On my radar: Brett Anderson’s cultural highlights

The Suede frontman on his latest musical discoveries, the brilliance of Michael Clark and the enduring appeal of mudlarking by the Thames

Born in Sussex in 1967, Brett Anderson founded alternative rock band Suede in 1989 with then-girlfriend Justine Frischmann and childhood friend Mat Osman. Billed by Melody Maker as “the best new band in Britain”, Suede released five albums including their self-titled debut and Coming Up, before disbanding in 2003. Anderson went on to front the Tears and release four solo albums. In 2010 Suede reformed and released a further three albums, the latest of which is 2018’s The Blue Hour. Anderson will perform with Charles Hazlewood and Paraorchestra as part of the Gŵyl 2021 festival, 6-7 March.

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Khashoggi confidant Omar Abdulaziz: ‘I’m worried about the safety of the people of Saudi Arabia’

The close associate of the journalist killed by the Saudi regime is determined to speak out in a new documentary, despite the arrest of family members

Not long before he was murdered, the journalist Jamal Khashoggi told his young friend Omar Abdulaziz two things that have subsequently never been far from his thoughts. The first was: “Never forget, your words matter.” And the second: “Be careful, this kind of work might get you killed.”

Omar Abdulaziz, 29, lives in exile in Montreal, Canada, where he has been, before and after Khashoggi’s death, among the most vocal critics of the Saudi regime that killed his friend. His words do matter – his tweets have been viewed nearly a billion times in the past year; he has an almost daily YouTube programme that has clocked up 45m views. And he is left in no doubt of their potential consequence: death threats are routine; both of his younger brothers and dozens of his friends have been arrested and imprisoned in Saudi Arabia in failed attempts to silence him.

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Claes Bang: ‘Could I do Bond? No, I’d be too old’

The Danish actor, 53, on multilingualism, nudity, the joy of being in a band and why playing Dracula was such a gift of a role

My schooling in Denmark was quite a mess. I went to something like eight or nine primary schools. My parents moved around a lot and then they got divorced. I had new classmates every Monday.

We did a play in high school. Someone said, “Would you like to be in it?” and I said, “How could I? I’m not an actor.” They said, “Let’s just try, it might work.” I was terrified of applying to drama school. I was sure they would say: “Thank you very much for coming, but no thanks.” I was lucky to have been accepted.

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Kim Kardashian and Kanye West file for divorce

The reality TV and rap superstar couple known as Kimye are parting ways after almost seven years of marriage, following reports a split was ‘imminent’

Kanye West and Kim Kardashian are getting a divorce after almost seven years of marriage.

The reality TV superstar, 40, filed for divorce from the rapper, 43, on Friday in Los Angeles, court sources confirmed to the AP, and is seeking joint legal and physical custody of their four children, daughters North, seven years old, and Chicago, two, and sons Saint, five, and Psalm, 19 months.

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Britney Spears: another pop princess trapped in a man-made fairytale

One contributor is notably absent from the new film about Britney: herself. But from Rihanna to Beyoncé to Taylor Swift, female stars have always struggled to tell their stories

In the closing song of Lin-Manuel Miranda’s Hamilton, we are invited to ponder the question: “Who lives, who dies, who tells your story?” It is a powerful message about legacy and ownership, as relevant to any modern public figure as it is about one of America’s founding fathers.

I think about this lyric whenever my mind strays to Britney Spears, who has found her life back under the microscope following the release of the documentary Framing Britney Spears. The story the film chooses to tell is contextualised by what we now understand as the rampant misogyny of the mid-to-late 00s, painting an empathic portrait of a woman who had not previously found much sympathy in the mainstream.

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Sacha Baron Cohen: ‘If you’re protesting against racism, you’re going to upset some racists’

Stopping Trump, reforming Facebook and risking his life to make a Borat sequel. In an exclusive interview, the actor unveils his plans for a revolution – and reveals how it feels to come out as himself

Seven months ago, Sacha Baron Cohen was in the back of a speeding ambulance. It was an escape car, and he was fleeing a gun rally. The Borat producers had chosen the ambulance as it could blend in, accommodate a small film crew and, if necessary, hasten a trip to hospital.

Baron Cohen – dressed as Borat, himself disguised as a country singer – had just led the crowd of far-right conspiracy theorists in a singalong. At first, they happily joined in: “Obama, what we gonna do? / Inject him with the Wuhan flu.” Then one or two smelled a rat. Then they all stormed the stage.

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‘You can smell the sweat and hair gel’: the best nightclub scenes from culture

Writers and artists including Róisín Murphy, Tiffany Calver and Sigala on the art that transports them to the dancefloor during lockdown

There have been many notable nightclubs in film history. The Blue Angel in the Marlene Dietrich movie; the Copacabana in Goodfellas, accessible to privileged wiseguys via the kitchen; the Slow Club in Blue Velvet, with the emotionally damaged star turn Isabella Rossellini singing the song of the same name.

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‘An eyesore’: thousands protest against Spanish cathedral’s new doors

Planned update to Burgos Cathedral prompts online petition signed by more than 31,000 people

Plans to mark the 800th anniversary of Burgos’s magnificent gothic cathedral with three enormous new bronze doors have ushered in an unholy row, with Unesco advising against the project and critics attacking the €1.2m portals as an “artistic outrage”.

Cathedral authorities in the northern Spanish city say the new doors, designed by the renowned, award-winning artist Antonio López, are a work of contemporary art that will complement “a monument already rendered in five artistic styles that are the fruit of each stage of its eight centuries”. They also point out that the current wooden doors are old and in a poor state of repair.

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Dionne Warwick’s greatest tracks – ranked!

As the soul legend is nominated for the Rock & Roll Hall of Fame, we pick her 20 greatest songs from her 60s collaborations with Burt Bacharach to her later power ballads

The live album A Man and A Woman is both delightful and slightly odd: Warwick dueting with Isaac Hayes, who had just had a hit with a paen to troilism called Moonlight Lovin’ (Ménage à Trois). Its solitary single isn’t a medley, more an attempt to bind two songs together as a call-and-response. It works.

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Kate Mosse: My journey of discovery in medieval Amsterdam

While researching her latest novel the author spent weeks walking the canals and streets, and unearthing the Old Town’s hidden history

February and it’s not yet quite spring in Amsterdam. Soon, the buds in the rose garden in Vondelpark will start to blush pink and yellow; the leaves on the trees surrounding the lake will begin to shimmer with silver and green. Soon, at least in a normal year, people will gather again at the bandstand and the Blauwe Theehuis, the blue teahouse, in this elegant 19th-century park named after the poet Joost van den Vondel, and the diagonal paths that cross the museum quarter between the Rijksmuseum and the Concertgebouw – once a region of small farms and market gardens – will be filled with conversation and bicycles again.

But our focus lies not in the 19th-century city – nor the 20th century with the Anne Frank House beside the Westerkerk – but rather in the old medieval centre of Amsterdam. I should be there now, conducting a walking tour for English and Dutch readers around the canals and overlooked alleyways that inspired my latest adventure novel, The City of Tears. I should be explaining how, in the bloody aftermath of the St Bartholomew’s Day Massacre in Paris in August 1572, my imaginary first family, the Jouberts, flee persecution to the city of tears itself, Amsterdam, to build a new life for themselves.

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Rihanna angers Hindus with ‘disrespectful’ Ganesha pendant

Comments on singer’s Instagram account say wearing likeness of god is cultural appropriation

The singer Rihanna has angered the Hindu community with a “disrespectful” Instagram picture in which she wears a diamond-studded pendant featuring the Hindu god Ganesha.

Commenters on her Instagram account have called the wearing of the likeness of the god around her neck cultural appropriation.

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John Malkovich as eerie identical twins: Sandro Miller’s best photograph

‘I wanted to pay homage to work that made my knees buckle. John looked nothing like Diane Arbus’s twins. But on set his spirit left and theirs came in’

Ten years ago, I was diagnosed with stage 4 throat cancer. The prognosis wasn’t 100% positive and there were days when I’d lay in bed wondering if I’d ever be able to shoot again. I’m self-taught, and I started thinking about the images that had changed the way I thought about photography – work by Irving Penn, Richard Avedon and Diane Arbus, work that made my knees buckle with emotion.

I thought: if I ever get better, I would love to pay homage to these greats, in a way nobody has done before.

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TS Eliot winner Bhanu Kapil: ‘It’s hard to study something by standing in front of it’

The poet’s latest collection, How to Wash a Heart, was partly inspired by a news story about a liberal white couple taking in an Asian refugee

Bhanu Kapil’s fourth poetry collection, Schizophrene, relays a scene from India’s partition. A girl fleeing her childhood home glimpses, through a hole in the cart in which she’s hidden, countless women tied to trees on the newly drawn border with Pakistan, their stomachs cut out. “This story, which really wasn’t a story but an image, was repeated to me at many bedtimes of my own childhood,” Kapil writes. This image was, in fact, “a way of conveying information”.

Throughout her work, Kapil examines the intergenerational effects of a historical silence that has slowly lifted over the largest mass migrations in history, which was also one of the most violent. These images demonstrate how colonial violence embedded in the heart of the British empire breeds racial trauma for migrants within its own borders. As she writes, again in Schizophrene, “it is psychotic not to know where you are in a national space”.

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I wish I knew how to quit You: our writers’ favourite TV hate-watches

Which shows are so bad they’re addictive? From You, to Made in Chelsea and the hideously self-unaware The Newsroom

It’s rare for a show with so few redeeming features to become a hit, and yet Netflix’s You has done just that, with tens of millions of viewers following the disturbing exploits of Penn Badgley’s holier-than-thou-drifter, and the beautiful female objects of his obsession. Joe Goldberg is a Nice Guy, so nice in fact that he owns a huge glass cage in which he traps anyone who stands in between him and his sociopathic whims. He worms his way into the life of his first victim, Beck, by stalking her on social media. It’s the kind of plot that could, in a more serious production, scare viewers into not diarising their movements on Instagram, but – told from Joe’s perspective – becomes something more akin to a Joker-esque incel manifesto.

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‘People want imperfection’: Hiam Abbass on Succession, Ramy and playing complex women

She is enigmatic Marcia Roy in Succession, but as the Egyptian-American mother in the award-winning Ramy, she’s a hoot. The Palestinian actor examines her many-layered roles

You would be hard pressed to find two TV characters in 2021 with less in common than Marcia Roy and Maysa Hassan. The former is the enigmatic, sophisticated wife of billionaire patriarch Logan Roy in the HBO hit Succession. While the series is dominated by huge personalities, she is a mysterious presence – albeit one who is despised by Logan’s children. The latter, on the other hand, is an open book – the unfiltered, sometimes offensively so, Egyptian-American mother of the title character in the Golden Globe-winning comedy Ramy.

But they are played by the same actor, Hiam Abbass, whose ability to switch from calamity to calm speaks to a varied career across theatre, cinema and, latterly, award-winning television series. Though she has lived in Paris since the late 80s, the Palestinian actor was born in Nazareth, Israel, and started her career with the then-burgeoning Palestinian National Theatre, El-Hakawati. Though the company toured Europe, it was far from an easy existence back at home. “The Israeli authorities didn’t like all of the activities happening at our theatre,” explains Abbass, a warm presence who is fluent in English, Arabic, French and Hebrew. “They would come in and close it down. Part of my work there was dealing with how, politically, we could stay open. Travelling to Europe opened my eyes a little to the possibility of breathing some different air. It was hard to work all the time to justify your being.”

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Unseen work by Proust announced as ‘thunderclap’ by French publisher

The Seventy-Five Pages, out next month, contains germinal versions of episodes developed in In Search of Lost Time and opens ‘the primitive Proustian crypt’

For everyone who decided to bite the madeleine and read all 3,000-odd pages of Marcel Proust’s In Search of Lost Time during lockdown, what’s one more book? French publisher Gallimard has announced that it will be releasing a never-before-published work by the great French writer: Les Soixante-quinze feuillets, or The Seventy-Five Pages, on 18 March.

The texts in The Seventy-Five Pages were written in 1908, around the time Proust began working on In Search of Lost Time, which was published between 1913 and 1927. The papers were part of a collection of documents held by the late publisher Bernard de Fallois, who died in 2018. During his lifetime, De Fallois oversaw the posthumous publication of several Proust works including Jean Santeuil, Proust’s abandoned first novel from the 1890s.

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White Colour Black review – Dudley O’Shaughnessy is one to watch

The boxer turned actor anchors this tale of a UK photographer who travels to Senegal after the death of his estranged father

British-Nigerian director Joseph Adesunloye’s feature debut – made in 2016 but only now seeing the light of day – is the story of a London photographer travelling to Senegal for his father’s funeral. It’s a drifting movie, not entirely successful but grounded by the undeniable screen presence of boxer turned model turned actor Dudley O’Shaughnessy. (He was in the recent season of Top Boy; in his modelling days he appeared opposite Rihanna in the video for We Found Love.)

Here he plays Leke, a fashion photographer living the dream in Hackney; home is a loft-style flat overlooking the city and Leke is about to open a major show in China. The film begins with a couple of fake-feeling gallery scenes, everyone head-to-toe in black and air-kissing with extravagant mwah-mwahs (this is the art world recognisable from other movies rather than real life). Despite his success, Leke seems detached from his life in London. He is also ignoring telephone messages from Senegal, where his father is seriously ill. When the inevitable call comes – his dad has died – Leke flies to Dakar. A family friend has arranged for a taxi driver to be his guide. “What do you speak? French? Wolof?” Leke shakes his head no. “Mon ami,” says the guy. “Tu est perdu. You are really, really lost.”

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Johnny Pacheco, co-founder of New York’s Latin label Fania, dies aged 85

The Fania All-Stars player and record-label impresario worked with Latin music giants including Celia Cruz and fostered a more intense, political salsa sound

Johnny Pacheco, the co-founder of trailblazing salsa label Fania Records, has died aged 85. The cause was complications from pneumonia.

A representative for Fania said Pacheco was “the man most responsible for the genre of salsa music. He was a visionary and his music will live on eternally.”

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Bear Grylls: ‘There’s no point getting to the summit if you’re an arsehole’

The TV adventurer talks near-death experiences, what he learned from Eton and why he decided to go public about his religious faith

“The ninjas of the future,” says Bear Grylls, “are going to be those who can learn how to navigate the fear. It’s like a firefight. You can’t move backwards. You’ve got to move towards it, you know?” Not really. But I’ve never been in a firefight. And if I saw one, I doubt I’d move towards it. Like most people, I’ve been raised in mimsy, risk-averse Britain. Few of us have acquired the wild wisdom of Edward Michael “Bear” Grylls OBE. Unlike the 46-year-old TV adventurer, we have never simmered a sheep’s eyeball in geyser water, paused on Everest to reflect on the corpse of a late friend, wrestled snakes, outrun lions, or broken our backs parachuting. Rather, we’ve been raised in a land where a PE lesson can consist of Tudor-dancing.

Grylls wants to change all that. He wants kids to embrace fear and risk. “If you meet somebody who says they don’t have fear, it means one of two things: one, they’re not telling the truth; or two, they’re not going for anything big enough in their life. What I’ve learned through many trips and many failures is that you have got to move towards the difficult stuff. And the irony is that the things we fear most often dissipate.”

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‘A critic said my stomach was a warning to us all!’ Simon Callow meets Derek Jacobi

The theatre legends look back at working with Laurence Olivier and Peter O’Toole, the pain of biting reviews, the joy of a good run – and the agonies of being miscast

Derek Jacobi and Simon Callow first met at the Old Vic in London. Jacobi was treading the boards with Laurence Olivier, Peter O’Toole and other greats in the fledgling National Theatre company; the younger Callow was working at the box office. Prolific as ever through this lockdown year, both are juggling an assortment of stage and screen projects from home. They took time off to talk about Shakespeare, scathing reviews and how rifling through their family’s wardrobes led them into an acting career.

Derek Jacobi: Have we ever worked together, Simon? I can’t remember!

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