Category Archives: Culture

The Matrix Resurrections: the bonkers visuals, the love story and the final reveal – discuss with spoilers

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Neil Patrick Harris and Yahya Abdul-Mateen II join Keanu Reeves and Carrie-Anne Moss in a fourth instalment in the franchise that is full of little treasures

  • This article contains spoilers for The Matrix Resurrections

There’s no need for a blue pill. The Matrix Resurrections is, by and large, an engaging and energetic motion picture, and worthy of being on the same shelf as the groundbreaking original from 1999. Unlike the soul-crushingly dull previous entry, The Matrix Revolutions, it remembers that mind-scrambling pseudo-intellectual yammering gets tiresome on-screen if there isn’t also some fun. Luckily, director Lana Wachowski, working apart from her sister Lilly for the first time, and her screenwriting partners David Mitchell and Aleksandar Hemon, have included plenty of flashbacks. A rewatch isn’t absolutely necessary. But talking about the new one after you see it is.

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Russell T Davies: ‘I genuinely thought – who wants to watch a show about Aids?’

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It’s a Sin has been voted the Guardian’s best TV show of the year. Russell T Davies reveals why it took him 30 years to write, who the real Colin is – and why he just can’t keep away from Doctor Who

• The 50 best TV shows of 2021, No 1: It’s a Sin

Russell T Davies doesn’t hold back. If he’s thrilled, he shouts about it. And sure enough, the 6ft 6in giant of a man is shouting today. “I’m gobsmacked. I’ve never come first in this. Ever,” he exclaims, admitting that he has always had his eye on the Guardian’s list of the best TV of the year. “If I’ve had a show on, I spend every December watching that countdown wondering if I’ll be on it – I think A Very English Scandal got to No 2.” He’s right, it did. Three years on, his wonderful Channel 4 mini-series It’s a Sin has been voted the Guardian’s best TV show of the year. “I’m ridiculously thrilled,” says Davies, who is Zooming from his home in Manchester.

It’s 30 years since his first TV series – Dark Season, featuring a 15-year-old Kate Winslet – aired on the BBC. Since then, Davies has created any number of groundbreaking dramas (including Queer as Folk; Cucumber, Banana and Tofu; Years and Years) as well as breathing new life into Doctor Who. But he is particularly pleased to have won for It’s a Sin, the five-part drama about a group of young gay friends living – and dying – through the Aids era of the 80s and early 90s. This is the show he knew he had to write 30 years ago, and spent the intervening decades years putting off, because it was simply too personal and painful.

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The Matrix Resurrections review – drained of life by the Hollywood machine

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Keanu Reeves is back as cyberpunk icon Neo but fans of the original will find this cynical reboot a bitter pill to swallow

Eighteen years after what we thought was the third and final Matrix film, The Matrix Revolutions, Lana Wachowski has directed a fourth: The Matrix Resurrections. But despite some ingenious touches (a very funny name, for example, for a VR coffee shop) the boulder has been rolled back from the tomb to reveal that the franchise’s corpse is sadly still in there. This is a heavy-footed reboot which doesn’t offer a compelling reason for its existence other than to gouge a fourth income stream from Matrix fans, submissively hooked up for new content, and it doesn’t have anything approaching the breathtaking “bullet time” action sequences that made the original film famous.

The first Matrix was a brilliant, prescient sci-fi action thriller that in 1999 presented us with Keanu Reeves as a computer hacker codenamed “Neo”, stumbling across the apparent activity of a police state whose workings he scarcely suspected. Charismatic rebel Trinity (Carrie-Anne Moss) brings Neo to the mysterious figure of Morpheus (Laurence Fishburne) who offers our reluctant hero one of the most famous choices in modern cinema: the blue pill or the red pill. The first will allow Neo back into his torpid quasi-contentment, the second will irreversibly reveal to him the truth about all existence. He swallows the red and discovers all our lives exist in a digitally fabricated, illusory world, while our comatose bodies are milked for their energies in giant farms by our machine overlords.

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The person who got me through 2021: Larry David helped me embrace life as a bald man

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I have finally admitted that my hair has gone for ever, and taken great comfort from the reigning king of baldness

This year will go down in history as the year I went bald. Well, actually, 2018 went down as the year I went bald. But still, 2021 will go down as the year that I stopped fastidiously brushing three long wisps of cobweb over my scalp in the berserk belief that it somehow made me look less bald. I am bald now. Hello.

Obviously, being bald is rubbish. A bad roll of the genetic dice means I am now conclusively unattractive in the eyes of most of the world. Of course I am – I’m 85% forehead now. I can never go out and commit a crime, because a witness would only have to draw a face on their thumb and show it to the Photofit guy and I’d be in handcuffs by teatime.

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Girls5Eva review – Tina Fey’s gags are so good they should be revered

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There are shades of 30 Rock and Unbreakable Kimmy Schmidt in this hilarious show about a one-hit-wonder girl band reuniting after 30 years. No wonder, given it’s by Tina Fey and Robert Carlock

If you didn’t know beforehand, it would not be long before you realised that Girls5Eva (Sky, Now) came from the school of Tina Fey and Robert Carlock, who gave us those perennial delights, 30 Rock and Unbreakable Kimmy Schmidt. The new show, about a manufactured 1990s girlband of the same name (“We’ve been best friends ever since we auditioned for a man in a New Jersey hotel room!”), is the brainchild of Kimmy writer and producer Meredith Scardino, in collaboration with Fey and Carlock. It provides a similar cocktail of laughs. There are parodies (this time mostly of music videos rather than TV shows or characters), “proper” jokes so densely packed you’re still unearthing more on third and fourth viewings, call backs, and throwaway gags so good they would be revered treasures anywhere else. The chemistry among its leads recalls – even if it doesn’t quite get there, because nothing can or will – the chemistry between Ellie Kemper and Titus Burgess in Unbreakable Kimmy Schmidt. In short, it is a joy.

Under the aegis of their sleazy manager Larry, Girls5Eva had one hit (Famous 5Eva) three decades ago but fell into obscurity after their follow-up tanked. It was called Quit Flying Planes at My Heart and was released on 10 September 2001. Since then, one of the girls has died (Ashley – “The one who got us all through our breakups with Moby”) and the remaining four members have drifted apart. We first meet Dawn (Sara Bareilles) as she is listening to the radio while having a mammogram. She has the perfect breasts for it, her doctor says – “Already so smooshed!” The Fey spirit, unable to know of a physical female indignity without leaping to embrace it for comic effect, remains strong throughout. Dawn herself is the mother-figure of the group. Always the responsible one then, she is now married with one child, constantly stressed (“Fireworks or terrorism?” she shouts when woken by a strange noise at night), and works long hours at her idiot brother’s restaurant (Dean Winters, essentially reprising his 30 Rock Dennis Duffy role). Hearing Famous 5Eva sampled as part of hit rapper Li’l Stinker’s latest moneymaker, she goes to pick up her royalty cheque from Larry and is coaxed into delivering the rest to her former bandmates, too.

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From Grand Theft Auto to world peace: can a video game help to change the world?

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Lual Mayen turned his family’s escape from civil war in South Sudan into a powerful gaming experience – that will have real-life benefits for refugees

It was while fleeing the civil war in South Sudan that Lual Mayen’s mother gave birth to him 28 years ago. She had four children in tow and was near to the border with Uganda, in a town called Aswa. The journey was difficult; Mayen’s two sisters died on the way and he became sick. No one thought he would survive.

“I can’t imagine what she had to go through. There was no food, no water, nothing,” says Mayen. “I remember she said she was not the only woman who gave birth on the way. Other women abandoned their children because they didn’t want them to suffer. But my mother thought: “He is a gift for me, I have to keep him.”’

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Hotel Rwanda hero to terrorist ‘show trial’: Paul Rusesabagina’s daughters on the fight for his freedom

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Tricked into boarding a plane back to Kigali and allegedly coerced into confessing, the high-profile exile faces 25 years in prison, but his family are determined to keep up the pressure

The children of Paul Rusesabagina, the imprisoned Rwandan opposition figure, are only able to speak to their father for five minutes once a week. Even then the Rwandan authorities listen into the phone call.

Tricked into boarding a private plane in Dubai and flown to Kigali, the 67-year-old Rusesabagina – who came to international attention after his life-saving acts were depicted in the Hollywood film Hotel Rwanda, set during the country’s genocide in 1994 – was given what his family says was a show trial and jailed over allegations that he had been a founder and leader of a terrorist group.

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The 50 best TV shows of 2021, No 2: The White Lotus

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An immaculate social satire featuring scabrous character studies, a murder-mystery and a shocking revenge scene

‘Wave like you mean it,” the hotel manager tells his staff as they line up on the beach waiting for the next boatful of guests to arrive at the luxurious White Lotus resort. With that line, Mike White’s immaculate six-part creation is set. On to the beach come the clientele, awed by the beauty of their surroundings but already taking the humans on the shoreline for granted – checking that their needs (wants) have been anticipated, extracting further efforts from those they are sure exist only to serve, and soon demanding (in what in Shane’s case will evolve into a series-long war of attrition with the manager, Armond) apologies and upgrades whenever minor mistakes are made.

The White Lotus had many superficial similarities with previous glossy hits such as Big Little Lies. It looked gorgeous, had an array of affluent white characters living what they considered ordinary and what most would consider easeful, glamorous lives, and a murder-mystery woven in.

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Sex and the City stars respond to sexual assault allegations against Chris Noth

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Statement came as CBS said Noth will no longer be part The Equalizer ‘effective immediately’ following allegations by two women

The leads of Sex and the City’s recent reboot And Just Like That have responded to sexual assault allegations made by two women against their fellow castmate, Chris Noth.

Cynthia Nixon – who plays Miranda in the series and its reboot – shared a statement on social media, signed by herself, Sarah Jessica Parker (Carrie) and Kristin Davis (Charlotte).

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Have we witnessed the death of the Hollywood remake?

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Meagre turnout for West Side Story shows that these days, the way to cash in on intellectual property is via sequels and reboots

So far, Steven Spielberg’s West Side Story hasn’t had audiences pirouetting and finger-clicking their way to cinemas. There are plenty of reasons why; the main one relating to a certain global pandemic. But one explanation that keeps being proffered is that viewers are simply sick of remakes – and it’s not entirely wrong. Hollywood still has no qualms about bringing back its vintage franchises, of course. But as the imminent returns of The Matrix, Scream, Top Gun, Indiana Jones, Hocus Pocus and Legally Blonde demonstrate, the fashionable way to cash in on a venerable intellectual property is to hire as many of the original cast members as you can and to pick up where you left off. Sequels are in; remakes are out.

Remakes, lest we forget, were once central to the cinematic landscape – hardly more remarkable or disreputable than a new theatrical production of an old play. When The Maltese Falcon came out in 1940, it was the third adaptation of the same book within a decade. Some Like It Hot? Pinched from a 1951 German farce, which was in turn pinched from a 1935 French one. Hitchcock’s 1956 classic The Man Who Knew Too Much? A total rip-off of Hitchcock’s 1934 classic, The Man Who Knew Too Much.

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‘This thing was trying to dismantle me’: Mark Lanegan on nearly dying of Covid

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In this extract from his new memoir Devil in a Coma, the alt-rocker recalls how Covid-19 put him in hospital for months this year – and gave him a series of hallucinogenic visions

I had been feeling weak and sick for a few days and then woke up one morning completely deaf. My equilibrium shaky, and my mind in a surreal, psychedelic dream state, I lost my footing at the top of the stairs. Head over heels over head, I knocked myself out on the windowsill as I crashed down the narrow staircase at my house. Bang. My wife was out horseback riding for the day, and I came to hours later still unable to hear a thing, unable to move, two huge opened welts on my head and my knee not supporting any weight.

For two days I tried to get from stairwell to couch, with no success. I could not move, nor could my wife support my 200lb body, so I lay suffering on some blankets on the hard floor. My ribs were cracked, my spine bruised, battered and sore, and my already chronically messed-up knee gone again, as if some tendons were ripped or a ligament severed. My leg was useless. Every attempted breath was a battle, no matter how hard I tried to take a natural one. Though I refused to go to hospital my wife finally called an ambulance behind my back and I was wheeled out of my yard on a gurney. I eventually ended up in intensive care, unable to draw oxygen, and was diagnosed with some exotic new strain of the coronavirus for which there was no cure, of course. I was put into a medically induced coma, none of which I remembered.

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New head of Unesco world heritage centre wants to put Africa on the map

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Lazare Eloundou Assomo wants to address imbalance that benefits rich nations and protect sites threatened by climate crisis and war

It covers 9 million sq miles (24m sq km) from the Atlantic to the Indian Ocean and from the Sahara in the north to Cape Point in the south. And in between lie some of the world’s most ancient cultural sites and precious natural wonders.

However, despite its vast size, sub-Saharan Africa has never been proportionately represented on Unesco’s world heritage list, its 98 sites dwarfed by Europe, North America and Asia.

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No tree, no presents and now no TV – was this going to be our worst Christmas ever?

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We had been looking forward to watching unlimited television, but the set was on the blink. Then came a knock at the door …

On Christmas Eve, a cheque arrived from our father so that our mother could get presents. She laughed bitterly and ripped it up.

“But what will we thank him for?” cried my sister.

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Rapper Drakeo the Ruler dies at 28 after stabbing at music festival

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Cult Los Angeles lyricist reportedly attacked by group of people at Once Upon a Time festival in his home city

Drakeo the Ruler, the critically acclaimed Los Angeles rapper, has died after a reported stabbing at a music festival. His press representative confirmed his death to the Guardian but did not give further details.

The 28-year-old, whose real name was Darrell Caldwell, had been scheduled to perform at the Once Upon a Time festival in Los Angeles. A source speaking to the LA Times said Caldwell had been attacked on the festival site by a group of people on Saturday evening. He was taken to hospital in a critical condition, where he later died.

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‘I want to get as much done as I can’: Keanu Reeves on poetry, grief and making the most of every minute

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He is one of Hollywood’s hardest working and well-liked actors. As the next instalment of his epic Matrix series hits the big screen, Tom Lamont meets the famously thoughtful star

Keanu Reeves covers his face with both hands. Long bands of the actor’s straggly, jet-black hair flit from side to side as he shakes his cradled head. Reeves, who is 57, has a new Matrix movie out soon. It will be the first instalment in that famous sci-fi series since the turn of the century, when a visually splendid trilogy – The Matrix, The Matrix Reloaded and The Matrix Revolutions – shook blockbuster cinema to its foundations. I have just been telling him what an unforgettable outing that first Matrix movie was for me, back in 1999, when I saw it in a packed, noisy cinema full of people who couldn’t sit still for excitement. I’ve also just admitted to Reeves that, when The Matrix Resurrections is made available later this month, via various platforms, I’ll probably stream it at home, probably on a laptop.

I only intend this as a light prompt to get him talking about Hollywood in 2021, a curious time for showbusiness, with Covid precautions and advances in streaming tech combining to make so many movies available for home viewing at the same time as they appear in cinemas. But perhaps Reeves is someone who feels things more deeply than most, because suddenly he begins to plead with me, through muffling fingers: “Dude? Don’t stream that movie… Don’t you fucking stream that movie.”

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Adam Kay: ‘Game-playing is a great way of getting yourself to face a challenge’

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The doctor turned comic and bestselling author on writing children’s books, hiding useful facts in disgusting jokes and how bad at Scrabble he is

Adam Kay, 41, trained as a doctor and worked for the NHS for six years before quitting to become a writer and comedian. Both his memoirs, This Is Going to Hurt: Secret Diaries of a Junior Doctor and Twas the Nightshift Before Christmas, were bestsellers, with several million copies sold, making him the first author to have simultaneous No 1s for hardback and paperback nonfiction titles. He turned both books into hugely successful standup shows. Twas the Nightshift Before Christmas is touring the UK and a BBC Two series of This Is Going to Hurt, adapted by Kay and starring Ben Whishaw, is coming in 2022. He has also started writing children’s books, publishing Kay’s Anatomy last year and, in September, Kay’s Marvellous Medicine.

What made you want to write children’s books?
I have always been fascinated by the human body; I think it is the most extraordinary bit of kit ever. But it’s never had the same cool billing among kids as outer space and dinosaurs, probably because they’re forced to do biology in a rather dry way at school. So I thought I’d have a go at getting across my enthusiasm for the topic, with some jokes thrown in.

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‘A Francoist daydream’: how Spain’s right clings to its imperialist past

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A Peruvian author fears her adopted home is far from an apology for its Latin American abuses

The Plaza Mayor, where tourists gather to drink steep beers and feast on overpriced paella, may be better known. So may Puerta del Sol, where locals ring in the new year by eating a grape on each of the 12 chimes.

But Madrid’s Plaza de Colón, a 25-minute walk from these spaces, has come to play its own special part in the social, political and historical life of the capital – and the rest of Spain.

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Boris Johnson’s zeal to return Parthenon marbles revealed in 1986 article

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Unearthed Oxford Union article by prime minister made passionate case for sculptures’ repatriation to Athens

The extent of Boris Johnson’s U-turn on the Parthenon marbles has been laid bare in a 1986 article unearthed in an Oxford library in which the then classics student argued passionately for their return to Athens.

Deploying language that would make campaigners proud, Johnson not only believed the fifth century BC antiquities should be displayed “where they belong”, but deplored how they had been “sawed and hacked” from the magisterial edifice they once adorned.

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Need a warped, tortured or evil character for a Hollywood film? Cast a British actor

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UK stars Olivia Colman, Idris Elba and Benedict Cumberbatch are all in demand with US directors. We look at why

A sensitive, geeky youth, stuck on a lonely cattle ranch, might understandably yearn for a kindly uncle figure; someone to confide in, or be mentored by. But the companionship actor Benedict Cumberbatch offers his brother’s stepson, Peter, in the widely Oscar-tipped western Power of the Dog is a very long, precarious horse ride away from anything avuncular.

In fact, Cumberbatch’s portrayal of the emotionally thwarted Phil Burbank is a study in twisted misery. In one early scene, Burbank notices some fragile paper flowers the teenager has made to decorate a dinner table at his mother’s canteen. But, instead of praising them, “Uncle Phil” is driven to publicly sneer.

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