who had been arrested and held overnight in a cell in Cardiff.
The suspect had been released from custody the following morning then found dead shortly afterwards. The investigation is to focus on whether the level of force used by the officer was “necessary, proportionate and reasonable” in the circumstances.
Continue reading...Russia’s Eurovision entry to be investigated for ‘illegal’ lyrics
Manizha’s song Russian Woman incites hatred towards men and should be banned from the contest, say critics
Russian investigators said they will examine the lyrics of the country’s entry to this year’s Eurovision song contest after it angered conservative groups who accused its Tajikistan-born singer of inciting hatred towards men.
Manizha Sangin, known as Manizha, is set to perform the song Russian Woman at Eurovision in the Netherlands in May. The song praises the strength of Russian women, urging them to be more independent and to resist sexist views on beauty, age and bearing children.
Continue reading...The Falcon and the Winter Soldier review – sturdy start to Marvel’s latest
Disney’s Avengers spinoff series offers up a patchy yet encouraging combination of exhilarating action and soapy drama
There was every legitimate reason to feel a little daunted and wearied by Disney’s glut of small-screen streaming announcements back in 2019 that was then compounded last year during another migraine-inducing investor day, an overlong list of shows expanding universes that were already stretched beyond necessity. But after The Mandalorian brought a surprising new edge to the Star Wars universe and, more recently, WandaVision found a certain offbeat creativity within the overly straitlaced world of Marvel, exhaustion was replaced with intrigue as Disney+ insisted on itself as more than just a digital dumping ground.
Related: Marvel's next wave of heroes will tear up tradition in the name of progress
Continue reading...Allen v Farrow review – a one-note pick over the bones of old investigations
The HBO series arrives on Sky in the UK, but fails to dig deep and do more than regurgitate Mia and Dylan Farrow’s allegations against Woody Allen
Eight months after his relationship with not-quite-stepdaughter Soon-Yi was revealed in 1992, Woody Allen was accused of sexually abusing Dylan Farrow, his younger daughter with his partner Mia Farrow, when she was seven. Allen strongly denied all the allegations, as he has continued to do over the nearly 30 years since. But they fell on fertile soil. How could a man who could start an affair with his partner’s daughter not be capable of just about anything else, the argument went? A welter of publicity followed, claims (that no mother, especially one as devoted as Farrow, could possibly make such a thing up), counterclaims (that in fact she had done so, that Dylan was coached – which she denies, and that it was all an act of vengeance for the Soon-Yi affair), along with gossip and hearsay proliferated.
Dylan and her brother Ronan Farrow began speaking about the matter publicly themselves in 2014. This has disinterred old battle lines and occasioned new accounts from people who were close to the family at the time and from Moses, another of the Farrow children, which contradict either things they said at the time or the saintly mother narrative that seemed the most natural one. Meanwhile, doctors examined Dylan at the time and found no evidence to support Farrow’s contention, and Allen was investigated by the Yale New Haven hospital’s child sexual abuse clinic and the New York State’s social services department, who reached similar conclusions.
Continue reading...On my radar: Aidan Moffat’s cultural highlights
The Arab Strap vocalist on late-night horror chats with his mum, spending time with Alan Partridge, and bingeing on Succession
Born in Falkirk, Scotland, in 1973, Aidan Moffat is the vocalist of indie rock band Arab Strap, which he founded in 1995 with Malcolm Middleton. Characterised by Moffat’s half-spoken vocals over lo-fi instrumentation, the band gained international acclaim with 1996 single The First Big Weekend; they went on to release six studio albums before splitting in 2006 and reforming in 2016. Since 2002, Moffat has released music under the name L Pierre, and collaborated with artists including Mogwai and Bill Wells. Arab Strap’s first album in 16 years, As Days Get Dark, is was released this month on Rock Action.
Continue reading...Netflix weighs up crackdown on password sharing
Streaming service tests feature that asks viewers if they share household with subscriber
Netflix has begun testing a feature that asks viewers whether they share a household with a subscriber, in a move that could lead to crackdown on the widespread practice of sharing passwords among friends and family.
Some Netflix users are reported to have received a message asking them to confirm they live with the account owner by entering a code included in a text message or email sent to the subscriber.
Continue reading...‘We know exactly what we want to say’: inside a film that normalizes stuttering
Stuttering affects one in 20 children, yet is still stigmatized, something the documentary My Beautiful Stutter hopes to correct
One of the most moving scenes in My Beautiful Stutter, a documentary now streaming on Discovery+, involves just a microphone and an open stage. Many of the attendees at Camp Say in Hendersonville, North Carolina, a getaway for youth who stutter hosted by the New York-based organization the Stuttering Association for the Young, grew up feeling broken or confused, ostracized by a neurological disorder that tangles the flow of fluent speech. Some campers recite poetry, others get through just their name before breaking into tears, all afforded the space to speak rarely given in the non-stuttering world (what can take a non-stutterer a minute to read or say could take a person who stutters 10 times as long). Tears abound; the scene hums with the bottomless human desire, felt most acutely as a teenager, to be seen, heard, loved, accepted.
Related: 'They become dangerous tools': the dark side of personality tests
Continue reading...Australia in Colour: recolourised film ushers into existence a new kind of fiction
As the new series of SBS’s film revitalisation project airs, Guardian Australia’s film critic considers the consequences of this trend in film-making
Paolo Cherchi Usai – the Italian curator and former head of the National Film and Sound Archive of Australia (NFSA) – once put forward an elegant definition of moving image preservation, calling it “the science of gradual loss and the art of coming to terms with its consequences”. Those melancholic words present the dispossession of our celluloid and digital pasts as inevitable, and efforts to maintain them a will-o’-the-wisp exercise: impossible to achieve, like reaching the gold at the end of the rainbow.
But loss is far from the first thing that comes to mind after watching the second season of SBS’s four-part documentary series Australia in Colour. Separated into different themes, the first episode is devoted to family, exploring issues such as changing gender roles, the stolen generations and the arrival of contraceptive pills; the second, about sport, investigates national heroes and drinking culture.
Continue reading...‘We knew so little’: the young film-makers who captured early quarantine life
HBO’s Covid Diaries NYC stitches together five documentary shorts by film-makers between 16-22, covering the dizzying, surreal first days of the pandemic
The middle of March 2021 will bring, for most Americans, a strange, surreal anniversary: the year mark of the horrifying realization – be it through a tweet, a cancellation, a diagnosis of a loved one or a celebrity, a lost job or gig – that the coronavirus was a very real threat that would implode the world as we knew it. For Aracelie Colón, then a 16-year-old high school junior in Manhattan, it was the email announcing a two-week closure from school. For fellow high school junior Shane Fleming, it was the positive diagnosis of a classmate and the closure of the Film Forum, where the movie buff caught a final feature showing on 14 March. For Arlet Guallpa, then 22, it was an ambulance outside her building in Washington Heights, fetching the first of many residents who would succumb to the virus.
Related: 'They refused to act': inside a chilling documentary on Trump's bungled Covid-19 response
Continue reading...The Sopranos: David Chase and mobster Johnny Sack on how they made a TV classic
‘Fox turned down the first draft because I didn’t put any murders in it. People watch mob shows because they like to see murders’
I was still writing the pilot episode when Steven Van Zandt – who would go on to play strip-club owner and second-in-command Silvio Dante – came to read for the part of Tony Soprano. I thought: “With Steven, it could be more like The Simpsons: more comedy, less nasty bits, more absurd.” But once we hired Jim Gandolfini for Tony, it all went back to where it started.
Continue reading...Now there’s no doubt Meghan and Harry had to leave
Caught between a hate-filled media and a terrified royal family, the surprise is not that the couple struck out on their own. It’s that they didn’t escape much sooner
- Live coverage: Harry says racism ‘large part’ of reason why couple left UK
- Shola Mos-Shogbamimu: Meghan has been mistreated for years
A seldom remembered fact about the royal family is that, before the death of Princess Diana, it was not normal to be interested in them. Tabloids were fascinated, but it was more of a convention than news – like a splash about tomatoes causing cancer, it was the out-of-office auto reply of the industry, a fallback. The family (I seriously dislike the affectation of calling them “the Firm”) survived while there was nothing to see. They were caught between two irreconcilable forces – their own culture of discretion, on one side, and intense, 24-hour scrutiny on the other – and they navigated that with a studied blandness. What did they actually care about? Manners, duty, causes, the Commonwealth. Whatever curiosity surrounded them, they simply did not reward it, and the regular response to that, after a few centuries and whatnot, was to not be terribly curious.
You may recall David Blaine, the magician who lived in a glass box above the Thames for 44 days in 2003: people really wanted to know what he was doing, even though we could see what he was doing – and that was mainly nothing. There grew a peculiar resentment of gawping at something that was only interesting because it was untouchable. But we could see for ourselves that it was not interesting – and then everyone got annoyed and some of us (not me) threw eggs. Eventually, hawkers started selling eggs. That pretty much sums up the experience of the royals pre-1997.
Continue reading...Clara Amfo: ‘Don’t make me dim my light’
For Clara Amfo, success is nothing without honesty, integrity – and a pinch of impostor syndrome. Here, the broadcaster talks about race, relationships and becoming a Barbie doll
Clara Amfo makes me want to join in with life. When she talks about the new series of Drag Race UK, I itch to go and watch it. When she’s dancing on Strictly, I want to tune into a show that doesn’t usually hold my attention. And when she’s describing the party scene in her parents’ home country of Ghana, “fast becoming the Ibiza of West Africa – honestly I was last there in December 2019 and everyone was out there”, I find myself wondering about flights. Which is quite something, a year into a pandemic, when spirits are flagging and the will is so weak it might give up entirely. But she knows all about that too, which is why her daytime Radio 1 show, every weekday, works so well.
People text in saying they live alone, they work from home, they just needed to hear that tune she played, that friendly voice. Amfo physically gets up and goes in to work at Broadcasting House, speaking to the nation and meeting the skeleton crew who are still in the building, under endless Covid-testing regulations, “but I do live alone, and I get it,” she says. “I know I have definitely experienced loneliness in this thing. At the risk of sounding trite, well it’s been a time of gratitude, hasn’t it? – but I also believe that everybody, no matter what your life or what you do for a living, should be allowed to have a moan. I’m single and happily single but there have been a few nights where I’ve been like, you know what? Be nice to have a sofa buddy,” she explains, over video chat from the one-bedroom flat in Hackney that she got in a part-buy, part-rent housing scheme seven years ago and that she has grown out of, but not yet managed to leave. (It hasn’t always been thus – “Many memories were made in this flat, that’s for sure,” she says, with a dirty laugh.)
Continue reading...‘You think: are we really doing this?’: how TV’s strangest shows get made
Who green-lit The Masked Singer, or dreamed up a dating show about Prince Harry? Insiders reveal how madcap ideas go from page to small-screen sensation
Nine years ago, TV developer Park Won Woo was taking a break in a car park after shooting auditions for a South Korean talent show. He had worked on number of similar programmes throughout his career, but had come to feel uneasy about their format. “They’re not always fair,” he recalls thinking, because on numerous occasions, people seemed to win because of their looks, not their talent. A solution popped into his head: what if the singers wore masks?
For three years, nobody wanted Park’s show, the idea for which evolved to feature celebrities behind the masks. The 48-year-old had 24 years’ experience in the TV industry, but his idea was rejected by network after network. “I felt sheer desperation,” he tells me.
Continue reading...‘I was worried Lindsay, Paris or Britney would die’: why the 00s were so toxic for women
Body shaming, media harassment, relentless cruelty – it’s time to reassess the decade that feminism forgot
I went to university in 2007. On my first day, every fresher had their photo taken; the pictures were pinned to a bulletin board in my halls. That evening, older male students scrawled on the photographs of the girls, rating our attractiveness. No one got in trouble. Later, the same men published a gossip magazine that Photoshopped images of female students on to porn stars, dissected our sex lives and made rape jokes. The magazine was printed using university funds. No one got kicked out. None of this seemed particularly objectionable to me, an 18-year-old girl. This was just the way things were. Internalised misogyny ran deep in the 2000s. Hell, I was just happy I got a high score on my photograph.
Related: The Guide: Staying In – sign up for our home entertainment tips
Continue reading...‘A symbolic moment’: Harry and Meghan’s Oprah interview marks turning point
The conversation, expected to draw millions of viewers, could mark the transition from royalty to Hollywood elite
It may be an American coronation of sorts.
When Oprah Winfrey’s highly anticipated and potentially explosive interview with the Duke and Duchess of Sussex airs in its primetime spot on Sunday evening, millions across the US are expected to watch. It will be the couple’s first interview since since stepping back from their royal duties in early 2020, but it could also mark the moment that the Sussexes evolve from British royalty to Hollywood elite.
Continue reading...Kelly Macdonald: ‘I’m beyond sex scenes now. I just play detectives’
She shot to fame in Trainspotting, and has starred in Gosford Park, Boardwalk Empire and even as a Disney princess. So why did the Scottish actor panic about her new role in Line Of Duty?
Kelly Macdonald’s roles are typically quiet, fraught with internal conflict and entailing journeys that are more reflective than active. As a grieving mother in The Child In Time, a gangster’s wife in Boardwalk Empire and the titular role in The Girl In The Cafe, the 45-year-old has, over the last 25 years, become known for the kind of thoughtful performances signified by the image of a woman staring out of a window. All of which makes our encounter today doubly surprising; that Macdonald, appearing via Zoom from her home in Glasgow, is here to talk about Line Of Duty, possibly the least reflective TV show ever made. And that she is a complete hoot.
Her role in Line Of Duty has, over the course of the show’s six seasons, become a coveted one in British telly – that of the guest star brought on as a no-good cop to be investigated by AC-12, the show’s now iconic anti-corruption unit. (Previous incumbents in the just-how-bent-is-she role include Keeley Hawes and Thandie Newton.) Line Of Duty’s twists are legendary, and the embargos fierce, and, following the rollercoaster of season five – in which we grappled, briefly, with the possibility that Supt Hastings (Adrian Dunbar) himself was bent – we meet Macdonald in season six as DCI Jo Davidson, getting stuck into a case. And that is pretty much all, ahead of transmission, the BBC will permit either of us to reveal, which makes Macdonald crack up every time she thinks of it. “It’s hilarious that they sent me a list of things I’m not to talk about, when I can’t remember any of it.”
Continue reading...‘Nobody wins’: should palace fear Harry and Meghan’s interview?
Royal experts predict the Duke and Duchess of Sussex will not target members of the royal family
As the world awaits Sunday’s interview with the Duke and Duchess of Sussex against a toxic canvas of bullying and smear claims, the key question must be: what should Buckingham Palace fear most?
Anticipating what will fall from the couple’s lips under Oprah Winfrey’s “no off-limits” questioning is clearly taxing those at the heart of the British monarchy.
Continue reading...‘They become dangerous tools’: the dark side of personality tests
In the documentary Persona: The Dark Truth Behind Personality Tests, the discriminatory nature of a widely used tool is put under the microscope
Scrolling dating apps in 2015, Tim Travers Hawkins didn’t know who his type was. He didn’t even know what a type was. Hawkins, a British film-maker then new to New York, “noticed something that was very different to people’s profiles in the UK and that was the use of these four letters,” he said to the Guardian. Curious, he looked it up. “I was like, ‘Huh, that’s different’.”
Related: 'We're all part of the story': behind Will Smith's 14th amendment docuseries
Continue reading...Allen v Farrow is pure PR. Why else would it omit so much?
The new HBO documentary in which Mia and Dylan Farrow revisit their 1992 allegation against Woody Allen claims to be an even-handed investigation. But its failure to present the facts makes it feel more like activism
“HBO Doc About Woody Allen & Mia Farrow Ignores Mia’s 3 Dead Kids, Her Child Molester Brother, Other Family Tragedies” was the headline on one US showbiz site, above its review of the four-part documentary, Allen v Farrow, about the continuing battle between Woody Allen and Mia Farrow, now entering its fourth decade. But this review was very much an outlier. In the vast main, reaction to the strongly anti-Allen series has been overwhelmingly positive, with Buzzfeed describing it as a “nuanced reckoning” and Entertainment Weekly comparing it to the recent documentaries about Michael Jackson and Jeffrey Epstein. This reaction is more of a reflection of the public’s feelings towards Allen – particularly in the US – than of the documentary, which sets itself up as an investigation but much more resembles PR, as biased and partial as a political candidate’s advert vilifying an opponent in election season.
Related: Allen v Farrow review – effective docuseries on allegations of abuse
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