Category Archives: Culture

How a cancer diagnosis inspired a fresh outlook for one young musician

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At the age of just 22, the very last thing you want to hear is that you have stage 4 cancer, but for some people the only response is to tackle it head on – which is just what Ellie Edna Rose-Davies did

I barely noticed it at first. A bump on the right side of my neck, small but definite. I was 22 and had no health issues (I’d never even broken a bone), so I didn’t think much of the lump. But my boyfriend was concerned, so I made an appointment to go to the GP.

For the next few months, I would see and feel more lumps spreading up my neck, and even larger ones under my armpits. I went to the doctor three times, where I was told: “It’s not cancer” and that I had “nothing to worry about”.

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David Schwimmer: ‘I was a roller-skating waiter’

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The actor, 54, on childhood activism, studying drama at Oxford, bringing up his daughter and learning to fight the good fight

My parents are my heroes. I marvel how they were able to work as young lawyers while keeping family as a priority. They raised my sister and me with a hyper-awareness of justice, equality and gay rights. I have memories of protesting on picket lines. It really informed my worldview and perspective.

I wanted to be a surgeon. I was fascinated by the human body: I knew everything about the lymphatic, the vascular and the skeletal systems. I was a big science geek, but I found that I could talk to more girls in acting class than in the science lab. So that kind of derailed my medical career.

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German police appeal for information after 17th century paintings found in skip

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An art expert believes the paintings are by Dutch artist Samuel van Hoogstraten and Italian Pietro Bellotti

German police have appealed for information from the public after two 17th century paintings were discovered in a skip at a highway rest stop.

Police said a 64-year-old man found the oil paintings at the rest stop near Ohrenbach in central Germany last month. He later handed them in to police in the western city of Cologne.

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One in a Thousand review – Argentinian teen’s hoop dreams, hanging out and hoping

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Clarisa Navas’s film is a confident, visually engaging romance conjuring a world of teenage waiting and wanting

This is an LGBT urban pastoral from film-maker Clarisa Navas, set in a tough barrio in Corrientes province, north-eastern Argentina. Sofia Cabrera plays Iris, a teenage girl who appears to have been excluded from school – although that doesn’t make her lifestyle any more obviously aimless than all the people she’s hanging out with. Iris is obsessed with basketball and spends most of her days loafing around, shooting hoops, talking with her brother and cousins, and chatting with the neighbourhood kids, gay and straight. Then she chances across a charismatic older woman called Renata (Ana Carolina García), who has an elegantly wasted image; Renata has mysteriously been abroad for a while and apparently dances at a local club called Traumatic, where she appears to be on the fringe of sex work. Some are saying that she has HIV – although this may simply be spite. Iris and Renata are drawn to each other and soon they are in love.

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Linen condoms and bed curtains: tour exposes history of sex in Scotland

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National Trust for Scotland presents exploration of intimacy from 17th to 20th century

The chafing doesn’t bear thinking about. A replica linen condom secured with a dainty blue ribbon is one of the more wince-inducing props for a new exploration of the history of sex and intimate lives in Scotland.

The other material used to fashion prophylactics in the 17th century was animal gut, which was dried then rehydrated at the crucial moment. The Edinburgh-born diarist James Boswell writes about dipping one in a river before intercourse. He was adamant about their use to ward off venereal disease, but still recorded numerous painful bouts of infection in his journals.

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‘Just don’t show her body!’ Netflix makes a true crime show with a difference

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A Murder in West Cork delves into the killing of Sophie Toscan du Plantier – but this doc makes her more than a victim. Its creators discuss how they fused intrigue with empathy

On the morning of 23 December 1996, Sophie Toscan du Plantier was found murdered in a lane near Schull, West Cork. She was 39 years old and a regular visitor to Ireland from Paris, where she lived with her husband, a celebrated film-maker, and 13-year-old son, Pierre Louis Baudey-Vignaud. Her death transfixed the media in both Ireland and Paris, partly because it was just so jarring. The murder rate in Ireland was so low that there was only one state pathologist, and it took him 28 hours to reach the scene.

It was close to Christmas. Sarah Lambert, the producer of Netflix’s new documentary, Sophie: A Murder in West Cork, struggles to underline how big a deal this was. “More so in Ireland than a lot of other countries, Christmas is such a family time. I know a lot of married couples that will separate and go back to their parents. People were flabbergasted that she, a mother, would be there by herself so late in December.” The location was so remote, the community so tight-knit, that such violence seemed incongruous. It was expected there would be a swift resolution. In a place where you couldn’t buy a new cardigan without everyone knowing about it, how would anyone get away with murder?

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Golden Globes: two members resign from ‘toxic’ Hollywood Foreign Press Association

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Wenting Xu and Diederik van Hoogstraten cite resistance to change, watered down diversity rules and a culture of fear

Two members of the Hollywood Foreign Press Association (HFPA), the body that organises the Golden Globes, have resigned, denouncing the organisation as “toxic” in a letter obtained by the LA Times.

In their letter, Wenting Xu and Diederik van Hoogstraten said that “staying inside the association is no longer tenable for us”. They list a number of reasons, including that “the majority of the membership resists deep change”, new rules to improved diversity have been “watered down”, and that “fear of retribution, self-dealing, corruption and verbal abuse” are still central to the HFPA’s culture.

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‘We have more in common than what separates us’: refugee stories, told by refugees

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In One Thousand Dreams, award-winning photographer Robin Hammond hands the camera to refugees. Often reduced by the media’s toxic or well-meaning narratives, the portraits and interviews capture a different and more complex tale

Robin Hammond has spent two decades crisscrossing the developing world and telling other people’s stories. From photographing the Rohingya forced out of Myanmar and rape survivors in the Democratic Republic of the Congo to documenting the lives of people in countries where their sexuality is illegal, his work has earned him award after award.

But for his latest project the photographer has embarked on a paradigm shift: to remove himself – and others like him – from the process entirely. Instead, as part of an in-depth exploration of the refugee experience in Europe, the stories of those featured are told by those who, arguably, know them best: other refugees.

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The best video games of 2021 so far

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Hostile alien planets, giant vampire women and a jazz age murder mystery – plus some old favourites, rebooted – are among the best games released this year

PC
A gentle, board game style town building sim, which has you matching hexagonal landscape tiles to craft unique locations, laying on further puzzles and pleasures as you go.
What we said: “This is game-playing at its most thoughtfully relaxing, with that rare chance, in video games, to be the architect of a world, rather than its conqueror.” Read the full review.

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Françoise Hardy, ‘close to the end’ of her life, argues for assisted suicide

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The French singer says radiation has left her in immense pain, and fears a natural death would bring ‘even more physical suffering’

Françoise Hardy, the French pop songwriter who found fame in the 60s yé-yé movement, has said she feels “close to the end” of her life in a new interview.

Hardy, 77, told Femme Actuelle that in 2018 she was diagnosed with a tumour in her ear. It followed her diagnosis with lymphatic cancer in the mid-2000s, and a hospitalisation in 2015 that led to her being placed in an induced coma. Her life was saved when doctors administered a novel form of radiation.

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Laura Mvula’s teenage obsessions: ‘I thought a briefcase was the most buff thing ever’

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The singer-songwriter recalls the life-changing joy of playing in an orchestra, the beauty of her first braids and being empowered by Eternal

The first orchestra I played in was Birmingham School, a concert orchestra. The first time I played in a symphony orchestra was this powerful, life-changing experience, like the first time I took a plane – you know, when the engine kicks in and you’re about to take off? Playing with the brass section behind us and full woodwind, I was blown away by the magnitude of the sound.

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The Friends Carpool Karaoke is even more mortifying than the reunion

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The stars of Friends initially seem more relaxed in James Corden’s golf cart than on stage at the recent reunion. But if you look closely, it’s utter horror you see

Like everyone, I had two main criticisms of last month’s Friends reunion special. The first is that, after almost 30 years of watching the cast suspended in the throes of perfect youth, the sight of their weird, cosmetically altered faces in HD came as such a shock that I would have preferred it to be called something like All Things Decay: A Harrowing Reminder That Everything We Love Will One Day Be Dead. The second is that James Corden didn’t make it enough about him.

Oh, sure, he made it plenty about him. He hosted the thing, despite having no tangible connection to Friends. And, yes, when the cast came on, he spoke for more than two minutes before bothering to ask them a question. But did he make it about himself, in a truly Cordenesque way? No, he did not.

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Could Chrissy Teigen just try sending a text next time? | Harron Walker

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After apologizing on Monday, Teigen was accused of bullying Michael Costello, who then was accused of bullying Leona Lewis. Maybe it’s time to pause the posts

In 2018, the New Republic deputy editor Katie McDonough wrote a piece for Jezebel that I spiritually consult to this day. (Full disclosure: I was a Jezebel contributor at the time.)

“Why tweet when you can text?” she asked, and … well, that’s basically it. Sometimes, you can just text the thing you want to tweet.

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Cotton plantations and non-consensual kisses: how Disney became embroiled in the culture wars

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The company has been addressing its historical racism and sexism, adding disclaimers to films and altering theme park rides. But these moves have stirred contempt as well as approval

Very little ammunition is required for a culture war these days, so long as your troops are primed to mobilise at the drop of a blog. Julie Tremaine and Katie Dowd, two writers for the online newspaper SFGate, discovered this last month. Their review of the revamped Snow White ride at Disneyland was generally positive, but queried a new scene showing the prince giving Snow White the all-important “true love’s kiss”.

“A kiss he gives to her without her consent, while she’s asleep, which cannot possibly be true love if only one person knows it’s happening,” they wrote. “It’s hard to understand why the Disneyland of 2021 would choose to add a scene with such old-fashioned ideas of what a man is allowed to do to a woman.”

Matters escalated quickly and predictably. Within 24 hours, the review was reported across Twitter and conservative media. Fox News ran 13 segments on the story in one day: “Cancel culture going after Snow White”; “The woke movement taking aim at Disneyland”, etc. Senator John Kennedy was brought on to express his disdain: “We are so screwed … I don’t know where these jackaloons come up with this stuff.” The UK’s Sun chimed in: “Snow White may be CANCELED” [sic]. As did Piers Morgan in the Daily Mail: “Leave Snow White’s Prince alone, you insufferable woke brats.” Then Fox News reported on that: “Piers Morgan slams consent criticism over revamped Snow White ride.” And so forth. All of them triggered by a single paragraph in an online review.

Disney increasingly finds itself caught in the crossfire of these skirmishes. Understandably, to some extent, since it is the biggest target. Already a byword for family entertainment, Disney is now the dominant purveyor of popular culture following its gradual acquisitions of Marvel, Star Wars, Pixar, Avatar, Alien, The Muppets, The Simpsons and numerous other household-name properties. But having successfully captured entertainment’s centre ground, Disney now finds itself under attack on both flanks. From one side, it is criticised for its old-fashioned and bigoted legacy; from the other, it is criticised for being too “woke”. What’s an unprecedentedly powerful media corporation to do?

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‘It is obscene’: Chimamanda Ngozi Adichie pens blistering essay against social media sanctimony

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The novelist describes helping two writers who went on to insult her online, and condemns era of ‘angels jostling to out-angel one another’

Chimamanda Ngozi Adichie has written a detailed essay about the conduct of young people on social media “who are choking on sanctimony and lacking in compassion”, who she says are part of a generation “so terrified of having the wrong opinions that they have robbed themselves of the opportunity to think and to learn and to grow”.

Titled It Is Obscene, the essay was published by the Nigerian novelist and feminist on her website on Tuesday night. It attracted so much attention that her website temporarily crashed.

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‘It has the feel of a little local pub!’: Guardian readers on their extraordinary DIY sheds

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From an allotment shelter built out of old doors to a storage shack turned into a chapel, here are some of the best of our readers’ creations

This is my pandemic project: a garden pub shed, called the Doghouse. It is custom-built from timber with a Firestone rubber roof. Lockdown finally gave me the time to build it and I tried to reuse or recycle materials where I could. The doors and windows were from a friend’s old conservatory. The timber herringbone and boards, plus the back bar shelving, are pallet wood, which I burnished with a chainmail pad, and oiled to give it a nice worn look. I built the bar and canopy from scratch using leftover framing timber. The bench was built from a recycled bed headboard and I used a mattress for the seat. The table and chairs were a local Gumtree find, and the bar memorabilia and pumps were from eBay. I’m probably proudest of the bar. It has the feel and character of a little local pub – we often eat dinner there for a change of scenery. Our two children love it. But we will, of course, still support our local pub whenever we can. Gavin Thomasson, 42, design manager, Ipswich

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‘I don’t want to remember these things’: dark pop poet John Murry on surviving rape, heroin and family strife

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The singer-songwriter talks about his relative William Faulkner, his violent childhood and drugs – and saves a surprise until the end

If you’re after cheery crowdpleasers, John Murry is not your man. Murry is 41, barely known, and has never come close to denting the charts. Yet he has been compared to the great existential pop poets Nick Cave, Leonard Cohen and Scott Walker. And with good reason – he has a rich baritone, writes gorgeous ballads and is half in love with death. The titles of his first two albums, The Graceless Age and A Short History of Decay, reflect the melancholy at the heart of his work. The title of his third, The Stars Are God’s Bullet Holes, is equally bleak. Yet, it turns out that Murry has a surprise in store.

The singer-songwriter is related to the Nobel-prize winning American novelist William Faulkner. Like Faulkner, he paddles along his stream of consciousness – sometimes ferociously. You get a sense of what his songs are about, but seldom know for sure. Take the new album’s opener, Oscar Wilde (Came Here to Make Fun of You). We get the references to terrorist attacks and the images of foreboding, but the meaning is left to us.

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Jenni Olson: ‘I remember walking out of the movie theatre like, “Yeah, I’m a cowboy!”’

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How did a little girl who loved Westerns grow up into an icon of queer cinema? As she wins a Teddy award, the filmmaker talks about a life devoted to the movies

When Jenni Olson accepts the Berlin film festival’s coveted Teddy award this month – for “embodying, living and creating queer culture” – she will join the ranks of past recipients including John Hurt, Joe Dallesandro and Tilda Swinton. “Me and Tilda, you know?” laughs the 58-year-old as she winces in the morning sunlight which is streaming into her home in Berkeley, California. With her youthful features, crisply side-parted hair and apostrophe-shaped eyes, she might have been drawn by Charles M Schulz.

“When I started my little gay film series at the University of Minnesota in 1987,” she says, “I never could’ve imagined that one of the largest film festivals in the world would recognise my work.” Along the way, she has been co-director of the San Francisco international lesbian and gay film festival as well as an influential curator, critic and archivist. She has taken her compilations of film trailers – including Homo Promo, Jodie Promo (Foster, that is) and the Jewish-themed Trailers Schmailers – to festivals around the world. Her vast collection of LGBT-themed film prints, along with the promotional materials that featured in her near-exhaustive collection The Queer Movie Poster Book, was acquired by Harvard last summer.

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