How France’s Lupin became the surprise Netflix hit of the season

The charming series combines Ocean’s Eleven’s slickness with the implausibility of National Treasure to become the first French series to crack the US top 10

The greatest trick by Lupin, a new French series on Netflix, is disguising substantiveness in plain sight. The show, created by the British showrunner George Kay and inspired by the beloved French character Arsène Lupin, packages over 115 years of inspiration (dating back to the character’s invention by writer Maurice Leblanc in 1905) in a slick, swift escape easily binged in a day. Its star, the French actor Omar Sy, towers over his scene partners, perpetually unreadable yet brimming with charisma; his character, Assane Diop, is a con man with a heart of gold able to turn his outsized presence into an uncatchable master of deception.

Related: Call My Agent: get au fait with the smash hit French comedy-drama

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Phoebe Dynevor: ‘Bridgerton’s come at a moment when people need it’

The actor on hitting her stride as the spirited star of the Regency romp. Still, she says, she can’t let her grandparents see her steamiest scenes…

It was the gift you never knew you needed, and might even have spurned if you had been offered it in advance: an eight-part Regency romance, set in a candy-coloured England where the wisteria forever blooms around the colonnades of pretty much every stately home you’ve ever seen on film.

But it’s estimated that 63 million viewers around the world will have tuned into Bridgerton in its first four weeks on Netflix – and it is a success owing, in no little part, to the on-off love affair between a brooding duke and the pearl of the season’s debutantes. In its on phases, this is so steamy and intimate that you’d do well to have one of the series’s many feathered fans to hand.

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Joan Bakewell: ‘The world is full of such interesting people’

Joan Bakewell had been a broadcasting pioneer for more than half a century. And she’s still as forthright as ever. Here, she talks to Sophie Heawood about the empowerment of women, her newly streamlined life and why Boris has got it all wrong about the virus

Joan Bakewell writes in her memoir, The Centre of the Bed, about the moment she became an adult. It was 1949 and she was 17, a hard- working grammar schoolgirl from the industrial north, when her frustrated, depressive mother found a photograph of Joan kissing a boy and set fire to it in front of her eyes. Joan felt deep shame, but the shame began to transmogrify.

“Suddenly I was savagely and tremblingly angry,” she writes. “I was being forged in some bitter fire of my mother’s will, and I must survive the moment and emerge as myself. That was the end of innocence, not the loss of virginity or any fumbling that fell short of it. It was when I crossed into adulthood, knew my own mind and was sure of who I was.” Soon afterwards she left for university, where she joyfully discovered the world of ideas, as well as the one of sex, even though, as a student of the Cambridge women’s college Newnham, such things were banned.

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Vive l’indifférence! Netflix’s Room 2806 exposes France’s #MeToo apathy

Centred on a sex-assault case involving former French presidential hopeful Dominique Strauss-Kahn, this docuseries reveals worryingly outdated attitudes

Most people will have only the haziest recollection of the fallout that occurred after the French presidential hopeful and then head of the International Monetary Fund Dominique Strauss-Kahn was accused of sexually assaulting a room attendant in a New York hotel in 2011. That allows the Netflix documentary Room 2806: The Accusation to possess all the qualities of a slick political thriller. Who will be believed? The immigrant, hotel cleaner, a single parent living in a flat in the Bronx or the globally powerful, immensely rich politician?

This tense, four-part documentary has astonishing material to work with. There is plenty of CCTV footage, filmed from the ceiling, of chambermaid Nafissatou Diallo making her way to the presidential suite, and later, visibly distressed, being shepherded by her supervisor to a subterranean network of shabby staff offices in the bowels of the building, away from the gilded foyer, where she wipes away tears and recounts how she has been assaulted by Strauss-Kahn as she cleaned his rooms.

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Ben Chaplin: ‘The last thing I wanted to be was the new Hugh Grant’

The Game On actor has had Hollywood success without becoming an A-lister. But working with Malick, Stone and Francis Ford Coppola has made for an interesting career

Sitting in the Los Angeles sun in a T-shirt and a hoodie, Ben Chaplin has a coffee cup in one hand and a cigarette between two fingers of the other. He is chipper this morning, if a little wary about technology, after a mishap last year.

“My first Zoom thing was also my first ever Seder dinner,” says the 51-year-old actor. “My girlfriend is Jewish and I was feeling like this total charlatan, this goy, among all her elderly relatives.” Suddenly, the screen turned blue and a curved white line emerged, guided by an unseen hand. “This older voice asked: ‘What’s going on?’ And then you start to see the classic cartoon penis. I’m embarrassed by how funny I found it. I was thinking: ‘Are they going to draw hairs on the balls?’ But then it cut off. Apparently, a kid from one of the families was responsible. Good on him. Hahaha!”

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‘Weird is good’: Paul Bettany and Elizabeth Olsen on superhero sitcom WandaVision

She’s a chaos magician. He’s a density-changing synthezoid. Are Scarlet Witch and Vision really classic sitcom material? The stars of Marvel’s foray into TV reveal how it all came about

Marvel’s 2020 should have gone much differently. Its Black Widow movie and The Eternals should both have been released last year, with Shang-Chi and the Legend of the Ten Rings imminent. But the pandemic struck and now all three have been booted into the middle distance. And so it has now been 18 months since we last heard from the Marvel Cinematic Universe, when Avengers Endgame became the highest-grossing movie ever. And in that vacuum, the question of what happens next has only grown more intense. But the answer might not be what anybody expected. Marvel is about to break its silence with WandaVision – and it’s a huge departure. Not only is it the first TV show produced by Marvel Studios, it is also presented in the form of a half-hour sitcom. It is no exaggeration to call WandaVision the weirdest thing Marvel has ever done.

“Weird is good,” says Marvel Studio president Kevin Feige from beneath his trademark baseball cap. “I like weird. After Endgame, after the completion of a 23-movie Infinity Saga, we were soul-searching about what was coming next. WandaVision being our first for Disney+ is perfect. It was always about pushing the boundaries of storytelling, doing something we could only do with the narrative structure of television.”

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Bridgerton author Julia Quinn: ‘I’ve been dinged by the accuracy police – but it’s fantasy!’

Her ‘hot and crazy’ novels about feisty women bedding rakish aristocrats have become a Netflix sensation. The writer talks about literary snobs, colour-conscious casting and the curse of Jane Austen

“People look down on romance novels,” says Julia Quinn. “We’re the ugly stepchild of the publishing industry – even though romance novels make so much money for publishers that they’re able to take chances on poetry, literary fiction and other things that don’t really make money.”

This is why Quinn never dreamed that any of her novels – Regency romances in which smart, witty women fall for handsome titled men – would ever make the leap to TV. She was happy with her regular slot at the top of the bestseller lists, if a little irked at the way the genre is looked down on by more literary types. “I dream big, I do,” says Quinn, speaking from her home in Seattle. “But nobody had ever done it, nobody had ever shown any signs of wanting to. And not just my books, but the genre as a whole. If somebody wanted to do a period piece, they wanted to do Jane Austen again.”

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From BLM to LGBT+: why Sex and the City will need a 2020 rethink

Back with a new name – and minus just one core cast member – the 90s classic show will have to update its race and sexual politics for a very different world

Sex and the City is back, with a new name – And Just Like That … – and a new cast, which is to say, the old cast, minus Samantha (Kim Cattrall). Anyone who is surprised to see them recovered from the bruising experience of the movie sequel just has too long a memory. Sex and the City 2 was more than 10 years ago. The statute of limitations on awful moments in culture has long since expired.

To revisit that film for a second, though, its flaw was neither the excruciating dialogue nor the amateurish, uncertain plot; rather, its gorging consumerism, the signature shoe-fetishism of the series applied to every known item that a woman could buy. It held up a mirror to 21st-century excess and nobody, but nobody, liked what they saw. One IMDb reviewer called it a “terrorist motivational tool”. (In this it had a lot in common with the third volume of Fifty Shades of Grey; I have thoughts on that segue, from genuine lust to a sad, consumer simulacrum, as a metaphor for late capitalism, but I’m saving those for my PhD.) In the series itself, the shopping element was more of a running joke, a self-deprecating nod to the fact that intelligent, empowered, evolved women can still do really stupid things, such as spending their lunch money on earrings. There is no reason for the film to have stained the televisual side of the franchise.

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Olly Alexander on success, sanity and It’s a Sin: ‘All those hot guys. I loved it!’

The Years & Years frontman is starring in Russell T Davies’ new drama about the Aids crisis. He talks about bulimia, his ‘dark’ clubbing days – and how he learned to enjoy filming sex scenes

Olly Alexander was so certain he was destined for success that he saw a therapist to help him prepare for his future fame. It was 2014 and his band Years & Years had just signed to Polydor when he visited the shrink.

“I said: ‘The album’s coming out and I really want it to be successful,’ and he said: ‘What happens if it isn’t?’ I said: ‘Well, that’s not an option because I have planned it in my diary since I was a teenager.’”

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Sex and the City to return for new series, stars confirm

The rebooted show will be called And Just Like That... and will feature the original stars, apart from Kim Cattrall

Sex and the City will be given a 2021 makeover, US streaming service HBO Max has announced.

Long-swirling rumours that the video-on-demand arm of the prestige TV brand was considering commissioning a revival of the 90s and 00s show were confirmed on Sunday night US time when three of the four stars of the original show, Sarah Jessica Parker, Cynthia Nixon, and Kristin Davis, shared a trailer for the series on social media platforms.

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Call My Agent’s Camille Cottin: ‘Don’t we need culture more than we need shopping?’

The scene-stealing star of the French comedy series - a word-of-mouth Netflix hit - on her journey from a prank show in Paris to co-stardom with Matt Damon

“I bought a few sheep during lockdown. Nobody told me they’d eat all my plants. How Parisian is that?” I’m discussing the pandemic with actor Camille Cottin, who during the first Covid lockdown last year decamped from her apartment in the French capital to do up an old farmhouse in Normandy. Now, she’s back in Paris, preparing for what will be a huge year. Already a star in her native France, Cottin is making the leap to major Hollywood roles. Tom McCarthy’s Stillwater, in which she co-stars with Matt Damon, is due for release in the autumn. She is currently polishing her English for her role in Ridley Scott’s Gucci biopic, which starts shooting in a few months and features Adam Driver as Maurizio Gucci and Lady Gaga his ex-wife. And she has just signed up for a huge project that she’s not yet allowed to talk about.

Before all that comes the fourth and final season on Netflix later this month of Call My Agent!, the word-of-mouth hit drama that has found new fans looking to binge during lockdown. As Andréa – tough, ruthless, gay, and agent to some of France’s biggest movie stars – Cottin’s is the standout role in a show that has brought her international attention, including a role in series three of Killing Eve.

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Billy Porter: ‘My church said I would never be blessed if I chose to be gay’

The actor and singer on RuPaul’s Drag Race, learning how to be loved, and why no actor could play him in the film of his life

Born in Pennsylvania, Billy Porter, 51, studied drama and moved to New York in 1991 to appear in Miss Saigon. He went on to star in Kinky Boots, winning the 2013 Tony award for best actor in a musical, and a Grammy for the soundtrack. In 2018, he was cast in Netflix’s Pose, which will return for a third series. He is married and lives in New York state.

What is your greatest fear?
That I will be forgotten and my legacy won’t matter.

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Michael Apted: a vital and dignified director who understood how class shapes us all

Apted made his name with the brilliant Up TV series that examined people’s lives every seven years, before going on to become a film-maker of distinction, whose influence cannot be overstated

Michael Apted, who has died aged 79, was a British movie director who – like Ken Loach and Ken Russell – earned his stripes working on TV. But it was his destiny to help create an epic ongoing masterpiece for the small screen with truly cinematic scope and beyond: current-affairs television which had the scale of cinema, combined with the Mass Observation Project and the Roman census.

Granada Television’s Seven Up! from 1964, was, to quote a comedy of the era, not so much a programme, more a way of life. It took 14 British children at the Jesuit age of seven (that is, the age at which the Jesuits’ St Ignatius of Loyola famously said he could “show you the man” if schooled early enough) and interviewed them about their lives and opinions – seven from a working-class background and seven from a posher caste. Then it was updated every seven years, finally spanning 56 years.

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Michael Apted, director and Seven Up documentarian, dies at 79

British director made films Coal Miner’s Daughter and The World is Not Enough, and the long-running Up documentary series

The British director Michael Apted has died at the age of 79.

The film-maker and documentarian was known for films such as Gorillas in the Mist and Coal Miner’s Daughter, as well as his long-running series of Up documentaries.

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Headspace Guide to Meditation: can Netflix deliver enlightenment in 20 minutes?

The streaming service and the mindfulness app have joined forces to inject some calm into our tech diet. Elle Hunt tries to switch off, while switching on

Those who subscribe to the notion of “new year, new me” will be familiar with the advice to empty your fridge and kitchen cupboards of junk food before 1 January, so as to set yourself up for healthy-eating success. (Or else a New Year’s Day McDonald’s delivery, when you wake up very much the old you, and not in the mood for overnight oats.)

After all that bingeing on Love Is Blind and Selling Sunset last year, Netflix now provides a similarly aspirational refresh, with a new series of guided meditations. Produced with the popular Headspace app, the eight 20-minute episodes are billed as a beginner’s guide to meditation, helping you to start the year “by being kind to your mind”.

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Why Mr Bean and Borat are ready to retire

Rowan Atkinson and Sacha Baron Cohen are killing off two of comedy’s most indelible characters. They’ve picked the perfect time

Nothing lasts for ever. In time the trees will wither, the seas will boil and the mountains will crumble to dust. And nothing reinforces the ephemeral cruelty of the universe like the news that Rowan Atkinson doesn’t want to be Mr Bean any more.

In an interview with the Radio Times this week, Atkinson said of Mr Bean: “I don’t much enjoy playing him. The weight of responsibility is not pleasant. I find it stressful and exhausting, and I look forward to the end of it.” And that’s fair enough; Mr Bean has now been a going concern for 31 years, and has taken the form of a television programme, two films, an animated series, a sketch performed for the Olympics nine years ago and – slightly improbably – four books.

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Making waves: the hit Indian island radio station leading climate conversations

With its unique blend of gossip, jokes and songs mixed with serious global issues, Kadal Osai has built a devoted audience

Selvarani Mari is a fisher and seaweed collector who lives on Pamban Island of Tamil Nadu, on the southernmost tip of India.

Every day she helps her husband cast the fishing nets, maintains rafts for cultivating seaweed, and dives into the ocean to gather sargassum. But she always makes time to listen to the radio.

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Denmark launches children’s TV show about man with giant penis

Critics condemn idea of animated series about a man who cannot control his penis, but others have backed it

John Dillermand has an extraordinary penis. So extraordinary, in fact, that it can perform rescue operations, etch murals, hoist a flag and even steal ice-cream from children.

The Danish equivalent of the BBC, DR, has a new animated series aimed at four- to eight-year-olds about John Dillermand, the man with the world’s longest penis who overcomes hardships and challenges with his record-breaking genitals.

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Doctor Who’s Sacha Dhawan on his battle with anxiety: ‘Getting help was scary’

The young actor, who plays the timelord’s arch enemy The Master, talks about his meaty new role in The Great – and reveals how he overcame the fears that used to leave him traumatised in his trailer

When Sacha Dhawan learned that he had been chosen to play Doctor Who baddie The Master, it should have been one of the biggest moments of his career. “My agent was ecstatic,” he says. “The BBC was ecstatic.” But he wasn’t. “I put the phone down and I couldn’t have felt more sad,” he says. The reason, it turns out, is a hidden battle with anxiety that Dhawan had been waging for years.

The opportunity was too big to pass up, but at that moment its scale felt insurmountable. “I would be the first British South Asian actor to play The Master,” he says. “So I’m kind of representing not only the Whoniverse but my community. And if I fuck this up, they aren’t going to be casting another South Asian actor for this.”

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