Want to understand the Capitol rioters? Look at the inflamed hate-drunk mobs painted by Goya

The horrific visions of the Spanish painter are about to go on display at New York’s Met. Americans should flock to this timely show – because no artist better captured collective delusion and mass fanaticism

The macabre art of Francisco Goya, the first truly modern artist, is due to be exhibited at the Metropolitan Museum in New York next month and there could hardly be a more urgent moment for Americans to look at his images. For, over 200 years ago, this Spanish artist perfectly captured the kind of collective delusion and mass fanaticism that swarmed the US Capitol last week. The mob of Trump supporters who assaulted the home of American democracy were as inflamed as the crowd who march with crazed eyes behind a manic musician in The Pilgrimage to San Isidoro, as dangerous as the hate-drunk crowd in The Second of May 1808, spellbound by their goat-headed charismatic idol.

And then there’s The Burial of the Sardine, in which a delirious crowd cavort around a huge banner of a madly grinning face. At first glance, it seems to be a joyous carnival scene, but look closer and the intensity of their rite becomes unsettling as you notice that face on the banner, their vacant lord of the dance. It has a definitive Trumpian air.

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Bridgerton author Julia Quinn: ‘I’ve been dinged by the accuracy police – but it’s fantasy!’

Her ‘hot and crazy’ novels about feisty women bedding rakish aristocrats have become a Netflix sensation. The writer talks about literary snobs, colour-conscious casting and the curse of Jane Austen

“People look down on romance novels,” says Julia Quinn. “We’re the ugly stepchild of the publishing industry – even though romance novels make so much money for publishers that they’re able to take chances on poetry, literary fiction and other things that don’t really make money.”

This is why Quinn never dreamed that any of her novels – Regency romances in which smart, witty women fall for handsome titled men – would ever make the leap to TV. She was happy with her regular slot at the top of the bestseller lists, if a little irked at the way the genre is looked down on by more literary types. “I dream big, I do,” says Quinn, speaking from her home in Seattle. “But nobody had ever done it, nobody had ever shown any signs of wanting to. And not just my books, but the genre as a whole. If somebody wanted to do a period piece, they wanted to do Jane Austen again.”

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From BLM to LGBT+: why Sex and the City will need a 2020 rethink

Back with a new name – and minus just one core cast member – the 90s classic show will have to update its race and sexual politics for a very different world

Sex and the City is back, with a new name – And Just Like That … – and a new cast, which is to say, the old cast, minus Samantha (Kim Cattrall). Anyone who is surprised to see them recovered from the bruising experience of the movie sequel just has too long a memory. Sex and the City 2 was more than 10 years ago. The statute of limitations on awful moments in culture has long since expired.

To revisit that film for a second, though, its flaw was neither the excruciating dialogue nor the amateurish, uncertain plot; rather, its gorging consumerism, the signature shoe-fetishism of the series applied to every known item that a woman could buy. It held up a mirror to 21st-century excess and nobody, but nobody, liked what they saw. One IMDb reviewer called it a “terrorist motivational tool”. (In this it had a lot in common with the third volume of Fifty Shades of Grey; I have thoughts on that segue, from genuine lust to a sad, consumer simulacrum, as a metaphor for late capitalism, but I’m saving those for my PhD.) In the series itself, the shopping element was more of a running joke, a self-deprecating nod to the fact that intelligent, empowered, evolved women can still do really stupid things, such as spending their lunch money on earrings. There is no reason for the film to have stained the televisual side of the franchise.

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Franka Potente: How we made Run Lola Run

‘I had to sprint across Berlin in a pair of Dr Marten boots – and I was smoking two packs a day back then’

I was in New York shooting a couple of films when I got this script called Lola Rennt (Lola Runs). I read it and thought: “This is cool – but kind of weird, too.” I flew back to Berlin, met the writer-director Tom Tykwer, and realised the energy I had felt on the page came from him.

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Olly Alexander on success, sanity and It’s a Sin: ‘All those hot guys. I loved it!’

The Years & Years frontman is starring in Russell T Davies’ new drama about the Aids crisis. He talks about bulimia, his ‘dark’ clubbing days – and how he learned to enjoy filming sex scenes

Olly Alexander was so certain he was destined for success that he saw a therapist to help him prepare for his future fame. It was 2014 and his band Years & Years had just signed to Polydor when he visited the shrink.

“I said: ‘The album’s coming out and I really want it to be successful,’ and he said: ‘What happens if it isn’t?’ I said: ‘Well, that’s not an option because I have planned it in my diary since I was a teenager.’”

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The Wodge: can London’s tallest new skyscraper survive the Covid era?

Nicknamed The Wodge because of its girth, the capital’s tallest ever office has just muscled onto the skyline. But in the age of coronavirus, who wants to jostle for 60 lifts with 12,000 others?

With the City of London deserted once more, its streets only populated by the occasional Deliveroo driver or tumbleweed-seeking photographer, it seems a strange time to be completing the largest office building the capital has ever seen, not least because the very future of the workplace is now in question.

But, rising far above the Cheesegrater and the Walkie-Talkie, dwarfing the now fun-sized Gherkin and boasting the floor area of almost all three combined, 22 Bishopsgate stands as the mother of all office towers. It is the City’s menacing final boss, a glacial hulk that fills its plot to the very edges and rises directly up until it hits the flight path of passing jets. The building muscles into every panorama of London, its broad girth dominating the centre of the skyline and congealing the Square Mile’s distinctive individual silhouettes into one great, grey lump.

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Sex and the City to return for new series, stars confirm

The rebooted show will be called And Just Like That... and will feature the original stars, apart from Kim Cattrall

Sex and the City will be given a 2021 makeover, US streaming service HBO Max has announced.

Long-swirling rumours that the video-on-demand arm of the prestige TV brand was considering commissioning a revival of the 90s and 00s show were confirmed on Sunday night US time when three of the four stars of the original show, Sarah Jessica Parker, Cynthia Nixon, and Kristin Davis, shared a trailer for the series on social media platforms.

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Split in two: magicians to celebrate 100 years of sawing people in half

London based Magic Circle’s event, streamed on Facebook, will feature David Copperfield, Debbie McGee and more

One hundred years ago next weekend, an English magician called Percy Thomas Tibbles literally and laboriously sawed through a sealed wooden box which contained a woman.

It was a sensation and has since become one of the best known magic tricks, performed with all manner of tools and varying degrees of blood - always involving someone cut in half and nearly always with them miraculously put back together.

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Tom Templeton: ‘I suspect doctors have realised how therapeutic it can be to write books’

The former Observer writer and now GP talks about his new book, 34 Patients, and the challenges he has faced during the pandemic

How has life changed for you at the surgery during the pandemic?
The biggest change has been having to talk to patients on the phone rather than seeing them in person. We only see around three per day now in person.

Do you miss seeing people face to face?
Totally. It’s quite right that we do it the way we do but I love being with the patients and having that connection.

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Festivals, holidays, Euro 2020… will summer’s big events still go ahead?

Burgeoning hopes for a normal sporting and cultural calendar are now in question again as infections increase

As Covid-19 cases rise across the world, hopes that life could get back to some semblance of normality by summer are fading. What chance do we have of going to a festival, flying off for a holiday or attending a major sporting event?

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Call My Agent’s Camille Cottin: ‘Don’t we need culture more than we need shopping?’

The scene-stealing star of the French comedy series - a word-of-mouth Netflix hit - on her journey from a prank show in Paris to co-stardom with Matt Damon

“I bought a few sheep during lockdown. Nobody told me they’d eat all my plants. How Parisian is that?” I’m discussing the pandemic with actor Camille Cottin, who during the first Covid lockdown last year decamped from her apartment in the French capital to do up an old farmhouse in Normandy. Now, she’s back in Paris, preparing for what will be a huge year. Already a star in her native France, Cottin is making the leap to major Hollywood roles. Tom McCarthy’s Stillwater, in which she co-stars with Matt Damon, is due for release in the autumn. She is currently polishing her English for her role in Ridley Scott’s Gucci biopic, which starts shooting in a few months and features Adam Driver as Maurizio Gucci and Lady Gaga his ex-wife. And she has just signed up for a huge project that she’s not yet allowed to talk about.

Before all that comes the fourth and final season on Netflix later this month of Call My Agent!, the word-of-mouth hit drama that has found new fans looking to binge during lockdown. As Andréa – tough, ruthless, gay, and agent to some of France’s biggest movie stars – Cottin’s is the standout role in a show that has brought her international attention, including a role in series three of Killing Eve.

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Nick Kent: ‘I was in the right place at the right time, on the wrong drugs’

The rock critic who revived British music writing at the NME in the 70s is back with his first novel – a caustic tale of rock megalomania

Nick Kent, who is as close as British music journalism ever came to producing a legend, finally stopped writing about rock in 2007. “There was really nothing around that sparked my imagination,” he tells me. “There was no mystery, and rock’n’roll needs mystery.”

So ended a singular odyssey that had begun 35 years earlier, in 1972, when Kent joined a then struggling NME and, within a year or two, had helped push its weekly readership to near the 300,000 mark. Back then, a tall, stick-thin fop in leather trousers, matching biker jacket, a dangling earring and eyeliner, Kent was as sartorially stylish and – to borrow one of his own phrases – as “elegantly wasted” as the dissolute rock stars he profiled. And he walked it like he talked it, hanging out with the Rolling Stones and Led Zeppelin, befriending Iggy Pop, stepping out with Chrissie Hynde (briefly a fellow NME writer) and even playing guitar in a very early incarnation of the Sex Pistols.

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Jenni Fagan: ‘I understand crisis. I grew up in a very, very extreme way’

From a childhood in care to dazzling readers with her debut The Panopticon, Fagan talks about writing her third novel, channelling rage, and why now is a pivotal moment for us all

For all that she was laid low early in the pandemic, and then spent months as a single parent trying to home-school her nine-year-old son, the last year has been far from a write-off for Jenni Fagan. Her third novel is about to be published, she completed her PhD. And on the day she speaks to me from her Edinburgh home, she is hours away from finishing a memoir of her life up until the age of 16.

For most people, that would amount to a very thin book, but not for Fagan. As a child growing up in the Scottish care system, those first 16 years involved 29 different placements, under four different names. The only thing she knows about her birth was that it took place in a Victorian psychiatric hospital in 1977. Perhaps, she muses, it has helped her to cope better than most with the events of the last months. “You know, I kind of understand crisis. I grew up in a very, very extreme way, and the idea that bad things happen to other people was never my reality. I always knew they happen to you. And sometimes they happen over and over.”

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Billy Porter: ‘My church said I would never be blessed if I chose to be gay’

The actor and singer on RuPaul’s Drag Race, learning how to be loved, and why no actor could play him in the film of his life

Born in Pennsylvania, Billy Porter, 51, studied drama and moved to New York in 1991 to appear in Miss Saigon. He went on to star in Kinky Boots, winning the 2013 Tony award for best actor in a musical, and a Grammy for the soundtrack. In 2018, he was cast in Netflix’s Pose, which will return for a third series. He is married and lives in New York state.

What is your greatest fear?
That I will be forgotten and my legacy won’t matter.

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Twisted brilliance: Patricia Highsmith at 100

Forbidden desires, strange obsessions and a singular talent for suspense... Carmen Maria Machado on the dark allure of the writer behind Ripley

There has always been something fundamentally difficult about Patricia Highsmith. And not difficult in the way that most people mean it: ironic, quirky, feminist (“Well-behaved women rarely make history”, and so on). I mean truly, legitimately difficult; a well of darkness with no discernible bottom.

Which is not to say that she wasn’t, in her own way, endearing. She was, after all, a genius, a bona fide eccentric. She loved animals, particularly snails, which she kept by the hundred as pets and took to parties clinging to a leaf of lettuce in her handbag. Writer and critic Terry Castle describes how she once “smuggled her cherished pet snails through French customs by hiding six or eight of them under each bosom”. She was famous for her wit and wicked sense of humour, and she wrote compellingly of loneliness and empathetically about disempowered housewives and children.

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¡Populista! review: Chávez, Castro and Latin America’s ‘pink wave’ leaders

BBC reporter Will Grant has produced an excellent look at the group of strongmen who came from left field

If there was ever a surreal start to a trip to Cuba, it was the one that coincided with the news Fidel Castro had died. That was what I woke up to on 26 November 2016, hours before my husband and I were due to fly to Havana. A day later, we found ourselves in what seemed like an endless queue under a blazing autumn sun, waiting to enter Castro’s memorial at the Jose Martí monument in the Plaza de la Revolución.

Related: Sisters in Hate review: tough but vital read on the rise of racist America

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Pioneering Observer columnist Katharine Whitehorn dies aged 92

The first woman to have her own column in the Observer, Whitehorn was a celebrated writer and author

Katharine Whitehorn, the pioneering newspaper columnist and author, has died aged 92.

The Cambridge graduate worked briefly as a model before embarking on a celebrated writing career, working for publications including the Observer, Picture Post and Saga magazine, where she was agony aunt for 19 years.

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Michael Apted: a vital and dignified director who understood how class shapes us all

Apted made his name with the brilliant Up TV series that examined people’s lives every seven years, before going on to become a film-maker of distinction, whose influence cannot be overstated

Michael Apted, who has died aged 79, was a British movie director who – like Ken Loach and Ken Russell – earned his stripes working on TV. But it was his destiny to help create an epic ongoing masterpiece for the small screen with truly cinematic scope and beyond: current-affairs television which had the scale of cinema, combined with the Mass Observation Project and the Roman census.

Granada Television’s Seven Up! from 1964, was, to quote a comedy of the era, not so much a programme, more a way of life. It took 14 British children at the Jesuit age of seven (that is, the age at which the Jesuits’ St Ignatius of Loyola famously said he could “show you the man” if schooled early enough) and interviewed them about their lives and opinions – seven from a working-class background and seven from a posher caste. Then it was updated every seven years, finally spanning 56 years.

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Michael Apted, director and Seven Up documentarian, dies at 79

British director made films Coal Miner’s Daughter and The World is Not Enough, and the long-running Up documentary series

The British director Michael Apted has died at the age of 79.

The film-maker and documentarian was known for films such as Gorillas in the Mist and Coal Miner’s Daughter, as well as his long-running series of Up documentaries.

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‘His life is a rebuke to cynicism’: what five years without David Bowie has taught us

In his song Five Years, Bowie imagined a dying Earth. Five years on from his death, it seems to have come true – yet he continues to uplift us

On 11 January 2016, in pitch darkness, I turned on the radio at 7am and heard the news that David Bowie had died. I switched rapidly between stations hoping to find a parallel universe in which he was still alive, but there were only the halting voices of presenters choking back tears alongside snippets of Bowie’s incomparable musical world, collapsing into collective grief.

My first reaction was to think magically: “But he can’t be dead!” Bowie had just released his 25th album, Blackstar, only three days previously, on his 69th birthday. His official website had recently posted new photographs of him, sharp-suited and yelling playfully into the camera. Occasional news of what the critic Paul Morley called Bowie’s “cheering, ongoing life” – especially in the decade after Bowie suffered a heart attack on stage in 2004 – had been enough to reassure me and his millions of fans that he was still around. Not that he owed us anything, but a world that still had David Bowie in it couldn’t be all bad. And now he was gone from it.

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