Child abuse hotline reports rise in calls from men viewing illegal content

Growing use of adult pornography in lockdown may lead to more people seeking out images of under-18s, experts say

Child abuse experts have reported a rise in the number of men contacting a specialist helpline for people who are watching or considering watching online child sexual abuse material.

The Stop It Now! helpline had its busiest year in 2020, handling more than 12,500 calls, emails and live chats – up from 10,700 in 2019. More than 3,500 individuals asked for help because they were worried about their own or someone else’s online sexual behaviour towards children.

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Lady Gaga’s dog walker describes ‘close call’ after he was shot in robbery

On social media, Ryan Fischer says ‘healing still needs to happen’ after he was attacked while walking three dogs

Lady Gaga’s dog walker, who was shot last week during a robbery in Hollywood when two of the singer’s French bulldogs were stolen, has described the violence and his recovery “from a very close call with death” in social media posts on Monday.

Ryan Fischer’s posts included pictures taken from his hospital bed, where he says a “lot of healing still needs to happen” but he looks forward to reuniting with the dogs.

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Gabrielle: how we made Dreams

‘I was singing Luther Vandross covers in a club and a woman said: “This is as good as it’s going to get for you.” I went home and wrote Dreams’

When I was 12, I got up in the school canteen and sang a song I’d written called Teenage Love. A few years later, as I left school, everyone went: “Hope we you see on Top of the Pops, ha ha!” As if that would ever happen. A woman wasn’t allowed to look imperfect on TV, and I had a lazy eyelid. People would say: “Stop winking at me.” Singers on Top of the Pops all had long hair and beautiful clothing. I didn’t. I’d sing in my brother’s suits because I didn’t have the figure or the clothing.

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‘Shocked by the uproar’: Amanda Gorman’s white translator quits

International Booker winner Marieke Lucas Rijneveld will not translate inaugural poet’s work into Dutch after anger that a Black writer was not hired

The acclaimed author Marieke Lucas Rijneveld has pulled out of translating Amanda Gorman’s poetry into Dutch, after their publisher was criticised for picking a writer for the role who was not also Black.

Related: 'My family are too frightened to read my book': meet Europe's most exciting authors

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Golden Globes 2021: Nomadland and The Crown major winners

Netflix royal drama and Chloe Zhao were toast of the night amid technical difficulties and against background of diversity issues

With spotty wifi, lagging sound and Zoom chaos, the 78th Golden Globes was a half-virtual ceremony once again dominated by British stars but marred by technical difficulties and renewed scrutiny on the awards’ lack of diversity.

Related: The full list of Golden Globes 2021 winners

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Like Pablo Hasél, I faced jail for my rap lyrics – but the worst censorship is self-censorship | Valtònyc

The rapper’s arrest shows Spain has a problem with freedom of ideology. But people shouldn’t be scared to write songs that stand up to power

The arrest of Pablo Hasél this month, a Spanish rapper – like me – who is accused of glorifying terrorism and insulting the monarchy in his lyrics, didn’t surprise me. When I was 18, I wrote a song about the Spanish king, the police arrested me and I was sentenced to three and a half years in jail. The day they came to take me to prison, I fled to Belgium and have been here ever since, despite the best efforts of Spain to have me extradited. It seemed like a joke – almost four years in jail for a song. But it wasn’t: there are 18 rappers in Spain facing jail for similar charges.

Related: Angry words: rapper's jailing exposes Spain's free speech faultlines

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Other TV is available: did Netflix sweep the Golden Globes by default?

The absence of I May Destroy You was the most memorable part of the small-screen awards, where voters had seemingly binged the biggest streaming hits – and little else

It has always been hard to care about the Golden Globes, and God knows that it’s difficult to rouse the enthusiasm to care about anything one year into a pandemic. So, in truth, last night’s special pandemic edition of the Golden Globes – an entertainment awards show made in a year when most entertainment has either been cancelled or postponed – barely even deserves acknowledgment.

In fact, if last night’s show will be remembered for anything at all – which in all honesty seems like a stretch – then it will be the swirl of controversy that engulfed its nominations. In summary: when its shortlists were announced, the best TV show of the year (I May Destroy You) was nowhere to be seen. But the worst TV show of the year (Emily in Paris) was. It’s also worth noting that many lavish treats were gifted to voters by the production a year ago. All that, plus it was just revealed that not a single black person participated in the voting process.

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Judge Judy: ‘Are my feelings PC and kumbaya? No. They are realistic’

Her TV show has been No 1 in the US since 1998, but many have criticised her approach to justice. As she hangs up her gavel after 25 years, she discusses wealth, success and repentance

Order, order. Court is in session, Judge Judith Sheindlin presiding, and while you are here you will follow her rules.

Don’t throw paper on the floor. Hang on to your gum wrapper until you get to a bin. Don’t befoul your community. Try not to scratch other people’s cars and, if you do, leave your details on the windscreen. Don’t tell lies. Confront your problems and try to solve them.

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Gilbert and George on their epic Covid artworks: ‘This is an enormously sad time’

The artists have responded to the pandemic with comic, haunting works showing themselves being buffeted around a chaotic London. They talk about lines of coffins, illegal raves and ‘shameful’ statue-toppling

As they call themselves living sculptures, I can’t resist asking Gilbert and George what they think of all the statue-toppling that took place last year. When I ask for their verdict on the removal of public works that have been accused of celebrating slavery and colonialism, they are sceptical.

“We would call that shameful behaviour,” says George. “And it’s very odd – because normally those statues are totally invisible. Nobody ever looks at them. I remember, very near my home town, there’s a statue of Redvers Buller, the hero of the Boer war, surrounded by dying Zulus and things. And if you asked people in Exeter, ‘Where’s Buller’s statue?’, none of them knew. It’s a bit silly. Rewriting history is very silly.”

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‘The Earth could hear itself think’: how birdsong became the sound of lockdown

When the pandemic hit, the song of birds offered joy and hope. The author of a new book recalls that glittering spring and explains the science behind bird calls and how to identify them

It’s six in the morning and still dark, 24 March 2020. I wake early and, knowing the children will soon be up, decide to steal half an hour’s solitude in the park. From the dense latticework of trees and shrubs that clothe the wooded slope comes a constant scuttling through dead leaves. The darkness is awake and vigilant; there’s the warning tik-tik of an invisible robin from the bushes, and then the next second it appears on the path. Each individual movement of the bird, each wing-flick and pivot, is brisk and definite yet the overall impression is one of nervousness and indecision. It leaps round once more on the spot, then flits back into the darkness.

From close by comes a blast of song from a wren. Its harsh trill is like coarse twine zipping over a flywheel. The air is cool, not cold, and smells deliciously of earth and moss. There’s a sudden disturbance from the deeper shade, and a blackbird comes careering out with a mad clatter and pauses, alert, on the great arm of a beech tree. It’s evidently agitated. It flicks about the bough, dipping then raising its wings, and tilting its head all the while in response to something I can’t sense. After a few seconds of this twitching the bird seems to experience some sort of inner resolution, and, as the first beam of grey light wakes the colours of the tree, it raises its head and lets out a quiet phrase of song. Spring has arrived.

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Brexiters buy KGB artefacts for ‘museum of communist terror’

Portrait of Lenin and spy tools among items snapped up at auction by group planning UK exhibition

It depicts the Russian revolutionary leader in characteristically serious mood, staring across Red Square, perhaps, and rendered with more than a touch of kitsch.

But while a Soviet-era oil painting of Vladimir Lenin, which sold for nearly $2,000 at auction in the US, might capture the man as many know him, its buyers are not exactly Bolsheviks.

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Will the ‘Sistine Chapel’ of pelota bounce back as a centre of Spanish culture?

Campaigners call for historic sports venue in Madrid to become a world heritage site after its €38m restoration

Beneath a pale-blue late-winter sky, and behind an elegant but unassuming facade, one of Madrid’s great unsung survivors sits waiting, once more, for news of the latest in a long and improbable series of metamorphoses.

Since its inauguration 127 years ago, the Frontón Beti-Jai, built at the height of the Spanish capital’s love affair with the Basque game of pelota, has echoed with the crack of leather-stitched balls, with cheers, screams, the thrill of invention, the gunning of thirsty American engines and, most recently, the chirping of the birds who nested in its almost terminal decay.

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‘It’s a funeral march’: French artist JR’s powerful eulogy for Australia’s Murray-Darling

Exclusive: The street artist’s latest work saw 60 people parade through Lake Cawndilla in NSW, holding aloft enormous portraits of local farmers and leaders as they fight to save Australia’s vital river system

The mood around Lake Cawndilla in western New South Wales on Saturday is funereal but defiant, as a procession of around 60 locals parade through scrub and sand around its banks.

They carry between them a series of 30m-long cloth figures: three local citrus farmers and prominent Baakandji artist William Badger Bates.

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Oprah with Meghan and Harry: masterstroke or disaster?

The Sussexes are the latest in a line of celebrities to try to rebuild their image by talking to the chatshow queen

You could have forgiven the British royal family for giving primetime, tell-all interviews a wide berth for the foreseeable. The evisceration of Prince Andrew by the BBC’s Emily Maitlis in 2019 managed to achieve the near-impossible: making the Duke of York appear more dubious and less sympathetic.

But if we have learned one thing about the Sussexes, Harry and Meghan, it’s that they are intent on doing pretty much the opposite of what the other royals want them to do. So next Sunday, 7 March, a 90-minute special, Oprah with Meghan and Harry, will air on the US network CBS. There is also understood to be a bidding war between UK broadcasters – though not the BBC – for the interview, which, it is promised, will be “intimate” and “wide-ranging”.

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Someone Close: the intimacy between photographers and subjects

Photography collective Oculi’s first group project gives a glimpse into the lives of 12 members and the people they share their lives with

Conor Ashleigh – photographer

Mazie Turner was more than just my creative mentor; she was a friend, an aunty, a collaborator and above all one of my greatest inspirations. Since passing away in 2014, Mazie has never been far away.

This January I made the most of a summer in Australia and headed north on a road trip. I visited Mazie’s two eldest granddaughters Mali and Lily, both of whom I had often photographed a decade ago as part of my project Baby in a Chapel. I was amazed to see how Mali and Lily had grown and flourished in the seven years since I saw them last. Mali was entering her final year of high school, and she had become a talented and articulate young woman.

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‘I felt a strange grief when I found my birth mother’: Jackie Kay on The Adoption Papers

The poet explains how researching her history led her to tell the story from three perspectives: the birth mother, the adoptive mother and the daughter

In one way, I’d been writing the poems in The Adoption Papers for my whole life. I’d been making up an imaginary birth mother and father with my adoptive mother for years, since I was a kid. She would say of my birth father: “I’m picturing a Paul Robeson figure, Jackie, perhaps with a bit of Nelson Mandela mixed in.”

In another, I started writing the book when I was pregnant. It’s difficult when your writing infiltrates your life and vice versa, difficult to work out what actually happened and what didn’t. Your imaginative life is your reality.

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‘Record companies have me on a dartboard’: the man making millions buying classic hits

Hit songs can be a better investment than gold – and by snapping up the rights, Merck Mercuriadis has become the most disruptive force in music

Merck Mercuriadis had a good Christmas. On Christmas Day, the No 1 song in the UK was LadBaby’s Don’t Stop Me Eatin’, a novelty cover version of Journey’s 1981 soft-rock anthem Don’t Stop Believin’. It replaced Mariah Carey’s All I Want For Christmas Is You, which had topped the chart 26 years after its original release. Both songs are unkillable, evergreen hits, which are closing in on 1 billion Spotify streams apiece. Both songs are among the 61,000 owned, in whole or in part, by Mercuriadis’s investment company, Hipgnosis Songs Fund, and epitomise the thesis that has made the 57-year-old Canadian, in less than three years, the most disruptive force in the music business.

Put simply, Hipgnosis raises money from investors and spends it on acquiring the intellectual property rights to popular songs by people like Mark Ronson, Timbaland, Barry Manilow and Blondie. In a fast-growing market, what sets Hipgnosis apart from competitors is its founder’s bona fides as a veteran A&R man, manager and record label CEO. Like an old-school music mogul, Mercuriadis sells his brand by selling himself. Unlike those moguls, he’s a buff, teetotal vegan with spartan tastes. “The only material thing that I really care about is vinyl,” he says. “And Arsenal football club.” He looks rather like a rock-concert security guard: shaven head, burly torso, plain black T-shirt, hawkish gaze. Mark Ronson calls him “the smartest guy in the room”.

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It’s time to face up to colourism | Candice Brathwaite

As I grew up, the majority of black women I saw on TV were fair skinned. Those who looked like me were never cast as the lead

I’ve been building a profile as a writer and broadcaster long enough to know that there will be public storms. Some creep up on you, others you sense brewing, and some have been lingering in the background for a lifetime.

A couple of weeks ago, I posted on social media about having “lost out” on hosting a documentary to a lighter-skinned black woman. The subject of the documentary was maternal mortality in the UK, and the harrowing fact that black women are five times more likely to die in childbirth than white women. This is something I have campaigned on for several years, wrote about in my book I Am Not Your Baby Mother and experienced first-hand when I almost died a few days after the birth of my first child in 2013.

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Happy ‘farmily’: portraits of people and their animals – in pictures

Photographer Tasha Hall creates what she calls ‘farmily’ portraits – featuring families and their animals. Hall, from British Columbia in Canada, says she got the idea after wanting to include all her furry friends in a family portrait. She now travels the world capturing other families with their livestock and pets

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Prince Harry defends Netflix’s The Crown in James Corden interview

Duke of Sussex says he is happier with series than news stories about Meghan or his family

The Duke of Sussex has defended the Netflix series The Crown, saying that – while it was not “strictly accurate” – it portrayed the pressures of royal life.

In an interview with James Corden for the US programme The Late Late Show, Prince Harry said he minded the intrusions of the media into his family’s life much more than the miniseries, which was “obviously fiction”.

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