Actor best known for Vera Drake takes over from Olivia Colman for fifth series about the UK royal family
The first image of Imelda Staunton in character as the Queen in season five of The Crown has been revealed.
Staunton has taken over from the Golden Globe winner Olivia Colman, as the fresh series ushers in a new era for the royal family. Netflix gave fans a first glimpse of Staunton as the monarch while she was still filming the next instalment of the Netflix show.
Continue reading...Long after two people have gone their separate ways, some partings still rankle. Readers reflect on the beloved items they left behind
Even though my breakup was amicable, I felt a lot of guilt – so when I moved out I said: “Keep it all.” But, in the years since, there have been a few items of kitchenware that I wish I’d held on to: a Le Creuset casserole dish, my favourite mug, a digital cooking thermometer, the plastic bowl attachment for my stick blender (the blender itself I retained at her insistence, but I forgot all the accessories that came with it). There never seemed like a good time to ask for any of it back – I hope she’s at least getting some use out of them. Anonymous, Australia
Continue reading...Fans in Nobel prizewinner’s favourite haunt of Key West hold their 40th competition on his birthday
Ernest Hemingway is survived as much by his macho mythology as he is by his writing. Hemingway was in two plane crashes in two days. Hemingway shot himself in both legs while wrangling a shark. Hemingway had at least nine major concussions – and four wives. He had brain damage. He won the Pulitzer and the Nobel prize. He hunted and fished and wrote plays and books and articles and stories, for ever in pursuit of the truest sentence. He was rageful, charming, violent, brilliant and drunk.
Hemingway is also something of a Key West mascot, especially for a week every July, when a festival called Hemingway Days, which coincides with his birthday (this year, he would be 122) honours his legacy by gathering his lookalikes together.
Continue reading...The turbocharged twist on rockabilly enraptured 80s punks and rock’n’rollers – and alienated plenty more – with its food fights, ferocious club nights and phantasmagoria
If you wanted to date the moment one of the biggest youth subcultures of 80s Britain arrived, you could pick 40 years ago this month, on 4 July 1981. That night, at the Marquee club in Soho, a few hundred kids gathered to watch a band who were almost singlehandedly kickstarting a new wave of alternative music. Waiting for them to come on, those fans launched into the song that served as their heroes’ unofficial theme, from David Lynch’s Eraserhead. “In heaven, everything is fine,” they sang. “You’ve got your good things, and I’ve got mine.” A few months later, that chorus opened, and gave its name to, the first LP by the Meteors. And as their frontman would later claim, “Only the Meteors are pure psychobilly.”
In time, psychobilly – a turbocharged twist on rockabilly, the country-enhanced variant on R&B that prefigured the classic rock’n’roll of the late 50s – would become codified. “My take on it would be a much more aggressive, loud approach to rockabilly that must include a double bass, modern lyrics – no cars, pinups or bubble gum – lots of graveyards, vampires, zombies, horror flick and death-influenced lyrics,” says Mark Harman of Restless, who came through the psychobilly scene in the early 80s. “Anything goes, really. Overdriven guitars and full rock drum kits, big quiffs, weird and wild clothing, makeup and props – blood and skeletons welcome. It should be fast and loud, exciting and fun.”
Continue reading...(Darkroom/Interscope)
On perhaps the most anticipated album of 2021, Eilish uses subdued yet powerful songwriting to consider how fame has seeped into every corner of her life
“I’m getting older,” sings Billie Eilish, who’s 19, on Happier Than Ever’s opening track. “I’ve got more on my shoulders”, she adds, which is certainly true. Her debut album When We All Fall Asleep, Where Do We Go? wasn’t just a huge global hit, but an album that significantly altered mainstream pop music. Two years on, streaming services are clotted with bedroom-bound, teenage singer-songwriters dolefully depicting their lives: anticipation for what the genuine article does next is understandably running very high.
When We All Fall Asleep … was an album that turned universal teenage traumas – romance, hedonism, friendship groups – into knowingly lurid horror-comic fantasies, in which tongues were stapled, friends buried, hearses slept in and marble walls spattered with blood. That playfulness is less evident on its successor. It flickers occasionally, as on Overheated’s exploration of stardom in the era of social media, complete with death threats (“You wanna kill me? You wanna hurt me?” she mumbles, before giggling: “Stop being flirty”) or on NDA, where the “pretty boy” she entices home is required to sign the titular legal agreement before he leaves. But the overall tone is noticeably more sombre.
Continue reading...The actor claims that the studio breached her contract by releasing her standalone Marvel adventure on Disney+
Scarlett Johansson is suing Disney over the recent release of Black Widow.
The actor is claiming that the studio’s decision to launch her first, and last, Marvel standalone film on Disney+ as well as cinemas is a breach of contract.
Continue reading...India’s only all-women news organisation is the subject of an award-winning documentary. The film-makers explain their inspiring courage and energy
A woman explains how a group of four men repeatedly broke into her house and raped her; six times so far. Did she go to the police? Yes, but officers refused to investigate. Instead, they threatened her and her husband. “These men can do anything. They can even kill us,” the victim says to the reporter, Meera, who is filming on her smartphone. As Meera leaves, the woman’s husband tells her that she is their only hope. “We don’t trust anyone except Khabar Lahariya.”
Khabar Lahariya is India’s only all-female news organisation. Based in Uttar Pradesh, its journalists passionately believe in reporting rural issues through a feminist lens.
Continue reading...ITV is cancelling the TV talent show before it ‘fizzles out with a whimper’. After a decade of plummeting ratings, we remember its highs, lows … and Chico Time
“COWELL WIELDS AXE” roared the front page of The Sun today, as it alleged that Simon Cowell, bored of gazing over a world made in his image, has chosen to cancel The X Factor once and for all after 17 years. The story quotes an insider, who says “Simon remains at the top of his game … He owns the rights to the show, and it’s his call – not ITV’s – whether or not he drops it. Clearly the last thing he wants is for X Factor to fizzle out with a whimper and become a bit of a joke”.
About that last bit. If you wanted to produce a perfect scientific diagram of the concept of fizzling out, then it would probably look something like a graph of X Factor viewing figures over the years. After the show’s biggest year in 2010, ratings went into freefall, steadily losing droves of eyeballs every time it returned. What’s more, the show hasn’t actually been on television since 2018. For all of today’s attempts to mimic an explosive ‘The King Is Dead’-style dramatic impact, the truth is that most people assumed it quietly passed away in its sleep several years ago.
Continue reading...The final season of the longest running animated series in the US will air in 2022
Arthur, the longest running children’s animated series in the US, will soon come to an end.
PBS Kids plans to end the beloved television show after 25 seasons, said an original developer of the show during a podcast released on Wednesday. The final season will air in 2022.
Continue reading...The band’s bassist for more than 50 years, who had recently suffered a hip injury, died in his sleep at his Texas home
Dusty Hill, bassist for ZZ Top, has died at the age of 72.
Hill, who had recently suffered a hip injury, died in his sleep, as confirmed by a statement on Instagram from bandmates Billy Gibbons and Frank Beard.
Continue reading...Guardians of the Galaxy’s James Gunn is a good directorial fit for the humour and freaky violence of DC’s bad-guy jamboree
DC’s new Suicide Squad movie announces itself as different from the coolly received first film from 2016 simply by adding “The” to the title, maybe sneakily trying for an unacknowledged rebrand or reboot. James Gunn, also in charge of Marvel’s Guardians of the Galaxy, is brought on board as director and co-writer. This second Squad outing (if you don’t count last year’s standalone Harley Quinn adventure Birds of Prey) is a long, loud, often enjoyable and amusing film that blitzes your eyeballs and eardrums and covers all the bases. There is Guardians-style comedy mixing humans and talking animals, there is freaky violence – including what I have to say is a gruesomely impressive interior-anatomical shot, showing a knife plunging into the still-beating heart – and there is colossal CGI spectacle for the final act in which a giant thing runs rampant in a city, while the gang look up at it; a trope that has become almost legally mandatory for superhero movies.
Viola Davis once again brings a touch of class to the Suicide Squad franchise as the chillingly manipulative security chief Amanda Waller who now springs supervillain Bloodsport (Idris Elba) from jail so that he can head up an elite new crew of misfits, desperadoes and undesirables. These include Harley Quinn (Margot Robbie), Rick Flag (Joel Kinnaman), the ironically belligerent Peacemaker (John Cena), King Shark – a great big talking shark in Hulk-ish stretchy shorts – voiced by Sylvester Stallone, Ratcatcher II (Daniela Melchior), who commands an army of rats wherever she goes, and Polka-Dot Man (David Dastmalchian), who fires molten polka-dots at the enemy, revving himself up for the task by imagining that this is his overbearing mother. There is also a kind of B-team of Squadders whose job is to be hilariously expendable.
Continue reading...In combining both pummelling impact and nimble speed, Jordison defied his short stature to become a hulking master of rhythm – and the finest metal drummer of his era
• Joey Jordison, founding Slipknot drummer, dies at age 46
To better understand the magnitude of former Slipknot drummer Joey Jordison’s death at the age of 46 requires us to first recall the loss of another drummer. Praised universally for his technical wizardry and powerhouse style, Rush’s legendary Neil Peart died in January 2020 – a watershed moment for rock drumming. Eighteen months later, we now face the heavy metal equivalent.
While there’s a strong case for Slipknot as the greatest metal band of their generation, Jordison was almost definitively the finest metal drummer of his era. Born in the band’s native Des Moines, Iowa, Jordison picked up his first pair of drumsticks aged eight. He co-founded the nine-piece Slipknot in 1995 and spent 18 years behind the kit for the megastars. Slipknot developed their own lore: there were the obvious nods to horror in the terrifying face masks and boiler suits they wore for live performances, and each member was assigned their own number. Tellingly, Jordison was No 1.
Continue reading...Our photojournalist explores the famed outdoor venue in Cornwall as it welcomes back full houses
“I knew of it from pictures I’d seen online and I thought it looked pretty, but when you arrive and see it yourself, it’s like, ‘Oh wow, this is insane,’” says actor Guido Garcia Lueches about the Minack Theatre. “It’s probably the best theatre I’ve ever performed in.”
Carved largely by hand into a craggy, granite cliff-face, the dizzying outdoor venue on the south coast of Cornwall looks magnificent in the summer sunshine. Tiers of subtropical foliage splash colour throughout the landscape and weathered concrete seats bearing the titles of past shows rise abruptly from the stage. The ocean, 100ft below, looks an enticing shade of turquoise.
Continue reading...Family announce that metal musician, who had transverse myelitis, a nerve disease, died ‘peacefully in his sleep’
Joey Jordison, the drummer whose dynamic playing helped to power the metal band Slipknot to global stardom, has died at age 46.
His family wrote in a statement: “We are heartbroken to share the news that Joey Jordison, prolific drummer, musician and artist passed away peacefully in his sleep … Joey’s death has left us with empty hearts and feelings of indescribable sorrow. To those that knew Joey, understood his quick wit, his gentle personality, giant heart and his love for all things family and music.”
Continue reading...Ashmolean Museum, Oxford
A seductive encounter with past and present at the Olympic city shows that Tokyo practically invented modern art
Love hotels and cross-dressers make Tokyo’s nightlife eye-popping – and that’s just in 18th-century woodblock prints. The Ashmolean’s seductive overview of the Olympic city’s art sets these classics alongside images of contemporary Tokyo to create a thrilling and informative encounter with one of the world’s great art capitals.
Past and present meet for a sultry encounter in the night. A wall is lit up by Mika Ninagawa’s intensely coloured photos of blue- and pink-haired clubbers. They are so now – yet close by in the same gallery is a painted scroll from the 1600s that is just as provocative. It depicts the pleasure quarter of Edo, as Tokyo was then called, which became Japan’s capital when the Tokugawa shoguns united the country in the 17th century. It was famous for its pleasure quarter, “the floating world”, and the new art genre it inspired – ukiyo-e, “pictures of the floating world”. In the scroll, samurai warriors are seen visiting courtesans. But samurai were banned from the pleasure quarter so they wear straw hats pulled down to hide their faces. The comically phallic swords peeping out from their robes give them away.
Continue reading...Emily Blunt and Dwayne Johnson are romancing riverboat adventurers in a ride-turned-film that quickly becomes bland
The Jungle Cruise theme-park ride is a riverboat trip that Disneyland visitors have been queuing up for since the 1950s: an old-timey craft travelling down an artificial jungle river, with a jolly captain pointing out animatronic animals lurching out of the artificial undergrowth. Now it’s been adapted into a blandly inoffensive piece of generic entertainment: screenwriters Glenn Ficarra and John Requa (who once gave us Bad Santa and I Love You Phillip Morris) have mashed up The African Queen with Raiders of the Lost Ark, and with what I admit is a surreal splash of Aguirre, Wrath of God.
It’s lively enough for the first 20 minutes. The year is 1916, and Emily Blunt plays Lily Houghton, a haughty yet idealistic British scientist, much patronised by the male establishment in London. She imperiously hires a riverboat in Brazil to find the much-rumoured “Tree of Life” somewhere in the jungle. Its captain is a cynical-with-a-heart-of-gold rogue called Frank Wolff, man-mountainishly played by Dwayne Johnson. After the traditional meet-cute, their growing romance plays off the comedy turn provided by Jack Whitehall, playing the other passenger: Lily’s foppish, neurotic younger brother MacGregor. At one stage, Whitehall’s prissy, wussy Englishman explains to Dwayne Johnson that he is gay – or rather, he says something indirect about being not as other men, and the subject is never raised again, Edwardian reticence dovetailing nicely with Disney family values. It is a stereotype that Walt himself might have recognised, while also approving of the obvious heterosexuality of Frank with his muscles, boots and sailor’s cap.
Continue reading...The recent discovery of unmarked graves at residential schools is the latest incident in decades of trauma for Indigenous Canadians, who are using lyricism to process it
After the recent discovery of hundreds of Indigenous children’s unmarked graves at former Canadian residential schools, Drezus – an rapper of Cree and Ojibwe heritage from the Muskowekwan First Nation in Saskatchewan province – grew unsure about his longstanding plans to release a new music video, Bless. He starts the song by calling the atrocities his people have faced “an act of war”, then follows that with bar after bar of Indigenous empowerment. Unsure if that would be appropriate while his people grieved, he turned to his mother, who had attended one of those schools. Her advice? “Release it, son. We need it now.”
This government-funded, Christian church-administered boarding school system was established in Canada in the late 1800s. Its founders’ intent: to forcibly remove Indigenous children from their “savage” parents and impose English and Christianity. Some 150,000 Indigenous children attended these schools before the last one closed in 1997. In 2015, the Truth and Reconciliation Commission (TRC) report detailed nearly 38,000 sexual and physical abuse claims from former residential school students, along with 3,200 documented deaths. The mortality rate for those children was estimated to be up to five times higher than their white counterparts, due to factors including suicide, neglect and disease.
Continue reading...An attorney for Britney Spears has asked that a new conservator be named to oversee the pop singer’s finances following recent testimony that she wanted her father ousted from the role, the New York Times reported on Monday.
In a Los Angeles court filing, lawyer Matthew Rosengart requested that accountant Jason Rubin be named the conservator of Spears’ estate, a post currently held by her father, Jamie Spears, the Times reported.
Continue reading...David Lowery’s complex, visually sumptuous and uncommercial tale of Arthurian legend revels in upending expectations
Equal parts folk, prog rock and metal, The Green Knight takes place at the inflection point when one version of the old world was supplanted by the next. In David Lowery’s liberty-taking interpretation of the character’s 14th-century origin poem, the headstrong yet not-quite-valiant Sir Gawain (Dev Patel, superb) traverses an England caught between the mystical pagan religions and the nascent Christianity soon to change the face of the nation.
At first, subtler touches denote the friction between the two, as in the cross-cutting juxtaposition of a supernatural blood-and-bone ritual against the quasi-biblical imagery of an ageing Arthur’s court. (The king’s crown doesn’t take the shape of a golden disc framing his head for nothing.) By the time near the third act that Lowery reveals his key reference point to be Martin Scorsese’s Last Temptation of Christ, another mounting of myth invested in mortal frailty and unconcerned with textual fidelity, it’s apparent that the maturation of one man is meant to coincide with that of an entire society.
Continue reading...Perhaps longing for a more carefree era, artists such as Lorde, Billie Eilish and Haim are fondly looking back to when S Club 7 and Shania Twain frolicked in low-rise denim
The turn of the millennium is not generally considered a vintage era for mainstream music in the UK. Sandwiched between Britpop and the mid-00s indie revival, it was a period dominated by talent show winners, girl- and boybands, ex-boyband and girlband members, acts with tie-ins to kids’ TV shows, and doleful singer-songwriters such as Dido and David Gray. It was sometimes trite, occasionally rapturous and – Dido and Gray aside – frivolous, family-friendly fun.
It isn’t, in other words, an era you’d expect a pop star on the cultural vanguard to be into. Yet last month Lorde revealed that her forthcoming third album was influenced by what she calls “early 00s bubblegum pop” – in particular, tween-targeted hitmakers S Club 7, Natasha Bedingfield, Natalie Imbruglia, All Saints and Nelly Furtado. She is not alone – the reclamation of late 90s and early 00s mainstream pop by young artists is now fully under way. Many heard shades of S Club in Dua Lipa’s 2020 album Future Nostalgia, and Lipa’s single Don’t Start Now had more than a bit of Spiller and Sophie Ellis Bextor’s 2000 smash Groovejet in its DNA.
Continue reading...